Press Release ORCHESTRA of ST. LUKE's ANNOUNCES 2019
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The Zurich Chamber Orchestra EDMOND DE STOUTZ, Conductor
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN The Zurich Chamber Orchestra EDMOND DE STOUTZ, Conductor FRIDAY EVENING, FEBRUARY 15, 1980, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Symphony No. 3 in C major ........... BOYCE Allegro Vivace Tempo di menuetto Suite about the Present Times for Two String Orchestras (1979) . MORET Pourquoi Ombre vansante du songe Abime Extase Aux quatre vents Brandenburg Concerto No. 3 in G major ........ BACH Allegro, adagio Allegro INTERMISSION Apollon Musagete ............. STRAVINSKY Naissance d'ApoIIon Variation Terpsichore Variation d'Apollon Variation d'Apollon Pas d'action Pas de deux Variation de calliope Coda Variation de polymnie Apotheose Concertino No. 2 in G major .......... PERGOLESI Largo Da cappella Largo affettuoso Allegro Angel, Columbia, and Turnabout Records. 101st Season Forty-eighth Concert Seventeenth Annual Chamber Arts Series PROGRAM NOTES Symphony No. 3 in C major ......... WILLIAM BOYCE (1711-1779) By the time his symphonies were published (1760), Dr. William Boyce had attained a position of eminence and honor among English musicians. He held the post of Composer to the Royal Chapel, and he was also one of the Chapel's organists. Receiving his doctorate in music at Cambridge, he then took office as Master of the King's Music (1755-1759). His reverence for the old masters of English church music, which was encouraged by his teacher Maurice Greene, resulted in his completing Greene's projected collection of English Cathedral Music, the first volume of which was published in 1760. Vocal music was considered by most composers to be of paramount importance "the finest instrumental music" being regarded as "an imitation of the vocal." It is not therefore surprising that some instrumental forms originated as introductions and adornments to vocal works. -
Jeremy Denk and Stefan Jackiw Play Ives
Jeremy Denk and Stefan Jackiw play Ives WHEN: VENUE: Sunday, Bing January 28, 2018 ConCert Hall 2:30 PM Program Artists Charles Ives (1874–1954) Violin Sonata No. 4 “Children’s Day at the Camp Meeting” Jeremy denk, artistic director and piano Allegro Stefan Jackiw, violin Largo Allegro tenors and Basses of the Stanford Chamber Chorale Stites / Sweney “Beulah Land” Lowry / Hawks “I Need Thee Every Hour” Tenor no pause tobin Bell Minseung Choi Ives Violin Sonata No. 3 Cooper d’agostino Adagio; Andante; Allegretto; Adagio Jeremy raven Allegro Joss Saltzman Adagio cantabile Christopher Swenson —INTERMISSION— Bass Barthélemon / Robinson “Autumn” (“Mighty God, While Angels Bless Thee”) darren Baker daniel Borup no pause luke Halberstadt Ives Violin Sonata No. 2 eric lebel Autumn James Mayclin In the Barn alexis rochat The Revival elekos Praxis Root / Nelson “Shining Shore” (“My Days Are Gliding Swiftly By”) Root “Tramp! Tramp! Tramp! The Boys Are Marching” Management for Mr. denk and Mr Jackiw: Kiallmark / Woodworth “The Old Oaken Bucket” opus 3 artists, 470 Park avenue S, 9 th Fl n., Mason / Coghill “Work Song” (“Work for the Night is Coming”) new york, ny 10016 no pause Ives Violin Sonata No. 1 The hymn and song verses heard in this Andante program were edited and arranged by Largo cantabile Wilbur Pauley. Allegro Steinway Piano PROGRAM SUBJECT TO CHANGE . Please be considerate of others and turn off all phones, pagers, and watch alarms. Photography and recording of any kind are not This program is generously supported by Trine Sorensen and Michael Jacobson. permitted. thank you. 2 Program Notes Why Ives ? also, these four Sonatas create a portrait of luckily, we still recognize many of the tunes the composer—in four different states. -
24 August 2021
24 August 2021 12:01 AM Bruno Bjelinski (1909-1992) Concerto da primavera (1978) Tonko Ninic (violin), Zagreb Soloists HRHRTR 12:11 AM Wolfgang Amadeus Mozart (1756-1791) Piano Sonata in C major K.545 Young-Lan Han (piano) KRKBS 12:21 AM Johannes Brahms (1833-1897) 3 Songs for chorus, Op 42 Danish National Radio Choir, Stefan Parkman (conductor) DKDR 12:32 AM Giovanni Battista Viotti (1755-1824) Serenade for 2 violins in A major, Op 23 no 1 Angel Stankov (violin), Yossif Radionov (violin) BGBNR 12:41 AM Joseph Haydn (1732-1809),Ignace Joseph Pleyel (1757-1831), Harold Perry (arranger) Divertimento 'Feldpartita' in B flat major, Hob.2.46 Academic Wind Quintet BGBNR 12:50 AM Joaquin Nin (1879-1949) Seguida Espanola Henry-David Varema (cello), Heiki Matlik (guitar) EEER 12:59 AM Toivo Kuula (1883-1918) 3 Satukuvaa (Fairy-tale pictures) for piano (Op.19) Juhani Lagerspetz (piano) FIYLE 01:15 AM Edmund Rubbra (1901-1986) Trio in one movement, Op 68 Hertz Trio CACBC 01:35 AM Edvard Grieg (1843-1907) Peer Gynt - Suite No 1 Op 46 Bergen Philharmonic Orchestra, Ole Kristian Ruud (conductor) NONRK 02:01 AM Richard Strauss (1864-1949) Metamorphosen Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:28 AM Max Bruch (1838-1920) Violin Concerto No. 1 in G minor, op. 26 James Ehnes (violin), Auckland Philharmonia Orchestra, Giordano Bellincampi (conductor) NZRNZ 02:52 AM Eugene Ysaye (1858-1931) Sonata for Solo Violin in D minor, op. 27/3 James Ehnes (violin) NZRNZ 02:59 AM Robert Schumann (1810-1856) Symphony No. -
The Four Seasons I
27 Season 2013-2014 Friday, November 29, at 8:00 The Philadelphia Orchestra Saturday, November 30, at 8:00 Sunday, December 1, at 2:00 Richard Egarr Conductor and Harpsichord Giuliano Carmignola Violin Vivaldi The Four Seasons I. Spring, Concerto in E major, RV 269 a. Allegro b. Largo c. Allegro II. Summer, Concerto in G minor, RV 315 a. Allegro non molto b. Adagio alternating with Presto c. Presto III. Autumn, Concerto in F major, RV 293 a. Allegro b. Adagio molto c. Allegro IV. Winter, Concerto in F minor, RV 297 a. Allegro non molto b. Largo c. Allegro Intermission 28 Purcell Suite No. 1 from The Fairy Queen I. Prelude II. Rondeau III. Jig IV. Hornpipe V. Dance for the Fairies Haydn Symphony No. 101 in D major (“The Clock”) I. Adagio—Presto II. Andante III. Menuetto (Allegretto)—Trio—Menuetto da capo IV. Vivace This program runs approximately 1 hour, 40 minutes. The November 29 concert is sponsored by Medcomp. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 3 Story Title 29 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations. -
01.20.15 7:30 Pm
7:30 PM 01.20.15 JEREMY DENK / PIANIST One of America’s most thought-provoking, multi-faceted, and compelling artists, pianist Jeremy Denk is the winner of a 2013 MacArthur “Genius” Fellowship, the 2014 Avery Fisher Prize, and Musical America’s 2014 Instrumentalist of the Year award. He has appeared as soloist with the Los Angeles Philharmonic, the Philadelphia Orchestra, and the symphony orchestras of Boston, Chicago, San Francisco, and London, and regularly gives recitals in New York, Washington, Boston, Philadelphia, and throughout the United States. In 2014–15, he launches a four-season tenure as an Artistic Partner of the Saint Paul Chamber Orchestra; makes debuts with the Cleveland Orchestra under Susanna Mälkki and the New York Philharmonic led by Esa-Pekka Salonen; appears as a soloist with the Los Angeles Philharmonic and San Francisco Symphony; and performs Bach concertos with Academy of St. Martin-in-the-Fields in London and on tour throughout the US. Future engagements also include his appearances at the BBC Proms, London’s Wigmore Hall, and his recital debut at the Concertgebouw in Amsterdam. In 2014, Denk served as Music Director of the Ojai Music Festival, for which, besides performing and curating, he wrote the libretto for a comic opera. The opera will be presented by Carnegie Hall in the 2014–15 season. To coincide with the release of his second Nonesuch Records album, Bach: Goldberg Variations, Denk opened the 2013–14 season with performances of the “Goldbergs” in Boston, Chicago, and Washington, and went on to perform them as part of the Barbican’s season in London. -
Ojai North Music Festival
CAL PERFORMANCES PRESENTS Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival Jeremy Denk Music Director, 2014 Ojai Music Festival Thomas W. Morris Artistic Director, Ojai Music Festival Matías Tarnopolsky Executive and Artistic Director, Cal Performances Robert Spano, conductor Storm Large, vocalist Timo Andres, piano Aubrey Allicock, bass-baritone Kim Josephson, baritone Dominic Armstrong, tenor Ashraf Sewailam, bass-baritone Rachel Calloway, mezzo-soprano Peabody Southwell, mezzo-soprano Keith Jameson, tenor Jennifer Zetlan, soprano The Knights Eric Jacobsen, conductor Brooklyn Rider Uri Caine Ensemble Hudson Shad Ojai Festival Singers Kevin Fox, conductor Ojai North is a co-production of the Ojai Music Festival and Cal Performances. Ojai North is made possible, in part, by Patron Sponsors Liz and Greg Lutz. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 13 FESTIVAL SCHEDULE Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival FESTIVAL SCHEDULE Thursday, June <D, =;<?, Cpm Welcome : Cal Performances Executive and Artistic Director Matías Tarnopolsky Concert: Bay Area première of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Eric Jacobsen, cello The Knights Aubrey Allicock, bass-baritone Dominic Armstrong, tenor Rachel Calloway, mezzo-soprano Keith Jameson, tenor Kim Josephson, baritone Ashraf Sewailam, bass-baritone Peabody Southwell, mezzo-soprano Jennifer Zetlan, soprano Mary Birnbaum, director Robert Spano, conductor Friday, June =;, =;<?, A:>;pm Talk: The creative team of The Classical Style: An Opera (of Sorts) —Jeremy Denk, Steven Stucky, and Mary Birnbaum—in a conversation moderated by Matías Tarnopolsky PLAYBILL FESTIVAL SCHEDULE Cpm Concert: Second Bay Area performance of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Same performers as on Thursday evening. -
Mch Kaufmanconnectsbell 050
Kaufman Music Center presents A Virtual Concert and Cocktail Tasting Kaufman Connects Streamed Monday, May 3, 2021 at 6:30 pm ET with Joshua Bell, violin and Peter Dugan, piano Kevin Peterson, mixologist Program Welcome and Introduction KATE SHEERAN, Executive Director SHAHRIAR RAFIMAYERI, President, Board of Trustees JUSTIN BERRIE, Trustee SAMUEL COLERIDGE-TAYLOR La Tarantelle Frétillante BIANNA BELL, violin Special Music School,10th Grade Student of Nurit Pacht Tasting: Cocktail Experience #1 KEVIN PETERSON, mixologist LUDWIG VAN BEETHOVEN Violin Sonata No. 5 in F Major, Op. 24 “Spring” Allegro JOSHUA BELL and PETER DUGAN Tasting: Cocktail Experience #2 KEVIN PETERSON, mixologist KaufmanMusicCenter.org|866-222-6330 FRÉDÉRIC CHOPIN Nocturne in E-flat Major, Op. 9, No. 2 arr: Bell/Wallace HENRYK WIENIAWSKI Polonaise brillante in D Major, Op. 4 JOSHUA BELL and PETER DUGAN Tasting: Cocktail Experience #3 KEVIN PETERSON, mixologist Event Sponsors and Hosts Justin Berrie Shahriar Rafimayeri Castalia at Sfumato Maker’s Mark Winfield Flynn Wine & Spirits Kaufman Connects Benefactors Bethany and Robert B. Millard Cathy White O’Rourke Joy and Graham Wyatt All 2020-21 Kaufman Music Center performances are online, filmed in safe, socially distanced locations observing health and safety protocols, and enjoyed from the safety of your home. Steinway is the official piano of Merkin Hall KaufmanMusicCenter.org|866-222-6330 About the Artists Joshua Bell With a career spanning almost four decades, Joshua Bell is one of the most celebrated violinists of his era. Having performed with virtually every major orchestra in the world, Bell continues to maintain engagements as a soloist, recitalist, chamber musician, conductor, and Music Director of the Academy of St. -
18-02 Jeremy Denk.Qxp Britsinf
RHAPSODY IN BLUE WITH JEREMY DENK JEREMY DENK piano JACQUELINE SHAVE leader/director THOMAS HANCOX flute BYRD/DUFAY/BACH/MOZART/MONTEVERDI Suite 14 mins STRAVINSKY Concerto for piano and winds 20 mins INTERVAL 20 mins A selection of piano solos 10 mins MILHAUD La création du monde 16 mins GERSHWIN Rhapsody in Blue (original jazz band version) 17 mins LONDON MILTON COURT CONCERT HALL Tuesday 27 February 2018 – 7.30pm Broadcast live on BBC Radio 3 NORWICH ST ANDREW’S HALL Friday 2 March 2018 – 7.30pm PRE-CONCERT TALK – 6.30PM Jeremy Denk discusses tonight’s programme. BURY ST EDMUNDS THE APEX Monday 5 March 2018 – 7.30pm If you have a mobile phone, please ensure that it is turned off during the performance. In accordance with the requirements of the licensing authority, persons shall not be permitted to stand or sit in any of the gangways. No camera, tape recorder, other types of recording apparatus, food or drink may be brought into the auditorium. It is illegal to record any performance unless prior arrangements have been made with Britten Sinfonia. Large print versions of our programmes are available upon prior request by calling 01223 300795. www.brittensinfonia.com • @brittensinfonia • /brittensinf WELCOME We’re thrilled to be working New York in the early 1920s and his jazz-infused ballet again with pianist Jeremy score reflects the music he heard in some of the Harlem Denk, who is such a natural dance halls. If that were not enough, Jeremy will perform and inspiring collaborator and a selection of piano solos, and a continuous suite of programmer, and also Artist- rhythmically intricate works from Bach, Mozart, Byrd, in-Residence at Milton Court Dufay and Monteverdi. -
JEREMY DENK, Piano Considered Normal in the Late 19Th Century, the Piano Pieces of Op
Four Piano Pieces, Op. 119 [1893] pieces, a vast panorama of moods that opens heroically with a JOHANNES BRAHMS muscular march, emphatic and forthright in rhythm but irregularly Born May 7, 1833, in Hamburg, Germany structured in ‘Hungarian-style’ 5-bar phrases. Its middle section Died April 3, 1897, in Vienna, Austria alternates between pulsing triplet gures in a worrisome C Minor and the cane-twirling, walk-in-the-park breeziness of a debonaire rahms’s last works for the piano were a set of Four Keyboard A flat major section in the classic style of late-19th-century salon Pieces, Op.119. Like the previous short piano pieces of Opp. music. A flamboyant gypsy-style coda ends the piece, surprisingly, 116, 117, and 118, they are complex, dense, and deeply with a triumphant cadence in E flat minor. Thursday • November 12 • 7:00 pm B Benjamin Franklin Hall introspective works, full of rhythmic and harmonic ambiguities © 2020 by Bernard Jacobson but by no means obscure. They are works to be savoured for American Philosophical Society Brahms’s mastery of compositional technique and for the bountiful This recital is part of the Elaine Kligerman Piano Series wellspring of Viennese sentiment and charm that animates them from within. JEREMY DENK Written with complete disregard for the kinds of piano textures eremy Denk is one of America’s foremost pianists. Winner of a JEREMY DENK, piano considered normal in the late 19th century, the piano pieces of Op. MacArthur “Genius” Fellowship and the Avery Fisher Prize, Denk was recently elected to the American Academy of Arts and Sciences. -
Zurich Chamber Orchestra Daniel Hope Solo Violin & Music Director
Paul Crewes Rachel Fine Artistic Director Managing Director The Audacity of PRESENTS Max Richter ZURICH CHAMBER ORCHESTRA DANIEL HOPE SOLO VIOLIN & MUSIC DIRECTOR Program ANTONIO VIVALDI (1678-1741) FABIAN MÜLLER (B. 1964) The Four Seasons, Op. 8, No. 1 - 4 Intermezzo III “Winter” for Violin and Ensemble Spring Op. 8, RV 269 I. Allegro MAX RICHTER (B. 1966) II. Largo e pianissimo sempre III. Danza pastorale. Allegro The Four Seasons Recomposed Spring I Summer Op. 8, RV 315 Spring II I. Allegro non molto Spring III II. Adagio – Presto III. Presto. Tempo impetuoso d’estate Summer I Autumn Op. 8, RV 293 Summer II I. Ballo e canto di Villanelli. Summer III Allegro – Larghetto – Allegro Assai II. Adagio Autumn I III. La caccia. Allegro Autumn II Winter, Op. 8, RV 297 Autumn III I. Allegro non molto II. Largo Winter I III. Allegro – Lento – Allegro Winter II Winter III 15-minute intermission MARCH 22, 2018 AT 7:30PM Bram Goldsmith Theater Running time: 105 minutes, including a 15-minute intermission Tour Management: Opus 3 Artists opus3artists.com About the Artists DANIEL HOPE (Solo Violin and Music to his name. His recordings have won the Deutsche acclaimed CD releases testify to the worldwide Director) has toured the world as a virtuoso Schallplattenpreis, the Diapason d’Or of the Year, renown of the Zurich Chamber Orchestra. In 2017 soloist for 25 years and is celebrated for his the Edison Classical Award, the Prix Caecilia, seven two of the orchestra's CD-releases were honored musical versatility as well as his dedication ECHO Klassik Awards and numerous Grammy with an ECHO Klassik Award in the Classics Without to humanitarian causes. -
04.09.2020 Wild at Heart. Romanticism in Switzerland
Media release Zurich, 4 September 2020 Wild at Heart. Romanticism in Switzerland From 13 November 2020 to 14 February 2021 the Kunsthaus will be turning the spotlight on Romanticism, with an exhibition of over 150 works spanning the arc from Henry Fuseli to Alexandre Calame and the early Arnold Böcklin. It reveals the considerable contribution made by Swiss artists to the development of European landscape painting, follows them to academies abroad, and explores the close ties between them. The overview will also extend to famous Romantics from other countries such as Caspar David Friedrich, Eugène Delacroix and J.M.W. Turner, thus adding an international perspective to the appreciation of Swiss Romanticism. In the late 18th century, Romanticism spread across Europe. Artists began creating works that focused on feelings and the fascination of the unfathomable, in contrast to the sober, rational art of Neoclassicism. The Swiss discovered the visual potential of their own landscapes, committing the majestic Alpine environment and the eternal ice of the glaciers to canvas. Curator Jonas Beyer draws our attention to a key era of Swiss art history that until now has only been explored through myriad individual aspects. A MOOD OF CHANGE THAT CROSSES BOUNDARIES The focus on a typically Swiss variant of Romanticism offers a deeper insight into the interrelationship between specifically local character and international connections. The particular mood of change that characterizes Swiss art of this period finds its most tangible expression in the intensive exchanges with artists in neighbouring countries. Swiss artists flocked to the academies in Paris, Dresden and Vienna, building highly effective networks but also responding with an artistic sensibility to the local characteristics of their study environment. -
Jeremy Denk C. 1300–C. 2000 Disc 1
Jeremy Denk c. 1300–c. 2000 Disc 1 1. Guillaume de Machaut: Doulz amis (2:21) 2. Gilles Binchois: Triste plaisir (1:58) 3. Johannes Ockeghem: Kyrie – Christe eleison from Missa prolationum (3:01) 4. Guillaume Dufay: Franc cuer gentil (2:05) 5. Josquin des Prez: Kyrie from Missa Pange lingua (3:07) 6. Clément Janequin: Au joly jeu du pousse avant (1:17) 7. William Byrd: “A voluntarie, for my ladye nevell” from My Ladye Nevells Booke (3:38) 8. Carlo Gesualdo: “O dolce mio tesoro” from Madrigali, Book VI (2:56) 9. Claudio Monteverdi: “Zefiro torna, e di soavi accenti,” sv 251, from Scherzi Musicali (1632) (4:38) 10. Henry Purcell: Ground in C Minor, Z. T681, from Ye Tuneful Muses (3:28) 11. Domenico Scarlatti: Sonata in B-flat Major, K. 551 (3:39) 12. Johann Sebastian Bach: Chromatic Fantasia and Fugue in D Minor, bwv 903 (11:55) Disc 2 1. Wolfgang Amadeus Mozart: Piano Sonata No. 16 in C Major, K. 545 – II. Andante (4:34) 2. Ludwig van Beethoven: Piano Sonata No. 32 in C Minor, Op. 111 – I. Maestoso; Allegro con brio ed appassionato (8:29) 3. Robert Schumann: “In der Nacht” from Fantasiestücke, Op. 12, No. 5 (4:12) 4. Frédéric Chopin: Preludes No. 1 in C Major & No. 2 in A Minor from 24 Preludes, Op. 28 (3:02) 5. Richard Wagner (tr. Franz Liszt): “Isoldens Liebestod” from Tristan und Isolde (7:24) 6. Johannes Brahms: Intermezzo in B Minor from Klavierstücke, Op. 119, No. 1 (3:55) 7. Arnold Schoenberg: “Mässige Viertel” from Drei Klavierstücke, Op.