Interim Results 2009 Strong Ratings Despite Significant Cost Reduction

Total Page:16

File Type:pdf, Size:1020Kb

Interim Results 2009 Strong Ratings Despite Significant Cost Reduction 26 August 2009 week 35 Interim results 2009 Strong ratings despite significant cost reduction plus all the major news from the last four weeks Germany United Kingdom Covering the German elections Five enters Canvas partnership United States Netherlands America’s Got Talent RTL Nederland launches heading to Vegas digital channel Interim results COVER: Strong ratings despite significant cost red Interim Results 2009 2 week 35 the RTL Group intranet RTL Group delivers strong ratings despite significant cost reduction On 26 August, RTL Group announced its interim results to 30 June 2009. Backstage asked RTL Group CEO Gerhard Zeiler about the current status of the company. Luxembourg - 26 August 2009 How did RTL Group hold up so far in these with TV, radio, production and diversification difficult economic times? businesses, which gives us the ability to overcome the current market downturn The first half of 2009 was heavily impacted by successfully. Despite the net loss in the first the weak state of the advertising markets. half of the year, we are confident that we will Everywhere in Europe, we faced the same have a positive net result for the full year 2009. picture: during the first six months of the year, the TV advertising markets were down by at What about the audience performance in the least 10 per cent, in some countries even first six months of 2009? above 20 per cent. In short: we operated in a tough economic environment? and the results From an audience ratings perspective, we have reflect that. had an excellent first half year. Despite significant programme cost savings, RTL Having said that, I also want to make clear that Group’s families of channels in the major RTL Group is a healthy company. We have a markets Germany, France, the Netherlands and double-digit operating profit margin, and this Belgium all achieved higher audience shares. despite the economic downturn and significant Especially our market-leading flagship special items which impacted our EBITA in the channels RTL Television in Germany, RTL 4 in first half of 2009. We are cash generative and the Netherlands and RTL-TVI in Belgium were debt free. And we have a broad-based portfolio significantly up year on year. Gerhard Zeiler 3 week 35 the RTL Group intranet You just mentioned cost savings. Already Secondly, new online video and catch-up TV early in the year, you talked about the need services. Professional TV content is a major to re-calibrate the cost structure in the free- growth driver of the internet. In total, RTL to-air broadcasting industry. Could you give Group’s online platforms across Europe us some details on the measures taken at registered more than 470 million video streams, RTL Group? which delivered professionally produced content to our viewers – an increase of 97 per To compensate for the advertising revenue, all cent compared to the first half of 2008. So we of our profit centres and the Corporate Centre will continue to invest in our online video have implemented varying degrees of cost platforms, making them also available on TV cutting measures. These include savings in the screens and on mobile phones. In Germany, we programme grid, overheads and also personnel just launched a new catch-up TV service for our costs. On an underlying basis – that means Vox channel. And M6 Replay is already stripping out portfolio effects and restructuring- expected to break even in 2009. related costs – the Group’s operating cost base has fallen EUR 198 million compared to last Thirdly, we are extending our online portfolio by year. This represents a compensation of 68 per increasing scale and quality. For example, we cent of the Group’s underlying revenue continue to grow Wer-kennt-wen.de, which has decrease – a result of a significant effort made become the number one social network in by all of our business units. Germany. In France, M6 Web has successfully integrated the Cyréalis group. As a result, the In Germany, France, the Netherlands and in the number of unique users per month grew by 70 UK our core broadcasting operations have all per cent to 12 million, compared to a year ago. made substantial, double-digit percentage savings of between 11 and 17 per cent in And finally an expansion in our content operating costs. activities, through a mix of acquisitions, such as Original Productions, and through organic Our goal is to achieve these savings while growth such as the recently announced maintaining our leading audience market opening of an office in India. positions. This is very challenging, but achievable. In the first half of 2009, we already In a nutshell: despite the tough economic managed to significantly reduce costs while climate we will continue to explore and secure simultaneously increasing our audience share future growth opportunities for RTL Group. in many markets. What is your outlook for the rest of 2009? Does this also mean that all investments are on hold for the time being? Given the very low visibility it is not possible to give clear full-year guidance. However, we are No, not at all. Given the difficult market not expecting a significant change for the environment, we have clear operational goals. second half of 2009. Therefore it has to be Yes, our focus on cost savings will continue. expected that the profitability level will be But while we work hard to optimise the considerably down compared to 2008, as we efficiency of our core business, we’ll also already announced in March at our 2008 results further invest in promising new opportunities. presentation. There are four main areas on which RTL Group is concentrating its growth strategy: Firstly, the development of digital channels to counter audience fragmentation. We already have a number of profitable digital channels within our families of channels – for example W9 in France or the German pay channels RTL Crime, RTL Living and Passion. More will come – RTL Nederland has just announced the launch of its new digital channel RTL Lounge in October. 4 week 35 the RTL Group intranet RTL Group Results • Reported Group revenue down 9.6 per cent • Reported EBITA margin of 12.3 per cent to EUR 2,588 million as TV advertising (2008: 17.5 per cent) markets across Europe declined by double- digit rates; RTL Group’s investments in • Net loss attributable to RTL Group content production and diversification shareholders of EUR 105 million mainly due businesses helped to better balance its to goodwill impairments for Five Group in financial position the UK and Alpha Media Group in Greece • Reported EBITA down 36.7 per cent to • Net cash from operating activities of EUR 318 million due to EUR 237 million resulting in an operating o lower profit contributions from most profit cash conversion of 98 per cent centres, o higher start-up losses (EUR 35 million) • Outlook for 2009 remains unchanged: which mainly resulted from the first-time RTL Group currently sees no significant full consolidation of Alpha Media Group in change to the European TV advertising Greece, and market conditions in the second half of o significant one-time charges including 2009, therefore it has to be expected that restructuring costs in the UK, Germany the profitability level will be considerably and Greece totalling EUR 20 million and a down compared to 2008, as already significant programme write-down at Five announced amounting to EUR 22 million Steady increase in cost savings combined with strong audience ratings • Since the fourth quarter of 2008, RTL Group points. However, EBITA of the German profit has placed a strong focus on cost cutting in centre down 25.5 per cent due to response to the substantial slowdown in significantly lower advertising revenue advertising bookings: on a constant scope basis, excluding restructuring costs and • Despite considerably lower TV advertising other one-off effects, operating costs fell revenue, Groupe M6 increased its EBITA EUR 198 million compared to the first half of 3.7 per cent, driven by significantly lower 2008 programme costs at the M6 main channel and higher profit contributions from its digital • Many operations have already reduced their channels and diversification activities costs by more than 10 per cent in the core TV business in the reporting period: • Worldwide production arm FremantleMedia o Germany – RTL Television, Vox, N-TV: continues to produce the most watched EUR 97 million (minus 15 per cent) entertainment shows in key markets such as o France – M6 main channel: the US, the UK and Germany; EBITA down EUR 48 million (minus 17 per cent) 10.3 per cent mainly due to general pressure o The Netherlands – RTL 4, 5, 7, 8: on profit margins EUR 17 million (minus 11 per cent) o UK – Five Group: • With the UK TV market strongly affected by EUR 22 million (minus 13 per cent) the economic downturn, Five Group registered an operating loss of EUR 19 • Despite significant programme cost savings, million, excluding a significant programme RTL Group’s families of channels in the write-down of EUR 22 million and major markets Germany, France, the restructuring charges of EUR 8 million Netherlands and Belgium all achieved higher audience shares; the Group’s market-leading • Newly acquired Alpha Media Group initiated flagship channels RTL Television (Germany), comprehensive restructuring and cost RTL 4 (the Netherlands) and RTL-TVI reduction measures in reaction to the (Belgium) were significantly up year on year substantial downturn of the Greek market; despite these savings, Alpha TV’s audience • Mediengruppe RTL Deutschland increased share increased
Recommended publications
  • Drama Drama Documentary
    1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV
    [Show full text]
  • Annual Report 2009
    Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value
    [Show full text]
  • Football Fever TV, Radio, Games, SMS and Apps: the Football World Cup on RTL Group Channels
    10 June 2010 week 23 Football fever TV, Radio, Games, SMS and Apps: The Football World Cup on RTL Group channels Germany United Kingdom Mediengruppe RTL Deutschland FremantleMedia extends app and broadcasts from Cologne-Deutz gaming portfolio France Greece M6 launches season 5 of Alpha reports best season ever L’amour est dans le pré week 23 the RTL Group intranet 10 June 2010 week 23 Cover: Montage with the world cup teams of RTL Nederland, RTL Radio France, RTL Television and RTL Radio Deutschland 2 Football fever TV, Radio, Games, SMS and Apps: The Football World Cup on RTL Group channels Germany United Kingdom Mediengruppe RTL Deutschland FremantleMedia extends app and broadcasts from Cologne-Deutz gaming portfolio France Greece M6 launches season 5 of Alpha reports best season ever L’amour est dans le pré week 23 the RTL Group intranet All abroad for the World Cup When the world turns its gaze on South Africa beginning 11 June, RTL Group channels will attract their audiences with various activities. Günther Jauch, Jürgen Klopp, Jürgen Klinsmann and Florian König (from left to right) Luxembourg - 10 June 2010 As in 2006, RTL Television will be airing live ports, analyses and summaries of the afternoon broadcasts from the Football World Cup for games, RTL Television will start its live broad- viewers in Germany. “After the 2006 Football cast of the match from the respective stadiums World Cup here at home, this summer we’ll be in South Africa: Florian König will report with part of the action again when the world’s biggest football expert Jürgen Klinsmann at his side.
    [Show full text]
  • TALKBACK THAMES Arresting Performance From
    CASE STUDY TALKBACK THAMES Arresting Performance from HD Cameras CUSTOMER: Talkback Thames, UK www.talkbackthames.tv APPLICATION: Production of The Bill for ITV using Grass Valley LDK 8000 Elite cameras with sport back. CLIENTS: ITV Center to production of PRODUCTION temperature of the camera, and can make changes on-the-fly. The style of the The Bill are Grass Valley CONSIDERATIONS show requires that the action regularly LDK 8000 Elite studio One of the characteristics of the way moves from the inside of a police car to cameras used on location. The Bill worked in SD was that Talkback an external—such as inside a house—in Thames used system cameras recording a single flowing shot. to separate devices, rather than the BACKGROUND With a system camera they can camcorders that might typically be used make adjustments on-the-fly and get for drama. Having looked carefully at The Bill is a long-running and very consistently good results. It means that all the options available as they moved popular police procedural drama Talkback Thames can deliver a well- to HD, Talkback Thames decided to produced by Talkback Thames for the matched, technically excellent one hour maintain the same approach, and placed UK’s ITV network. Early in 2009 the program. decision was made to change the an order for five Grass Valley™ LDK 8000 requirement to a weekly, one hour high- Elite cameras, which record onto the The second reason is that The Bill is definition drama for a 9:00 pm/21.00 Panasonic P2 format. often shot in confined spaces.
    [Show full text]
  • Catherine Bailey Photo: Brandon Bishop
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Catherine Bailey Photo: Brandon Bishop Appearing on BBC iplayer as Miss Gale in "Malory Towers". Recently filmed "Grace" (ITV) and "Whitstable Pearl" (Acorn/Buccaneer). Greater London, England, United Other: Equity Location: Kingdom Eye Colour: Brown Height: 5'8" (172cm) Hair Colour: Light/Mid Brown Playing Age: 31 - 40 years Hair Length: Mid Length Television 2020, Television, Francine, Grace, ITV, John Alexander 2020, Television, Fi Marston, Whitstable, Acorn TV / Buccaneer, David Caffrey 2019, Television, Miss Gale, Malory Towers, King Bert Productions, Rebecca Ryecroft 2018, Television, Lady Elizabeth Cavendish, The Crown (season 2), Left Bank Pictures, Stephen Daldry and Benjamin Caron 2017, Television, Louisa Hooper, Hetty Feather, BBC, Sallie Aprahamian 2017, Television, Jess, Strike: The Silkworm Part 1, BBC & HBO, Kieron Hawkes 2016, Television, Nina, Mr Selfridge 4, ITV, Joss Agnew 2015, Television, Olivia Hamilton, And Then There Were None, Mammoth Screen for BBC 1, Craig Viveiros 2013, Television, Sammy Jo Rinsler, Doctors, BBC, Emma Sullivan 2013, Television, Stephanie Weston, Midsomer Murders: Wild Harvest, Bentley Productions, Renny Rye 2012, Television, Esther Robinson (Series Reg), House of Anubis, Nickelodeon/Lime, Tim Hopewell/Tom Poole 2011, Television, Miss Wyckham, The Sarah Jane Adventures, DW Productions Ltd, Joss Agnew 2010, Television, DS Karen Roberts (2 Eps), Holby City, BBC, Chris King 2009, Television,
    [Show full text]
  • Gary Stadden AMPS MIBS
    Mobile: 07970 667937 / Films@59: 0117 9064334 [email protected] / [email protected] www.garystadden.com / www.filmsat59.com/people/gary-stadden Various Production Credits: Programme Client Broadcaster Format Entertainment: Turn Back Time: The High Street Wall To Wall BBC1 XDCam The Restaurant (1, 2 & 3) BBC BBC2 Hi Def 60 Minute Makeover (1 to 11) ITV Productions ITV1 Digi Beta Rosemary Shrager`s School For Cooks (1 & 2) RDF Media West ITV1 DVCam Dickinson’s Real Deal (3 to 10) RDF Media West ITV1 DVCam Live n Deadly BBC Bristol CBBC / BBC2 DVCam Sorcerer’s Apprentice Twenty Twenty BBC2 / CBBC DVCam James May’s Toy Stories Plum Pictures BBC2 Digi Beta Red or Black Syco ITV1 XDCam Come Dine With Me Granada London Channel 4 DVCam The X Factor / Xtra Factor Talkback Thames / Syco ITV1 / ITV2 Digi Beta Deal Or No Deal: Live Endemol West Channel 4 DVCam The Biggest Loser Shine TV ITV1 XDCam Grand Designs Talkback Thames Channel 4 XDCam Great Welsh Adventure With Griff Rhys Jones Modern Television ITV1 F5 / SD664 Homes Under The Hammer Lion Television BBC1 Digi Beta Dogs: Their Secret Lives (1 & 2) Arrow Media Channel 4 C300/SD664 Time Team Videotext Communications Channel 4 Digi Beta Ade In Britain Shiver ITV1 XDCam Dancing On Ice ITV Productions ITV1 Digi Beta Naomi’s Nightmares Of Nature BBC Bristol CBBC XDCam Escape To The Country Talkback Thames BBC2 DVCam The Apprentice (1 & 2) Talkback Thames BBC2 Digi Beta Britain’s Got Talent Talkback Thames / Syco ITV1 Digi Beta Celebrity Wedding Planner Renegade Picture Channel 5 XDCam Homes
    [Show full text]
  • JON MACQUEEN Writer
    JON MACQUEEN Writer Current GOLDIES OLDIES – Written two episodes and provided additional material for new live action comedy for Nickelodeon. Exec. Producer Trevor Klein. 2008 – 2019 IN THE LONG RUN 3 – Written one episode for the third series. Green Door/Sky One. IN THE LONG RUN 2 – Series Consultant on the series created by and starring Idris Elba, for Green Door/Sky One. MEATSPACE – Developed Nikesh Shukla’s novel into a series outline and first episode script for rehearsed readthrough. Kindle Entertainment/Sky. THE ATHENA – Story producer and writer on new series for Bryncoed Television. Nominated for Broadcast Award 2020. DIXI 4 – Edit Producer and writer on series 4 of the interactive web programme (Kindle/CBBC). HAILMAKERS – Original first episode script commissioned by Shane Allen for BBC Studios. Pilot commissioned and shot for BBC3. Nominated for Screen Nation Film & Television Award 2018. LOWER CASE EYES – Wrote opening episode and storylines for original comedy series commissioned by Retort/ITV. THE LUISA OMIELAN SHOW – Wrote new material and helped polish material for ITV2 sketch show pilot. King Bert. THE JAVONE PRINCE SHOW - Associate producer on 4 x half-hour comedy series with Phil Bowker/Lovely Electricity Productions/BBC. HANK ZIPZER II & III – Written three and a half (clip compilation) episodes for the Kindle/CBBC comedy. Jon script edited Series II. Talkback Thames/Retort - Development Producer THE SWITCH UP – Creator of family sitcom for Talkback Thames/ Retort. FLAVOURS – Blap for C4, who have commissioned a script (writers: Miles Chapman and Mark O’Sullivan). Also overseeing EXILE ON PARK LANE (writer: Joe Parham), WHAT GRANDMA DID (writer: Madeleine Brettingham), FRANKWORLD (writer: Cavan Clerkin) and POPCORN (writers: Daran Johnson & Lucien Young).
    [Show full text]
  • Rethinking Production Tony Cohen Outlining the Future of the Production Industry at the 2009 Mipcom
    8 October 2009 week 41 Rethinking Production Tony Cohen outlining the future of the production industry at the 2009 Mipcom UK / Germany The Netherlands New joint drama initiative Celebrating 20 years on air Hungary Luxembourg RTL Most, first catch-up RTL Group’s communications service in the country officers met in Brussels week 4 COVER: Tony Cohen, CEO of FremantleMedia 2 week 41 the RTL Group intranet “A new form of collaboration” Speaking at Mipcom, Tony Cohen reviewed the state of the production industry today and also outlined a new form of collaboration between producers and broadcasters. Tony Cohen at the podium during his Mipcom keynote France - 5 October 2009 With the TV advertising markets declining production does indeed have a future, “perhaps significantly throughout Europe, Backstage has even a rather good one,” Tony addressed three reported comprehensively how RTL Group is major topics: new opportunities in the online responding to the new market realities. Against world, current trends in TV viewing habits and this challenging economic background, decision- promising future strategies for production makers from the TV, film, digital media and companies when it comes to fostering creativity, advertising industries are gathering this week in increasing engagement with its audiences and Cannes, France, for the 2009 Micpom tradeshow securing funding. and conference which calls itself “the world’s entertainment content market.” Talking about audiences for online content, Tony shared his experiences from FremantleMedia’s As CEO of FremantleMedia, one of the largest TV various online projects. These range from the production groups worldwide, Tony Cohen casting portal Yourchance.de in Germany to delivered an instructive keynote entitled comedy like Toyboize in the UK and low-cost “Rethinking Production” on 5 October 2009.
    [Show full text]
  • Kapitel II: Konzentrationsentwicklung Im Privaten Rundfunk
    Kapitel II Konzentrationsentwicklung im privaten Rundfunk 1 Bundesweites Fernsehen 1.1 Entwicklung des Programmangebots Bundesweit wurden in Deutschland zum Ende des ersten Halbjahres 2006 37 Free-TV- (davon acht Vollprogramme), 50 Pay-TV-Kanäle und zwei Programme im Handy-TV-Format ausgestrahlt. Weitere 59 Programme verfügten zwar über eine Sendelizenz, waren aber nicht auf Sendung. Diese Angaben basieren auf der von der KEK erstellten Programmliste 2006 (Stand: 30. Juni 2006), die gemäß § 26 Abs. 7 RStV jährlich zu aktualisieren und von den Landesmedienanstalten zu veröffentlichen ist (siehe unter http://www.alm.de/uploads/media/Programmliste_2006.pdf). In der Programmliste sind in alphabetischer Reihenfolge alle bundesweit lizenzierten privaten Fernsehsender sowie die Programmveranstalter und deren Beteiligte aufgeführt. Diese Angaben basieren auf Auskünften der Fernsehveranstalter und auf allgemein zugänglichen Quellen. Zudem sind auf der Website der KEK die Senderangaben sowie die Beteiligungsverhältnisse der Programm- veranstalter in ständig aktualisierter Form abrufbar (vgl. www.kek-online.de, Rubrik Medienkonzen- tration/Beteiligungsverhältnisse/Fernsehsender). Die Entwicklung der privaten bundesweiten Fernsehangebote im Zeitraum Juli 1998 bis Juli 2006 verdeutlicht Abbildung II–1. Dargestellt ist die Anzahl der jeweils veranstalteten Voll- und Spartenprogramme, die Anzahl der ausschließlich digital empfangbaren Spartenkanäle, der Pay- per-View-Angebote, Drittfensterprogramme und fernsehähnlichen Mediendienste, nicht aber die Anzahl der lokalen und regionalen Fernsehangebote. Die Anzahl der bundesweit veranstalteten Fernsehprogramme hat insbesondere in den Jahren 2003 bis 2006 kontinuierlich zugenommen und sich in diesen Zeiträumen nahezu verdoppelt. Anders ist die Entwicklung bei den Sendern bzw. Sendergruppierungen. Hier traten keine signifi- kanten Veränderungen ein. Bei Großveranstaltungen, wie z. B. der Fußball-Weltmeisterschaft 2006, hat das Public Viewing in besonderem Maße das öffentliche Interesse gefunden.
    [Show full text]
  • Oppdatert Liste Samarbeidspartnere 2015
    OPPDATERT LISTE Baby Cow Productions Cannon Pictures SAMARBEIDSPARTNERE Bandai Visual Co. Ltd Captured Light Distribution LLC Banijay International Ltd Carey Films Ltd 2015/2016 Bankside Films Cargo Film & Releasing Bard Entertainment Carnaby Sales and Distribution Ltd 12 Yard Productions Bardel Distribution Carrere Group D.A. 2929 Entertainment LLC BBC Worldwide Cartoon Network 3DD Entertainment BBL Distribution Inc. Cartoon One 9 Story Enterprises BBP Music Publishing c/o Black Bear Caryn Mandabach Productions A&E Channel Home Video Pictures Casanova Multimedia Abduction Films Ltd Beacon Communications Cascade Films Pty Ltd Acacia Becker Group Ltd. Castle Hill Productions ACC Action Concept Cinema GmbH & Beijing Asian Union Culture and Media Cats and Docs SAS Co. KG Investment CCI Releasing ACI Bejuba Entertainment CDR Communications Acorn Group Bell Phillip Television Productions Inc. Celador Productions ACORN GROUP INC Benaroya Pictures Celestial Filmed Entertainment Ltd. Acorn Media Bend it Like Beckham Productions Celluloid Dreams Actaeon Films Bentley Productions Celsius Entertainment Action Concept Berlin Animation Film Gmbh Celsius Film Sales Action Concept Film und Best Film and Video Central Independent Television Stuntproduktion GmbH Best Picture Show Central Park Media Action Image GmbH & Co. KG Betty TV Channel 4 Learning Adness Entertainment Co. Ltd. Beyond International Ltd Chapter 2 Adult Swim Productions Big Bright House of Tunes Chatsworth Enterprises After Dark Films Big Idea Entertainment Children's Film And Television Ager Film Big Light Productions Foundation AIM Group LLC. Big Talk Productions Chorion Plc Akkord Film Produktion GmBH Billy Graham Evangelistic Association / Christian Television Association Alain Siritzky Productions World Wide Pictures Ciby 2000 Alameda Films Bio Channel Cineflix International Media Albachiara S.r.l.
    [Show full text]
  • Bertelsmann CR Report 2010/2011
    Taking acTion corporate Responsibility Report 2010/2011 www.bertelsmann.com/responsibility About this report This Corporate Responsibility (CR) Report aims to provide transparent, comprehensive information to employees, customers, suppliers, journalists, investors and representatives of government agencies and NGOs about how Bertelsmann AG lives up to its corporate responsibility. It shows the key social, environmental and economic challenges associated with our business activities and the strategies we have developed to tackle them. Procedure: To make it easier for our readers to compare our performance with other companies, we follow the latest Global Reporting Initiative (GRI) reporting guidelines G3 (GRI index, see p. 132). The report also serves as a Communication on Progress for the United Nations Global Compact, which we joined in October 2008 (see p. 15). This report was prepared under the direction of the Director Corporate Responsibility, in coordination with the relevant Corporate Center departments and the divisions, and approved by the Chairman & CEO of Bertelsmann AG. Data: The reporting period for the key indicators cited in the report is the fiscal year from January 1 to December 31, 2010. The information in this report pertains to the business fields of television and radio (RTL Group), book publishing (Random House), magazine publishing (Gruner + Jahr), and media services (Arvato). Bertelsmann’s club and direct marketing businesses, which previously made up the Direct Group, were dissolved as an independent division on June 30, 2011 following a decision to implement a gradual scale- back that was taken at the start of the year. Since that time, they have been managed under Corporate Investments.
    [Show full text]
  • Die Fernsehduelle Der Spitzenkandidaten Von SPD Und CDU/CSU Im Bundestagswahlkampf 2002
    Die Fernsehduelle der Spitzenkandidaten von SPD und CDU/CSU im Bundestagswahlkampf 2002 Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms-Universität zu Bonn vorgelegt von Thomas Breuer aus 52 146 Würselen Bonn 2006 Gedruckt mit Genehmigung der Philosophischen Fakultät der Rheinischen Friedrich-Wilhelms- Universität Bonn 1. Berichterstatter: Prof. Dr. Karlheinz Niclauß 2. Berichterstatter: Prof. Dr. Wolfgang Bergsdorf Tag der mündlichen Prüfung: 12. Januar 2006 Diese Dissertation ist auf dem Hochschulschriftenserver der ULB Bonn http://hss.ulb.uni-bonn.de/diss_online elektronisch publiziert 3 Inhaltsverzeichnis: I Einleitung S. 5 II Die These der Amerikanisierung des deutschen Wahlkampfs S. 9 III Wahlkampfführung und Massenmedien a) Medien und Demokratie S. 14 b) Die Rolle der Massenmedien im modernen Wahlkampf S. 24 c) Wahlkampftaktik und Wählerverhalten in der Mediengesellschaft S. 28 d) Die Funktion politischer Diskussionen im Fernsehen S. 40 IV Vorbilder für die TV-Duelle a) Die Presidential Debates in den USA S. 45 b) Die Elefantenrunden in der Bundesrepublik Deutschland S. 54 V Die TV-Duelle im Bundestagswahlkampf 2002 a) Die Planungen und Vorbereitungen der beiden TV-Duelle S. 63 b) Die politische Ausgangssituation vor den TV-Duellen S. 74 c) Der Verlauf des ersten TV-Duells bei RTL und SAT 1 S. 81 d) Die Diskussionen und Entwicklungen zwischen den beiden TV-Duellen S. 89 e) Der Verlauf des zweiten TV-Duells bei ARD und ZDF S. 95 VI Die Nachberichterstattung über die TV-Duelle im Fernsehen und den Printmedien a) Die Bedeutung der veröffentlichten Bewertungen und Kommentare S. 104 b) Die Berichterstattung über die TV-Duelle in den deutschen Medien S.
    [Show full text]