Katherine Ryan Writer / Performer
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Gavin Ames Avid Editor
Gavin Ames Avid Editor Profile Gavin is an exceptionally talented editor. Fast, creative, and very technically minded. He is one of the best music editors around, with vast live multi-cam experience ranging from The Isle of Wight Festival, to Take That, Faithless and Primal Scream concerts. Since excelling in the music genre, Gavin went on to develop his skills in comedy, editing Shooting Stars. His talents have since gone from strength to strength and he now has a wide range of high-end credits under his belt, such as live stand up for Bill Bailey, Steven Merchant, Ed Byrne and Angelos Epithemiou. He has also edited sketch comedy, a number of studio shows and comedy docs. Gavin has a real passion for editing comedy and clients love working with him so much that they ask him back time and time again! Comedy / Entertainment / Factual “The World According to Jeff Goldblum” Series 2. Through the prism of Jeff Goldblum's always inquisitive and highly entertaining mind, nothing is as it seem. Each episode is centred around something we all love — like sneakers or ice cream — as Jeff pulls the thread on these deceptively familiar objects and unravels a wonderful world of astonishing connections, fascinating science and history, amazing people, and a whole lot of surprising big ideas and insights. Nutopia for National Geographic and Disney + “Guessable” In this comedy game show, two celebrity teams compete to identify the famous name or object inside a mystery box. Sara Pascoe hosts the show with John Kearns on hand as her assistant. Alan Davies and Darren Harriott are the team captains, in a format that puts a twist on classic family games. -
Dispute Prevention and Resolution in the Format Industry
Dispute Prevention and Resolution in the Format Industry Tony Stern EVP Commercial & Business Affairs, Worldwide Production, Fremantle Media WIPO Seminar, 20th January 2011 at Bird and Bird Who is Fremantle Media? • Alongside Endemol the largest producer and distributor of TV formats in the World • Produce in 21 countries, license formats into the remainder • In 2010 produced or licensed 296 Entertainment series around the world o 35 x Got Talent o 22 x X‐Factor o 20 x Family Fortunes o 19 x Farmer Wants a Wife o 17 x Idols Litigation is a Lottery in the Formats Business • Very few cases have gone all the way to judgement • Still unclear whether formats are protected by copyright • Unfair Competition is a better cause of action o Defendant acted in an unfair manner o In doing so caused damage to a competitor • FM has two cases being litigated at the moment Managing Expectations of Your Clients • Very important that your commercial people understand what is and is not actionable o No point embarking on litigation with minimal prospects of success • Copyright Law does not easily cope with formats o Are they just a collection of ideas or an expression of the ideas ? o Format would have to have been worked out in detail in a ‘bible’ o Substantial similarity bar is set very high o Not just copied most of the elements, but also the look and feel • Unfair Competition can be more fruitful if available o A number of cases in Europe where successfully prosecuted a format infringement • Genre is not copying Encourage and Police Your Own People From -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
RTL Group Press Release
PRESS RELEASE RTL Group reports highest-ever first-half revenue • Group revenue up 4.2 per cent to €3.2 billion in H1/2019, and up 4.6 per cent on a like-for-like basis • EBITA broadly stable at €538 million despite higher programming and video-on-demand (VOD) investments • Profit for the period up 21.0 per cent to €443 million • Paying subscribers for RTL Group’s VOD platforms in Germany and the Netherlands up 46.2 per cent • New alliances and partnerships: RTL Group shapes the future of the European TV industry • RTL Group updates and confirms full-year 2019 outlook • New dividend policy approved, targeting a pay-out ratio of at least 80 per cent of the adjusted net profit, payable after the Annual General Meeting Luxembourg, 28 August 2019 − RTL Group announces its results for the six months ended 30 June 2019. H1/2019: record first-half-year revenue, jump in net profit Group revenue was up 4.2 per cent to a record level of €3,173 million (H1/2018: €3,046 million), driven by Fremantle and the digital businesses. On a like-for-like basis, revenue rose 4.6 per cent to €3,124 million (H1/2018: €2,988 million) – the highest growth rate since 2010. RTL Group’s digital revenue grew 21.0 per cent to €513 million (H1/2018: €424 million), driven by Fremantle, BroadbandTV, SpotX and the Group’s streaming services TV Now and Videoland. Reported Group EBITA1 was broadly stable at €538 million (H1/2018: €548 million). Higher investments in programming and VOD services were largely compensated for by significantly higher profit contributions from Fremantle and Groupe M6. -
From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (Eds.)
From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (eds.) RIPE @ 2007 NORDICOM From Public Service Broadcasting to Public Service Media From Public Service Broadcasting to Public Service Media Gregory Ferrell Lowe & Jo Bardoel (eds.) NORDICOM From Public Service Broadcasting to Public Service Media RIPE@2007 Gregory Ferrell Lowe & Jo Bardoel (eds.) © Editorial matters and selections, the editors; articles, individual con- tributors; Nordicom ISBN 978-91-89471-53-5 Published by: Nordicom Göteborg University Box 713 SE 405 30 GÖTEBORG Sweden Cover by: Roger Palmqvist Cover photo by: Arja Lento Printed by: Livréna AB, Kungälv, Sweden, 2007 Environmental certification according to ISO 14001 Contents Preface 7 Jo Bardoel and Gregory Ferrell Lowe From Public Service Broadcasting to Public Service Media. The Core Challenge 9 PSM platforms: POLICY & strategY Karol Jakubowicz Public Service Broadcasting in the 21st Century. What Chance for a New Beginning? 29 Hallvard Moe Commercial Services, Enclosure and Legitimacy. Comparing Contexts and Strategies for PSM Funding and Development 51 Andra Leurdijk Public Service Media Dilemmas and Regulation in a Converging Media Landscape 71 Steven Barnett Can the Public Service Broadcaster Survive? Renewal and Compromise in the New BBC Charter 87 Richard van der Wurff Focus on Audiences. Public Service Media in the Market Place 105 Teemu Palokangas The Public Service Entertainment Mission. From Historic Periphery to Contemporary Core 119 PSM PROGRAMMES: strategY & tacticS Yngvar Kjus Ideals and Complications in Audience Participation for PSM. Open Up or Hold Back? 135 Brian McNair Current Affairs in British Public Service Broadcasting. Challenges and Opportunities 151 Irene Costera Meijer ‘Checking, Snacking and Bodysnatching’. -
BISHOP FAMILY PRG 1123 Series List
BISHOP FAMILY PRG 1123 Series List Photographs of the Bishop family (Series 1-43) Photographs of the Bishop family 1 ca.1855-1900. 13 photographs, 9 copies. [Daguerreotypes and 1 ambrotype of members of the Bishop family including Captain John Bishop and his wife Esther Elizabeth Bishop, and three of their children: Mary Vale Bishop, Amelia Helen Bishop and John Frederick Bishop, as well as two unidentified men. Also includes photographic copies of the daguerreotypes and ambrotype. Glass plated photograph of Captain John Bishop, and three opalotypes of Amy Helen Bishop, Ethel Mary Wollaston (nee Bishop) and Theodore Edwin Ekers]. Photograph album of Ethela Bishop 2 ca.1911-1912. 1 volume, 93 photographs. [Photograph album belonging to Ethela Bishop comprising 93 small black and white photographs, most of landscapes, of Mount Barker, landscapes and workers at Wellington Lodge, landscapes and workers at Koonamore Station near Yunta, various locations in Port Lincoln including Mill Cottage owned by Joseph Kemp Bishop, the Adelaide Hills, Adelaide including Glen Osmond and the zoo, and two of Ethela and Joseph’s grandchildren, Jack (John) and Mary Bishop, children of Sidney J.F. Bishop. See special list for Series 2 for details.] Photograph albums of the Bishop, Broadbent and Johnson families 3 ca.1912-1953. 5 volumes. 1. Port Lincoln landscapes, including Mill Cottage, ca.1912. 2. Broadbent and Claxton families of Port Lincoln. Marjorie Broadbent married Myles Kemp Bishop in 1923. Most photographs include captions. ca.1917-1918. Includes loose sheet of photographs of Esther and Ann Bishop ca.1926, 1940. 3. Family holiday in Victoria and South Australia, including commercial photographs and postcards, ca.1935. -
Broadcast Bulletin Issue Number
Ofcom Broadcast Bulletin Issue number 179 4 April 2011 1 Ofcom Broadcast Bulletin, Issue 179 4 April 2011 Contents Introduction 3 Standards cases In Breach Frankie Boyle’s Tramadol Nights (comments about Harvey Price) Channel 4, 7 December 2010, 22:00 5 [see page 37 for other finding on Frankie Boyle’s Tramadol Nights (mental health sketch and other issues)] Elite Days Elite TV (Channel 965), 30 November 2011, 12:00 to 13:15 Elite TV (Channel 965), 1 December 2010, 13:00 to 14:00 Elite TV 2 (Channel 914), 8 December 2010, 10.00 to 11:30 Elite Nights Elite TV (Channel 965), 30 November 2011, 22:30 to 23:35 Elite TV 2 (Channel 914), 6 December 2010, 21:00 to 21:25 Elite TV (Channel 965), 16 December 2010, 21:00 to 21:45 Elite TV (Channel 965), 22 December 2010, 00:50 to 01:20 Elite TV (Channel 965), 4 January 2011, 22:00 to 22:30 13 Page 3 Zing, 8 January 2011, 13:00 27 Deewar: Men of Power Star India Gold, 11 January 2011, 18:00 29 Bridezilla Wedding TV, 11 and 12 January 2011, 18:00 31 Resolved Dancing On Ice ITV1, 23 January 2011, 18:10 33 Not in Breach Frankie Boyle’s Tramadol Nights (mental health sketch and other issues) Channel 4, 30 November 2010 to 29 December 2010, 22:00 37 [see page 5 for other finding on Frankie Boyle’s Tramadol Nights (comments about Harvey Price)] Top Gear BBC2, 30 January 2011, 20:00 44 2 Ofcom Broadcast Bulletin, Issue 179 4 April 2011 Advertising Scheduling Cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 47 Resolved Resolved findings table Code on the Scheduling of Television Advertising compliance reports 49 Fairness and Privacy cases Not Upheld Complaint by Mr Zac Goldsmith MP Channel 4 News, Channel 4, 15 and 16 July 2010 50 Other programmes not in breach 73 3 Ofcom Broadcast Bulletin, Issue 179 4 April 2011 Introduction The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and licence conditions with which broadcasters regulated by Ofcom are required to comply. -
2008 Programme Review
CHANNEL 4 REVIEW OF 2008 Major Themes in 2008 2008 was a year of dramatic creative renewal for Channel 4. In March, the organisation published Next on 4, a policy document laying out its public service vision for the future. Creative renewal in the schedule was evident even before then, with a raft of new programming in January occupying the space occupied in previous years by Celebrity Big Brother, which was rested. Over the course of the year, a range of authored series and campaigning programmes exemplified Channel 4’s renewed commitment to high-impact programming capable of engaging mass-market audiences, stimulating debate and generating interest in important social, political and cultural issues. However, Channel 4’s ability to fulfil its public service ambitions were curtailed by the downturn in the advertising market towards the end of the year, leading to significant reductions in the programming budget for both 2008 and 2009. In an increasingly competitive environment, Channel 4’s portfolio of channels and services maintained its viewing share at 11.9 per cent. The core channel share fell from 8.7 per cent in 2007 to 8.2 per cent in 2008. Next on 4 Dramatic changes are reshaping the UK broadcasting ecology, as it moves towards a fully digital world. Viewers will have access to dozens, if not hundreds of channels, as well as the rapidly growing variety of video services delivered online. In this context, Channel 4 reaffirmed its commitment in Next on 4 to remain a publicly-owned public service broadcaster whose primary purpose is the fulfilment of its legislative remit. -
Submissions on the Prevention and Combatting of Hate Crimes and Hate Speech Bill on Behalf Of: a Coalition of South African
SUBMISSIONS ON THE PREVENTION AND COMBATTING OF HATE CRIMES AND HATE SPEECH BILL ON BEHALF OF: A COALITION OF SOUTH AFRICAN COMEDIANS 31 January 2017 PREPARED BY: ADV. STUART SCOTT ADV. ITUMELENG PHALANE GROUP 621 CHAMBERS SANDTON AND DR DARIO MILO WEBBER WENTZEL ATTORNEYS 90 Rivonia Road, Sandton Johannesburg [email protected] TABLE OF CONTENTS INTRODUCTION .................................................................................................................. 3 THE RIGHT TO FREEDOM OF EXPRESSION .................................................................... 6 FIVE IMPORTANT CONSTITUTIONAL PRINCIPLES RELATING TO FREE SPEECH .... 8 First - Limitations on the right to freedom of expression must be interpreted narrowly ....... 8 Second - Freedom of expression cannot be limited on a speculative basis ....................... 8 Third - Freedom of speech includes the freedom to engage in offensive speech............... 9 Fourth - The meaning and legal effect of speech must be interpreted in context ............. 11 Fifth – there is express, additional protection for artistic expression ................................ 14 HATE SPEECH UNDER THE CONSTITUTION .................................................................. 16 The definition under the Hate Crimes Bill is broader than the Constitution ...................... 18 Broad definition under the Hate Crimes Bill applies to artistic works and cartoons .......... 20 THE BILL FAILS THE LIMITATIONS ANALYSIS ............................................................... -
At My Table 12:00 Football Focus 13:00 BBC News
SATURDAY 9TH DECEMBER 06:00 Breakfast All programme timings UK All programme timings UK All programme timings UK 10:00 Saturday Kitchen Live 09:25 Saturday Morning with James Martin 09:50 Black-ish 06:00 Forces News 11:30 Nigella: At My Table 11:20 Gino's Italian Coastal Escape 10:10 Made in Chelsea 06:30 The Forces Sports Show 12:00 Football Focus 11:45 The Hungry Sailors 11:05 The Real Housewives of Cheshire 07:00 Flying Through Time 13:00 BBC News 12:45 Thunderbirds Are Go 11:55 Funniest Falls, Fails & Flops 07:30 The Aviators 13:15 Snooker: UK Championship 2017 13:10 ITV News 12:20 Star Trek: Voyager 08:00 Sea Power 16:30 Final Score 13:20 The X Factor: Finals 13:05 Shortlist 08:30 America's WWII 17:15 Len Goodman's Partners in Rhyme 15:00 Endeavour 13:10 Baby Daddy 09:00 America's WWII 17:45 BBC News 17:00 The Chase 13:35 Baby Daddy 09:30 America's WWII 17:55 BBC London News 18:00 Paul O'Grady: For the Love of Dogs 14:00 The Big Bang Theory 10:00 The Forces Sports Show 18:00 Pointless Celebrities 18:25 ITV News London 14:20 The Big Bang Theory 10:30 Hogan's Heroes 18:45 Strictly Come Dancing 18:35 ITV News 14:40 The Gadget Show 11:00 Hogan's Heroes 20:20 Michael McIntyre's Big Show 18:50 You've Been Framed! 15:30 Tamara's World 11:30 Hogan's Heroes Family entertainment with Michael McIntyre 19:15 Ninja Warrior UK 16:25 The Middle 12:00 Hogan's Heroes featuring music from pop rockers The Vamps and Ben Shephard, Rochelle Humes and Chris Kamara 16:45 Shortlist 12:30 Hogan's Heroes stand-up comedy from Jason Manford. -
BBC Press & Publicity
BBC Worldwide Press Office BBC Worldwide Australia Level 5, 6 Eden Park Drive, Macquarie Park NSW 2113 Sport Relief Goes Global! The biggest names in sport and entertainment join forces in Sport Relief, one of the UK’s biggest television events of the year, to raise money for good causes around the world 20th January 2012: In its first global viewing event of 2012, BBC Worldwide will give an international stage to one of the UK’s biggest televised fundraising efforts. Sport Relief in the UK brings together the best of British sporting talent, comedians and entertainers to raise money to help some of the world’s most vulnerable people. For the first time ever, BBC Worldwide will take that world class entertainment to audiences around the world, so they can be part of it too. Sport Relief 2012 will be presented to global viewers as a special season bringing together a number of brand new and exclusive shows. The highlight of the season will be a four hour extravaganza of comedy and entertainment, presented directly from London. The season features some of Britain’s best loved faces from the worlds of entertainment and sport, with a stellar line up set to include footballing legend David Beckham, the stars of Doctor Who, Top Gear and Mock The Week, Little Britain’s David Walliams, QI’s Stephen Fry, comedians John Bishop, Alan Carr and Catherine Tate and many, many more. Sport Relief airs between March and April on BBC Entertainment (Africa, Poland, the Nordic Region, Asia, India, Latin America and the channel’s pan-European service1), UKTV (Australia and New Zealand), BBC World News (global) and BBC America.