DOCSLIB.ORG

ENGLISH SKY B12 投稿邮箱：[email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ENGLISH SKY B12 投稿邮箱：Xjz@Cnnb.Com.Cn 2021年7月2日 星期五 现代金报 责编/曾嘉 周丽珍 美编/严勇杰 照排/余佳维 审读/邱立波 ENGLISH SKY B12 投稿邮箱：[email protected] Money 鄞州区东湖小学 506 班 陈睿言(证号 1019256) 指导老师 叶慧慧 Everyone likes money, but how should we use them? We should keep money for the useful things. Because if we use all the money on other things, then what about the things we really need? For example, in summer, a girl uses all of her money to buy T-shirts. But another girl uses some money to buy a T-shirt for summer, a coat for win- ter, then keeps some money left. Then the first girl won ’ t have coat for winter, and no money to buy another things. So, we should keep our money for useful things. The Dragon Boat Festival To be a Volunteer 镇海区实验小学 502 班 慈溪实验中学初二（4）班 杨紫嫣(证号 1001547) 蒋思语(证号 1008444) "Somewhere feet is short of and the inch Introduce Myself 指导老师 成建未 might be longer. Everything has its shortcoming 鄞州区学士小学 207 班 Hello! My name is Jiang Siyu. I'm interested and a wise man doesn ’ t understand sometimes. " 谢绵绵(证号 1005176) in English. In my free time, I like listening to Eng- The words were from Qu Yuan's "ChuCi · Buju". 指导老师 吴文静 lish music and watching some English movies. My While reading this poem, the Dragon Boat Festival My name is Xie Mianmian. I am 10 years old. I English scores often ranks first in the class. On this in my memory is coming quietly. I haven't seen a study in Class 207, Bachelor Primary. summer holiday. I want to be a volunteer to wel- dragon boat race , but I am also full of expectations I have excellent academic performance at come foreigners. I think I can talk with American students fluently. I m going to introduce our for the exquisite little Zongzi and the round eggs. school. I am also the teachers ’ little helper! ’ What does the Dragon Boat Festival in your I have a wide range of hobbies, such as reading school to them. And I'll teach them our Chinese cul- memory look like? Is there any red, yellow, blue, books. On weekend, I often go to the library. Bury- tures. I think I can do a good job. white, and black thread tied to your neck, wrist or ing myself in the books is quite an interesting thing. ankle? This is called a longevity strand. Have you Not only can I broaden my horizons but also I can My Bedroom planted "five- end" calamus, wormwood, pome- learn a lot of knowledge while reading. l also like 鄞州区中海实验小学 406 班 granate flowers, garlic, and dragon boat flowers in sports. Playing badminton, table tennis and swim- 朱阡瑶（证号 1010269） your home? Dragon boat racing and eating Zongzi ming are my favorite sports. 指导老师 祝肖波 are probably the main activities of the Dragon Boat My good friend is Xiaochi. Whenever we are Hello, everyone! I am John. This is my bed- Festival, right? free, we will do sports together. I like small animals. room. It is big and tidy. In my bedroom, there is a In legends, the dragon boat race on the Drag- There is a small goldfish and turtles at my home. I desk. My pencils and notebooks are on it. I often on Boat Festival was to rescue the patriotic poet Qu see them grow day by day. study here. Near the desk, there is a big bed. On my Yuan who had cast the Miluo River. Throwing This is me, a lovely and happy girl .Who wants bed, there is a quilt. Oh! What is that? Ha Ha! It is a Zongzi into the river is to feed the fish and shrimp to make friends with me? yellow jacket. It is mine. Yellow is my favorite co- to stop them eating Qu Yuan's remains. However, lour. the southern scholar Wen Yiduo believes that the The Watermelon In Japan Look! Here is a photo of my family. This is Dragon Boat Festival is the Dragon Festival, which my father. He is short and thin. He likes reading was a festival commemorating the Dragon God by 鄞州区钟公庙中心小学 502 班 蒋橡登(证号 1012193) books in the study. This is my mother. She is tall southern minorities four to five thousand years and pretty. She is a businesswoman. She likes play- ago. Of course, some people say it is a festival to 指导老师 王海燕 The watermelon is usually a circle in world. ing games with me. And that boy in yellow is me. I commemorate Wu Zixu. We also eat Zongzi and am a cute boy. cattail wormwood in Ningbo! ! But Japanese watermelon is often square. It's expen- sive. It is usually 1000 RMB. I love my bedroom. And I also love my fami- In fact, the origin of the Dragon Boat Festival ly! has its own rhetoric, but it does not affect it has It's very sweet. It can't grow on the trees. Japa- long been deep in our soul. Just like the steaming nese grow watermelons use a square. So it's square. Zongzi that just came out of the cage, that tangy Do you like watermelons? Summer is coming. aroma, entering into the heart, lingers in the mouth We can eat watermelons. and ears, and has been passed on from generation to generation. This is Me 海曙区高桥镇宋家漕小学 303 班 何皓辰(证号 1007251) 指导老师 李金远 Hello，my name is He HaoChen., and my Eng- lish name is Hans. I'm ten years old, I'm the only kid in my family. I have a lot of classmates at school. they are all my good friends. we study and play together in the school. I like the school. My hobbies are reading and playing football. My favorite color is green and I like the dinosaur. My favorite food is Hamburg .I'm a happy boy. My Birthday 鄞州区中海实验小学 502 班 岑昊宸(证号 1010280) 指导老师 胡梦蝶 Hello，My name is Lee. I ’ m from the city of Ningbo. I am 11 years old，and my birthday is on Fortune Cat March twenty- second. It is warm and windy. The 鄞州区钟公庙实验小学 402 班 grass turn green, the flowers are colourful. I usually 张阳(证号 1011162) go on a picnic with my parents on that day. We eat Zongzi birthday cakes together. It ’ s delicious. Will you 组稿老师 徐珊贝 陈佰祥 徐祎阳 鄞州区堇山小学南校区 109 班 come to my birthday party？ 蒋函露(证号 1014167) 指导老师 吴晓.
Load more

Recommended publications
  • The Chinese Dragon Boat Festival Occurs on the 5Th Day of the 5Th Month of the Chinese Lunisolar Calendar and Lasts for Three Days
    Dragon Boat Festival The Chinese Dragon Boat Festival occurs on the 5th day of the 5th month of the Chinese lunisolar calendar and lasts for three days. This festival is also known as the Tuen Ng Festival, the Duanwu Festival, the Zhongxiao Festival, and the Double Fifth Festival. This holiday has been observed nationally for over 2,000 years. There are three different stories of whom this festival commemorates: Qu Yuan, Wu Zixu, and Cao E. The most well known story is about Qu Yuan, an ancient Chinese patriotic poet who was alive from 340-278 BCE. Qu Yuan was a minister in the state of Chu who wrote many poems to show his love and devotion for his country. He drowned himself in the river after he was exiled by the king because he didn’t want to see his country be invaded and conquered by the state of Qin. It is said that local people raced out in their boats to retrieve his body. When they couldn’t find his body, they dropped balls of sticky rice (zongzi) into the river so the fish would eat them and not Qu Yuan’s body. This was said to be the creation of zongzi, sticky rice dumplings or “Chinese tamales”. He died on the 5th day of the 5th month, thus the people created this festival to honor his death. The southeast region of Jiangsu (former territory of the state of Wu) commemorates Wu Zixu who was a Premier, a politician. Zixu warned his king, King Fuchai, of a dangerous plot regarding a beautiful woman, Xishi, who was sent by king Goujian of the state of Yue.
    [Show full text]
  • The Zuozhuan Account of the Death of King Zhao of Chu and Its Sources
    SINO-PLATONIC PAPERS Number 159 August, 2005 The Zuozhuan Account of the Death of King Zhao of Chu and Its Sources by Jens Østergaard Petersen Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form.
    [Show full text]
  • Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
    Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people.
    [Show full text]
  • Speaking to History 5/13/08 1:52 PM Page 1
    1.Cohen, Speaking to History 5/13/08 1:52 PM Page 1 one The Goujian Story in Antiquity before looking at the variety of ways in which the figure of Gou- jian assumed meaning for Chinese in the twentieth century, we need to ex- amine the story itself. In reconstructing the Goujian story, I have not been unduly concerned with the historicity of particular incidents or details.1 The impact of the story in the twentieth century, as noted in the preface, derived not from its accuracy as history but from its power as narrative.2 Nor have I attempted to trace the evolution of the story as it wended its way from ancient times on up to the end of the imperial era. This is not an exercise in Chinese literary history. What I want to do in this opening chapter is establish a rough baseline for what was known about the Gou- jian narrative in the first century c.e., the time when the first full-fledged version of the story (of which we are aware) appeared. To this end, I have consulted, either in the original or in translation, such basic ancient sources as Zuozhuan (Zuo’s Tradition), Guoyu (Legends of the States), Sima Qian’s Shiji (Records of the Historian), and Lüshi chunqiu (The Annals of Lü Buwei).3 However, I have relied most heavily on the later (and highly fic- tionalized) Wu Yue chunqiu (The Annals of Wu and Yue), originally com- piled by the Eastern Han author Zhao Ye from 58 to 75 c.e.4 I have done this for two reasons.
    [Show full text]
  • Kings of the Water Free
    FREE KINGS OF THE WATER PDF Mark Behr | 256 pages | 02 Sep 2010 | Little, Brown Book Group | 9780349122649 | English | London, United Kingdom Kings of the Water by Mark Behr The Kings of the Water Zunwang are five Taoist immortals worshipped as water and sea gods. Their worship seems to derive from a misunderstanding of one of Wu Zixu 's religious titles. They are believed to protect vessels in transit. The head of the five is Yu the Greatthe legendary first emperor of the Xia Kings of the Water in prehistoric China. Yu became regarded as a water deity through his involvement with controlling the Great Flood of Chinese myth[5] which may have preserved aspects of the Yellow River's massive flooding c. In such cases, it is usually identified with Yu alone. Wu Zixu [5] was a Chu noble who was forced into exile in Wu. He then played a role in Wu's invasion of his homelandexhuming the corpse of its former king to punish it for the earlier death of his father and brother. He was forced to commit suicide ; his body placed in a leather bag and then thrown into a river. He is usually said to have slit his throat and had his body torn to pieces by his enemies, but he became regarded as a water deity from a separate legend that his body miraculously remained standing in the waters of the Wu after his suicide. Qu Yuan was a poet and advisor to his relative the king of Chu. He was exiled upon supposedly slanderous reports of his fellow courtiers and committed suicide by walking into the Miluo while holding a Kings of the Water, out of frustration with either his exile [11] or with the direction of Chu's public policy.
    [Show full text]
  • Newcastle 1St April
    Postpositions vs. prepositions in Mandarin Chinese: The articulation of disharmony* Redouane Djamouri Waltraud Paul John Whitman [email protected] [email protected] [email protected] Centre de recherches linguistiques sur l‟Asie orientale (CRLAO) Department of Linguistics EHESS - CNRS, Paris Cornell University, Ithaca, NY NINJAL, Tokyo 1. Introduction Whitman (2008) divides word order generalizations modelled on Greenberg (1963) into three types: hierarchical, derivational, and crosscategorial. The first reflect basic patterns of selection and encompass generalizations like those proposed in Cinque (1999). The second reflect constraints on synactic derivations. The third type, crosscategorial generalizations, assert the existence of non-hierarchical, non-derivational generalizations across categories (e.g. the co-patterning of V~XP with P~NP and C~TP). In common with much recent work (e.g. Kayne 1994, Newmeyer 2005), Whitman rejects generalizations of the latter type - that is, generalizations such as the Head Parameter – as components of Universal Grammar. He argues that alleged universals of this type are unfailingly statistical (cf. Dryer 1998), and thus should be explained as the result of diachronic processes, such as V > P and V > C reanalysis, rather than synchronic grammar. This view predicts, contra the Head Parameter, that „mixed‟ or „disharmonic‟ crosscategorial word order properties are permitted by UG. Sinitic languages contain well- known examples of both types. Mixed orders are exemplified by prepositions, postpositions and circumpositions occurring in the same language. Disharmonic orders found in Chinese languages include head initial VP-internal order coincident with head final NP-internal order and clause-final complementizers. Such combinations are present in Chinese languages since their earliest attestation.
    [Show full text]
  • Model Minority on the Modernization Project: Images of Chinese Religiosity in America
    Dominican Scholar Collected Faculty and Staff Scholarship Faculty and Staff Scholarship Spring 2013 Model Minority on the Modernization Project: Images of Chinese Religiosity in America Emily Wu Department of Religion and Philosophy, Dominican University of California, [email protected] Survey: Let us know how this paper benefits you. Recommended Citation Wu, Emily, "Model Minority on the Modernization Project: Images of Chinese Religiosity in America" (2013). Collected Faculty and Staff Scholarship. 267. https://scholar.dominican.edu/all-faculty/267 This Conference Proceeding is brought to you for free and open access by the Faculty and Staff Scholarship at Dominican Scholar. It has been accepted for inclusion in Collected Faculty and Staff Scholarship by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Model Minority on the Modernization Project: Images of Chinese Religiosity in America Presented at ASCH (American Society of Church History) Spring Conference in Portland, OR, 2013. Emily S. Wu As the stereotypical model minority in the United States, Chinese Americans are rarely considered as religiously threatening. Those Chinese Americans who already were or became converted to mainstream Christianity are seen as cases of successful Americanization. Buddhism, another popular religious affiliation among the Chinese ethnics, is understood as a benign and respectable source of wisdom. Few Chinese ethnics identify themselves strictly as Daoist or Confucian, but there is a wide range of religious and spiritual practices that are diffused into their daily lives. Without specific religious affiliations or congregational headcount, eclectic practices such as ancestral worship, temple visits, home rituals, and healing methods are interpreted (both by observers and insiders) to be merely preserving ethnic heritage and revisiting cultural tradition.
    [Show full text]
  • “The Hereditary House of King Goujian of Yue”
    "Yuewang Goujian Shijia": An Annotated Translation Item Type text; Electronic Thesis Authors Daniels, Benjamin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 20:21:08 Link to Item http://hdl.handle.net/10150/293623 “YUEWANG GOUJIAN SHIJIA”: AN ANNOTATED TRANSLATION by Benjamin Daniels ____________________________ Copyright © Benjamin Daniels 2013 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Benjamin Daniels APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: Dr. Brigitta Lee May 8, 2013 3 ACKNOWLEDGEMENTS First, I need to express my deepest gratitude to Dr. Enno Giele, who was my first mentor in anything related to ancient China.
    [Show full text]
  • Spring and Autumn China (771-453)
    Indiana University, History G380 – class text readings – Spring 2010 – R. Eno 1.7 SPRING AND AUTUMN CHINA (771-453) The history of the Spring and Autumn period was traditionally pictured as a narrative in which the major actors were states, their rulers, and certain high ministers and colorful figures. The narrative generally was shaped by writers to convey ethical points. It was, on the largest scale, a “true” story, but its drama was guided by a moral rationale. In these pages, we will survey the events of this long period. Our narrative will combine a selective recounting of major events with an attempt to illustrate the political variety that developed among the patrician states of the time. It embeds also certain stories from traditional sources, which are intended to help you picture more vividly and so recall more easily major turning points. These tales (which appear in italics) are retold here in a way that eliminates the profusion of personal and place names that characterize the original accounts. There are four such stories and each focuses on a single individual (although the last and longest has a larger cast of characters). The first two stories, those of Duke Huan of Qi and Duke Wen of Jin, highlight certain central features of Spring and Autumn political structures. The third tale, concerning King Ling of Chu, illustrates the nature of many early historical accounts as cautionary tales. The last, the story of Wu Zixu, is one of the great “historical romances” of the traditional annals. It is important to bear in mind that the tales recounted here are parts of a “master narrative” of early China, crafted by literary historians.
    [Show full text]
  • 十六shí Liù Sixteen / 16 二八èr Bā 16 / Sixteen 和hé Old Variant of 和/ [He2
    十六 shí liù sixteen / 16 二八 èr bā 16 / sixteen 和 hé old variant of 和 / [he2] / harmonious 子 zǐ son / child / seed / egg / small thing / 1st earthly branch: 11 p.m.-1 a.m., midnight, 11th solar month (7th December to 5th January), year of the Rat / Viscount, fourth of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] 动 dòng to use / to act / to move / to change / abbr. for 動 / 詞 / |动 / 词 / [dong4 ci2], verb 公 gōng public / collectively owned / common / international (e.g. high seas, metric system, calendar) / make public / fair / just / Duke, highest of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] / honorable (gentlemen) / father-in 两 liǎng two / both / some / a few / tael, unit of weight equal to 50 grams (modern) or 1&frasl / 16 of a catty 斤 / [jin1] (old) 化 huà to make into / to change into / -ization / to ... -ize / to transform / abbr. for 化 / 學 / |化 / 学 / [hua4 xue2] 位 wèi position / location / place / seat / classifier for people (honorific) / classifier for binary bits (e.g. 十 / 六 / 位 / 16-bit or 2 bytes) 乎 hū (classical particle similar to 於 / |于 / [yu2]) in / at / from / because / than / (classical final particle similar to 嗎 / |吗 / [ma5], 吧 / [ba5], 呢 / [ne5], expressing question, doubt or astonishment) 男 nán male / Baron, lowest of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] / CL:個 / |个 / [ge4] 弟 tì variant of 悌 / [ti4] 伯 bó father's elder brother / senior / paternal elder uncle / eldest of brothers / respectful form of address / Count, third of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] 呼 hū variant of 呼 / [hu1] / to shout / to call out 郑 Zhèng Zheng state during the Warring States period / surname Zheng / abbr.
    [Show full text]
  • Tales of the Hegemons of the Spring and Autumn Period from C
    History and Fiction: Tales of the Hegemons of the Spring and Autumn Period from c. 300 BC to AD 220 This dissertation is submitted for the degree of Doctor of Philosophy Olivia Milburn School of Oriental and African Studies University of London ProQuest Number: 10731298 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731298 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 p Abstract This thesis focusses on historical and fictional accounts of the hegemons of the Spring and Autumn period: Lord Huan of Qi, Lord Wen of Jin, Lord Mu of Qin, King Zhuang of Chu, King Helu of Wu and King Goujian of Yue. Chapter One describes the methodological basis. Many ancient Chinese texts underwent periods of oral transmission, but the effect on their form and content has been little researched. Theme and formula are important for understanding the development of these texts. The hegemons are also investigated for the degree to which they conform to greater patterns: the Indo-European models of the hero and good ruler.
    [Show full text]
  • The Author's Two Bodies: the Death of Qu Yuan and the Birth of Chuci Zhangju
    _full_journalsubtitle: International Journal of Chinese Studies/Revue Internationale de Sinologie _full_abbrevjournaltitle: TPAO _full_ppubnumber: ISSN 0082-5433 (print version) _full_epubnumber: ISSN 1568-5322 (online version) _full_issue: 3-4_full_issuetitle: 0 _full_alt_author_running_head (neem stramien J2 voor dit article en vul alleen 0 in hierna): Heng Du _full_alt_articletitle_deel (kopregel rechts, hier invullen): The Author’s Two Bodies _full_is_advance_article: 0 _full_article_language: en indien anders: engelse articletitle: 0 _full_alt_articletitle_toc: 0 T’OUNG PAO The Author’s Two Bodies T’oung Pao 105 (2019) 259-314 www.brill.com/tpao 259 The Author’s Two Bodies: The Death of Qu Yuan and the Birth of Chuci zhangju 楚辭章句 Heng Du University of Arizona A corpse from the sea has summoned me home now; Though dead, it speaks with a living voice.1 Theognis 1229-30 Was Qu Yuan 屈原 (trad. 343-290 BCE) a historical individual? If not, how did he nevertheless become the ancestral author of one of China’s oldest poetic forms? The passage below, I suggest, contains the genesis moment of Qu Yuan the author. This early eulogy describes a Qu Yuan metamorphosing and bifurcating. According to the version found in Shiji 史記, After sinking in sordid mud, [Qu Yuan] left behind his molted shell in muddled filth to be borne aloft beyond dust, unfettered by the grime of his time, gleaming as one mud cannot sully. In commending this intention, it is apt even to match its brilliance with the sun and the moon. 濯淖汙泥之中，蟬蛻於濁穢，以浮游塵埃之外，不獲世之滋垢，皭然泥而不滓 者也。推此志也，雖與日月爭光可也。 2 1) ἤδη γάρ με κέκληκε θαλάσσιος οἴκαδε νεκρός, τεθνηκὼς ζωῷ φθεγγόμενος στόματι, as translated by Douglas E.
    [Show full text]