Asia 867 Encountered African American Culture That Had Been His Extravagant Lifestyle and His Refusal to Take the Ad- Mediated in a Particularly German Manner

Total Page:16

File Type:pdf, Size:1020Kb

Asia 867 Encountered African American Culture That Had Been His Extravagant Lifestyle and His Refusal to Take the Ad- Mediated in a Particularly German Manner Asia 867 encountered African American culture that had been his extravagant lifestyle and his refusal to take the ad- mediated in a particularly German manner. vice of Wu Zixu. Milburn emphasizes the gaps in cur- Gerund’s book would have been strengthened had rent knowledge about Wu history. This comes across points of comparison among her case studies been more most clearly in chapter three, “Reflections on the Royal prominently interwoven. In addition, the German con- House of Wu.” Reading early texts against newly dis- text for the reception of Lorde, Walker, and Morrison covered archaeological evidence, Milburn shows dis- could have been filled out. These criticisms aside, the crepancies in the nomenclature of Wu kings and in the analysis is insightful and more complex than this short precise relations among members of the royal house. review can fully convey. Gerund has produced a rich Part Two shifts the focus to depictions of Wu in the study that will interest scholars of German and Amer- writings of scholars and poets of the middle and late ican history. imperial era, long before the archaeological evidence TIMOTHY L. SCHROER was discovered. The chapters here are organized University of West Georgia Downloaded from https://academic.oup.com/ahr/article/119/3/867/13478 by guest on 01 October 2021 around particular sites in Jiangnan associated with Wu personages. Chapter four, “Commemorating Master Ji ASIA of Yanling,” features a temple dedicated to Prince Jizha in the city of Changzhou, where the prince’s fief had OLIVIA MILBURN. Cherishing Antiquity: The Cultural been located. Milburn traces the cult of Jizha to the Construction of an Ancient Chinese Kingdom. (Harvard- Tang (618–907), and shows how the temple became a Yenching Institute Monograph, number 89.) Cam- wealthy foundation by the Ming (1368–1644) and bridge, Mass.: Harvard University Asia Center, distrib- hosted visits by touring emperors in the Qing (1644– uted by Harvard University Press. 2013. Pp. xii, 392. $39.95. 1911). King Helu¨’s tomb, located outside Suzhou, is the subject of chapter five, “The Tomb at Tiger Hill.” The kingdom of Wu (585–473 B.C.E.) provided some of Though Tiger Hill was crowded with Buddhist temples the most enduring personalities in the Chinese literary and other institutions in the late Ming, for Suzhou li- canon: the cultured diplomat Prince Jizha, the famed terati the tomb remained important as “one of the few beauty Xi Shi, and the wise minister Wu Zixu. In this tangible reminders of southern independence and thoroughly researched book, Olivia Milburn explores power” (p. 275). Chapter six, “Numinous Cliff and the cultural construction of this ancient kingdom, and Gusu Tower,” describes two Suzhou sites associated readers learn about both the ancient kingdom itself and with King Fuchai and his lover, Xi Shi. These two sites the ways that writers in imperial China interpreted Wu. provided less tangible connections to the Wu kingdom. The title, Cherishing Antiquity, is a translation of the Late imperial literati could visit Numinous Cliff Moun- Chinese term huaigu, denoting poems on the past in- tain, yet no trace of Fuchai’s palace that once stood spired by visits to places of historical significance. Mil- burn applies huaigu broadly to encompass a large va- there remained. Gusu Tower provided a greater chal- riety of writings about Wu, from poems, to local lenge, as its precise location was unknown. Neverthe- histories, to bronze and stone inscriptions. Wu was an less, both sites were adaptable to the conventions of especially interesting subject for later writers because huaigu poetry, as they provided inspiration for rumi- the site of its capital, Suzhou, was located in the heart nations on a doomed king doting on a palace woman in of Jiangnan, a region known for its cultural florescence luxurious surroundings. in late imperial times. In its own time, however, the The strengths of this book lie in the author’s metic- state and people of Wu occupied the cultural margins ulous attention to detail in tracking references to im- of “China,” or the Zhou confederacy. ages of the Wu kingdom in later writings. While this The six substantive chapters of the book are divided might challenge readers with little background in Chi- into two parts. In Part One, Milburn shows how Wu was nese history and literature, Milburn expertly shows how portrayed in texts produced during the Warring States older images were recycled in later writings. Beyond the era (475–221 B.C.E.) and the Han Dynasty (206 B.C.E.– history of texts, some readers will want more descrip- 220 C.E.). For readers unfamiliar with early Chinese his- tion and analysis of the historical contexts. One won- tory, this section also serves the useful function of in- ders about the context of Buddhism in the Six Dynasties troducing major figures and events of Wu and its rival era, when at least two of the sites discussed were con- kingdoms. Chapter one, “The Royal House of Wu,” in- verted from privately owned estates to Buddhist tem- troduces the kings of Wu. More crucially for later writ- ples. Likewise, the precise relationship in the late Ming ings, it shows how one member of the Wu royal house, between commercialization and a revived interest in lo- Prince Jizha, was remembered in early accounts, as an cal culture is open to debate. Were commercial inter- ambassador who traveled to other states in the Zhou confederacy, demonstrating his mastery of Chinese cul- ests in Suzhou a threat to the city’s cultural legacy (p. 300), or did they in fact undergird the revival of interest ture in the process. Helu¨ (r. 514–496 B.C.E.) and Fuchai (r. 495–473 B.C.E.) are the subject of chapter two, “The in the city’s history? That said, this longue dure´e ap- Last Kings of Wu.” Accounts of the surprisingly sudden proach to textual analysis has its advantages; tracing the demise of Wu centered on the failings of the final ruler: production of images about this ancient kingdom across AMERICAN HISTORICAL REVIEW JUNE 2014 868 Reviews of Books more than two millennia reveals the changing priorities What makes this study particularly interesting is that of each generation of writers. the author demonstrates that this border policy was STEVEN B. MILES part and parcel of longstanding Manchu policies on the Washington University in Saint Louis northern border. The book is less clear, however, about the specifics of GANG ZHAO. The Qing Opening to the Ocean: Chinese the foreign trade that was given such free rein. Junks Maritime Policies, 1684–1757. (Perspectives on the that carried a hundred tons of cargo did not “weigh” Global Past.) Honolulu: University of Hawai‘i Press. that amount. Gang Zhao confuses Dutch and English 2013. Pp. viii, 267. $56.00. ships (p. 107). It is also unlikely that sixty-four Western countries were trading in Canton by 1800. Contrary to Globalization theory has forced many historians of Asia what the author states, Chinese officials were sent on to rethink the continent’s recent, and increasingly also various occasions to Manila and Batavia to conduct the not-so-recent, past. This applies as well to historians Downloaded from https://academic.oup.com/ahr/article/119/3/867/13478 by guest on 01 October 2021 of Chinese maritime trade. This subject has tradition- commercial espionage. Particularly bothersome—and ally been studied by students of John King Fairbank, the editors should share the blame for this—is that the largely on the basis of archival documents from the Chi- author often puts a book title in a footnote without add- nese bureaucracy and within the framework of China’s ing the relevant page numbers. tributary relationship with the surrounding world. Yet Moreover, numerous questions on policy remain un- as early as the 1950s, the Chinese anthropologist and answered. For instance, the Kangxi emperor reneged historian Tian Rukang published two pioneering arti- on his earlier-declared “open door” policy and again cles about the relative importance of Qing-era private forbade overseas private trade to Southeast Asia, with traders whose overseas ventures had nothing to do with the exception of Vietnam. Why is this not persuasively the policies of the court. His writings have inspired a explained? Even if his successors allowed overseas number of historians of early modern Southeast Asian trade again, they did so while imposing rather draco- trade, including Jennifer Cushman on Siam, Li Tana on nian measures on those going overseas and by imposing Vietnam, George Souza on Macao, and me on Chinese all kinds of taxes. trade with the Indonesian archipelago. In the maritime My main criticism of this otherwise very useful study history field, new studies have appeared that, based on is that Gang Zhao does not clearly distinguish between a mix of Western and Asian sources, focus on the Chi- the commercial coastal trade and the trade to overseas nese junk trade with the Nanyang and seek to explain destinations when he draws our attention to the enor- the growing Chinese presence all over the Nanyang mous expansion of Chinese customs offices along the from the late sixteenth century onward. These studies Chinese coast in the eighteenth century. Also, a more also show how, in contrast to state-supported early detailed explanation would have been useful regarding modern European enterprise in Asia, Chinese overseas trade was organized exclusively around private enter- the often diverging interests between the court and lo- prise, with very little overseas intervention by the Chi- cal authorities in collecting duties at the border sta- nese imperial government before the close of the nine- tions.
Recommended publications
  • The Chinese Dragon Boat Festival Occurs on the 5Th Day of the 5Th Month of the Chinese Lunisolar Calendar and Lasts for Three Days
    Dragon Boat Festival The Chinese Dragon Boat Festival occurs on the 5th day of the 5th month of the Chinese lunisolar calendar and lasts for three days. This festival is also known as the Tuen Ng Festival, the Duanwu Festival, the Zhongxiao Festival, and the Double Fifth Festival. This holiday has been observed nationally for over 2,000 years. There are three different stories of whom this festival commemorates: Qu Yuan, Wu Zixu, and Cao E. The most well known story is about Qu Yuan, an ancient Chinese patriotic poet who was alive from 340-278 BCE. Qu Yuan was a minister in the state of Chu who wrote many poems to show his love and devotion for his country. He drowned himself in the river after he was exiled by the king because he didn’t want to see his country be invaded and conquered by the state of Qin. It is said that local people raced out in their boats to retrieve his body. When they couldn’t find his body, they dropped balls of sticky rice (zongzi) into the river so the fish would eat them and not Qu Yuan’s body. This was said to be the creation of zongzi, sticky rice dumplings or “Chinese tamales”. He died on the 5th day of the 5th month, thus the people created this festival to honor his death. The southeast region of Jiangsu (former territory of the state of Wu) commemorates Wu Zixu who was a Premier, a politician. Zixu warned his king, King Fuchai, of a dangerous plot regarding a beautiful woman, Xishi, who was sent by king Goujian of the state of Yue.
    [Show full text]
  • The Zuozhuan Account of the Death of King Zhao of Chu and Its Sources
    SINO-PLATONIC PAPERS Number 159 August, 2005 The Zuozhuan Account of the Death of King Zhao of Chu and Its Sources by Jens Østergaard Petersen Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form.
    [Show full text]
  • Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
    Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people.
    [Show full text]
  • Concert Program
    Performers Shih-Hua Judy Yeh Shih-Hua (Judy) Yeh, acclaimed Guqin and Guzheng Master, is both Founder and Director of the Taiwanese Music Ensemble of New York. She is also Founder of the SPOTLIGHT New York Guqin School. Shih-Hua has specialized in playing professional concert performances on many varied Chinese musical instruments. She is a highly respected music educator and in 2011 was named an official judge of music examinations by the China Conservatory of Music and Chinese Music Organization. She has also been a lecturer of the Jinwen University of Science and Technology in A Night of Traditional Chinese Music Taipei. Yeh graduated from the Taipei National University of the Art (TNUA) with a Guqin Major. She later earned her Master’s degree in Ethnomusicology from Sheffield University in the UK. Yeh is a member of Water Stage Ensemble based at TNUA and has performed both nationally and internationally. She has won numerous awards at distinguished Chinese music event, and she has been invited to perform at such highly honored and respected professional venues as Lincoln Center, Merkin Hall and Weill Recital Hall, Carnegie Hall. Wei-Yang (Andy) Lin Wei-Yang (Andy) Lin, born in Taiwan, holds his Bachelor and Master’s Degrees from October 16 at 8-9PM The Juilliard School. He won the Top Prize in the Juilliard Viola Concerto Competition and subsequently made his Avery Fisher Hall solo debut. He is a member of the award Lang Recital Hall (4th Floor, Hunter College North) winning string quartet, the Amphion String Quartet. The quartet was a winner of the 2011 Concert Artists Guild Victor Elmaleh Competition and was recently selected to join the roster of the Lincoln Center’s Chamber Music Society Two for a three-year Reception to Follow 9-10PM residency.
    [Show full text]
  • Speaking to History 5/13/08 1:52 PM Page 1
    1.Cohen, Speaking to History 5/13/08 1:52 PM Page 1 one The Goujian Story in Antiquity before looking at the variety of ways in which the figure of Gou- jian assumed meaning for Chinese in the twentieth century, we need to ex- amine the story itself. In reconstructing the Goujian story, I have not been unduly concerned with the historicity of particular incidents or details.1 The impact of the story in the twentieth century, as noted in the preface, derived not from its accuracy as history but from its power as narrative.2 Nor have I attempted to trace the evolution of the story as it wended its way from ancient times on up to the end of the imperial era. This is not an exercise in Chinese literary history. What I want to do in this opening chapter is establish a rough baseline for what was known about the Gou- jian narrative in the first century c.e., the time when the first full-fledged version of the story (of which we are aware) appeared. To this end, I have consulted, either in the original or in translation, such basic ancient sources as Zuozhuan (Zuo’s Tradition), Guoyu (Legends of the States), Sima Qian’s Shiji (Records of the Historian), and Lüshi chunqiu (The Annals of Lü Buwei).3 However, I have relied most heavily on the later (and highly fic- tionalized) Wu Yue chunqiu (The Annals of Wu and Yue), originally com- piled by the Eastern Han author Zhao Ye from 58 to 75 c.e.4 I have done this for two reasons.
    [Show full text]
  • Kings of the Water Free
    FREE KINGS OF THE WATER PDF Mark Behr | 256 pages | 02 Sep 2010 | Little, Brown Book Group | 9780349122649 | English | London, United Kingdom Kings of the Water by Mark Behr The Kings of the Water Zunwang are five Taoist immortals worshipped as water and sea gods. Their worship seems to derive from a misunderstanding of one of Wu Zixu 's religious titles. They are believed to protect vessels in transit. The head of the five is Yu the Greatthe legendary first emperor of the Xia Kings of the Water in prehistoric China. Yu became regarded as a water deity through his involvement with controlling the Great Flood of Chinese myth[5] which may have preserved aspects of the Yellow River's massive flooding c. In such cases, it is usually identified with Yu alone. Wu Zixu [5] was a Chu noble who was forced into exile in Wu. He then played a role in Wu's invasion of his homelandexhuming the corpse of its former king to punish it for the earlier death of his father and brother. He was forced to commit suicide ; his body placed in a leather bag and then thrown into a river. He is usually said to have slit his throat and had his body torn to pieces by his enemies, but he became regarded as a water deity from a separate legend that his body miraculously remained standing in the waters of the Wu after his suicide. Qu Yuan was a poet and advisor to his relative the king of Chu. He was exiled upon supposedly slanderous reports of his fellow courtiers and committed suicide by walking into the Miluo while holding a Kings of the Water, out of frustration with either his exile [11] or with the direction of Chu's public policy.
    [Show full text]
  • Newcastle 1St April
    Postpositions vs. prepositions in Mandarin Chinese: The articulation of disharmony* Redouane Djamouri Waltraud Paul John Whitman [email protected] [email protected] [email protected] Centre de recherches linguistiques sur l‟Asie orientale (CRLAO) Department of Linguistics EHESS - CNRS, Paris Cornell University, Ithaca, NY NINJAL, Tokyo 1. Introduction Whitman (2008) divides word order generalizations modelled on Greenberg (1963) into three types: hierarchical, derivational, and crosscategorial. The first reflect basic patterns of selection and encompass generalizations like those proposed in Cinque (1999). The second reflect constraints on synactic derivations. The third type, crosscategorial generalizations, assert the existence of non-hierarchical, non-derivational generalizations across categories (e.g. the co-patterning of V~XP with P~NP and C~TP). In common with much recent work (e.g. Kayne 1994, Newmeyer 2005), Whitman rejects generalizations of the latter type - that is, generalizations such as the Head Parameter – as components of Universal Grammar. He argues that alleged universals of this type are unfailingly statistical (cf. Dryer 1998), and thus should be explained as the result of diachronic processes, such as V > P and V > C reanalysis, rather than synchronic grammar. This view predicts, contra the Head Parameter, that „mixed‟ or „disharmonic‟ crosscategorial word order properties are permitted by UG. Sinitic languages contain well- known examples of both types. Mixed orders are exemplified by prepositions, postpositions and circumpositions occurring in the same language. Disharmonic orders found in Chinese languages include head initial VP-internal order coincident with head final NP-internal order and clause-final complementizers. Such combinations are present in Chinese languages since their earliest attestation.
    [Show full text]
  • DEVELOPING CREATIVE SERVICE INDUSTRIES in HANGZHOU, CHINA – 103 Provided by Queensland University of Technology Eprints Archive
    CORE Metadata, citation and similar papers at core.ac.uk II. CASE STUDY – DEVELOPING CREATIVE SERVICE INDUSTRIES IN HANGZHOU, CHINA – 103 Provided by Queensland University of Technology ePrints Archive Developing creative service industries in Hangzhou, China This case study is based on research by Wen Wen, Shenzhen University, People’s Republic of China and Michael Keane, Queensland University of Technology, Australia. TOURISM AND THE CREATIVE ECONOMY © OECD 2014 104 – II. CASE STUDY – DEVELOPING CREATIVE SERVICE INDUSTRIES IN HANGZHOU, CHINA Creativity is changing the People’s Republic of China according to Li Wuwei (2011), a leading Chinese economist and policy advisor. The nation is learning to embrace a “third industrial revolution” (Rifkin, 2011) while banking the economic capital of the carbon-dependent manufacturing economy. Urbanisation is also driving change and consumer culture (Gerth, 2010). Most of China’s high-value creative service industries are found in the large urban centres of Beijing, Shanghai, Guangzhou and Shenzhen in the coastal provinces. China’s second-tier cities, including Hangzhou in Zhejiang province, are also seeking to make capital out of culture, albeit with different strategies than the coastal hubs. The Hangzhou metropolitan area is the fourth largest in China, with 8.8 million residents. Zhejiang province was once known as the “land of rice and fish.” However, with the increased emphasis on productivity in China’s economic reforms since 1978, the province became an economic heavyweight, characterised by small and medium-sized enterprises often working together to produce complementary products. As more growth occurs in second-tier cities like Hangzhou and the environmental impact of the manufacturing industries are more apparent, service industries are gaining momentum and support from government think tanks to support growth.
    [Show full text]
  • Model Minority on the Modernization Project: Images of Chinese Religiosity in America
    Dominican Scholar Collected Faculty and Staff Scholarship Faculty and Staff Scholarship Spring 2013 Model Minority on the Modernization Project: Images of Chinese Religiosity in America Emily Wu Department of Religion and Philosophy, Dominican University of California, [email protected] Survey: Let us know how this paper benefits you. Recommended Citation Wu, Emily, "Model Minority on the Modernization Project: Images of Chinese Religiosity in America" (2013). Collected Faculty and Staff Scholarship. 267. https://scholar.dominican.edu/all-faculty/267 This Conference Proceeding is brought to you for free and open access by the Faculty and Staff Scholarship at Dominican Scholar. It has been accepted for inclusion in Collected Faculty and Staff Scholarship by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Model Minority on the Modernization Project: Images of Chinese Religiosity in America Presented at ASCH (American Society of Church History) Spring Conference in Portland, OR, 2013. Emily S. Wu As the stereotypical model minority in the United States, Chinese Americans are rarely considered as religiously threatening. Those Chinese Americans who already were or became converted to mainstream Christianity are seen as cases of successful Americanization. Buddhism, another popular religious affiliation among the Chinese ethnics, is understood as a benign and respectable source of wisdom. Few Chinese ethnics identify themselves strictly as Daoist or Confucian, but there is a wide range of religious and spiritual practices that are diffused into their daily lives. Without specific religious affiliations or congregational headcount, eclectic practices such as ancestral worship, temple visits, home rituals, and healing methods are interpreted (both by observers and insiders) to be merely preserving ethnic heritage and revisiting cultural tradition.
    [Show full text]
  • “The Hereditary House of King Goujian of Yue”
    "Yuewang Goujian Shijia": An Annotated Translation Item Type text; Electronic Thesis Authors Daniels, Benjamin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 20:21:08 Link to Item http://hdl.handle.net/10150/293623 “YUEWANG GOUJIAN SHIJIA”: AN ANNOTATED TRANSLATION by Benjamin Daniels ____________________________ Copyright © Benjamin Daniels 2013 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Benjamin Daniels APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: Dr. Brigitta Lee May 8, 2013 3 ACKNOWLEDGEMENTS First, I need to express my deepest gratitude to Dr. Enno Giele, who was my first mentor in anything related to ancient China.
    [Show full text]
  • Spring and Autumn China (771-453)
    Indiana University, History G380 – class text readings – Spring 2010 – R. Eno 1.7 SPRING AND AUTUMN CHINA (771-453) The history of the Spring and Autumn period was traditionally pictured as a narrative in which the major actors were states, their rulers, and certain high ministers and colorful figures. The narrative generally was shaped by writers to convey ethical points. It was, on the largest scale, a “true” story, but its drama was guided by a moral rationale. In these pages, we will survey the events of this long period. Our narrative will combine a selective recounting of major events with an attempt to illustrate the political variety that developed among the patrician states of the time. It embeds also certain stories from traditional sources, which are intended to help you picture more vividly and so recall more easily major turning points. These tales (which appear in italics) are retold here in a way that eliminates the profusion of personal and place names that characterize the original accounts. There are four such stories and each focuses on a single individual (although the last and longest has a larger cast of characters). The first two stories, those of Duke Huan of Qi and Duke Wen of Jin, highlight certain central features of Spring and Autumn political structures. The third tale, concerning King Ling of Chu, illustrates the nature of many early historical accounts as cautionary tales. The last, the story of Wu Zixu, is one of the great “historical romances” of the traditional annals. It is important to bear in mind that the tales recounted here are parts of a “master narrative” of early China, crafted by literary historians.
    [Show full text]
  • 十六shí Liù Sixteen / 16 二八èr Bā 16 / Sixteen 和hé Old Variant of 和/ [He2
    十六 shí liù sixteen / 16 二八 èr bā 16 / sixteen 和 hé old variant of 和 / [he2] / harmonious 子 zǐ son / child / seed / egg / small thing / 1st earthly branch: 11 p.m.-1 a.m., midnight, 11th solar month (7th December to 5th January), year of the Rat / Viscount, fourth of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] 动 dòng to use / to act / to move / to change / abbr. for 動 / 詞 / |动 / 词 / [dong4 ci2], verb 公 gōng public / collectively owned / common / international (e.g. high seas, metric system, calendar) / make public / fair / just / Duke, highest of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] / honorable (gentlemen) / father-in 两 liǎng two / both / some / a few / tael, unit of weight equal to 50 grams (modern) or 1&frasl / 16 of a catty 斤 / [jin1] (old) 化 huà to make into / to change into / -ization / to ... -ize / to transform / abbr. for 化 / 學 / |化 / 学 / [hua4 xue2] 位 wèi position / location / place / seat / classifier for people (honorific) / classifier for binary bits (e.g. 十 / 六 / 位 / 16-bit or 2 bytes) 乎 hū (classical particle similar to 於 / |于 / [yu2]) in / at / from / because / than / (classical final particle similar to 嗎 / |吗 / [ma5], 吧 / [ba5], 呢 / [ne5], expressing question, doubt or astonishment) 男 nán male / Baron, lowest of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] / CL:個 / |个 / [ge4] 弟 tì variant of 悌 / [ti4] 伯 bó father's elder brother / senior / paternal elder uncle / eldest of brothers / respectful form of address / Count, third of five orders of nobility 亓 / 等 / 爵 / 位 / [wu3 deng3 jue2 wei4] 呼 hū variant of 呼 / [hu1] / to shout / to call out 郑 Zhèng Zheng state during the Warring States period / surname Zheng / abbr.
    [Show full text]