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University of Alberta
University of Alberta Mirroring the Wu School: Ma Shouzhen’s Orchid Painting by Li Yang A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in East Asian Interdisciplinary Studies Department of East Asian Studies ©Li Yang Fall 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-68018-6 Our file Notre référence ISBN: 978-0-494-68018-6 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. -
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people. -
A Study of City Branding in the Yangtze River Delta in Perspective of Ecological Modernization
A study of City Branding in the Yangtze River Delta in perspective of Ecological Modernization Master Thesis Qihui Yang (4326660) Engineering and Policy Analysis Faculty of Technology, Policy and Management Delft University of Technology April 10th, 2017 Title Page Title A study of City Branding in the Yangtze River Delta in perspective of Ecological modernization Author Qihui Yang Graduation date April 10th, 2017 Email [email protected] University Delft University of Technology Faculty of Technology, Policy and Management Program Engineering and Policy Analysis Graduation Committee Chairman: Bert Enserink First Supervisor: Martin de Jong Second Supervisor: Haitao Zheng Acknowledgement This paper is my master thesis of Engineering and Policy Analysis at Faculty of Technology, Policy & Management, Delft University of Technology. First and foremost, I would like to give my sincerest gratitude to the graduation committee. I appreciate all the time and efforts you have put into helping me throughout this project. I'd like to thank Dr. Martin de Jong who helped me find this interesting topic and guided me through the whole writing process. It is hard to mentor a student to write a thesis over such a long distance, but you always give me efficient and quick feedbacks with great patience, which I really appreciate. Dr. Bert Enserink, thank you so much for providing me with all the valuable advice. I am very thankful that you read and revise my paper so carefully. Thanks to your comments, I improved the thesis a lot. Dr. Haitao Zheng, thank you so much for supporting me all the time. Without your advice and encouragement, it is impossible for me to finish this project in the end. -
Power Up: Focus on Chinese History Diagnostic Pretest
Power Up: Focus on Chinese History Diagnostic Pretest All content © 2016 by National Academic Quiz Tournaments, LLC. This study guide may be duplicated for use by players and coaches affiliated with the school that purchased it. It may not be distributed to people unaffiliated with that school. 1. What Chinese city hosted the Olympics in 2008? 11. Confucius lived during what seasonally named period answer: Beijing or Peking of Chinese history, which occurred during the Zhou Dynasty? 2. What member of the Qin Dynasty was the first answer: Spring and Autumn Period emperor of a unified China? answer: Qin Shi Huang Di or Zhao Zhang 12. What man led pro‐market reforms as the “paramount leader” of China for most of the 1980s, including 3. What man, who developed the Three Principles of the during the Tiananmen Square Protests? People, was a co‐founder of the Kuomintang? answer: Deng Xiaoping answer: Sun Yat‐Sen or Sun Yixian or Sun Zhongshan 13. What Chinese dynasty did the explorer Zheng He 4. What other Asian country presented the “21 Demands” serve? to China during the early 20th century? answer: Ming Dynasty answer: Japan or Nihon‐koku or Nippon‐koku 14. What 19th‐century revolt started by Hong Xiuquan 5. What possibly mythical dynasty preceded the Shang was put down by the “Ever‐Victorious Army?” and is said to be the first Chinese dynasty? answer: Taiping Rebellion or Taiping Uprising or Taiping answer: Xia Dynasty Heavenly Kingdom or Taiping Tien Kuo 6. What campaign with a botanical name was 15. What historian died in 86 BC and wrote the Shiji, or the implemented by Mao Zedong and ostensibly allowed Records of the Grand Historian? intellectuals to criticize Communism? answer: Sima Qian answer: Hundred Flowers Campaign or Baihua yundong 16. -
Speaking to History 5/13/08 1:52 PM Page 1
1.Cohen, Speaking to History 5/13/08 1:52 PM Page 1 one The Goujian Story in Antiquity before looking at the variety of ways in which the figure of Gou- jian assumed meaning for Chinese in the twentieth century, we need to ex- amine the story itself. In reconstructing the Goujian story, I have not been unduly concerned with the historicity of particular incidents or details.1 The impact of the story in the twentieth century, as noted in the preface, derived not from its accuracy as history but from its power as narrative.2 Nor have I attempted to trace the evolution of the story as it wended its way from ancient times on up to the end of the imperial era. This is not an exercise in Chinese literary history. What I want to do in this opening chapter is establish a rough baseline for what was known about the Gou- jian narrative in the first century c.e., the time when the first full-fledged version of the story (of which we are aware) appeared. To this end, I have consulted, either in the original or in translation, such basic ancient sources as Zuozhuan (Zuo’s Tradition), Guoyu (Legends of the States), Sima Qian’s Shiji (Records of the Historian), and Lüshi chunqiu (The Annals of Lü Buwei).3 However, I have relied most heavily on the later (and highly fic- tionalized) Wu Yue chunqiu (The Annals of Wu and Yue), originally com- piled by the Eastern Han author Zhao Ye from 58 to 75 c.e.4 I have done this for two reasons. -
Intersections: Li Yugang and His Transgender Performance: Body Politics, Entertainment and Aesthetic Ambiguity
Intersections: Li Yugang and His Transgender Performance: Body Politics, Entertainment and Aesthetic Ambiguity Intersections: Gender and Sexuality in Asia and the Pacific Issue 41, December 2017 Li Yugang and His Transgender Performance: Body Politics, Entertainment and Aesthetic Ambiguity Cai Shenshen I have never thought a transgender male character could be so beautiful; 'she' is pure and classical in style. 'Her' beauty has superseded the majority of females, 'she' walks majestically, 'her' smile and glimpse touches one's soul. 'She' elegantly waves 'her' sleeves. I know that I am a man but when I watch 'her' performing, I am absolutely captivated and can't control my feelings towards 'her', and this internal conflict has made me question my sexuality.[1] His uncommon quality in arts vividly demonstrates the appeal of his femininity, elegantly rather than extravagantly, prettily rather than pretentiously. He is more feminine than woman. This is a kind of beauty that encompasses female prettiness in the modern world. Not only is it a prettiness of appearance, but also a prettiness emitting from the heart, – one of temperament. The expression and emotion showing in 'her' eyes is intoxicating.[2] 1. The above quotes are from some Chinese netizens who appreciate the delicacy, elegance, and uniqueness of the trans-gender performances of Li Yugang, who is widely appraised as the best female impersonator in present-day China. From these netizens' comments, a murkily complex gender boundary and a collapse of the polarised gender categorisation is apparent. This gender confusion raises the question about whether gender is a presupposed entity or a performative and constructed discourse. -
DEVELOPING CREATIVE SERVICE INDUSTRIES in HANGZHOU, CHINA – 103 Provided by Queensland University of Technology Eprints Archive
CORE Metadata, citation and similar papers at core.ac.uk II. CASE STUDY – DEVELOPING CREATIVE SERVICE INDUSTRIES IN HANGZHOU, CHINA – 103 Provided by Queensland University of Technology ePrints Archive Developing creative service industries in Hangzhou, China This case study is based on research by Wen Wen, Shenzhen University, People’s Republic of China and Michael Keane, Queensland University of Technology, Australia. TOURISM AND THE CREATIVE ECONOMY © OECD 2014 104 – II. CASE STUDY – DEVELOPING CREATIVE SERVICE INDUSTRIES IN HANGZHOU, CHINA Creativity is changing the People’s Republic of China according to Li Wuwei (2011), a leading Chinese economist and policy advisor. The nation is learning to embrace a “third industrial revolution” (Rifkin, 2011) while banking the economic capital of the carbon-dependent manufacturing economy. Urbanisation is also driving change and consumer culture (Gerth, 2010). Most of China’s high-value creative service industries are found in the large urban centres of Beijing, Shanghai, Guangzhou and Shenzhen in the coastal provinces. China’s second-tier cities, including Hangzhou in Zhejiang province, are also seeking to make capital out of culture, albeit with different strategies than the coastal hubs. The Hangzhou metropolitan area is the fourth largest in China, with 8.8 million residents. Zhejiang province was once known as the “land of rice and fish.” However, with the increased emphasis on productivity in China’s economic reforms since 1978, the province became an economic heavyweight, characterised by small and medium-sized enterprises often working together to produce complementary products. As more growth occurs in second-tier cities like Hangzhou and the environmental impact of the manufacturing industries are more apparent, service industries are gaining momentum and support from government think tanks to support growth. -
“The Hereditary House of King Goujian of Yue”
"Yuewang Goujian Shijia": An Annotated Translation Item Type text; Electronic Thesis Authors Daniels, Benjamin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 20:21:08 Link to Item http://hdl.handle.net/10150/293623 “YUEWANG GOUJIAN SHIJIA”: AN ANNOTATED TRANSLATION by Benjamin Daniels ____________________________ Copyright © Benjamin Daniels 2013 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Benjamin Daniels APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: Dr. Brigitta Lee May 8, 2013 3 ACKNOWLEDGEMENTS First, I need to express my deepest gratitude to Dr. Enno Giele, who was my first mentor in anything related to ancient China. -
Proquest Dissertations
TO ENTERTAIN AND RENEW: OPERAS, PUPPET PLAYS AND RITUAL IN SOUTH CHINA by Tuen Wai Mary Yeung Hons Dip, Lingnan University, H.K., 1990 M.A., The University of Lancaster, U.K.,1993 M.A., The University of British Columbia, Canada, 1999 A THESIS SUBIMTTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA September 2007 @ Tuen Wai Mary Yeung, 2007 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-31964-2 Our file Notre reference ISBN: 978-0-494-31964-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. -
Global Cities, Local Knowledge
Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics Lim, Wei Ling Tania Patricia BSocSc (Hons), MSc (Media & Comms) Creative Industries Research and Applications Centre Queensland University of Technology Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 2005 Keywords Circuit of cultural production, East Asian popular culture, Television industries, Field of broadcasting, Formatting, Local knowledge, Media capitals, Neo-networks, Regional dynamics, TV Formats, martial arts dramas, teenage idol soap operas, game-shows. ii Abstract Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children’s animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres have become the focus for indigenous cultural entrepreneurs located in the East Asian cities of Hong Kong, Singapore and Taipei to turn their local TV programmes into tradable culture. This thesis is a re-consideration of the impact of media globalisation on Asian television that re-imagines a new global media order. It suggests that there is a growing shift in perception and trade among once-peripheral television industries that they may be slowly de-centring Hollywood’s dominance by inserting East Asian popular entertainment into familiar formats or cultural spaces through embracing global yet local cultures of production. -
Mingfei Qu" and the Poetics of Disagreement Author(S): Yang Xiaoshan Source: Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol
Wang Anshi's "Mingfei qu" and the Poetics of Disagreement Author(s): Yang Xiaoshan Source: Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol. 29 (Dec., 2007), pp. 55- 84 Published by: Chinese Literature: essays, articles, reviews (CLEAR) Stable URL: http://www.jstor.org/stable/25478397 Accessed: 14-08-2017 01:58 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/25478397?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Chinese Literature: essays, articles, reviews (CLEAR) is collaborating with JSTOR to digitize, preserve and extend access to Chinese Literature: Essays, Articles, Reviews (CLEAR) This content downloaded from 66.31.142.119 on Mon, 14 Aug 2017 01:58:38 UTC All use subject to http://about.jstor.org/terms Wang Anshi's "Mingfei qu" and the Poetics of Disagreement Yang Xiaoshan University of Notre Dame This essay reconsiders the controversy surrounding Wang Anshi's two poems on the Wang Zhaojun legend in light of his deliberate use of unconventional rhetoric to shock and awe his audience, especially in poems dealing with historical subjects. -
Tales of the Hegemons of the Spring and Autumn Period from C
History and Fiction: Tales of the Hegemons of the Spring and Autumn Period from c. 300 BC to AD 220 This dissertation is submitted for the degree of Doctor of Philosophy Olivia Milburn School of Oriental and African Studies University of London ProQuest Number: 10731298 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731298 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 p Abstract This thesis focusses on historical and fictional accounts of the hegemons of the Spring and Autumn period: Lord Huan of Qi, Lord Wen of Jin, Lord Mu of Qin, King Zhuang of Chu, King Helu of Wu and King Goujian of Yue. Chapter One describes the methodological basis. Many ancient Chinese texts underwent periods of oral transmission, but the effect on their form and content has been little researched. Theme and formula are important for understanding the development of these texts. The hegemons are also investigated for the degree to which they conform to greater patterns: the Indo-European models of the hero and good ruler.