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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Gender and Parenting: a Content Analysis of the American Sitcom Mollie Borer Concordia University, Saint Paul
Concordia Journal of Communication Research Volume 5 Article 2 6-1-2018 Gender and Parenting: A Content Analysis of the American Sitcom Mollie Borer Concordia University, Saint Paul Nicholas Alexander Concordia University, Saint Paul Follow this and additional works at: https://digitalcommons.csp.edu/comjournal Part of the Broadcast and Video Studies Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Borer, Mollie and Alexander, Nicholas (2018) "Gender and Parenting: A Content Analysis of the American Sitcom," Concordia Journal of Communication Research: Vol. 5 , Article 2. Available at: https://digitalcommons.csp.edu/comjournal/vol5/iss1/2 This Article is brought to you for free and open access by DigitalCommons@CSP. It has been accepted for inclusion in Concordia Journal of Communication Research by an authorized editor of DigitalCommons@CSP. For more information, please contact [email protected]. RUNNING HEAD: BorerGender and Alexander: and Parenting: Gender and Parenting:A Content A Content Analysis Analysis of of the American American Sitcom Sitcom Gender and Parenting A Content Analysis of the American Sitcom Mollie Borer and Nicholas Alexander Concordia University, St. Paul MN 12/14/2017 Published by DigitalCommons@CSP, 2018 1 Gender and Parenting: A ContentConcordia Journal Analysis of Communication of the American Research, Vol. Sitcom 5 [2018], Art. 2 1 Abstract The purpose of this study was not only to get a better understanding of what types of gender and parenting norms exist in television sitcoms, but to see if the same gender and parenting norms that were displayed in the 20th century, would be displayed in a sitcom created 30 years later. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
\\Fileprod-Prc-Dc\Peoplepress\Pew Projects\1998\05-98 2 Seinfeld
FOR RELEASE: FOR FURTHER INFORMATION CONTACT: SUNDAY, MAY 10, 1998, 4:00 P.M. (BROADCAST) Kimberly Parker or Greg Flemming MONDAY, MAY 11, 1998, A.M. (PRINT) Fans Say Yada Yada MIXED REACTION TO POST-SEINFELD ERA The situation comedy “Seinfeld” may be the most popular television show of its time, but only half of the people who watch it say they’ll miss it when it’s gone. And even fewer want friends like Jerry, George, Elaine and Kramer. The Seinfeld Audience... Young, Affluent and Single Today, 62% of the public says they watch the Ever Watch? program, and, at least for now, “Seinfeld” tops the list of Yes No all-time favorite comedy programs. In a new Pew Research Total 62 38=100 Center survey, 14% of Americans name the show as their Male 66 34 favorite. M*A*S*H ranks second with 6%. Female 58 42 18-29 81 19 The tearful farewells fans gave other popular 30-49 65 35 sitcoms, however, are unlikely to follow the “Seinfeld” 50-64 56 44 finale: 51% of viewers say they won’t miss the show much. 65+ 34 66 Only 19% of “Seinfeld” viewers say they will miss the College Grad. 70 30 show a great deal, another 29% will miss it a fair amount. Some College 66 34 H.S. Grad 62 38 Just as the sitcom’s trademark indifference is < H.S. 46 54 mirrored in these findings, “Seinfeld” viewers reflect the $75,000+ 71 29 characters: Fans are young, affluent and single. Fully 81% $50,000-74,999 74 26 of those under age 30 watch the show compared to just 34% $30,000-49,999 66 34 $20,000-29,999 55 45 of those over 65; 71% of those earning more than $75,000 < $20,000 52 48 tune in compared to 52% of those with incomes under $20,000; and 71% of single people watch the show versus Single 71 29 Married 59 41 59% of married folks. -
Tv Land Unwraps a Sack Load of Holiday Cheer with Classic Christmas Episodes Beginning Monday, December 24
Contacts: Elaine Wilcox Vanessa Reyes TV Land TV Land (212) 846-5502 (310) 752-8081 TV LAND UNWRAPS A SACK LOAD OF HOLIDAY CHEER WITH CLASSIC CHRISTMAS EPISODES BEGINNING MONDAY, DECEMBER 24 New York, NY, December 10, 2007 – Jingle Bells ring when TV Land rolls out a collection of classic Christmas episodes during TV Land’s 8th Annual Merry-thon. The twenty-four hour celebration begins Monday, December 24 through Tuesday, December 25 from 5:00pm - 5:00pm (ET/PT): features some of America's favorite television families including - The Ingalls, The Jeffersons, The Bunkers, The Bradys, and more. Tune in as the Ingalls recall their fondest memories of Christmases past, Louise help George find the father he never knew, Cindy ask Santa for help and Edith and Archie feast on a holiday dinner. TV Land's 8th Annual Merry-thon block schedule is as follows (all times listed are ET/PT): EST Merry-thon 12/24-12/25 5:00PM Gunsmoke #146 6:00PM Little House #167 7:00PM Good Times #97 All in the Family #194 8:00PM MASH #203 MASH #228 9:00PM Beverly Hillbillies #50 Jeffersons #99 10:00PM Sanford and Son #104 Three's Company #20 11:00PM MASH #203 MASH #228 12:00AM Cheers #133 Night Court #2 1:00AM Night Court #90 2:00AM Designing Women #34 Designing Women #131 3:00AM Wings #17 Wings #60 4:00AM Highway to Heaven #62 5:00AM Little House #167 6:00AM Gunsmoke #146 -more- Page 2: TV LAND MERRY-THON TV Land's 8th Annual Merry-thon block schedule is as follows (all times listed are ET/PT) con’t: 7:00AM Green Acres #46 Addams Family #49 8:00AM All in the Family #26 All in the Family #149 9:00AM Brady Bunch #12 Cheers #12 10:00AM Wings #17 Wings #60 11:00AM Night Court #2 Night Court #90 12:00PM Sanford and Son #104 Cheers #133 1:00PM Brady Bunch #12 Jeffersons #49 2:00PM Jeffersons #99 All in the Family #26 3:00PM All in the Family #149 Three's Company #20 4:00PM Good Times #97 Good Times #121 TV Land and all related logos and titles are trademarks of Viacom International Inc. -
Favorite Female TV Characters.Xlsx
FAVORITE FEMALE TV CHARACTERS - VOTING BRACKETS First Round Second Round Third Round Sweet Sixteen Elite Eight Final Four Championship Final Four Elite Eight Sweet Sixteen Third Round Second Round First Round Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Votes Elly May Clampett (Beverly Hillbillies, The) 64 27 Miranda Bailey (Grey's Anatomy) Elly May Clampett (Beverly Hillbillies, The) Olivia Benson (Law & Order: SVU) Alice Kramden (Honeymooners, The) 32 61 Olivia Benson (Law & Order: SVU) Emma Peel (Avengers, The) 50 49 Rose Tyler (Doctor Who) Emma Peel (Avengers, The) Rose Tyler (Doctor Who) Edith Bunker (All in the Family) 48 40 Liz Lemon (30 Rock) Mary Richards (Mary Tyler Moore Show, The) 76 55 Zoe Washburne (Firefly) Mary Richards (Mary Tyler Moore Show, The) Zoe Washburne (Firefly) Cathy Gale (Avengers, The) 19 38 Karen Walker (Will & Grace) Sue Ann Nivens (Mary Tyler Moore Show, The) 30 48 Amy Farrah Fowler (Big Bang Theory, The) Jeannie (I Dream of Jeannie) Amy Farrah Fowler (Big Bang Theory, The) Jeannie (I Dream of Jeannie) 67 45 Penny (Big Bang Theory, The) Victoria Winters (Dark Shadows) 16 44 Ziva David (NCIS) Mary Ann (Gilligan's Island) C.J. Cregg (West Wing, The) Mary Ann (Gilligan's Island) 76 45 C.J. Cregg (West Wing, The) Maude Findlay (Maude) 66 55 Buffy Anne Summers (Buffy the Vampire Slayer) Maude Findlay (Maude) Buffy Anne Summers (Buffy the Vampire Slayer) Maggie Evans (Dark Shadows) 23 40 Penelope Garcia (Criminal Minds) Laura Petrie (Dick Van Dyke Show, The) 48 46 Emily Prentiss -
Theorizing Conservative Egalitarianism by Erin Baribeau a Disserta
Taxpayers and Homeowners, Forgotten Men, and Citizen-Workers: Theorizing Conservative Egalitarianism by Erin Baribeau A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Political Science) in the University of Michigan 2014 Doctoral Committee: Professor Lisa J. Disch (Chair) Professor Pamela Brandwein Professor Robert Mickey Professor Matthew D. Lassiter Copyright Erin Baribeau 2014 Acknowledgments First, I would like to thank Lisa Disch for her inspiration and unflagging support and guidance, both throughout my graduate career and at every step in the writing of this dissertation. I would also like to express my deep gratitude to Pamela Brandwein and Robert Mickey, both of whom have played a tremendous role in sparking my research interests, and in pushing me to be more precise when developing and articulating my ideas and arguments. Matthew Lassiter has provided great clarity and much needed historical insight for the framing of this project, and to him I am greatly indebted. The process of developing, clarifying, and revising this dissertation was truly a collective effort. For their help, I thank Danielle LaVaque-Manty, Scott Beal at the Sweetland Center for Writing, my friends and colleagues in the Political Theory Workshop at Michigan, my Fall 2013 Sweetland Dissertation Writing Group, and participants at the "Theory in Black and White" panel at the 2014 Meeting of the Southern Political Science Association, and the "Race in North America" panel at the 2014 Meeting of the Western Political Science Association. For their generous financial support for research and travel, I also thank the Department of Political Science at Michigan. -
Slaphappiest Game Ever” ? Read the Face of Our Opponent and Draw Conclusions from That?
What game was called the What tactical game taught us to “slaphappiest game ever” ? read the face of our opponent and draw conclusions from that? This royal backgammon game of This game was shaped as a star India kept us rolling the dice in and the points were filled with short white tubes. plastic pegs. This classic game was intro- This game took off the moment duced in US over 70 years ago Johnny Carson challenged Eva with the object of getting all your Garbor to play it on The Tonight pieces into your own Home Show in 1966. Space first. This game could put you in the This tense game could make you Millionaire Acres or the Poor fear a buzzing sound forever. Farm. In I Love Lucy, two friends were What was the name of Saman- their constant companions. tha’s mother on Bewitched and Name both character names and what actress played the role? the actors who played the roles. In Hogan’s Heroes, who was the The Lassie TV show was based main character and what actor on the film, Lassie Come Home. Name at least one of the two played that role? main actors from that film. What was the character name of In the Flip Wilson show, who was Patty Duke’s identical cousin in the sassy recurring character the Patty Duke Show and where played by Wilson. She was a very funny southern, liberated was she from? Southern woman. For Gilligan’s Island, name the Name five of the six main pas- boat, the place from where they sengers on the ship with Prof. -
1947 Virginian State Teacher's College
Longwood University Digital Commons @ Longwood University Yearbooks Library, Special Collections, and Archives 1-1-1947 1947 Virginian State Teacher's College Follow this and additional works at: http://digitalcommons.longwood.edu/yearbooks Recommended Citation State Teacher's College, "1947 Virginian" (1947). Yearbooks. 91. http://digitalcommons.longwood.edu/yearbooks/91 This Article is brought to you for free and open access by the Library, Special Collections, and Archives at Digital Commons @ Longwood University. It has been accepted for inclusion in Yearbooks by an authorized administrator of Digital Commons @ Longwood University. For more information, please contact [email protected]. A full .^ n H" \' ,1 rr {' \^ /n- A 4- 4!i\*5' (^ 5 ! (ft. I , ( /' l'l(!i>^ IGthrarg Siongnmol) Cnllfge afarmtrtllf, Birgtnia Digitized by the Internet Archive in 2010 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/virginian1947stat 4 & 4 7 "OlRGINlAN Sue Hundley, Editor Sue McCorkle, Business M/if^a^er T. A. McCorkle. Adviser! * *?§ s If**' i i IRGIIIM PUBLISHED BY THE STUDENT BODY STATE TEACHERS COLLEGE FARMVILLE, VIRGINIA ^ ZDear Z/armi/iUe, O. ZJ. C, four ^earj we ue Apent witli tki Library Longwood College Farmville. Virginia fl/ludic that Id ^i'armviiie _^J frednmen we came to tne newnedd We are welcomed to Farmville by girls of the "Y." We sing popular songs and learn our class of cotteae and mahing. aaiudtmentd and color songs at the freshman parties. We leave to uou. in June with strains of the Alma Mater and the daisy chain song ringing in our ears. We will cherish the memory of our school years always and will recall happy incidents by perhaps rememb' ering Cab's playing boogie, songs by the King Cole Trio, "We are the Green and Whites," solemn tapping ceremonies, favorite hymns, productions, "What's the Matter with Jarman," winning circus stunts, modern dance, and even the musical sound of Mrs.