Ensinar a Educar Para Ajudar a Prevenir
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 KLÀNNISHNESS AND THE KU KLUX KLAN: THE RHETORIC AND ETHICS OF GENRE THEORY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian Robert McGee, B.S., M.S. -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
October 1987
Cover Photo by Ebet Roberts EDUCATION IN THE STUDIO Roberts An Introduction 42 Ebet by Craig Krampf by ROCK 'N' JAZZ CLINIC Emphasizing Beats Photo by Rod Morgenstein 44 TEACHERS' FORUM Motivation by Ron Jordan 48 JAZZ DRUMMERS' WORKSHOP Basic Independence by Peter Erskine 72 ELECTRONIC INSIGHTS Marching To The MIDI Drummer by Bruce Nazarian 82 ROCK PERSPECTIVES Ringo Starr: The Early Period by Kenny Aronoff 102 ROCK CHARTS Ian Paice: "Perfect Strangers" by James Morton 106 CONCEPTS Listening NARADA MICHAEL by Roy Burns 120 CLUB SCENE WALDEN Selling Yourself On Tape In recent months, he has had great success as a producer for by Rick Van Horn 122 such artists as Whitney Houston and Aretha Franklin, but EQUIPMENT Narada Michael Walden isn't about to abandon his SHOP TALK drumming, and here he tells why. Snare Drum Options by Rick Mattingly 16 by John Clarke 76 PRODUCT CLOSE-UP More New Cymbals AL JACKSON by Rick Van Horn and Rick Until his untimely death, Al Jackson provided the backbeat Mattingly 126 for classic Memphis recordings by Booker T. & The MGs, Al ELECTRONIC REVIEW Greene, Sam & Dave, Otis Redding, and all the artists on Stax Pearl SC-40 Syncussion-X records. He is remembered by such friends and colleagues as by Bob Saydlowski, Jr. 128 Steve Cropper, Duck Dunn, Al Greene, and Jim Keltner. JUST DRUMS 132 by T. Bruce Wittet 22 REVIEWS PRINTED PAGE 104 PAUL LEIM PROFILES Since moving to L.A. from Dallas, Paul Leim has recorded PORTRAITS with an impressive array of artists, including Lionel Richie, Sherman Ferguson: Fire, Groove, Peter Cetera, and Kenny Rogers. -
Don't Just Give Up, but Live MERCY This Lent
Lord, Let Glasgow Flourish by the preaching of Thy Word and the praising of Thy Name FEBRUARY 2016 JOURNAL OF THE ARCHDIOCESE OF GLASGOW 70p Royal’s SCIAF’s Face E D face of Wee Box of an I S mercy angel N I page 5 pages 6 –7 page 11 Don’t just give up, but live MERCY this Lent In the Year of Mercy, POPE FRANCIS calls for the season of Lent, which begins with Ash Wednesday on 10 February, to be lived more intensely as a privileged moment to celebrate and experience God’s mercy. Presenting Mary as the “perfect icon of the Church which evangelises” he invites the whole Church to listen more attentively to God’s voice and be prepared to put into practice the corporal and spiritual works of mercy GOD’S mercy transforms It is the unprecedented and scan - human hearts. It enables us, dalous mystery of the extension in through the experience of a time of the suffering of the Innocent faithful love, to become mer - Lamb, the burning bush of gratu - This illusion can also be seen in itous love. Before this love, we can, the sinful structures linked to a Jade Tobia of St Thomas ciful in turn. Aquinas Secondary, like Moses, take off our sandals, es - model of false development based Jordanhill, working on In an ever new miracle, divine pecially when the poor are our on the idolatry of money, which the banner which she mercy shines forth in our lives, in - brothers or sisters in Christ who are leads to lack of concern for the fate will help to carry at the spiring each of us to love our neigh - suffering for their faith. -
Tributo SIMPLE MINDS “SEE the LIGHTS”
DOTT.SSA VITTORIA MARANGONI PRENOTAZIONI CUP - OMEOPATIA - VETERINARIA VENDITA E NOLEGGIO AUSILI SANITARI ASSICURAZIONI ALIMENTI SENZA GLUTINE ED APROTEICI PRIMA INFANZIA - DERMOCOSMESI ANDREA ARCHI VIA E. FERRI, 6 46027 SAN BENEDETTO PO (MN) 347 7656305 CF / P.IVA 01659930208 TEL. 0376 615117 Via Cesare Battisti, 37 (+39) 329 7908736 Quistello (MN) www.farmacievittoria.it 0376 618253 Prenotazioni: 0376619974 [email protected] presenta: Informazioni: 333/7194713 WWW.LUXONTHEROCK.IT [email protected] 2016 Comune di Quistello Tributo LIGABUE “BANDA LIGA” Con il patrocinio Tributo BEE GEES “TREE GEES” Si può telefonare nei giorni 2017 MEDIA PARTNER Lun-Mar-Mer-Ven dalle 15 alle 18.30 Gio-Sab dalle 9 alle 12 Tributo SIMPLE MINDS “SEE THE LIGHTS” Costo biglietto unico 10 Proposta abbonamento 4 serate 32 Tributo QUEEN “VIPERS” Biglietti non rimborsabili Il prossimo 28 ottobre 2016 si alzerà il sipario della nona edizione di “LUX ON THE ROCK”. Nove? Avete letto bene siamo alla nonaPresentazione edizione, dopo 34 serate siamo ancora qui per proporvi altri 4 concerti, 3 nuove cover band per il tributo a LIGABUE, BEE GEES e SIMPLE MINDS ed il gradito ritorno dei QUEEN, a commemorare il 70° anniversario del mitico Freddie Mercury. Ancora una volta contiamo sul nostro affezionato pubblico, che ama ascoltare BUONA MUSICA proposta con la nostra formula, in un confortevole quanto acusticamente ideale luogo quale il Cinema Teatro LUX. Un caloroso ringraziamento allo staff di SPAZIO GIOVANI, alla GIUNTA Comunale, ai volontari del Cinema Teatro LUX, e a tutti gli amici che si affiancano edizione dopo edizione e a tutti gli SPONSOR che ci consentono di proseguire in questa iniziativa. -
1980'S Or Later.Pre-Owned Sheet Music
1980’s or later.Pre-owned Sheet Music. 1980 1981 1982 1984 1985 1986 1987 1988 1992 1997 Please note the following as a guide to condition and pricing. ex No marks or deteriation Priced £15 good As appropriate for age of the manuscript. No tears but possible fine creasing. Slight marks on front cover (e.g. shop stamp or owner’s name) or pencil inside. Priced £12 fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ subject to condition. Year Year of print. Usually the same year as copyright © but not always Photo Artist(s) photograph on front cover n/a No artist photo on front cover LOOKING FOR THESE ARTISTS? You’ve come to the right place for The Bangles, Eric Clapton, Howard Jones, Stevie Wonder, Madonna, Gary Numan, Paul McCartney or theme tunes from the decade’s most popular TV series. Just look for the name on the lists below. TITLE WRITER & COMPOSER CONDITION PHOTO YEAR Agadoo M.Symile/M.Delancery/J.Peram good Black Lace 1985 All my ex‟s live Sanger D &LyndiaJ.Shafer good George Strait 1986 in Texas Always Jonathan, David & Wayne Lewis ex Atlantic Starr 1987 Always there S.May/L.Osborne/D.Black good Marti Webb 1986 American made Bob Dipiero/Pat McManus ex The Oak Ridge Boys 1983 American music P.McGee ex The Pointer Sisters 1982 Amigo Black Slate ex Black Slate 1980 Amy rainbow L.Bricusse ex Andy Williams 1980 Another one John Deacon ex Queen 1980 bites the dust Anything for you G.M.Estefan ex Gloria Estefan 1987 Are you getting -
Drummer Persona Llista
Drummer Persona Llista Mavelikara Krishnankutty Nair https://ca.listvote.com/lists/person/mavelikara-krishnankutty-nair-15435509 Sampsa Astala https://ca.listvote.com/lists/person/sampsa-astala-927469 Colin Burgess https://ca.listvote.com/lists/person/colin-burgess-555933 Ari Toikka https://ca.listvote.com/lists/person/ari-toikka-11852523 Jon Dette https://ca.listvote.com/lists/person/jon-dette-1282431 Lacu https://ca.listvote.com/lists/person/lacu-5931968 Tue Madsen https://ca.listvote.com/lists/person/tue-madsen-2304274 Rudy Lenners https://ca.listvote.com/lists/person/rudy-lenners-612692 Lyly Rajala https://ca.listvote.com/lists/person/lyly-rajala-11879931 Jay Schellen https://ca.listvote.com/lists/person/jay-schellen-6167162 Juha Jokinen https://ca.listvote.com/lists/person/juha-jokinen-11867357 Mark Zonder https://ca.listvote.com/lists/person/mark-zonder-3849588 Seppo Alvari https://ca.listvote.com/lists/person/seppo-alvari-11892961 Kate Schellenbach https://ca.listvote.com/lists/person/kate-schellenbach-3813331 Daniele Trambusti https://ca.listvote.com/lists/person/daniele-trambusti-3702095 Keith Carlock https://ca.listvote.com/lists/person/keith-carlock-6384168 Pelle Lidell https://ca.listvote.com/lists/person/pelle-lidell-5950246 Mike Sturgis https://ca.listvote.com/lists/person/mike-sturgis-6848976 Blair Cunningham https://ca.listvote.com/lists/person/blair-cunningham-4924073 Tomi Parkkonen https://ca.listvote.com/lists/person/tomi-parkkonen-5492988 Stet Howland https://ca.listvote.com/lists/person/stet-howland-1094599 Chris Kontos -
Razorcake Issue #84 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California non-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Primary & Secondary Sources
Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data. -
1977 Bildeten Jim Kerr Und Charlie Burchill Zusammen Mit Dem Drummer Brian Mcgee Eine Punkrock-Band, Genannt „Johnny & the Self Abusers
Biographie/Presse „exSIMPLE MINDS“ 1977 bildeten Jim Kerr und Charlie Burchill zusammen mit dem Drummer Brian McGee eine Punkrock-Band, genannt „Johnny & The Self Abusers. Nach einer erfolglosen Single wurde die Bandaufstellung schnell umgruppiert und der Name in SIMPLE MINDS geändert. Schottlands größte und erfolgreichste Band. 1978 schloss sich Derek Forbes den SIMPLE MINDS an. Am Anfang stand er als Bassist bei einem Auftritt in der berüchtigten Bar Mars in Glasgow auf der Bühne. Das war die allererste Zusammenarbeit von Forbes und McGee und der Anfang der wahrscheinlich populärsten und kreativsten Periode der SIMPLE MINDS Karriere. Forbes und McGee waren zweifellos dafür verantwortlich, den unmissverständlichen Ton der frühen SIMPLE MINDS Alben zu definieren. Sie setzten glühende Rhythmus-Spuren, wie “Themes For Great Cities“, “Love Song“, “I travel“, “The American“, “Changeling“, “Chelsea Girl“, und bildeten eine großartige Partnerschaft für die ersten 6 Simple Minds-Alben, “Life in a Day”, “Reel to Reel Cacophony”, “Empires and Dance”, “Celebration”, “Sons and Fascination” und “Sister Feelings Call”. Brian McGee verließ die SIMPLE MINDS 1981 nach Jahren mörderischer, weltweiter Tourneen und schloss sich der Glasgower Band “END GAMES” an. Inzwischen setzte Derek Forbes mit den SIMPLE MINDS die Reise durch ihre goldene Phase fort. Alben wie „New Gold Dream“ (`81 - `84) und „Sparkle in the Rain“ wurden geschrieben, aufgenommen und es folgten dazu weitere Tourneen. Jedoch nach dem Erreichen des ultimativen Charthöhepunktes – der Nummer Eins in Amerika – mit dem internationalen Erfolg „Don`t Forget About Me“, verließ Forbes, die Band. Innerhalb von 2 Monaten kehrte Forbes als Bassist der deutschen Band „Propaganda“ wieder zurück in der Musik-Szene. -
Trevor Horn Wiedział, Jak Grać Ciszą
Sylwetki wrażliwy wokal, syntetyczna perkusja i oso- bliwe barwy syntezatorów. Brzmieniowo rozciąga się pomiędzy latami siedemdziesią- tymi (przemyca mnóstwo wątków ze złotej ery disco) a tym, co nowe i futurystyczne. Przestrzeń jest zbudowana bardzo in- teligentnie. Nie drażni przeładowaniem, a barwy ciepłe przeplatają się z chłodnymi. Perkusja jest próbkowana, ale odnosi się wrażenie, że w jakimś stopniu pozostaje akustyczna. Zresztą, żywa gra przeplata się tu z rytmami za- programowanymi tak umie- jętnie, że słuchacz do końca nie wie, co zostało wsamplo- wane, a co nie. Sekcję uzupełnia ciepły, Wielcy choć zdyscyplinowany bas. Strona rytmiczna nawet z dzisiejszej per- spektywy brzmi świeżo. Przestrzeń wypeł- niają starannie dobrane klawisze i oszczęd- producenci na, funkująca gitara. Główny wokal został umiejscowiony idealnie i nic niczego nie zagłusza. Trevor Horn wiedział, jak grać ciszą. Sto- sował zasadę „less is more”, choć powiedzieć o tej produkcji, że jest skromna, byłoby prze- Trevor Horn sadą. To rzecz zbalansowana, elegancka, ale Częstokroć słyszymy o producentach muzycznych. też zróżnicowana. Zaskakujące, że nawet na starych masterach pasmo okazuje się bardzo Czy jednak wiemy, jaką odgrywają rolę? szerokie. Horn antycypował to, co miało się Przecież producent producentowi nierówny. stać z muzyką za kilka lat, kiedy do studiów wjadą stoły SSL i wielkie głośniki. Albo może po prostu, jako basista, nie wyobrażał sobie, Michał Dziadosz że mogłoby zabraknąć potężnego dołu? Yes iektórzy czasem tylko wpadają ducent. Dziś przybliżymy te z nich, których 90125, 1983 do studia i mówią: „skasujcie wstyd nie znać. te klawisze, a tu wstawcie sam- O tej płycie napisano właściwie wszystko. pel z trąbką”. Inni stale są na miejscu. -
Mix Newsletter 050907
TURNING THE DREAMS OF ARTISTS INTO REALITY ‘PROMISED YOU A MIRACLE!’ Mix Records 27th September 2007 Volume 1, Issue 2 North Lodge Auchineden Blanefield G63 9AX Tel: (+44)1360 771 644 Mobile: (+44)7968 240 958 Email: [email protected] WWW: www.mixrecords.com First “Sons of Dan“ track “Pleasantly Disturbed” released and available for immediate download via the Mix Records Rock Download store Fans worldwide will be pleased to hear that, in response to popular request for a studio album, the rock band “Sons of Dan” has today released their first taster track “Pleasantly Disturbed” for immediate download via www.mixrecords.com. For those that don’t already know, “Sons…” is Mick MacNeil’s (exSimple Minds/Pretenders) latest venture, working with former Minds members Derek Forbes and Brian McGee. This is the first of several tracks to be released. The tracks will all be loosely based on what many feel was the most productive time of Simple Minds writing, when “Sons and Fascination”, produced by Steve Hillage, hit the CD shelves worldwide in the summer of 86. The original “Sons and Fascination” album was inspired by bands such as “La Düsseldorf”, “Can”, “Neu”, and of course “Kraftwerk” among many Mix Records Recording Studio other's. It was this unique blend of styles that resulted in the huge success of the album, a style trend which “Sons of Dan” hopes to continue. Many have asked why the band is Sons of Dan set on writing music of the past. The Michael MacNeil - Keys response has been that this is what fans Simple Minds / Pretenders worldwide want.