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A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind
4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries. -
Mexican Craft Collection 2017 Barro Negro, Onyx Natural
MEXICAN CRAFT COLLECTION 2017 BARRO NEGRO, ONYX NATURAL STONE, RECYCLED & HANDBLOWN GLASS, HANDWOVEN, POLISHED COPPER, POLISHED BRASS, CHROMED METAL, SAMAN WOOD, CANTERA ROSA, URIARTE TALAVERA Studio davidpompa was born out of the desire to create contemporary design with a strong commitment to Mexican identity & craftsmanship. The intrigue of finding what is Mexico and merging it with something new to create simple and perfect objects, piece by piece. Studio We don’t focus on working with big companies, we have the commitment Founded in 2013 with a showroom and to partner with the best craftsman, production located in Mexico City. We communities and professionals from are a team of designers, engineers and each field. Collaborations with makers based in Mexico and Austria. extraordinary Mexican companies David Pompa grew up in both countries make us proud and drive our creative and studied product design in London. process to characterful signature pieces. The idea to work with Mexican craft started with a trip to Oaxaca in 2009 where David saw artisans Products work with “Barro Negro” for the first Our ambition is to create contemporary time. He started directly working and design with intriguing aesthetics and a experimenting the material which lead conceptual character. to his first collection. Since then, we as a Studio, are committed to Mexican The ethos for our collections is to culture and find ourselves on a constant rethink and reinvent Mexican craft journey to create design objects that are while respecting its heritage. We work both beautifully crafted and accessible. with a rich palette of materials to create contemporary lighting, tiles and furniture. -
Ceramica: Mexican Pottery of the 20Th Century Ebook
CERAMICA: MEXICAN POTTERY OF THE 20TH CENTURY PDF, EPUB, EBOOK Amanda Thompson | 208 pages | 01 Jan 2001 | Schiffer Publishing Ltd | 9780764312489 | English | Atglen, United States CerAmica: Mexican Pottery of the 20th Century PDF Book Garcia Quinones has won prizes for his work since he was a boy and each year for thirty year has sold his wars at the annual Christmas Bazaar at the Deportivo Venustiano Carranza sports facility. A marble vase from the s. They were used to serve first class passengers and are made of white stoneware with the red continental airlin Bjorn Wiinblad for Rosenthal ceramic pitcher and cups. In addition to majolica, two large factories turn out hand painted ceramics of the kaolin type. This permits many artisans to sell directly, cutting out middlemen. By Charles Catteau for Boch Freres. When creating a southwest Mexican rustic home decor, talavera pottery can add a gorgeous finishing touch. The best known forms associated with Metepec are its Trees of Life, mermaids and animals such as lions, horses with or without wings and ox teams. Today, her pieces are part of Atzompa's pottery traditions even though she herself is outsold by younger potters who produce cheaper and better wares. These are Bram and Dosa in the city a Guanajuato and the town of Marfil respectively. Indigenous traditions survive in a few pottery items such as comals , and the addition of indigenous design elements into mostly European motifs. Uh-oh, it looks like your Internet Explorer is out of date. There has also been experimentation with new glaze colors, such as blue and mauve. -
2019 NSREC Technical ■ Single-Event Effects: Mechanisms and Modeling Sessions
Schedule Monday Tuesday Wednesday Thursday Friday Time July 8 July 9 July 10 July 11 July 12 7:00 [7:00] Breakfast – [7:00] Breakfast – [7:00] Breakfast – [7:00-8:30] IEEE Young [7:00] Breakfast – Salons A-B-F Salons G-M (Exhibits) Salons G-M (Exhibits) Professionals Breakfast – Salons A-F (Pre-Function) Conference Rooms 17 & 18 7:30 (YP talk begins at 7:30 AM) Ticket Required to Attend — and — 8:00 [8:00] Short Course Introduction Dr. Steven Moss, [7:00] Breakfast – Grand Salons C-D-E Salons A-F (Pre-Function) 8:10 [8:10] Part I – Basics of Single Event Effect 8:15 Mechanisms and Predictions [8:20] Opening Remarks/ [8:20] Invited Talk – 8:30 Dr. Daisuke Kobayashi Awards Presentation Automated Vehicles and the [8:30] Invited Talk – [8:30] Invited Talk – Salons C-D-E Road Ahead Parker Solar Probe: A Spanish Exploration and the Chris Mentzer Mission to Touch the Sun Beginnings of Texas Natural 9:00 [9:00] Session A – Salons C-D-E Dr. Jim Kinnison History Single Event Effects: Salons C-D-E Dr. Jesús F. de la Teja Mechanisms and Modeling Salons C-D-E 9:30 [9:35] Session F – [9:40] Break – Grand Pre- Basic Mechanisms [9:45] Session H – [9:45] Session I – Function Photonic Devices and Hardening by Design 10:00 [10:05] Session B – Integrated Circuits [10:10] Part II – Single Event Effects: SEE Testing with Broad and Transient Characterization [10:25] Break – Salons G-M 10:30 Focused Particle Beams Dr. -
Museo's Multicultural Spring Exhibit to Include Rare Colonial Artifacts
861 Santa Fe Dr Denver, CO 80204 MUSEO www.museo.org de las Americas FOR IMMEDIATE RELEASE Contact: Brent Bulger Marketing & PR Coordinator 303.571.4401 ext.25 January 27, 2017 [email protected] Museo’s Multicultural Spring Exhibit to Include Rare Colonial Artifacts “Tornaviaje/The Return Route” is a showcase of unique Asian influence in early Mexico due to Pacific Colonial trade routes. Image Courtesy of the National Hispanic Cultural Center In 1565, following the currents of the winds, Spanish galleons sailed across the Pacific Ocean from the port of Acapulco in Mexico to Manila in the Philippines in search of goods and spices, unaware of the everlasting cultural consequences that would bind us forever. - Maruca Salazar, Curator Unique Cultural Fusion “Tornaviaje/The Return Route” is an innovative and fascinating exhibit featuring artifacts from a period in history when colonial Pacific trade brought exotic Asian influences to the Americas via currents between Manila, Philippines and Acapulco, Mexico. The exhibit includes 21 educational panels in English and en Español. The panels are on loan from the National Hispanic Cultural Center in Albuquerque, New Mexico. Rare Historical Artifacts Alongside the 21 bilingual panels, will be the many pieces dating from the 16th -20th centuries, which demonstrate the fascinating fusion of cultures in a pivotal period of American history. Among them are Rebozos: a traditional Mexican shawl, not unlike a poncho, which has been traced to indigenous and Asian influences. Also featured is the legendary China Poblana garment, a style of dress that is said to emulate a fabled Hindu woman, captured by pirates at the age of 9 in the South Seas and sold into servitude in the mid-17th century. -
March 2010 Talavera Pottery Instituto Allende Is Probably the Most
March 2010 Talavera Pottery Instituto Allende is probably the most famous center for Arts Education in SMA. It was begun by a Peruvian artist in the late ‘30’s. It really expanded after WWII when GI’s discovered that they could come down here under the GI Bill and get a BFA degree while spending $5.00/month for rent. That influx of Americans put SMA on the map. A gringo named Stirling Dickinson expanded the Instituto. As a result he has a street named after him. Bellas Artes is another cultural center. It’s an old convent that’s been converted into an arts center. They offer courses in Pottery-Making, Painting, Drawing, Weaving, Sculpture, Music and Dance. Anzie signed up for a month-long weaving class. She plans to weave at least one Mexican-style patterned rug. We just completed a week-long tile painting class there last week. The two instructors flew in from the Corcoran Museum School in D.C. All of the paints are made from dry mineral-based pigments and water. We were very productive, as you can see from the attached photos. It was a lot of fun and we learned a lot. The difference in colors before and after the kiln is amazing. Now that we know a lot more, we’d like to try it again. Last Thursday after our three-hour class our instructors drove over to the town of Dolores Hidalgo which is a center for pottery and tile making. We followed them, lost them, and finally found them again at this wonderful pottery shop. -
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p ☆ ☆☆☆☆☆☆☆ ☆☆☆☆☆ CHILDREN OF THE OTHER AMERICAS ☆ ☆☆☆☆☆☆☆☆☆☆☆☆ T3.8- OFFl0 PlT©*„^iio- •**'Vi" ^ __..^iffEUlOA-N • j n co V- jt 11-5TES V , •* nt Oj.' r\Tv4 i-i OFFICE of 0OOi^-:''ME.3 , _ Jddifor.^ ■■FoxH , W1 *-’ F" '\ >v-iwifcy *ceao7 Federal--" _ p> q, *0U» * wx :wx£x<<<<&,xvx,vx<*x<c0>xp>x*ssx‘xxx<*x,x*x-x«£x*x<*>&w!&*x<<c*xcvx£’xvx,x,x<,!yx,x>x*x*x XvX wwivxvi-x-x'xvx'xwiwxw^'iyx'x'x'^^^ ☆ ☆☆☆☆☆☆☆☆☆☆☆☆ CHILDREN OF THE OTHER AMERICAS A guide to materials in English on the Other Americas suitable for the elemen¬ tary and junior high school grades. Prepared by M. Elizabeth Barry and Delia Goetz with the assistance of Dorothy Conzelman under the supervision of the Division of Intellectual Cooperation of the Pan American Union February 1942 OFFICE OF THE COORDINATOR OF INTER-AMERICAN AFFAIRS Washington, D. C. ★ UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1942 ☆ ☆☆☆☆☆☆☆☆☆☆☆☆ CHILDREN OF THE OTHER AMERICAS TABLE OF CONTENTS General References and Teaching Aids . 1 Homes, Schools, and Community Life . 35 Dances, Songs, and Festivals . 59 Arts and Handicrafts . 79 Food, Plants, and Minerals .:. 99 Their Animal World . 119 Ancient Civilizations and Modern Republics . 135 Transportation »909oe9ee«s9e3«c««et*ee»**** 161 { Children of the Other Americas } GENERAL REFERENCES AND TEACHING AIDS (in) i Table of Contents Page Introduction_ vn Part I. General References for Pupil and Teacher: For the children_ 1 Books_ 1 Periodicals and pamphlets_ 1 For the teacher_ 3 Books_ 3 Periodicals and pamphlets_ 6 Part II. Aids for Teachers: Audio-visual teaching aids_ 11 Costumes_ 12 Exhibits_ 16 Flags_ 16 Maps_ 17 Museums_ 18 Organizations having information and materials_ 20 Periodicals devoted to Latin America_ 23 Periodicals cited in this guide_ 25 School correspondence_ 29 Units for teachers_ 29 Key to abbreviations_ 32 (V) I . -
Authentic Uriarte Talavera Tiles
Authentic Uriarte Talavera Tile Mexican Traditions P.O. Box 67, Lambeth Station London, ON N6P 1P9 (519) 652-9787 www.mexitraditions.com About Mexican Talavera Talavera is the term used to describe faithful reproductions of the china and pottery that is made in the Spanish village of Talavera de la Reina, whose craftsmen have made tremendous contributions to the worlds knowledge of fine ceramics down through the centuries. Talavera pottery itself is a form of Majolica, which refers to all types of handmade enameled earthenware. It was first developed in ancient Mesopotamia and Egypt and was further refined in China where it became very popular. The craft came into use in Spain by the thirteenth century, where its development was heavily influenced by centuries of Moorish domination. Within Mexico, this style dates back to the 16th century colonial era when it was first introduced to Mexico by Spanish guild artisans. Today, Mexican Talavera reflects the diverse cultural heritage inherited from the Orient, the Italian Renaissance, the Moors, Spain and the indigenous people of Mexico. In the making of Talavera, two types of clay are blended and left to soak in water to improve their quality and malleability. The potter then drains the water and filters the combined clays to remove all impurities, resulting in a loss of almost fifty percent (50%) of its original volume. The potter then works the clay by walking on it with his feet to remove all air bubbles and to give the clay a better uniformity and consistency. He then produces different pieces on a potter’s wheel or in molds, and lets them air dry for eight to twelve weeks. -
SAN MIGUEL DE ALLENDE - Nordamerikansk Koloni Eller Mexicansk Utopi?
Isabel Øren Masteroppgave i latinamerikanske studier Oktober 2012 SAN MIGUEL DE ALLENDE - Nordamerikansk koloni eller mexicansk utopi? (Foto: Privat) Universitetet i Oslo Institutt for litteratur, områdestudier og europeiske språk © Isabel Øren 2012 San Miguel de Allende - Nordamerikansk koloni eller mexicansk utopi? Trykk og innbinding: Reprosentralen, Universitetet i Oslo Publisert på: http://www.duo.uio.no/ SAMMENDRAG Denne oppgaven tar utgangspunkt i migrasjon fra USA til en liten kolonial by i México; San Miguel de Allende. Byen, som ligger på UNESCOs kulturarvliste, har siden 1940-tallet vært preget av nye innflyttere. Den etnografiske studien undersøker hvordan de nordamerikanske innvandrerne påvirker det mexicanske samfunnet og lokalbefolkningen her. Det teoretiske perspektivet er migrasjon, kulturell identitet og makt. Oppgaven bygger på kvalitativ metode, dybdeintervjuer, strukturerte intervju (spørreundersøkelse) og observasjon, og en analyse av disse. Funnene viser at nordamerikanerne styrker den økonomiske infrastrukturen i samfunnet og bidrar til sosiale forbedringer. På en annen side har de skapt skiller mellom folkegruppene, bidratt til endringer på boligmarkedet og lagt noen føringer mht. språk. Minoritetens fremtredende posisjon i San Miguel ser også ut til å ha ført til en forsterket gruppetilhørighet blant los sanmiguelenses, i form av sterkere ivaretakelse av kulturelle tradisjoner, skikker og interesse for naturområder. San Miguel blir oppfattet som et flerkulturelt samfunn der den mexicanske majoriteten og den nordamerikanske minoritetsgruppen lever nokså separat, men likevel hevder noen at det er en gjensidig respekt mellom de to folkegruppene. Noen nordamerikanere sitter på en benk i San Miguels sentrum og leser en bok. Andre står og snakker med hverandre. De er nærmest ikke til å unngå, og med like, naturfargede hatter blir de ekstra synlige. -
Carrying Capacity for Tourism in San Miguel De Allende
Carrying Capacity for Tourism in San Miguel de Allende Dr. Edward W. Manning Tourisk Inc., August 2018 1 Acknowledgements The author of this report, Dr. Edward W. Manning wishes to recognize the excellent support and assistance from the Consejo Turistico de San Miguel de Allende in the research and development of this study. During the research and writing the staff of Consejo Turistico, particularly Eduardo Saravia and Jose De Anda Perez helped arrange the field work, meetings with key stakeholders and access to information sources necessary for this study and the continuing assistance from Guillermo Gonzales made the work both pleasant and productive. It is also important to recognize the input from the Observatorio Turistico del Estado de Guanajuato who assisted in the initial study definition and who provided key information. This has been a most interesting and rewarding study and the author hopes that this will contribute to keeping San Miguel de Allende one of the world’s most attractive and agreeable destinations. 2 Contents Introduction ..................................................................................................................... 6 1) Carrying Capacity and Sensitivity ............................................................................. 7 2) Study Procedures ..................................................................................................... 8 3) Background – the tourism destination of San Miguel de Allende .............................. 9 4) Tourism: Growth, Impacts and Management -
Potencial Exportador De Artesanías Mexicanas Beatriz Arellano Grajales1 Carmen
Vol. 1 / Núm. 2 / julio-diciembre de 2021 INDICIALES Comercialización electrónica transfronteriza: potencial exportador de artesanías mexicanas Beatriz Arellano Grajales1 Carmen O. Bocanegra Gastelum2 Resumen En este artículo se estudia la oferta nacional y la demanda internacional de artesanías mexicanas, enfatizando en los flujos comerciales de los países miembros del T-MEC, AP, TLCUEM 2.0 y TPP11, regiones donde se concentra la principal intención de compra online de artesanias de México. Las exportaciones e importaciones permiten visualizar el potencial comercial integrador existente en el comercio transfronterizo artesanal mexicano, en épocas del regionalismo abierto y la digitalización de las economías. La investigación da respuesta a las siguientes preguntas: ¿cuáles son los principales países de las regiones que se posicionan como los más demandantes de artesanías mexicanas? ¿qué artesanías y ramas artesanales nacionales se están exportando y demandando con mayor volumen en los mercados digitales y por otras vías de importación? ¿cuáles son los principales e-marketplaces para la adquisición de artículos producidos por artesanos de México y cuál es su cuota y valor de mercado? ¿cuál es la tendencia de exportación de las artesanías mexicanas al 2030? La hipótesis consiste en demostrar que la integración comercial y la exportación de artesanías mexicanas en una plataforma de comercio electrónico es factible. Palabras clave: Comercio electrónico trasfronterizo, regionalismo abierto, oferta - demanda de exportación artesanal mexicana. Abstract This document studies the national supply and international demand for Mexican handicrafts, emphasizing the trade flows of the T-MEC, AP, TLCUEM 2.0 and TPP11 member´s countries; regions where the main intention to purchase mexican handicrafts online is concentrated. -
From 1.740$-Days 16 01 Saturday
Great Mexico!! EUROPAMUNDO TOURS EUROPAMUNDO Palenque LABIL AI IT V Y A accompanied by a local guide. This Mayan city, O set in the jungle, reached its apogee N L I N E between 600 and 800 A.D. FROM 1.740$-DAYS 16 01 SATURDAY. Mexico City.- JANITZIO, where, after a 25-minute crossing, we arrive DEPARTURE DATES TODAY’S HIGHLIGHTS: Arrival. at this picturesque town, filled with life and arts and Arrival. Welcome to Mexico. Transfer to hotel and free crafts shops. Afterwards, we pay a visit PATZCUARO, May.16 : 14 time. Our guide will contact you late in the afternoon or an attractive colonial town featuring the basilica of Our Jun.16: 11 provide information through the informative panels in Lady of Health and the House of the Eleven Patios, now the hotel reception area.- an arts and crafts centre. We will spend the night in Jul.16: 09 this “magical town”. Aug.16 : 06 02 SUNDAY. Mexico City.- Sep.16 : 03 TODAY’S HIGHLIGHTS: City tour of Mexico DF. Visit 05 WEDNESDAY. Patzcuaro-Chapala-Ajijic- the BASILICA DE SANTA MARIA DE GUADALUPE and Guadalajara-Tquepaque- Oct.16 : 01 Xochimilco neighbourhood. Evening transfer. TODAY’S HIGHLIGHTS: Visit Chapala Lake and Nov.16 : 12 Today is a fantastic day to learn about Mexico. the prettiest town on it Ajijic. Evening transfer to Tlaquepaque. Dec.16 : 31 Comprehensive tour of the city and visit to the Square of the Three Cultures, the historic centre with We leave for the state of Jalisco, paying a visit to Feb.17 : 11 the Zócalo (Main Square) and Metropolitan Cathedral, Chapala Lake, the largest natural lake in Mexico, Mar17 : 11 the largest Aztec temple, Chapultepec Park, Paseo de surrounded by mountains.