Included: Bed-Wetting, Bad Influences, Futile Attempts, Sincerity, Patience and Perseverance I Am Who I Was Intended to Be
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PM-MAD CADDIES-05.09.2014-PDF PRESSEMATERIAL Download
FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 05.09.2014 Mad Caddies am 30. November im Knust Seit 1995 stehen die Mad Caddies für Ska-Punk, angereichert durch Elemente aus dem Reggae, dem Dixie, Country, Pop oder Swing. Im Mai erschien endlich „Dirty Rice“ der siebenköpfigen Kapelle aus dem sonnigen Kalifornien, das erste Album nach sieben langen Jahren des Wartens. Aber das hat sich gelohnt. Bereits im vergangenen Sommer zeigten die verrückten Golfschlägertaschenträger auf ihrer ausgedehnten Festival-Tour, die sie unter anderem zum Highfield geführt hat und zum Hamburg Crash Fest, das ihre Live-Qualitäten immer noch ungebrochen sind. Jetzt zeigt sich, was sich schon auf dem Vorgänger „Keep It Going“ angedeutet hat: Der Weg weg vom ganz harten Punk und hin zum entspannteren Ska-Reggae mit der großen, jazzigen Mischung ist der richtige. Nur Uptempo alleine reicht eben nicht, um neue Sounds zu entdecken. Um cool zu sein, sommerlich, bedarf es mehr als nur Druck, Kraft und Geschwindigkeit. Es braucht eben auch kalifornische Relaxtheit, Surfer-Attitüde und musikalische Fantasie. Das heißt aber noch lange nicht, dass nun auf ihren Konzerten gekuschelt werden darf. Live bieten die Mad Caddies nach wie vor lauten Ska-Punk mit Gute-Laune-Garantie. Konzerte bleiben die große Stärke der Jungs aus dem Westen. Das darf man gerne erwarten, wenn die Mad Caddies am 30. November im Hamburger Knust auf der Bühne stehen. Die Show wird präsentiert von delta radio und concert-news.de. Tickets gibt es für 19 Euro zzgl. Gebühren an allen bekannten CTS–VVK-Stellen sowie unter der Hotline 01806 – 853653 (0,20 €/Anruf aus dem Festnetz, Mobilfunk max. -
Volume CXXVIII, Number 19, April 1, 2011
FEATURes OP/ED A & E SPORTS A weekend of gardeneing Devisive leader sparked Tom reminisces with Spring Break at SISA campus debate in 1967 Bright Eyes recap >> page 4 >> pages 3 >> page 9 >> page 10 FRIDAY, APRIL 1, 2011 THE LAWRENTIAN Vol. CXXVIII, No. 19 Lawrence University's student newspaper since 1884 www.Lawrentian.com Sigma Phi Epsilon house search raises policy questions Tammy Tran meeting room have been closed Monday, March 21. Associate Features Editor and locked. Sigma Phi Epsilon has According to Uecke, there are ____________________________________ also been placed on social proba- two general ways that the admin- Associate Dean of Students tion and is prohibited from putting istration deals with drug use on for Campus Life, Amy Uecke and on any events this year. campus. If an individual student Assistant Dean of Students for The house is subject to ran- were to be caught violating drug Campus Life Curt Lauderdale went dom searches at any time, and policies, campus security would to the Sigma Phi Epsilon house members who were off campus address the situation individually. March 16 with the intention of tak- during spring break were given Campus Life staff would then fol- ing pictures of items in the house heavy warnings. low up with the student. that needed remodeling. According to junior Kyle “That follow up,” stated Uecke, Uecke noticed an open window Simon, the president of Sigma Phi “would usually take an educational with no screen from outside the Epsilon, the house will be up for approach. We would remind the house. When entering the common re-evaluation in one month, put- student of drug policies not only area to close the window, marijua- ting the group in a tough situation. -
NOFX: Popular Punks Sellout
MAnCH 7,2001 • THE ORION C!& ((Well you're all a bunch o/posers because this is OU1'fitst time playing in Chico. JJ - FAT MIKE, NOFX ;., NOFX: Popular punks sellout sho ~The BrickWorks hosts hugely It was that kind of sarcasm that remained "Straight Edgc" and their reggac tunc "Eat the drummer Cecil Lossy. constant throughout the night us the band interacted Meek," He also blew his trumpet on a few songs. The band preceding NOFX showed that getting popular NOFX, which sold out with the crowd after each and every song. Guitarist Eric Melvin sported his usual nappy plastcred seemed to be the theme of the night. "I think I'm having a good ·time here in Chico," dreadlocks and cven traded his guitar for an ·~Hi. We're thc Mad Caddies, and we're drunk," the show a month in advance said Fat Mike. "I'm having a lot more fun tonight accordion on their closing song. Melvin continued s:tid singer Chuck (the b:tnd members don't go by because I'm drunk." to stand on the stngc and squeeze the accordion their last namcs). MATT BROWN NOFX's show had something to offer for all after thc rest of the band hnd exited. Thc Mad Caddies can be described as :tn S~',O'l' WI<ll'lll< typcs of fnns, as they plnyed songs Eric Ghent's galloping dnnnbeals bat insane circus gone punk. A seven-piece frolll th·at ranged from their oldest ulbum to tered The Brick Works' sOllnd system. Sanla Barbara, the ska band forccd The Briek . -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Crescent" Student Newspaper Archives and Museum
Digital Commons @ George Fox University "The Crescent" Student Newspaper Archives and Museum 11-2-2001 "The Crescent" Student Newspaper, November 2, 2001 George Fox University Archives Follow this and additional works at: https://digitalcommons.georgefox.edu/the_crescent Recommended Citation George Fox University Archives, ""The Crescent" Student Newspaper, November 2, 2001" (2001). "The Crescent" Student Newspaper. 1241. https://digitalcommons.georgefox.edu/the_crescent/1241 This Book is brought to you for free and open access by the Archives and Museum at Digital Commons @ George Fox University. It has been accepted for inclusion in "The Crescent" Student Newspaper by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. NO, NOT MEL GIB C R O S S C O U N T R Y URBAN SERVICES SON, BUT CLOSE - COMES TO A Food and companion Theatre veteran Mel C L O S E - T h e B r u i n ship offered to the Schroder shares his pas i, V : ^ I men and women fin homelessby selfless sion for drama — V ish strong — students — A&E, page 8 Sports, page 10 News, page 2 Crescent George Fox University, Newberg, Oregon Friday, November 2, 2001 Issue 5, Vol. CXVIII Hatfield Health fair: stop the spread of sickness LISA DELZER chicken soup to cure the flu she expense - especially on a campus spiritual health, to nutritional presents like ours, where sickness spreads advice from the family and con Staff Writer already knows is coming, join the George Fox community at the rapidly. sumer sciences, it promises to be view on h e a l t h f a i r i n t h e E H S a t r i u m Many departments will be a great way to learn how to stay "Hi, Mom. -
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College Voice Vol. 31 No. 18
Connecticut College Digital Commons @ Connecticut College 2006-2007 Student Newspapers 4-6-2007 College Voice Vol. 31 No. 18 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2006_2007 Recommended Citation Connecticut College, "College Voice Vol. 31 No. 18" (2007). 2006-2007. 20. https://digitalcommons.conncoll.edu/ccnews_2006_2007/20 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2006-2007 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. First Class • U.S. Postage PAID Permit #35 <- o e e oice New London, CT:' PUBUSflED WEEKLY BY THE STUDENTS OF CONNECTICUT COLLEGE VOLUME XXXI· NUMBER 18 FRIDAY, APRIL 6, 2007 CONNECTICUT COLLEGE, NEW LONDON, CT SAC Unveils Floralia Lineup __ OK Go, Girl Talk To Perform BY PAUL DRYDEN ances with the band's signature "geek rock outfits," a&e associate editor The campus is also eagerly anticipating Girl Talk, the stage SAC announced this spring's nanne for Gregg Gillis, who first Floralia lineup during a presentation reached the eyes and ears of Cannels at dinner in Harris this past Sunday with bis electrifying performance on night. Corning more than a month the docks in downtown New London before the actual Floralia date, as part of I Am Festival last Saturday, May 5, the lineup's head- September. Ever since then, Girl liners are some of the most notewor- Talk has been exploding across cann- thy in recent memory. -
Where Can I Download Dashboard Confessional Albums Did Dashboard Confessional Inspire This Taylor Swift Lyric? Let's Review
where can i download dashboard confessional albums Did Dashboard Confessional inspire this Taylor Swift lyric? Let's review. On Friday, Taylor Swift surprise-dropped her eighth studio album, folklore, which sent fans into a delighted frenzy. Since the 16 new songs were released at midnight, Swifties have been parsing lyrics for romantic subtext, stoking the flames of those old Karlie Kloss rumors, and wondering if Blake Lively and Ryan Reynolds' third child is named Betty. folklore leaves much to digest, unpack, and savor, but I, for one, can't fully focus on doing that, because I can't stop thinking about a single lyric on Track 6, "mirrorball," that's straight out of a Dashboard Confessional song. Anyone who knows me knows I've been a hardcore, unwavering Dashboard fan since the early 2000s. This explains why I received the following text from my friend and fellow good music lover, Caitlin Healey, on Friday afternoon. Healy explained that when listening to "mirrorball" she couldn't help but think of a lyric from Dashboard's 2006 song, "Stolen." And as someone whose eighth grade MySpace song was "Stolen," I feel Caitlin came to the right place for this discussion. Image: screenshot / nicole gallucci. For those who need a refresher, in "mirrorball," Swift sings, "You'll find me on my tallest tiptoes / Spinning in my highest heels, love / Shining just for you." And in "Stolen," Dashboard's Chris Carrabba famously sings, "I watch you spin around in your highest heels." I was born to do many things in this life, and you'd better believe that opening my laptop on a Saturday to do a deep dive on Taylor Swift and Dashboard Confessional is one of them. -
Central Florida Future, Vol. 39 No. 34, November 8, 2006
University of Central Florida STARS Central Florida Future University Archives 11-8-2006 Central Florida Future, Vol. 39 No. 34, November 8, 2006 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 39 No. 34, November 8, 2006" (2006). Central Florida Future. 1945. https://stars.library.ucf.edu/centralfloridafuture/1945 ·. I FREE ·Published Mondays, Wednesdays and Fridays www.CentralFloridaFuture.com ·Wednesday, November 8, 2006 No need to Panic! . Music fans gear up as the Arena plays host to several popular bands - ·SEE NEWS, A2 Ferrell film to hit theaters Friday tJCF partners with Florida' Hospital SNL alumnus Will Ferrell plays . MARY KNOWLES attacks and other diseases, place at Florida Hospital Cele Staff Writer rather than simply treating them. bration Health. Harold Krick, a The partnership was announced Theodore Angelopoulos, a man plagued UCF President John Hitt says Monday. UCF faculty member, will also v by a weird he wouldn't have survived his The doctor who told Hitt to conduct research in exercise voice that nar heart attack in August without pay more attention to diet and physiolOgy, weight management rates his life the intervention of a Florida exercise is the chair and "lead and metabolism. -
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SEB Karaoke Night: Simple Silly Fun in the Commons CADVC Presents
The RetrIever Weekly 10.09.07 ARTS 15 CADVC presents Green Space/Refl ective Space Ammad Khan the park (otherwise known as “The Stelt, along with others, took up STAFF WRITER Graveyard” because of how the large the challenge to continue his work. stones jutting out of the ground look They created the park at UMBC six Last week, a program was held at like headstones), including its his- years ago and, since then, the trees the Joseph Beuys Sculpture Park to tory and what inspired it. have grown twice in size. exhibit the natural site and to en- According to Stelt, "The Grave- But according to Stelt, the park courage UMBC to have more spots yard" was inspired by one of the isn’t there just to be a beautiful and like the park. The Beuys Sculpture projects of Joseph Beuys. In the early natural site. It is there to be a place Park, a site of thirty trees with large eighties, Beuys saw that many of the of connection for people, especially rocks next to each of them that was trees in Kassal, Germany were gone, students. At the park, a yellow jour- created six years ago, is located next destroyed during World War II. In- nal is attached to a bench and, from to Administration Drive. stead of making an art piece for an time to time, it gets written in by Inside the large tent present at the exhibit, he decided to make a social students who come to the park to sit site, which seated dozens of people sculpture, or something that could down and relax, or just think.