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Guidelines for Contributors GUIDELINES FOR CONTRIBUTORS Contributions from North America should be sent as Word file attachments to: CAMBRIDGE OPERA JOURNAL Professor Steven Huebner, email: [email protected] Contributions from Europe should be sent as Word file attachments to: EDITORS: Suzanne Aspden Dr Suzanne Aspden, email: [email protected] University of Oxford, UK Contributions from the rest of the world may be sent to either editor. Electronic submission of all Steven Huebner material is preferred. If size of files is a concern at initial submission, contributors should consult with McGill University, Canada the editors. Contributors are responsible for obtaining permission to reproduce any material in which they do not hold copyright and for ensuring that the appropriate acknowlegements are included in their BOOK REVIEW EDITOR: Marina Frolova-Walker University of Cambridge, UK typescript. Books for review should be sent to: EDITORIAL BOARD: Carolyn Abbate Martha Feldman Ellen Rosand Professor Benjamin Walton University of Pennsylvania, USA University of Chicago, Yale University, USA Jesus College Robert Addlington USA Emanuele Senici Jesus Lane University of Nottingham, UK Thomas S. Grey University of Rome, La Sapienza, Cambridge CB5 8BL Stephen Banfield Stanford University, USA Italy UK University of Bristol, UK Arthur Groos Mary Ann Smart Melania Bucciarelli, Cornell University, USA University of California, Berkeley, Essays should normally be no more than about 16,000 words in length. 10,000 words is a normal lower City University London, UK Wendy Heller USA limit, though exceptions can be considered if the subject matter warrants it. Tim Carter Princeton University, USA Marian Smith Music examples and photographs should be scanned at 300dpi. Files should be double spaced University of North Carolina, Mary Hunter University of Oregon, USA throughout (including notes, etc.). Notes should be numbered consecutively. Italic and bold fonts can Chapel Hill, USA Bowdoin College, USA Reinhard Strohm be used; right margins should be unjustified. Music examples, figures, tables, etc. should be supplied in David Charlton Roger Parker University of Oxford, UK separate files. An abstract of about 8 lines should be written to start the paper. An author biography of Royal Holloway, King’s College, London, Lloyd Whitesell University of London, UK UK McGill University, Canada about 6 lines must also be supplied. Contributors who wish to reproduce photographs should provide good black and white prints, full Subscriptions: Cambridge Opera Journal (ISSN: 0954–5867; electronic ISSN 1474–0621) is published details of the source and the full address of the copyright holder if this differs. Photographs will not twice in 2011 in March–July and November. The subscription price (excluding VAT) of Volume 23 normally be considered unless they arean intrinsic part of the contribution, and their inclusion will always is £126.00 (USA, Canada and Mexico US$215.00) for institutions print and electronic; institutions be at the editors’ discretion. Authors are responsible for obtaining permission to reproduce any material electronic only is £118.00/$205.00; £42.00 (USA, Canada and Mexico US$66.00) for individuals. in which they do not hold copyright and for ensuring that the appropriate acknowledgments are included Single parts cost £49.00 (USA, Canada and Mexico US$79.00). Orders, which must be accompanied in the paper. The full address of the copyright holder should be provided. by payment, may be sent to a bookseller, subscription agent or direct to the publishers: Cambridge Punctuation should follow standard British practice. Single quotation marks should be used with University Press, The Edinburgh Building, Shaftesbury Road, Cambridge CB2 8RU, UK. Orders double reserved for quotations within quotations. Punctuation that is not part of the quoted material from the USA, Canada and Mexico should be sent to Cambridge University Press, The Journals Depart- should be outside closing quotation marks, as should footnote indicators. Longer quotation should be ment, 32 Avenue of the Americas, New York, NY 10013–2473, USA. Copies of the journal for indented left without quotation marks and double spaced. Prose citations should be in English unless the subscriptions in the USA, Canada and Mexico are sent by air to New York to arrive with minimum original is of particular importance, unpublished or inaccessible, in which case the original should be delay. EU subscribers (outside the UK) who are not registered for VAT should add VAT at their followed by a translation in square brackets. Verse citations should be in the original language followed country’s rate. VAT registered subscribers should provide their VAT registration number. Japanese prices by a prose translation in square brackets. for institutions are available from Kinokuniya Company Ltd, P.O. Box 55, Chitose, Tokyo 156, Japan. Dates should be on the following model: c. 1740, 1840s, 5 February 1943. References should be to: Prices include delivery by air. Act I scene 2, op. 1 no. 2 in E major, Ex. 12 and Exx. 12–14, Fig. 3 and Figs. 6–9, motif(s) and leitmotif(s). For precise identification of pitch, use this system. Copying This journal is registered with the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923. Organisations in the USA who are also registered with the C.C.C. may therefore copy material (beyond the limits permitted by sections 107 and 108 of US copyright law) subject to payment to C.C.C. of the per-copy fee of $12.00. This consent does not extend to multiple copying for promotional or commercial purposes. Code 0954–5867/11 $12.00. ISI Tear Sheet Service, 3501 Market Street, Philadelphia, PA 19104, USA, is authorised to supply single Sample footnotes (do not abbreviate journal titles): copies of separate articles for private use only. Organisations authorised by the Copyright Licensing 1 Agency may also copy material subject to the usual conditions. For all other use, permission should be John Whenham, Claudio Monteverdi: ‘Orfeo’ Cambridge Opera Handbooks, 3rd edn (Cambridge, sought from Cambridge or the American Branch of Cambridge University Press. 1996), 44–6. 2 Gerald Abraham, ed., The Age of Beethoven, 1790–1830, New Oxford History of Music, 8 (Oxford, Offprints: No paper offprints are provided, but the corresponding author will be sent the pdf of the 1982), 100–6. published article. Print offprints may be purchased at extra cost at proof stage. 3 Curt von Westernhagen, Wagner: A Biography, trans. Mary Whittall, 2 vols. (Cambridge, 1978), II, 77f. Information on Cambridge Opera Journal and all other Cambridge Journals can be accessed at 4 Winton Dean, ‘French Opera’, in Abraham, Beethoven, 137–46. www.journals.cambridge.org 5 Ernest Newman, The Life of Richard Wagner,IV(1947;rpt.NewYork,1981),212–15. 6 Edgar Istel, ‘Beethoven’s Leonora and Fidelio’, Musical Quarterly, 7 (1921), 228–31. 6 CAMBRIDGE UNIVERSITY PRESS 2012 7 K. T. Rohrer, ‘ ‘‘The Energy of English Words’’: A Linguistic Approach to Henry Purcell’s Method Printed in the United Kingdom by Henry Ling Limited, at the Dorset Press, Dorchester, DT1 1HD. of Setting Texts’, Ph.D. diss. (Princeton University, 1980), 33. 8 Rohrer, 249n3. 9 Whenham, Monteverdi: ‘Orfeo’, 57. First proofs may be read and corrected by contributors provided that they can be reached without Downloaded fromdelay https://www.cambridge.org/core and are able to return. IP the address: corrected 170.106.35.229 proofs,, on by 26 Sep airmail 2021 at if 14:10:42 necessary,, subject within to the Cambridge 3 days of Core receipt. terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S095458671200016X CAMBRIDGE OPERA JOURNAL Outstanding Scholarship from Cambridge! Music and Decadence in European Modernism The Case of Central and Eastern Europe Stephen Downes $95.00: Hardback: 978-0-521-76757-6: 386 pp. American Musicological Society 2010 Philip Brett Award Portrait of a Castrato Politics, Patronage, and Music in the Life of Atto Melani Roger Freitas New Perspectives in Music History and Criticism $102.00: Hardback: 978-0-521-88521-8: 452 pp. American Musicological Society 2010 Lewis Lockwood Award Music and the Myth of Arcadia in Renaissance Italy Giuseppe Gerbino New Perspectives in Music History and Criticism VOLUME $127.00: Hardback: 978-0-521-89956-7: 456 pp. Richard Wagner: Tristan und Isolde Edited by Arthur Groos 23 Cambridge Opera Handbooks $85.00: Hardback: 978-0-521-43138-5: 232 pp. $28.99: Paperback: 978-0-521-43738-7 NUMBER Opera in the Novel from Balzac to Proust Cormac Newark Cambridge Studies in Opera 3 $90.00: Hardback: 978-0-521-11890-3: 300 pp. NOVEMBER Italian Opera in the Age of the American Revolution Pierpaolo Polzonetti Cambridge Studies in Opera $90.00: Hardback: 978-0-521-89708-2: 408 pp. Opera’s Orbit 2011 Musical Drama and the Influence of Opera in Arcadian Rome Stefanie Tcharos $90.00: Hardback: 978-0-521-11665-7: 334 pp. Prices subject to change. www.cambridge.org/us Cambridge Journals Online For further information about this journal please go to the journal website at: http://www.journals.cambridge.org/opr VOLUME 23 NUMBER 3 NOVEMBER 2011 Downloaded from https://www.cambridge.org/core. 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