86th Annual Meeting Honorary Member Martha Feldman

Photo: Jimmy and Dena Katz Corresponding Member Laurie Stras Fellowships The Philip Brett Award

Administered by the LGBTQ Study Group for outstanding work in gay, lesbian, bisexual, and transsexual/transgender studies Judith Peraino (Cornell University)

"I’ll Be Your Mixtape: Lou Reed, Andy Warhol, and the Queer Intimacies of Cassettes” The Alvin H. Johnson AMS 50 Dissertation Fellowships Qingfan Jiang (Columbia University)

“Toward a Global Enlightenment: Music, Missionaries, and the Construction of a Universal History in Seventeenth- and Eighteenth-Century China and Europe” Matthew Pessar Joseph (Columbia University)

“Syncopating Segregation: Musical Cross-Pollination in Post-World War II New York City” Maria Ryan (University of Pennsylvania)

“Hearing Power, Sounding Freedom: Black Practices of Listening, Ear- Training, and Music-Making in the British Colonial Caribbean” The Howard Mayer Brown Fellowship Clifton Boyd (Yale University)

“The Role of Vernacular Music Theory in the Institution of Barbershop Music” Parkorn Wangpaiboonkit (University of California, Berkeley)

“Sounding Civilization: Race and Sovereignty in the Imperial Opera of Siam, 1870-1910” William Holmes / Frank D’Accone Fund for travel and research in the history of opera Stephen Armstrong (University of Rochester)

“Operatic Mobilities: Italian Opera as Tourist Exchange, 1770–1830” Nathaniel Mitchell (Princeton University)

“The ‘Se cerca’ Script: Conventions and Creativity in an Eighteenth- Century Aria Tradition” Eileen Southern Travel Grants Herman Michael Hannah Don Chavez Dudley Lastra Nguyen (University of (University of Miami) (University of Arkansas) (West Chester California, Los Angeles) University of Pennsylvania) Faith Vivian Pinckney Stover (University of (University of Southern Richmond) California) The Thomas Hampson Fund for Research and Publication on Classic Song Michael Accinno (Duke University)

Project to research and collect the songs of the early 19th- century American song writer William Dempster Jan LaRue Fund for research travel to Europe Alexander Cowan (Harvard University)

Unsound: A Cultural History of Music and Eugenics The M. Elizabeth C. Bartlet Fund for research travel in France Derek Uri John Baron Schreter Romey (New York University) (Harvard University) (Purdue University “The Politics of Speech: “A Thing for Israel”: Fort Wayne) Voice, Science, and the Yiddish Music and the Communal Tunes and Articulation of Race” Politics of Postwar Contrepoison: Sacred Jewish Culture Parodies and Spiritual Warfare in Early Modern France And New France Alison Zachary Kaufman Stewart (University of Oregon) (Yale University) The Ladies Were Music, French Barking: Musical, identity, and cultural Literary and Liturgical memory from 1940 to Traditions of English 1958 Monastic Women The Harold Powers World Travel Fund for research on Music Steven Moon (University of Pittsburgh)

Sound, Science, Islam: Music as Healing in Istanbul The Ora Frishberg Saloman Fund for musicological research oriented to music criticism and reception history Xintong (Bess) Liu (University of Pennsylvania)

Resonant China: Transnational Music-making and the Construction of the Public (1934-1958) The Eugene K. Wolf Travel Fund for European research Kristofer Nina Siavash Eckelhoff Baratti Sabetrohani (City University of (Harvard University) (University of Chicago) New York) Music theory and Transvocality and Playing in the Diaspora: criticism in Berlin in Gender-Variant An Ethnography of the second half of the Performance in Angolan Popular Music eighteenth century Berlin, 1919-1933 in Lisbon Elliott Antokoletz Travel Fund for research in Twentieth-Century Music Henry Sophie Balme Benn (Yale University) (Case Western Reserve University) Visual Music: Conceptions of La Méthode graphique: Music in Abstract Dance, Notation, and Film, 1921-67 Media at the Modernist Rupture H. Robert Cohen/RIPM Fund for research based on the musical press Christy Adams (University of Alabama)

Puccini, Technology, and the End of the Great Tradition? The Janet Levy Fund for Independent Scholars Tina Frühauf

“Music’s Intellectual Migrations: Transcultural Encounters of Europe and America, 1920–1960” Kerry McCarthy “The Lives of Singers in Tudor England” Sheryl Kaskowitz “Government Song Women: The Forgotten Folk Collectors of the New Deal” The AMS Teaching Award for outstanding work in innovative teaching in the music history/music appreciation classroom Matthew Balensuela (DePauw University)

The Norton Guide to Teaching Music History The Paul A. Pisk Prize for the best graduate student papers presented at the Annual Meeting Maria Ryan (University of Pennsylvania)

“Enslaved Black Women's Listening Practices and the Afterlives of Slavery in Musical Thought.” The Noah Greenberg Award

for recognizing outstanding contributions to Historical Performing Practices Yolanda Plumley (University of Exeter) Anne Stone (City University of New York)

“The Digital Remede de Fortune” Early Music Award for outstanding work on music before 1550 Susan Rankin (University of Cambridge)

Writing Sounds in Carolingian Europe: The Invention of Musical Notation (Cambridge University Press, 2018) Music in American Culture Award

for outstanding scholarship in music of the United States W. Anthony Sheppard (Williams College)

Extreme Exoticism: Japan in the American Musical Imagination (Oxford University Press, 2019) Ruth A. Solie Award

for an outstanding collection of essays Victoria Lindsay Levine and Dylan Robinson

Music and Modernity among the First Peoples of North America (Wesleyan University Press, 2020) Robert M. Stevenson Award

for outstanding scholarship in Iberian and Latin American music Owen Rees (Oxford University)

The Requiem of Tomas Luis de Victoria (1603) (Cambridge University Press, 2019)

Photo: John Cairns H. Robert Cohen / RIPM Award for outstanding work based on the musical press Katherine K. Preston (College of William & Mary)

Opera for the People: English-language Opera and Women Managers in Late 19th-Century America (Oxford University Press, 2017) Judy Tsou Critical Race Studies Award for outstanding work in critical race/ethnic studies Naomi André (University of Michigan)

Black Opera: History, Power, Engagement (University of Illinois Press, 2018)

Photo: Michael Hough Claude V. Palisca Award

for outstanding Edition or Translation Benjamin M. Korstvedt (Clark University)

Bruckner: Symphonie Nr. 4 – zweite Fassung (Musikwissenschaftlicher Verlag, 2019) Roland Jackson Award for outstanding work in music analysis Paul Sherrill (University of Utah)

“Susanna’s ‘Des vieni’” Music Theory Online, 2018 Alfred Einstein Award for outstanding article in musicology Braxton D. Shelley (Harvard University)

“Analyzing Gospel” Journal of the American Musicological Society 72 (2019) H. Colin Slim Award

for outstanding article in musicology Judith A. Peraino (Cornell University)

“I'll Be Your Mixtape: Lou Reed, Andy Warhol, and the Queer Intimacies of Cassettes” The Journal of Musicology 36/4 (Fall 2019) Lewis Lockwood Award for outstanding work of musicological scholarship Maria Sonevytsky (University of California, Berkeley)

Wild Music: Sound and Sovereignty in Ukraine (Wesleyan University Press, 2019) Otto Kinkeldey Award for outstanding work of musicological scholarship Mark Burford (Reed College)

Mahalia Jackson and the Black Gospel Field (Oxford University Press, 2018)