Celebrating the Unique

Total Page:16

File Type:pdf, Size:1020Kb

Celebrating the Unique CELEBRATING THE UNIQUE ITAA SANTA FE 2015 DESIGN EXHIBITION CATALOG International Textile and Apparel Association 2015 Santa Fe, New Mexico DESIGN EXHIBITION COMMITTEES First Review Mounted Exhibition Committee Dawna Baugh, Utah State University, Katherine Black, Washington State University, Kelly Cobb, University of Delaware, Henry Navarro Delgado, Co-Chair: Ellen McKinney, Iowa State University Ryerson University, Rachel Eike, Georgia Southern University, Adriana Gorea, Co-Chair: Young-A Lee, Iowa State University University of Delaware, Martha Hall, University of Delaware, Cynthia Istook, Margarita Benitez, Kent State University, Lorynn Divita, Baylor University, North Carolina State University, Tracy Jennings, Dominican University, MyungHee Sohn, California State University, Long Beach, Brianna Plummer, Sandra Keiser, Mount Mary University, Eundeok Kim, Florida State University, Framingham State University, Elisha Stanley, Iowa State University, Chanjuan Jo Kallal, University of Delaware, Helen Koo, University of California – Davis, Chen, Kent State University, Noël Palomo-Lovinski, Kent State University, Traci Lamar, North Carolina State University, Suzanne Mancini, Rhode Island Jan Kimmons, Lamar University, Evonne Bowling, Mesa Community College, School of Design, Colleen Moretz, Moore College of Art and Design, Linda Charles Freeman, Mississippi State University, Phyllis Miller, Mississippi State Ohrn-McDaniel, Kent State University, Belinda Orzada, University of Delaware, University, Jessica Ridgway, Northern Illinois University, Laura Kane, Oregon Anupama Pasricha, St. Catherine’s University, Vincent Quevedo, Kent State State University, Shu-Hwa Lin, University of Hawaii at Mānoa, Angela Uriyo, University, Della Reams, Miami University of Ohio, Carol Salusso, Washington University of Missouri, Sandra Starkey, University of Nebraska Lincoln State University, Elizabeth Shorrock, Columbia College Chicago, Mary Simpson, Baylor University, Virginia Wimberley, University of Alabama Catalog Sheri L. Dragoo, Texas Woman's University Professional Designers Michelle Tan, Designer, Michelle Tan Designs, Chicago Xavier Brisoux, Designer, XavierBrissoux, Manager, Premier Vision Knitwear Design Awards Committee Solutions, Paris Chair: Melanie Carrico, University of North Carolina at Greensboro Claire Dupuis, Consultant, The Contexturalist, LLC; formerly Raw Materials Anne Bissonnette, University of Alberta, Kim Hahn, Kent State University, Trend Manager at Target Jennifer Harmon, University of Wyoming, Tracy Jennings, Old Dominion Katya Roelse, Designer, Toggery; Product Development, American Trench University, Erin Irick, Oklahoma State University, Kendra Lapolla, Kent State Jacque Mungier, Pattern maker/draper for Ralph Lauren, Vera Wang, Calvin University, Lisa McRoberts, Louisiana State University, Linda Ohrn-McDaniel, Klein, Jason Wu Kent State University, Huiju Park, Cornell University Second Review REVIEW OF DESIGNS Conference Judges Jill Heppenheimer, Longtime Owner of The Santa Fe Weaving Gallery, and Review Chair International Leader in Art-to-Wear Mary Ruppert-Stroescu, Oklahoma State University Carolyn Hoffmann-Schneider, Lead Costume Designer, Santa Fe Opera Gwendolyn O’Neal, University of North Carolina at Greensboro Kelly Reddy-Best, San Francisco State University Faculty/Professional Pages 10-58 The Hive Royal Mbebana Jung Eun Lee, Courtney Murphy, Virginia Tech Tameka N. Ellington, Sophia Adodo (Grad), University, USAThe Hive Simply String Art Kent State University, USA Carol Beard, Central Michigan University, USA Standing on the Earth Summer Harvest Jung Soo Lee, Hongik University, South Korea Frayed Elegance Sherry Haar, Kansas State University, USA Lynn M. Boorady, SUNY - Buffalo State, USA Ever Changing Mind Azure Striations Jung Soo Lee, Hongik University Hyunji Roh, SAORI Ensemble Kim Hahn, Kent State University, USA Seoul National University, South Korea Kelly Cobb, The University of Delaware, USA Euclidean Sunrise RETHINK: Wearing Kombucha in Santa Fe Thunderbird - Sacred Bearer of Happiness Kim Hahn, David Hahn, Kent State University, Young-A Lee and Armine Ghalachyan, Iowa Unlimited USA State University, USA Sheri L. Dragoo, Texas Woman’s University, USA Vitreous Fractures Clouds in the Glass Digital West-African-Inspired Batik Meets Kim Hahn, Kent State University, USA Jiah LIM, Daegu University, South Korea Traditional European Crochet Sara Dudek, Diane Sparks, Colorado State Silk Sampler Sparkling socialite. A snow-dyed silk gown University, USA Janice B. Haynes, Delta State University, USA using inventive patternmaking and construction techniques for minimal fabric waste Rosso Mistral “and garments of green girt the fellow about…” Ellen McKinney and Sarah Bennett, Iowa State Rachel J. Eike, Georgia Southern University, USA Janice V. Kimmons, Lamar University, USA University, USA Revival of Hejaz Tribal Embroidery Using Digital Microspace Transmorpho Distortion of Spoken Design Technology Helen Koo and Anel Zarate, University of Seoha Min, University of North Carolina, Sahar Ejeimi and Diane Sparks, Colorado State California, Davis, USA Greensboro, USA University, USA Real Mom Buttoned Up Singed: How the Zebra Got Its Stripes Traci A. M.Lamar, North Carolina State Linda Ohrn-McDaniel, Kent State University, USA Tameka N. Ellington, Kent State University, USA University, USA Le Plan de Paris - Giverny The Nyangatom Woman Prairie Blossom Felt Belinda T. Orzada, University of Delaware, USA Tameka N. Ellington, Kent State University, USA Trudy Landgren, St. Catherine University, USA Balenciaga and Spain Belinda T. Orzada, University of Delaware, USA Graduate Student Pages 59-72 Professional Cont’d Forgive Me Never This Old Thing Noel Palomo-Lovinski, Kent State University, USA You’re Too Pretty To Be Gay. Activism on the Body through Representations and Negotiations Lauren Ashley Brallier, Kent State University, USA I Am Am I of Queer Femme Invisibility Butterflies on the Shoulder Noel Palomo-Lovinski, Kent State University, USA Kelly L. Reddy-Best, San Francisco State University, USA Chanjuan Chen, University of North Texas, USA You’ve Come A Long Way Baby Memento Mori Sewol Noel Palomo-Lovinski, Kent State University, Lightening Striking Yeonhee Cheong, University of Wisconsin, Madison. USA Carol J. Salusso, Dongming Zhao, Washington State University, USA USA Shadow Boxing Ocean Waves Jean Parsons, University of Missouri, USA Tribute to Schiaparelli Carol J. Salusso, Dongming Zhao, Washington Rebecca Del Pizzo, Kent State University, USA Faces of El Salvador State University, USA Catalpa Leaves Jean Parsons, Kathleen Kowalsky, University of Kelsie Doty, Kansas State University, USA Missouri, USA Pearls Become Swine Casey Stannard, Louisiana State University, USA Sunrise in the Orchard The Anatomy of Identity Kelsie Doty, Kansas State University, USA Emily J. Pascoe, Montclair State University, USA The Ulster Coat Reborn: A Versatile Coatdress Mikyoung Whang, Centenary College, USA Architectural Apparel Design Glass to Fabric: Dale Chihuly’s Blown Glass Zachary Hoh,Sara Smith, University of Cincinnati, Inspired Design Waterfalls USA Anupama Pasricha, St. Catherine University, Eunyoung Yang, Meredith College, USA USA Melancholy Carving Through Rose Windows Chanmi Hwang, Ling Zhang, Iowa State University, Sculptural Fashion Eunyoung Yang, Meredith College, USA USA Anna Perry, Colorado State University, USA Blue Cypress; Brushstrokes IV Cycling with Fireflies The Chinese Phoenix Eunyoung Yang, Meredith College, USA June HyeonJeong JI, Chung-Ang University, USA Anna Perry, Colorado State University, USA The Pout Vincent Quevedo, Kent State University, USA Hanji-The Art of the Wind Beautiful Protector, a 3D Printed Neckpiece Going the Distance Kyungeun Lee, Iowa State University, USA Jennise Thurston, Dr. Michael Mamp, Central Caroline Donelan, Cornell University, USA Michigan University, USA Faculty Sponsor: Huiju Park Blue Jeans Hanbok Saemee Lyu, University of Minnesota, USA LED Illuminated Cloth for Bicyclists Ringleader Memoirs Bingyue Wei, Mei Kewa, Janice Sulaiman, Okla- Michelle Therese Graff, California State University, Kuiki Eko homa State University, USA Long Beach, USA Kristen Morris, Cornell University, USA Faculty Sponsor: MyungHee Sohn Life of Earth: hope Over Easy Rider Ling Zhang, Iowa State University, USA Reign Brianna Plummer, Iowa State University, USA Taylor Graves, Western Michigan University, USA Chinese Garden From Upcycled Used Clothing Faculty Sponsor: Nicole Eckerson Digital Dilemma Ling Zhang, Chanmi Hwang, Iowa State University, Brianna Plummer, Iowa State University, USA USA Golden Bee Sanja Grgic, The University of North Carolina at Industrial Revolution Greensboro, USA Anne Porterfield, North Carolina State University, UNDERGRADUATE DESIGNS Faculty Sponsor: Seoha Min USA Pages 76-110 Shrapnel Precious Circle – Zero Waste Design Clayton Storm Hall, Virginia Commonwealth Univer- Elahe Saeidi, University of Alabama, USA sity, USA A Magical Labyrinth Faculty Sponsor: Deidra Arrington Cutting To Make a Lace Diana Alvarez, Centenary College, New Jersey, Eonyou Shin, Iowa State University, USA USA Cumulus Faculty Sponsor: Mikyoung Whang Tara Higgins, Moore College of Art and Design, USA Renascence Faculty Sponsor: Colleen Moretz Lushan Sun, University of Missouri, USA Eclipse Solar Carolina Arboleda, Centenary College, New Jer- Look Into My Eyes All Around the World sey, USA Tara Higgins, Moore College of Art and Design, USA Katie Thompson, Iowa State University, USA Faculty
Recommended publications
  • Draperies Make Your Own
    RSlTV Of CULTURE DRAPERIES MAKE YOUR OWN . ARE DRAPERIES ON THE AGENDA for your next 15 stitches per inch; for medium-weight fabrics, 10 home furnishings project? By making your to 12 stitches per inch will give good results. For all own, you can save money and enjoy a sense of ac- stitching on draperies use a loose tension to avoid complishment. This booklet will help you sew drap- puckers on seams and hemlines. eries with a custom-made look in any color, texture, and design you choose. Measuring Length and Width The length of your draperies is a matter of per- SEWING PREPARATIONS sonal taste, as there are several generally accepted Select the appropriate thread and sewing machine lengths. In casual decorating, draperies may go needles for the fabric you choose. The thread should down to the sill or to the apron ; more formal drap- be about the same color and weight as the drapery eries go to the floor. Also, draperies may be hung fabric: for cotton or linen draperies, use mercerized from any of a number of places — from the top of thread; for synthetic fabrics, use synthetic thread. the window frame, at ceiling height, or from any If you use mercerized thread, use a number 14 point on the wall between the ceiling and the window needle; for synthetic thread, a number 11 needle is frame ( see Fig. 1 ) recommended. The width of the draperies depends on how much Cut a small swatch of the drapery fabric and test window you want exposed when the draperies are your sewing machine's stitch and tension.
    [Show full text]
  • I Was Tempted by a Pretty Coloured Muslin
    “I was tempted by a pretty y y coloured muslin”: Jane Austen and the Art of Being Fashionable MARY HAFNER-LANEY Mary Hafner-Laney is an historic costumer. Using her thirty-plus years of trial-and-error experience, she has given presentations and workshops on how women of the past dressed to historical societies, literary groups, and costuming and re-enactment organizations. She is retired from the State of Washington . E E plucked that first leaf o ff the fig tree in the Garden of Eden and decided green was her color, women of all times and all places have been interested in fashion and in being fashionable. Jane Austen herself wrote , “I beleive Finery must have it” (23 September 1813) , and in Northanger Abbey we read that Mrs. Allen cannot begin to enjoy the delights of Bath until she “was provided with a dress of the newest fashion” (20). Whether a woman was like Jane and “so tired & ashamed of half my present stock that I even blush at the sight of the wardrobe which contains them ” (25 December 1798) or like the two Miss Beauforts in Sanditon , who required “six new Dresses each for a three days visit” (Minor Works 421), dress was a problem to be solved. There were no big-name designers with models to show o ff their creations. There was no Project Runway . There were no department stores or clothing empori - ums where one could browse for and purchase garments of the latest fashion. How did a woman achieve a stylish appearance? Just as we have Vogue , Elle and In Style magazines to keep us up to date on the most current styles, women of the Regency era had The Ladies Magazine , La Belle Assemblée , Le Beau Monde , The Gallery of Fashion , and a host of other publications (Decker) .
    [Show full text]
  • Fibres & Fabrics
    BrIefInG fibres & fabrics By philippa watkIns European textiles are a strong force again. Their creativity and inventiveness, which has kept growing despite the years of difficulties and still prevailing uncertainties, is helping them out of crisis. Fabric Fairs such as MFS, Milano Unica and Première Vision were busy, maintaining the increase in visitors noted a year ago – even London’s little Textile Forum was buzzing with visitors. PV and Expofil recorded 53,065 visitors overall with EU visitors now accounting for 70%. Visitors from the US, whose economy has been showing signs of recovery, accounted for 5% and there was a surge in Asian visitors, mostly from Japan, South Korea and China. With buyers showing such interest, exhibitors were cautiously optimistic. Notable also are new techniques, and sheer craftsmanship, which create both a new PV Awards aesthetic as well as greater ‘sustainability’. There’s an air of responsibility, as the with a twist, masculine look. These fabrics industry works towards more sustainable are also printed – often in huge prints, and production. Use of water, for instance, is a double faced reversing print to plain. Italian serious issue, and new ways of water and Ratti, for instance, had a new ‘scuba’ cloth chemical free finishing are making headway – in a crêpe-type quality made with crêpe such as digital printing and laser technology. yarns, also printed, and Menta, always Even more spectacular is the development experimenting with extraordinary printing of new ways of finishing through ‘plasma’ techniques, had printed ribbed spacers. technology – one to really watch. While these fabrics have smooth volume, they are not flat – in fact nothing is quite PV AWArDs 2014 Trend area at Milano Unica flat.
    [Show full text]
  • Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
    SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California.
    [Show full text]
  • Women's Collection by Dorfman Pacific | Winter 2020
    WOMEN’S COLLECTION BY DORFMAN PACIFIC | WINTER 2020 CALLANAN™ | AEGEAN | SCALA™ | SCALA™ KIDS | DPC® | FALL/WINTER 2020 For so long, people thought Dorfman was about selling hats. But really, we’re about our hat community. You see a hat is just an accessory, but our millinery community is fostered by the artisans that hand make our hats, local shops that display our creations, and our customers’ stories who wear them with distinction. This is coupled with our relentless commitment to service instilled by our founder, Jack Dorfman. Fashion trends are in a constant state of motion, but happy retail partners and valued customers are a constant for us. RIVERSIDE • LW749-ASST • PG 65 THE TREK • MC146 • MEN’S FW20 PG 78 An American Headwear Company Since 1921. Page 2 HANDMADE SINCE 1921 CONTENTS CALLANAN™ WOOL FELT ........................................................................... 6 WOOL BLEND ........................................................................ 8 HEADBANDS ......................................................................... 22 WEATHERED COTTON ........................................................ 24 BOILED WOOL ...................................................................... 24 SCALA™ WOOL FELT CLOCHE ........................................................... 31 WOOL FELT WESTERN ......................................................... 38 WOOL FELT SAFARI .............................................................. 38 WOOL FELT BOATER ...........................................................
    [Show full text]
  • November 10 - 13, 2015 Thank You to Organizations and Individuals Whose Support Made This Event Possible
    November 10 - 13, 2015 Thank You to Organizations and Individuals Whose Support Made this Event Possible Event Sponsors Fairchild Books and Bloomsbury Publishing Fashion Supplies Lectra Paris American Academy Award Sponsors Alvanon ATEXINC Cotton Incorporated Eden Travel International Educators for Responsible Apparel Practices Fashion Supplies Intellect Books Lectra Optitex Regent’s University London Vince Quevedo and ITAA Members who have contributed to ITAA Development Funds Conference Chairs especially want to thank the following individuals: Laurie McAlister Apple Kim Hiller Young-A Lee Ellen McKinney Genna Reeves-DeArmond Diana Saiki Mary Ruppert-Stroescu and all the dozens of ITAA volunteers! Conference Program Sponsored by Paris American Academy Introduction Headings Link to Detailed Information WELCOME TO THE ITAA 2015 ANNUAL CONFERENCE CONFERENCE MEETING SPACE ITAA 2015 DISTINGUISHED FACULTY AWARD WINNERS ITAA 2015 KEYNOTE LECTURERS ITAA 2015 THEME SESSION SPEAKERS ITAA SPONSOR PAGES ITAA MEMBER PROGRAM PAGES CONFERENCE SCHEDULE (details & links on following pages) RESOURCE EXHIBITOR LIST CAREER FAIR PARTICIPANT LIST REVIEW AND PLANNING COMMITTEES 2015 ITAA COUNCIL MEMBERS Tuesday at a Glance 7:30am-7:00pm Registration Open Concourse 8:00am-6:00pm Projector Practice and Poster Preparation De Vargas 9:00am-5:00pm Accreditation Commission Meeting Chaparral Boardroom, 3rd floor 8:30am-12:30pm Workshop: Leadership in Academia Zia B 9:00am-4:00pm Tour: Taos: Fashion, Pueblo, and a Unique Resident 10:00am-3:00pm Tour: Museum of International
    [Show full text]
  • FLORIDA Fulton Ma^Rae, a Broker the M^Rrl-Sj and Gustaviv! of Utcllcsl Tales Rv»R No
    5 NEW-YORK DAILY TRIBI M;, MONOVV, FEBRUARY 2t 1010. we find there is not even a loaf ef bread j in th- house." In «M case a member of j U.S. COURTS CHOKED noFAxrrr decried. cupboard literally | CLINCH RLEF CASE Of Interest to Women this branch found the WASHINGTON bare- She left a trifle, and th* husband. j Clergyman to Na- had earned f*> cents that day. cam" In Washington carved a consti- Sees Danger who th«y PUSHED. and said. "Wak» up. the children." for tution out of chaos. WISE HJED PROSEC to .«upperles.«. 'Hi- wife re- tion in Its Spread. AIM OF TTOF. WHITE CLOTH SUITS had gone bed bequeathed to his M they *af | He also The n^v Dr. William Carter, in his morn- plied. "I>t them sleep, because ms be nothing *i»-morrow." countrymen this advice: sermon yesterday at the Madison Ave- to-night there will j Only One Judge Prose- nue Reformed that irrev- The president of No. 11 branch pay* on* "To be prepared for war is for Church declared Now Nothing brace?, to 'vrwrfl and blasphemy have emptied the Seeks Indictments for Smarter Has Been of her nursery children \u25a0•«•* most effectual means hard one of the cutor's 260 Cases. churches and are threatening to wreck the straighten its legs. Th" mother iia preserving peace." Health Laic Violation*. woman, pay , of nation. Shown This Season. working who -will somethin*. of H»nry A. Wise, United States Attorney "This the whole expense. An- That is an elaboration the hi a light, flippant and frivolous The presentation of the f°r but cannot meet District of New York, 1* age.*' indictments Nothing i3i3 nursery able la j says prevention for th» Southern said Dr.
    [Show full text]
  • The Posthumanistic Theater of the Bloomsbury Group
    Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky.
    [Show full text]
  • Get Warm Stay Cool a Family Tradition
    SUSTAINABLE FUNCTIONAL multi- LOVABLE COMFORTABLE FASHIONABLE functional ELASTIC fire resistant t T S eco-friendly 100% TE TURAL TEMPERATURE long COLOURFUL REGULATING NA lasting INSULA WHEN WE WOOL breathable anti- warm and cool hypoallergenic UV static resistant flexible BIODEGRADABLE sustainable indoor SOFT made for moisture air regulating quality odour resistan recycling improves ANTI- lovable WRINKLE URBAN OUTDOOR IVANHOE WOOL IVANHOE WOOL THIRD GENERATION running the business Get warm stay cool A family tradition The family firm of Ivanhoe was founded in 1946 in Gällstad, a district known as Sweden’s own knitting centre, where the traditions and pioneering spirit of fine garment making still live on. Ivanhoe manufactures and sells clothes for active people and several generations of experience and competence enable us to continuously develop both base and functional garments. The company was founded by Martin Göthager, and has since the 80’s been run by his three sons. Today the third generation - Anders, Anna and Karin - are the ones taking the business forward, with pride and high hopes for the future. Martin Göthager - founded the company in 1946 Karin Sjögren, Anders Göthager & Anna Göthager - third generation This picture was taken in 1960, and still today we have our own production facility in Gällstad where approximately 90% of all knitting takes place. We also have our design- and sample department, embroidery service and a small sewing deparment here. Additional production takes place in partner factories around Europe. Having production in Sweden and Europe gives us control, flexibility, shorter lead times and shorter transportations. We can act and react quickly and can adjust production to demand and easily develop new products in season.
    [Show full text]
  • Designer Sewing/Fashion Design
    Multiple Category Scope and Sequence: Scope and Sequence Report For Course Standards and Objectives, Content, Skills, Vocabulary Monday, August 18, 2014, 10:00PM Course Standards and Unit Content Skills Vocabulary Objectives District Business of UT: CTE: Family and . Fashion changes with time and Identify current apparel/accessories lines in the Fashion Advanced Consumer Sciences, UT: technology. fashion industry. Fashion (Week Grades 9-12, Designer Designer . Current trends in line, design Apparel 1, 2 Weeks) Sewing/Fashion Design Sewing/Fashion and color. Recognize line, design and color in relationship to Standard 20.0301-01 Students . Career and entrepreneurial current apparel/accessories lines. Lifestyle design Design (20.0301) will access current fashions. opportunities in the fashion lines (District) industry Identify career and entrepreneurial opportunities in 2014-2015 Planning and record keeping for . Objective 20.0301- . fashion industry. Draper, MG 0101 Discuss fashion a small businesses. Accessories as related to apparel. National Standard Describe the planning and record keeping processes Fashion line 16.5.1 related to small busineses. Objective 20.0301- Entrepreneurial 0102 Discuss fashion as related to household Free enterprise accessories. National Standard 16.5.6 Business plan Standard 20.0301-02 Students will discuss how to become an entrepreneur. Objective 20.0301- 0201 Discuss how to begin a small business/home-based industry. Objective 20.0301- 0202 Discuss how to keep records for a small business. Basic Equipment UT: CTE: Family and . Basic information on operation . Identify the parts and accessories for Hemmer Consumer Sciences, UT: and care of consumer/commercial sewing machines, (Week 2, 2 Weeks) Grades 9-12, Designer consumer/commercial sewing cutting and pressing equipment.
    [Show full text]
  • B.Des. (Fashion Design)
    Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERITY, LUCKNOW FACULTY OF ARCHITECTURE AND PLANNING B.Des. (Fashion Design) Scheme of Teaching, Examination & Syllabus (Session 2020-21) Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. DES. (Fashion Design) SCHEME OF TEACHING AND EXAMINATIONS B.Des.: I Semester w.e.f. 2020 -2021 Continuous Exam Teaching Exam & Subject Subject Assessments Examination Marks Time Subject Name Credits Sessional Code Category Hours/ Periods Marks (Hr) L Tu St/P Total T P/V Total BD101 PC Theory of Design-I 2 1 3 3 50 50 50 100 3 BD102 CF Ergonomics 2 1 3 3 50 50 50 100 3 BD103 CF Civilization Culture & Fashion 1 1 2 2 50 50 50 100 3 BD104 PD Communication skills 1 1 2 2 60 40 40 100 3 BD105 CF Sketching 1 2 3 3 60 40 40 100 - BD106 CF Visualization and Representation-I 1 4 5 3 60 40 40 100 - BD107 CF Model Making/ Workshop 1 3 4 3 60 40 40 100 - BD108 CF Basic Design-I 2 6 8 5 50 50 50 100 3 Total Credit’s Total 11 4 15 30 24 800 GRAND TOTAL Notes: A semester contains approximately of 16 working weeks (90 workdays) each. The examinations of all subjects are conducted at the end of the semester. The viva-voce and practical examinations of subjects are jointly conducted by two examiners: one internal and one external. Abbreviations: L = Lectures; Tu = Tutorial; St/P = Studio/Practical; T = Theory; P/V = Practical/Viva-voce, PC = Professional Core; CF = Core Foundation; DE = Departmental Elective; PD = Professional Development; HS = Human Sciences; AC = Applied Compulsory Course; BS = Building Sciences; OE = Other Departmental Elective; PE = Professional Elective Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B.
    [Show full text]
  • A Born Soldier
    BORN SOLDIER John Strange Winter J^^J'hite & Co., London. ESTABLISHED 1851. BIRKBEGK BANK, Southampton Buildings, Chancery Lane, London. TWO-AND-A-HALF per CENT. INTEREST allowed on DEPOSITS. repayable on demand. TWO per CENT, on CURRENT ACCOUNTS on the minimum monthly balances, when not drawn below ;^ioo. STOCKS, SHARES and ANNUITIES purchased and sold. SAYINGS DEPARTMENT. For the encouragement of Thrift the Bank receives small sums on deposit, and allows interest monthly on each completed £1. BIRKBECK BUILDING SOCIETY. HOlir TO PmCHASK A BTOCSS FOB TWO GUINEAS PER MOKTH. BIRKBECK FREEHOLD LAND SOCIETY. lOTT TO PVRCHASK A PI.OT OF IiAITS FOR FIVE SHILLINGS PER MONTH. THE BIRKBECK ALMANACK, with fiill particulars, post free. FRANCIS RAVENSCROFT, Oianagn, ^ Please Observe the EEs ..STEEDMAN, -SOOTHINO for Ctiildren cuttirxcj T^^.TH, \VAUW&RTH,SU^. MEILIN'S FOOD FOR INFANTS AND INVALIDS. " ta, Rushey Green, Caiford, •• London, S.B., Oct. 3, z8gs- " Dear Sir,—/ have great pleasure to se I •bhotoeraiJi o£my boy,Allan Edward, from six weeks old was tr Food. The child is --fs^s^s:^ no illness whatever, and be considered a recom- st excellent preparation. My, ^ARD McKENZIE." Emory University Library r's FOOD LVKUIERS )ND'S Befreshmcnt Booms. 1 taken with milk or with r spirit with the greatest I is of the highest value and iter exhaustive physical iplication to PECKHAM, S.E:. In Memoriam X. i [etor begs to remind those Ruth Candler Lovett lOT-DRY FEET, that as directed; and a box is 1935-1964 ned to walking on stone ender. To those who, in ver-estimated, and if used OR INDIA.
    [Show full text]