DOCSLIB.ORG

November 10 - 13, 2015 Thank You to Organizations and Individuals Whose Support Made This Event Possible

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

November 10 - 13, 2015 Thank You to Organizations and Individuals Whose Support Made this Event Possible Event Sponsors Fairchild Books and Bloomsbury Publishing Fashion Supplies Lectra Paris American Academy Award Sponsors Alvanon ATEXINC Cotton Incorporated Eden Travel International Educators for Responsible Apparel Practices Fashion Supplies Intellect Books Lectra Optitex Regent’s University London Vince Quevedo and ITAA Members who have contributed to ITAA Development Funds Conference Chairs especially want to thank the following individuals: Laurie McAlister Apple Kim Hiller Young-A Lee Ellen McKinney Genna Reeves-DeArmond Diana Saiki Mary Ruppert-Stroescu and all the dozens of ITAA volunteers! Conference Program Sponsored by Paris American Academy Introduction Headings Link to Detailed Information WELCOME TO THE ITAA 2015 ANNUAL CONFERENCE CONFERENCE MEETING SPACE ITAA 2015 DISTINGUISHED FACULTY AWARD WINNERS ITAA 2015 KEYNOTE LECTURERS ITAA 2015 THEME SESSION SPEAKERS ITAA SPONSOR PAGES ITAA MEMBER PROGRAM PAGES CONFERENCE SCHEDULE (details & links on following pages) RESOURCE EXHIBITOR LIST CAREER FAIR PARTICIPANT LIST REVIEW AND PLANNING COMMITTEES 2015 ITAA COUNCIL MEMBERS Tuesday at a Glance 7:30am-7:00pm Registration Open Concourse 8:00am-6:00pm Projector Practice and Poster Preparation De Vargas 9:00am-5:00pm Accreditation Commission Meeting Chaparral Boardroom, 3rd floor 8:30am-12:30pm Workshop: Leadership in Academia Zia B 9:00am-4:00pm Tour: Taos: Fashion, Pueblo, and a Unique Resident 10:00am-3:00pm Tour: Museum of International Folk Art and Museum Hill 2:00pm-5:00pm Workshop: New Approach to Teaching Global Sourcing: Theoretical Perspectives Zia A 2:00pm-5:30pm Santa Fe Workshop: Knitting in Both Directions 2:00pm-6:00pm GPIDEA Meeting Turquoise Boardroom, 4rd floor 4:00pm-5:00pm VPs Meet with Committee Chairs Eldorado Lounge 5:00pm-6:00pm New Attendees and Members Welcome and Conference Orientation Zia B 6:00pm-8:00pm Opening Reception Anasazi Ballroom Co-Sponsored by Fairchild Books and Bloomsbury Publishing and ITAA 8:00pm-9:30pm Graduate Student Gathering President’s Suite, 5th floor Wednesday at a Glance 7:30am-5:00pm Registration Open - Concourse 7:00am-8:15am Committee Meetings 8:00am-5:00pm Projector Practice and Poster Preparation – Pin͂ on Boardroom, 2nd floor 8:30am-9:45am Plenary Session Eldorado Amy Hall, Director of Social Consciousness, Eileen Fisher, Inc. Ballroom EILEEN FISHER’s Vision for a Sustainable Apparel Industry 10:00am-2:30pm Mounted Design Exhibit: Day 1 – Chapel - Designers with designs 10:00-10:30am 10:00am-11:15am Concurrent Breakout Session #1 Anasazi South Special Topics Session - Embedding Socially Responsible Practices within and across the Curriculum: Where We Have Been and What's Next - An ESRAP Panel Zia C Functional, Protective, and Performance Apparel with Technology Zia A Surveys of Consumer Characteristics Zia B Stimulating Learning with Student Reflection De Vargas Impacts from the Internet Anasazi North Emerging Trends in the Global Textile and Apparel Industry 11:30am-1:15pm Lunch General Session Eldorado Ballroom President’s Address, Elizabeth Bye 1:30pm-2:45pm Conference Theme Session Anasazi South Rob Behnke, Fair Trade Marketing: Opportunities and Challenges Zia C Sara Birmingham, Museum Store Buying and Merchandising De Vargas Pamela Kelly, Branding, Licensing and Copyright of Design Work Zia A/B Patricia Michaels, Experiences of a Navajo Designer, Project Runway and Beyond Anasazi North Jeff Snell, Social Enterprise, Innovation, and Entrepreneurship 3:00pm-5:00pm Experience Santa Fe Session 5:30pm-9:00pm Grand Poster Session – Authors with their poster(s) 5:30-6:30pm Anasazi ADP-Aesthetics, Design, Product Development Ballroom CB-Consumer Behavior CUL-Culture FS-Fashion Studies HIS-Historic INT-International MMGT-Merchandising, Marketing, Retailing I. Management MVP-Merchandising, Marketing, Retailing II. Visual and Promotion PDG-Professional Development and General PED-Pedagogy POP-Popular Culture SPA-Social/Psychological Aspects SSR-Sustainability, Social Responsibility TAI-Textile and Apparel Industries TAS-Textile/Apparel Science TD-Technical Design 5:30pm-8:30pm International Bazaar - Concourse 6:30pm-8:00pm Special Topic Session - Design Practice/Design Research: Retrievable, Zia A/B Contextualized and Making a Contribution to Knowledge 6:30pm-8:00pm Special Topic Session - Managing Your Academic Career Zia C Sponsor Presentations 6:30-7:45pm Taste of Hollywood Fitting Design De Vargas Joe Vecchiarelli, Fashion Supplies 8:00-8:30pm Gaining Knowledge through COTTON UNIVERSITY™ De Vargas Laura Perdue, Cotton Incorporated Thursday at a Glance 7:00am-8:15am ITAA Board Meeting - Anasazi North 8:00am-5:00pm Registration Open - Eldorado Ballroom 8:00am-5:00pm Projector Practice and Poster Preparation – Pin͂ on Boardroom, 2nd floor 8:30am-9:45am Plenary Session: Eldorado Simone Cipriani, Chief Technical Advisor, United Nations Ethical Fashion Initiative, Ballroom Geneva, Switzerland 10:00am-2:30pm Mounted Design Exhibit: Day 2 – Chapel - Designers with designs 10:00-10:30am 10:00am-5:00pm Resource Exhibit - Concourse 10:00am-11:15am Concurrent Breakout Session #2 Anasazi South Special Topics Session - Unraveling Neuro-Physiological Responses: Connecting the Mind, Body and Brain for Textile and Apparel Research Zia A Fashion Changes and the Sense of Self Zia B Body Image Anasazi North Sustainability and Consumer Behavior Zia C Functional Textile and Apparel Aesthetics, Comfort and Safety De Vargas Different Perspectives of Apparel and Textiles Education 11:30am-1:15pm Lunch General Session Eldorado Keynote: Judy Frater, Founder Director, Somaiya Kala Vidya Ballroom Janet Else International Visiting Scholar/Practitioner Valuing the Unique: Matching the Maker and the Market for International Craft 1:30pm-2:45pm Concurrent Breakout Session #3 Anasazi South Seminar Session - Fiber and Place 2:45pm-5:00pm Session continues with planned activities and film screenings. Anasazi North Design and Product Development with Integration and Innovation Zia C Psychological Aspects of Consumer Behavior Zia B Apparel Outsourcing versus Domestic Production: An Ongoing Debate Zia A Social Media and eWOM in Retailing De Vargas Professional Development through Forming Collaboration 3:00pm-5:00pm Career Fair - Anasazi North Sponsor Presentations 3:00-4:30pm Lectra’s Digital Presentation of Modaris3D V7R2 and Diamino’s Newest Release De Vargas V6R2 Sophie Gervais, Senior Solution Expert, and Toni Lublin, Education Partnership Manager, Lectra 4:30-5:00pm New Digital Resource for Fashion Education and Scholarship Zia C Amanda Breccia, Senior Acquisitions Editor, Fairchild Books and Hannah Crump, Assistant Editor, Bloomsbury Academic 5:00-6:00pm The Evolution of Technology in the Classroom and Its Parallel in the Industry Zia B Sabrina Cove, Optitex; Janine Burrows, Academy Sports and Outdoors; and Lynn Boorady, Buffalo State University 5:00pm-6:00pm How to Get Published: A Presentation and Q&A Zia A James Campbell, Intellect Books 6:00-6:30pm The Use of Half-scale Dress Forms in the Classroom and in Professional De Vargas Development Susana Charm, Alvanon, and Susan P. Ashdown, Cornell University 5:00pm-6:00pm CTRJ Meeting – Editorial Staff and Editorial Board Members Chaparral Boardroom, 3rd floor 4:30pm-6:00pm Legacy Group President’s Suite, 5th floor 6:00pm-8:00pm Private Reception and Shopping Opportunity Eileen Fisher Store, 142 Lincoln Avenue, Suite 101 7:30pm-9:00pm Graduate Student Fireside Chat Anasazi North Gwendolyn S O’Neal, Ph.D., Professor Emerita, Department of Consumer, Apparel, and Retail Studies, University of North Carolina at Greensboro 7:30pm-9:00pm Special Topic Session - Round 2: What Does Textile and Apparel Interdisciplinary Anasazi South Research and Education Look Like in the 21st Century? Friday at a Glance 7:00am-noon Registration Open - Eldorado Ballroom 7:30am-9:00am Breakfast, Business Meeting, Town Hall Meeting - Eldorado Ballroom 9:00am-noon Resource Exhibit Continues – Concourse - (optional exhibitor participation) 9:00am-noon Mounted Design Exhibit: Day 3 - Chapel - Designers with designs 9:00-9:30am 9:00am-noon Folk Art Sale Pop Up: Local and International Vendors - Concourse 9:15am-10:30am Concurrent Breakout Session #4 Anasazi South Student Best Papers – (9:00am-10:30am -- extra time to accommodate 5 presentations) Zia C Tracking Change in Cultural Aspects of Apparel and Textiles across Time & Space Zia A Continuing Evolution of Retail Management Zia B Collaborative Strategies to Teach Apparel and Textiles Students Anasazi North Communication of Sustainability Initiatives De Vargas Practical and Functional Technical Design Practices and Patternmaking 10:45am-noon Concurrent Breakout Session #5 Anasazi South Special Topics Session – Using the ITAA Meta-goals for Outcomes Assessment and Program Improvement Zia A Consumer Clothing Selection and Buying Motivations Zia C History and Cultural Context Zia B Marketing and Branding Strategies: Use of Social Media and Technology De Vargas Social Role and Dress at the Workplace Anasazi North Initiatives in Advancing a Sustainable Industry 12:15pm-2:00pm Awards Luncheon, Welcome to Vancouver -Eldorado Ballroom 2:30pm-5:00pm ITAA Council Meeting -Chaparral Boardroom, 3rd floor 2:00pm-4:00pm Workshop: Knowing your Value for Academic Career Negotiations - De Vargas 2:00pm-6:00pm Workshop: Tambour Embroidery and Beading for Beginners - Anasazi North 2:00pm-6:00pm Workshop: Teaching Textiles Online - Anasazi
Recommended publications
  • Versace's Native American

    Versace's Native American

    VERSACE’S NATIVE AMERICAN A COLONIZED FEMALE BODY IN THE NAME OF AESTHETIC AND DYNASTIC GLORY 1 In this contemporary moment fashion designers have the means to collaborate with Native American fashion designers. However, there is still a flourishing fashion market that refuses to recognize Native American tribes as owners of intellectual property.1 While some brands may initially start on the right track via collaboration with Native artists, it may not always end in success.2 Most recently, Versace has included Native American designs in their ready-to-wear fashion for the 2018 Spring-Summer season. This component of the collection belongs to a tribute honoring Gianni Versace and his original FW ’92 Native American print (Figures 1 and 2).3 I will be discussing the implications of the revived Native American print and how it affects Native North American men and women. In this essay, I will look at Versace’s legacy and his original print; the new Native American Tribute Collection by Donatella Versace; and Donna Karan’s collaboration with Pueblo artist, Virgil Ortiz. I argue that respectful recognition of Native North American property is thrown aside for aesthetic and dynastic glory, which in turn, allows non-Native designers to colonize the ‘exotic’ Native woman’s body by denying Native North American men and women the opportunity to represent themselves to the global fashion community. Virgil Ortiz’s collaboration with Donna Karan illustrates how respectful collaboration can shape the dominant society’s perception of Native North American women. If we use Native North American fashion as a framework to understand how Native designers are working to dismantle mainstream stereotypes, it is imperative that global designers 1 “Navajo Nation Sues Urban Outfitters,” Business Law Daily, March 18, 2012.
  • The Fashion Industry As a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention

    The Fashion Industry As a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention

    THE FASHION INDUSTRY AS A SLIPPERY DISCURSIVE SITE: TRACING THE LINES OF FLIGHT BETWEEN PROBLEM AND INTERVENTION Nadia K. Dawisha A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication in the College of Arts and Sciences. Chapel Hill 2016 Approved by: Patricia Parker Sarah Dempsey Steve May Michael Palm Neringa Klumbyte © 2016 Nadia K. Dawisha ALL RIGHTS RESERVED ii ABSTRACT Nadia K. Dawisha: The Fashion Industry as a Slippery Discursive Site: Tracing the Lines of Flight Between Problem and Intervention (Under the direction of Dr. Patricia Parker) At the intersection of the glamorous façade of designer runway shows, such as those in Paris, Milan and New York, and the cheap prices at the local Walmart and Target, is the complicated, somewhat insidious “business” of the fashion industry. It is complicated because it both exploits and empowers, sometimes through the very same practices; it is insidious because its most exploitative practices are often hidden, reproduced, and sustained through a consumer culture in which we are all in some ways complicit. Since fashion’s inception, people and institutions have employed a myriad of discursive strategies to ignore and even justify their complicity in exploitative labor, environmental degradation, and neo-colonial practices. This dissertation identifies and analyzes five predicaments of fashion while locating the multiple interventions that engage various discursive spaces in the fashion industry. Ultimately, the analysis of discursive strategies by creatives, workers, organizers, and bloggers reveals the existence of agile interventions that are as nuanced as the problem, and that can engage with disciplinary power in all these complicated places.
  • FLORIDA Fulton Ma^Rae, a Broker the M^Rrl-Sj and Gustaviv! of Utcllcsl Tales Rv»R No

    FLORIDA Fulton Ma^Rae, a Broker the M^Rrl-Sj and Gustaviv! of Utcllcsl Tales Rv»R No

    5 NEW-YORK DAILY TRIBI M;, MONOVV, FEBRUARY 2t 1010. we find there is not even a loaf ef bread j in th- house." In «M case a member of j U.S. COURTS CHOKED noFAxrrr decried. cupboard literally | CLINCH RLEF CASE Of Interest to Women this branch found the WASHINGTON bare- She left a trifle, and th* husband. j Clergyman to Na- had earned f*> cents that day. cam" In Washington carved a consti- Sees Danger who th«y PUSHED. and said. "Wak» up. the children." for tution out of chaos. WISE HJED PROSEC to .«upperles.«. 'Hi- wife re- tion in Its Spread. AIM OF TTOF. WHITE CLOTH SUITS had gone bed bequeathed to his M they *af | He also The n^v Dr. William Carter, in his morn- plied. "I>t them sleep, because ms be nothing *i»-morrow." countrymen this advice: sermon yesterday at the Madison Ave- to-night there will j Only One Judge Prose- nue Reformed that irrev- The president of No. 11 branch pay* on* "To be prepared for war is for Church declared Now Nothing brace?, to 'vrwrfl and blasphemy have emptied the Seeks Indictments for Smarter Has Been of her nursery children \u25a0•«•* most effectual means hard one of the cutor's 260 Cases. churches and are threatening to wreck the straighten its legs. Th" mother iia preserving peace." Health Laic Violation*. woman, pay , of nation. Shown This Season. working who -will somethin*. of H»nry A. Wise, United States Attorney "This the whole expense. An- That is an elaboration the hi a light, flippant and frivolous The presentation of the f°r but cannot meet District of New York, 1* age.*' indictments Nothing i3i3 nursery able la j says prevention for th» Southern said Dr.
  • The Posthumanistic Theater of the Bloomsbury Group

    The Posthumanistic Theater of the Bloomsbury Group

    Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky.
  • The Long History of Indigenous Rock, Metal, and Punk

    The Long History of Indigenous Rock, Metal, and Punk

    UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories.
  • Discussion Guide and Lesson Plan

    Discussion Guide and Lesson Plan

    NATIVE APPROPRIATIONS: WHY REPRESENTATIONS MATTER DISCUSSION GUIDE AND LESSON PLAN Native Appropriations: Why Representations Matter A 2015 Bioneers Indigenous Forum Presentation The purpose of this discussion guide is to facilitate thoughtful discussion around the topics introduced in this Indigenous Forum presentation video. The discussion guide can be adapted for use in the classroom as well as salon-style gatherings. TABLE OF CONTENTS INFORMATION PAGE . 2 Video Description . 2 Keywords . .. 2 Links . 2 INTRODUCTION AND DISCUSSION QUESTIONS . 3 VIDEO GUIDE . .. 4 TRANSCRIPT . 5 LESSON PLAN . 9 Goals . 9 Grade Level . 9 Lesson Length . 9 Required Materials . 9 Objectives and Assessment . 9 Readings . 10 Additional Resources . 10 Instructional Procedure . 11 Assignment 1 . 17 Assignment 2 . 19 Take Home Exam . 21 Curriculum Standards . .. 26 This video is a presentation of the 2015 Indigenous Forum, organized by the Bioneers Indigeneity Program and featured annually at the Bioneers Conference. Indigeneity is a Native-led Program within Bioneers/ Collective Heritage Institute that promotes indigenous knowledge and approaches to solve the earth’s most pressing environmental and social issues through respectful dialogue. Since 1990, Bioneers has acted as a fertile hub of social and scientific innovators with practical and visionary solutions for the world’s most pressing environmental and social challenges. BIONEERS INDIGENEITY CURRICULUM 1 NATIVE APPROPRIATIONS: WHY REPRESENTATIONS MATTER INFORMATION PAGE VIDEO DESCRIPTION JESSICA METCALFE, PHD., (Turtle Mountain Anishinaabe) presents an over- view of her blog and Native American fashion boutique, Beyond Buckskin. This video presents an overview of Native American appropriation, why it is harmful, and how to responsibly support Native American traditions through purchasing and wearing Native American-made fashion.
  • American Master George Carlson Between Two Worlds with Brad Overton Artists Celebrate the National Park Centennial Architecture in the West: from Texas to California

    American Master George Carlson Between Two Worlds with Brad Overton Artists Celebrate the National Park Centennial Architecture in the West: from Texas to California

    JUNE | JULY 2016 From Cowboy to Contemporary American Master George Carlson Between Two Worlds with Brad Overton Artists Celebrate the National Park Centennial Architecture in the West: From Texas to California plus:Master of Light Mark Laguё Perspective: Frida Kahlo [1907 –1954] The Ins and Outs of Absentee Bidding WESTERN VISTA WANDERINGS: ART ESCAPES IN PORTLAND, OREGON In this creative city, art isn’t just easy to find — it’s everywhere you look WRITTEN BY Marla Cimini Photo: Courtesy Portland Art Museum Offering an artistic odyssey, the city of dozens of institutions provide art education, from the Art Portland, Oregon, blends a range of art and Institute of Portland to the Le Cordon Bleu College of architectural styles, dating from thousands Culinary Arts to a recording arts school. of years ago with the tribes of the Pacific The Willamette River divides Portland across its Northwest to more contemporary offerings east and west shores, and Burnside Street splits the city that have inspired the slogan “Keep Portland north and south, respectively. Artful treasures are found Weird.” A diverse destination, the city of throughout each of Portland’s neighborhoods, from elite roughly 600,000 people attracts a melting galleries to DIY artisan festivals and splashes of public art. pot of individuals with varied interests and The city’s mild climate is best from June through earnest passions. September. But, rain or shine, wandering through Portland You’d be hard pressed to find another is delightful. As a pedestrian-friendly city, consider touring American destination with such a lengthy by bicycle on more than 300 miles of paths or travel via list of monikers: Rip City; Little Beirut; public transportation on the light rail or street car systems.
  • Native American Fashion: Inspiration, Appropriation, and Cultural Identity

    Native American Fashion: Inspiration, Appropriation, and Cultural Identity

    NativeAmerican Fashion: Inspiration, Appropriation, and Cultural Identity Saturday, April 22, 2017 • 10:30 a.m. to 5:00 p.m. Diker Pavilion, National Museum of the American Indian Alexander Hamilton U.S. Custom House One Bowling Green • New York City Cosponsored by the Fashion Institute of Technology, State University of New York, Native/American Fashion: Inspiration, Appropriation, and Cultural Identity explores fashion as a creative endeavor and an expression of cultural identity, the history of Native fashion, issues of problematic cultural appropriation in the field, and examples of creative collaborations and best practices between Native designers and fashion brands. The program features distinguished scholars, fashion designers, and editors, including Anna Blume, Daniel James Cole, Joe Horse Capture, Adrienne Keene, Karen Kramer, Jessica Metcalfe, Douglas Miles, Lynette Nylander, Virgil Ortiz, Sherry Farrell Racette, Susan Scafidi, and Timothy Shannon. Moderated by Kathleen Ash-Milby, Eileen Karp, and Amy Werbel. Reception in the Rotunda, directly after the symposium. Live webcast at: AmericanIndian.si.edu/multimedia/webcasts Smithsonian National Museum of the American Indian NativeAmerican Inspiration, Appropriation, Fashion: and Cultural Identity PROGRAM 10:30 a.m. Welcome Kevin Gover, National Museum of the American Indian Ronald Milon, Fashion Institute of Technology, State University of New York 10:35 a.m. Opening Remarks Kathleen Ash-Milby, National Museum of the American Indian 10:45 a.m. MOBILITY AND CULTURAL IDENTITY THROUGH
  • A Born Soldier

    A Born Soldier

    BORN SOLDIER John Strange Winter J^^J'hite & Co., London. ESTABLISHED 1851. BIRKBEGK BANK, Southampton Buildings, Chancery Lane, London. TWO-AND-A-HALF per CENT. INTEREST allowed on DEPOSITS. repayable on demand. TWO per CENT, on CURRENT ACCOUNTS on the minimum monthly balances, when not drawn below ;^ioo. STOCKS, SHARES and ANNUITIES purchased and sold. SAYINGS DEPARTMENT. For the encouragement of Thrift the Bank receives small sums on deposit, and allows interest monthly on each completed £1. BIRKBECK BUILDING SOCIETY. HOlir TO PmCHASK A BTOCSS FOB TWO GUINEAS PER MOKTH. BIRKBECK FREEHOLD LAND SOCIETY. lOTT TO PVRCHASK A PI.OT OF IiAITS FOR FIVE SHILLINGS PER MONTH. THE BIRKBECK ALMANACK, with fiill particulars, post free. FRANCIS RAVENSCROFT, Oianagn, ^ Please Observe the EEs ..STEEDMAN, -SOOTHINO for Ctiildren cuttirxcj T^^.TH, \VAUW&RTH,SU^. MEILIN'S FOOD FOR INFANTS AND INVALIDS. " ta, Rushey Green, Caiford, •• London, S.B., Oct. 3, z8gs- " Dear Sir,—/ have great pleasure to se I •bhotoeraiJi o£my boy,Allan Edward, from six weeks old was tr Food. The child is --fs^s^s:^ no illness whatever, and be considered a recom- st excellent preparation. My, ^ARD McKENZIE." Emory University Library r's FOOD LVKUIERS )ND'S Befreshmcnt Booms. 1 taken with milk or with r spirit with the greatest I is of the highest value and iter exhaustive physical iplication to PECKHAM, S.E:. In Memoriam X. i [etor begs to remind those Ruth Candler Lovett lOT-DRY FEET, that as directed; and a box is 1935-1964 ned to walking on stone ender. To those who, in ver-estimated, and if used OR INDIA.
  • Sixty Bold Artists Making

    Sixty Bold Artists Making

    Sixty Bold Artists Shaping Today Meet the 2021 USA Fellows—the storytellers, shapemakers, movement builders, and culture bearers practicing today. At a moment of constant change, artists continue to inspire curiosity, empathy, and action toward building a more honest and just world. The 2021 Fellows were chosen for their bold artistic vision and signifcant impact. Each artist demonstrates generosity and care toward feld-building that continues to inspire and propel their discipline. These artists break disciplinary boundaries to challenge the status quo. Some are shapemakers—trailblazers and innovators who invite us to stretch our imaginations and see new possibilities in materials, form, and process. Others are storytellers who center that which has been forgotten, misrepresented, or untold by others. There are the culture bearers who recognize the importance of retaining ancestral knowledge and passing down their heritage to future generations. And fnally, the movement builders who work in partnership with others to redefne community engagement, kinship, and activism. This cohort shows us that art-making of all kinds, and their cross-pollination, is critical to moving our culture forward. Each artist generously shared how they are navigating the present moment and if they had insights to share with other makers. Read below to see what they had to say. Additionally, note that panelists’ titles and organizations are refective of their afliation during the jury period in 2020. unitedstatesartists.org 1 of 61 Architecture & Design The Architecture and Design panel was juried by architect Thomas Kelley (2018 USA Fellow), public artist Amanda Williams (2018 USA Fellow), and critic and curator Mimi Zeiger.
  • Native Art, Native Voices a Resource for K–12 Learners Dear Educator: Native Art, Native Voices: a Resource for K–12 of Art

    Native Art, Native Voices a Resource for K–12 Learners Dear Educator: Native Art, Native Voices: a Resource for K–12 of Art

    Native Art, Native Voices A Resource for K–12 Learners Dear Educator: Native Art, Native Voices: A Resource for K–12 of art. Designed for learners in grades K–12, the Learners is designed to support the integration lessons originate from James Autio (Ojibwe); Gordon of Native voices and art into your curriculum. The Coons (Lac Courte Oreilles Band of Lake Superior resource includes four types of content: Chippewa Indians of Wisconsin, Chippewa/Ojibwa, Ottawa); Dyani White Hawk (Sičháŋğu Lakȟóta 1. Artist interviews [Brulé]); Marlena Myles (Spirit Lake Dakota, Mohegan, 2. Essays about artworks in Mia’s collection and Muscogee); and Margaret Swenson, a visual arts questions to support deep looking, critical educator and collaborator with Heid Erdrich (Ojibwe thinking, and discussion enrolled at Turtle Mountain) in the creation of a Native artist residency program at Kenwood Elementary 3. Art lessons developed by and with Minnesota School in Minneapolis. Native artists 4. Reading selections for students to help provide Video Interviews environmental context for the artworks. Video interviews with eight Native artists allow your This resource includes information about Native students to learn about the artists’ lives in their own cultures both past and present and supports words and to view their art and other artworks in Mia’s Minnesota state standards for visual arts and Native art galleries. View multiple segments by indi- social studies/U.S. history. vidual artists, or mix and match to consider different artists’ responses to similar questions. Each video is less than 8 minutes. Discussion questions follow the Essays & Discussion Questions videos to guide your students’ exploration of the rich Marlena Myles (Spirit Lake Dakota, Mohegan, interview content.
  • Nov20-1914.Pdf (10.53Mb)

    Nov20-1914.Pdf (10.53Mb)

    THE NANAIMO FREE ■ OjknSAJb C3XXY 41.1 YEAR. NANAIMO, VANCOUVER ISLAND, BRITISH COLUMBIA, raitAY, NOV. 20, 1914. Soldiers Suffer Intensely From Winter Conditions UNmatSAL KACB TO OBAIN OJROWERS WILL ' - ae WTOOMB OP WAR ./^fmjpmoaanoa Battle Creek.Tii^.. Nov. L' V|i' Slil Siy Ai RAIN ROOD OtUwa, N ot. IP-^ Tuesday a UnlTWiwnl peace, more general broth­ RAN ID INVADE Ml l.ill lift erhood end an ____ Dominion Manutaetnrera' and i mlaMon work will be the oet^me ol Weetom Grain Groware' Aaaodatioa the Boropeea war. la the optnloa of wui wait upon Sir Robert Borden BATTlEFiElDRm Bishop B. R. Hendrig Gr.Dn end bU mlnlstera with a request that MACiK DUN City, who today adviTossed the Inter­ mmlealon be named to etndy denominational medical miaaionary Pari*. Nov. IP—Bioopt tor the Pari., Nov. ^0.—^A French official communicatior oonferenee. diaappolnUBMit that England beraolf ta reUtkm to the production and this afternoon sa>'s: ''Preparationa tor war have been ha* not yet had mneh to suffer, Ger­ markeUng of grain. The dedah eo gtgantie and the ensuing sUngh- many's ruling splrtU seem to be aatta- Yesterday was marked by an almost total absence of in make thU reqeest was reached et a ter so terrible." eald Bishop Hen aed *llh the progrees of the war has issued another lengthy hnlry attacks on the part of the enemy. At the same time iference between the menuto " " .................. report; ttieir fire was less violent than' on the previous afternoon. drlx, “that the feeling of renUslon uateii an Italian diploingt who has day by the British ofricial----- bureau, among mea aad naUoas wHI be Jurt passed thronyh here afur scribed as thei “Prussiaf massacrenu________ at All^the region of the Yser canal, to the east of Dixmude*?s potent fores for pesos and brother­ ,;ay In Berlin.