Wolverine Is the Best There Is at What He Does...But What He Does Best Isn’T Very Nice
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Creating a Superheroine: a Rhetorical Analysis of the X-Men Comic Books
CREATING A SUPERHEROINE: A RHETORICAL ANALYSIS OF THE X-MEN COMIC BOOKS by Tonya R. Powers A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, Texas August, 2016 Approved: __________________________________________________________ [Chair, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] ____________________________________________________ [Head, Major Department] [Date] ____________________________________________________ [Dean, Fine Arts and Humanities] [Date] ____________________________________________________ [Dean, Graduate School] [Date] ii ABSTRACT This thesis is a rhetorical analysis of a two-year X-Men comic book publication that features an entirely female cast. This research was conducted using Kenneth Burke’s theory of terministic screens to evaluate how the authors and artists created the comic books. Sonja Foss’s description of cluster criticism is used to determine key terms in the series and how they were contributed to the creation of characters. I also used visual rhetoric to understand how comic book structure and conventions impacted the visual creation of superheroines. The results indicate that while these superheroines are multi- dimensional characters, they are still created within a male standard of what constitutes a hero. The female characters in the series point to an awareness of diversity in the comic book universe. iii ACKNOWLEDGEMENTS I wish to thank my thesis committee chair, Dr. Hanson, for being supportive of me within the last year. Your guidance and pushes in the right direction has made the completion of this thesis possible. You make me understand the kind of educator I wish to be. You would always reply to my late-night emails as soon as you could in the morning. -
Wolverine Logan, of the X-Men and the New Avengers
Religious Affiliation of Comics Book Characters The Religious Affiliation of Comic Book Character Wolverine Logan, of the X-Men and the New Avengers http://www.adherents.com/lit/comics/Wolverine.html Wolverine is the code name of the Marvel Comics character who was long known simply as "Logan." (Long after his introduction, the character's real name was revealed to be "James Howlett.") Although originally a relatively minor character introduced in The Incredible Hulk #180-181 (October - November, 1974), the character eventually became Marvel's second-most popular character (after Spider-Man). Wolverine was for many years one of Marvel's most mysterious characters, as he had no memory of his earlier life Above: Logan and the origins of his distinctive (Wolverine) prays at a Adamantium skeleton and claws. Like Shinto temple in Kyoto, much about the character, his religious Japan. affiliation is uncertain. It is clear that [Source: Wolverine: Wolverine was raised in a devoutly Soultaker, issue #2 (May Christian home in Alberta, Canada. His 2005), page 6. Written by family appears to have been Protestant, Akira Yoshida, illustrated although this is not certain. At least by Shin "Jason" Nagasawa; reprinted in into his teen years, Wolverine had a Wolverine: Soultaker, strong belief in God and was a Marvel Entertainment prayerful person who strived to live by Group: New York City specific Christian ethics and moral (2005).] teachings. Above: Although Logan (Wolverine) is not a Catholic, and Over the many decades since he was a Nightcrawler (Kurt Wagner) is not really a priest, Logan child and youth in 19th Century nevertheless was so troubled by Alberta, Wolverine's character has his recent actions that he changed significantly. -
Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial
Radiant Beings: Narratives of Contamination and Mutation in Literatures of the Anthropocene Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Kristin Michelle Ferebee Graduate Program in English The Ohio State University 2019 Dissertation Committee Dr. Thomas S. Davis, Advisor Dr. Jared Gardner Dr. Brian McHale Dr. Rebekah Sheldon 1 Copyrighted by Kristin Michelle Ferebee 2019 2 Abstract The Anthropocene era— a term put forward to differentiate the timespan in which human activity has left a geological mark on the Earth, and which is most often now applied to what J.R. McNeill labels the post-1945 “Great Acceleration”— has seen a proliferation of narratives that center around questions of radioactive, toxic, and other bodily contamination and this contamination’s potential effects. Across literature, memoir, comics, television, and film, these narratives play out the cultural anxieties of a world that is itself increasingly figured as contaminated. In this dissertation, I read examples of these narratives as suggesting that behind these anxieties lies a more central anxiety concerning the sustainability of Western liberal humanism and its foundational human figure. Without celebrating contamination, I argue that the very concept of what it means to be “contaminated” must be rethought, as representations of the contaminated body shape and shaped by a nervous policing of what counts as “human.” To this end, I offer a strategy of posthuman/ist reading that draws on new materialist approaches from the Environmental Humanities, and mobilize this strategy to highlight the ways in which narratives of contamination from Marvel Comics to memoir are already rejecting the problematic ideology of the human and envisioning what might come next. -
Doctor Strange
62 New alterNate costumes Overview Vitality 850,000 doctor strange chain combo archetype Marvel series X-Factor boost damage Speed “One dOes nOt require the eye Of Level 1 (3 teammates remaining) 120% 120% AgAmOttO tO see this OutcOme.” Level 2 (2 teammates remaining) 145% 125% Level 3 (1 teammate remaining) 170% 130% Unlike a purely offensive or defensive character, your goal with Doctor Strange is to create Bio situations where you can perform his special moves unimpeded. In other words, you need to buy time. 1 2 real Name occuPatioN When given time, you can perform several attacks with Doctor Strange that can lead into a stephen Vincent strange sorcerer supreme, former Teleportation mix-up: physician eye of agamotto is great defensive tool and a key component of his mix-ups. it places Strange’s opponent in guardstun for a huge abilities amount of time and inflicts sizeable chip damage daggers of denak m has slow startup speed but allows for tricky one of the most powerful sorcerers in existence. teleportation mix-ups when safely pulled off Powers include astral manipulation, astral projection, Finding time to create grace of hoggoth l orbs allows for an teleportation, illusions, and more. unavoidable mix-up using Flames of the Faltine cross-ups using crossover assists and teleportation m are nearly weaPoNs impossible for adversaries to see coming, as long as you have time for Strange to safely teleport Utilizes a variety of magical items, such as the eye of agamotto and the cloak of Levitation. How do you buy time to set up Doctor Strange’s Teleportation mix-ups? 3 4 impact palm and mystic Sword l lead to big damage when they connect, making competitors think twice about approaching on Profile the ground Having studied under the tutelage of mystic Sword m projectiles are quick and difficult to stop, the ancient one, strange became the allowing doctor Strange to fight from long range, control the earth’s greatest sorcerer and hero. -
Selling Marvel's Cinematic Superheroes
Stream: Culture/Politics/Technology 2016, Vol 8(2), 23-35 © The Author(s), 2016 http://journals.sfu.ca/stream Selling Marvel’s Cinematic Superheroes through Militarization Brett Pardy School of Communication Simon Fraser University Abstract The Marvel comics film adaptations have been some of the most successful Hollywood products of the post 9/11 period, bringing formerly obscure cultural texts into the mainstream. Through an analysis of the adaptation process of Marvel Entertainment’s superhero franchise from comics to film, I argue that militarization has been used by Hollywood as a discursive formation with which to transform niche properties into mass market products. I consider the locations of narrative ambiguities in two key comics texts, The Ultimates (2002-2007) and The New Avengers (2005-2012), as well as in the film The Avengers (2011), and demonstrate the significant reorientation towards the military of the film franchise. While Marvel had attempted to produce film adaptations for decades, only under the new “militainment” discursive formation was it finally successful. I argue that superheroes are malleable icons, known largely by the public by their image and perhaps general character traits rather than their narratives. Militainment is introduced through a discourse of realism provided by Marvel Studios as an indicator that the property is not just for children. Keywords: militarization, popular film, comic books, adaptation 1. Introduction Nick Fury, head of the Strategic Homeland Intervention, Enforcement and Logistics Division (S.H.I.E.L.D) tells his team of assembled superheroes: “there was an idea… called the Avengers Initiative. The idea was to bring together a group of remarkable people, see if they could become something more. -
Uncanny Xmen Box
Official Advanced Game Adventure CAMPAIGN BOOK TABLE OF CONTENTS What Are Mutants? ....... .................... ...2 Creating Mutant Groups . ..... ................ ..46 Why Are Mutants? .............................2 The Crime-Fighting Group . ... ............. .. .46 Where Are Mutants? . ........ ........ .........3 The Tr aining Group . ..........................47 Mutant Histories . ................... ... ... ..... .4 The Government Group ............. ....... .48 The X-Men ..... ... ... ............ .... ... 4 Evil Mutants ........................... ......50 X-Factor . .......... ........ .............. 8 The Legendary Group ... ........... ..... ... 50 The New Mutants ..... ........... ... .........10 The Protective Group .......... ................51 Fallen Angels ................ ......... ... ..12 Non-Mutant Groups ... ... ... ............. ..51 X-Terminators . ... .... ............ .........12 Undercover Groups . .... ............... .......51 Excalibur ...... ..............................12 The False Oppressors ........... .......... 51 Morlocks ............... ...... ......... .....12 The Competition . ............... .............51 Original Brotherhood of Evil Mutants ..... .........13 Freedom Fighters & Te rrorists . ......... .......52 The Savage Land Mutates ........ ............ ..13 The Mutant Campaign ... ........ .... ... .........53 Mutant Force & The Resistants ... ......... ......14 The Mutant Index ...... .... ....... .... 53 The Second Brotherhood of Evil Mutants & Freedom Bring on the Bad Guys ... ....... -
IBM X-Force Threat Intelligence Index 2018
IBM X-Force Threat Intelligence Index 2018 IBM X-Force Threat Intelligence Index 2018 Notable security events of 2017, and a look ahead IBM Security March 2018 IBM X-Force Threat Intelligence Index 2018 TABLE OF CONTENTS A threat intelligence powerhouse ...............................3 TrickBot ............................................................. 18 Additional credential storage ............................... 32 Executive overview ..................................................... 4 QakBot (aka QBot) ............................................ 19 X-Force-monitored network activity .................... 32 Network attack trends .................................................6 Necurs botnet still hitting hard ......................... 19 Cybercrime and cryptocurrency ................................ 34 Security incidents and attacks ...............................6 2017’s goners ....................................................... 20 The rush for crypto ............................................... 35 Network attack vectors ..........................................7 Neverquest’s 2017 exit ..................................... 20 Wallet phishers ................................................. 35 Inject unexpected items .................................... 8 Goodbye Shifu? ..................................................21 Coin-mining malware ........................................ 35 Botnet-based CMDi LFI attacks ..................... 8 What to expect in 2018? .......................................21 Why mine coins -
Spider-Man: Into the Spider-Verse
SPIDER-MAN: INTO THE SPIDER-VERSE Screenplay by Phil Lord and Rodney Rothman Story by Phil Lord Dec. 3, 2018 SEQ. 0100 - THE ALTERNATE SPIDER-MAN “TAS” WE BEGIN ON A COMIC. The cover asks WHO IS SPIDER-MAN? SPIDER-MAN (V.O.) Alright, let’s do this one last time. My name is Peter Parker. QUICK CUTS of a BLOND PETER PARKER Pulling down his mask...a name tag that reads “Peter Parker”...various shots of Spider-Man IN ACTION. SPIDER-MAN (V.O.) I was bitten by a radioactive spider and for ten years I’ve been the one and only Spider-Man. I’m pretty sure you know the rest. UNCLE BEN tells Peter: UNCLE BEN (V.O.) With great power comes great responsibility. Uncle Ben walks into the beyond. SPIDER-MAN (V.O.) I saved a bunch of people, fell in love, saved the city, and then I saved the city again and again and again... Spiderman saves the city, kisses MJ, saves the city some more. The shots evoke ICONIC SPIDER-MAN IMAGES, but each one is subtly different, somehow altered. SPIDER-MAN (V.O.) And uh... I did this. Cut to Spider-Man dancing on the street, exactly like in the movie Spider-Man 3. SPIDER-MAN (V.O.) We don’t really talk about this. A THREE PANEL SPLIT SCREEN: shots of Spider-Man’s “products”: SPIDER-MAN (V.O.) Look, I’m a comic book, I’m a cereal, did a Christmas album. I have an excellent theme song. (MORE) 2. SPIDER-MAN (V.O.) (CONT'D) And a so-so popsicle. -
Vs System 2PCG Rules – Deadpool & Friends
Issues and Arcs Evil Deadpool Evil Deadpool’s Level 2 super power Vs. System® 2PCG® has been reformatted from Made from Deadpool’s discarded body puts Good characters into play but its small and big box expansions into a monthly parts that fused back together into a turns them Evil and adds the word release. From now on every three months of Vs. new person, Evil Deadpool gains XP “Evil” at the beginning of their name. System® 2PCG® content will have a specific whenever you discard a character. This Changing their name DOES affect the theme and be called an "Arc." There will be one includes powering up as well as any uniqueness rules. new set almost every month. Most of these will effect that causes you to “discard” a be 55-card "Issues" like the one you're holding For example, it would allow you to have ® in your hands. And sometimes there will be a card (whether you or your opponent “Iron Man” and “Evil Iron Man” on 200-card “Giant-Sized Issue” which is great for a controls the effect). your side at the same time. However, new player. (It will be structured just like past sets Evil Deadpool loves being Evil. That’s you would not be able to add “Evil” such as The Defenders or S.H.I.E.L.D. vs Hydra.) why he can grant Evil characters on to regular Deadpool because then Our first Arc features Deadpool and the X-Men. his name would be “Evil Deadpool” ® your side the new keyword, Evil Lethal. -
Licensing Not So Marvel-Ous by Reg P. Wydeven June 12, 2016
Licensing Not So Marvel-ous By Reg P. Wydeven June 12, 2016 As many readers know, I am a pretty big nerd. Therefore, I love comic book super hero movies. This year, Marvel had two movies featuring ensemble casts of heroes. ‘Captain America: Civil War’ chronicled a rift between the Avengers’ Captain America and Iron Man, and remaining members of the team and other super heroes joined the fray. ‘X-Men: Apocalypse’ focused on the team of mutants trying to stop a god-like mutant named Apocalypse (and his minion Psylocke, portrayed by Aaron Rodgers’ girlfriend, Olivia Munn) from taking over the world. Team-ups of super heroes and crossovers of titles are extremely popular in the comic book world. Several times in the past, the Avengers either teamed up with or squared off against the X-Men in the comics. It would be totally awesome to see that on the big screen, only it’s not likely to ever happen. In the early 1990s, comic book sales had a huge boom. Like Beanie Babies and baseball cards, many people began collecting comic books as an investment, holding them in the hopes they would appreciate in value. It came as no surprise that the market was flooded with comics and by the end of the decade sales plummeted. So in the mid-90s, in an effort to raise both money and comic book awareness, Marvel began licensing the rights to put some of its characters in films to movie studios. In other words, Marvel gave studios the rights to make movies about their characters in exchange for payment. -
Children of the Atom Is the First Guidebook Star-Faring Aliens—Visited Earth Over a Million Alike")
CONTENTS Section 1: Background............................... 1 Gladiators............................................... 45 Section 2: Mutant Teams ........................... 4 Alliance of Evil ....................................... 47 X-Men...................................... 4 Mutant Force ......................................... 49 X-Factor .................................. 13 Section 3: Miscellaneous Mutants ........................ 51 New Mutants .......................... 17 Section 4: Very Important People (VIP) ................. 62 Hellfire Club ............................. 21 Villains .................................................. 62 Hellions ................................. 27 Supporting Characters ............................ 69 Brotherhood of Evil Mutants ... 30 Aliens..................................................... 72 Freedom Force ........................ 32 Section 5: The Mutant Menace ................................79 Fallen Angels ........................... 36 Section 6: Locations and Items................................83 Morlocks.................................. 39 Section 7: Dreamchild ...........................................88 Soviet Super-Soldiers ............ 43 Maps ......................................................96 Credits: Dinosaur, Diamond Lil, Electronic Mass Tarbaby, Tarot, Taskmaster, Tattletale, Designed by Colossal Kim Eastland Converter, Empath, Equilibrius, Erg, Willie Tessa, Thunderbird, Time Bomb. Edited by Scintilatin' Steve Winter Evans, Jr., Amahl Farouk, Fenris, Firestar, -
Marvel-Phile
by Steven E. Schend and Dale A. Donovan Lesser Lights II: Long-lost heroes This past summer has seen the reemer- 3-D MAN gence of some Marvel characters who Gestalt being havent been seen in action since the early 1980s. Of course, Im speaking of Adam POWERS: Warlock and Thanos, the major players in Alter ego: Hal Chandler owns a pair of the cosmic epic Infinity Gauntlet mini- special glasses that have identical red and series. Its great to see these old characters green images of a human figure on each back in their four-color glory, and Im sure lens. When Hal dons the glasses and focus- there are some great plans with these es on merging the two figures, he triggers characters forthcoming. a dimensional transfer that places him in a Nostalgia, the lowly terror of nigh- trancelike state. His mind and the two forgotten days, is alive still in The images from his glasses of his elder broth- MARVEL®-Phile in this, the second half of er, Chuck, merge into a gestalt being our quest to bring you characters from known as 3-D Man. the dusty pages of Marvel Comics past. As 3-D Man can remain active for only the aforementioned miniseries is showing three hours at a time, after which he must readers new and old, just because a char- split into his composite images and return acter hasnt been seen in a while certainly Hals mind to his body. While active, 3-D doesnt mean he lacks potential. This is the Mans brain is a composite of the minds of case with our two intrepid heroes for this both Hal and Chuck Chandler, with Chuck month, 3-D Man and the Blue Shield.