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Alternate History – Alternate Memory: Counterfactual Literature in the Context of German Normalization
ALTERNATE HISTORY – ALTERNATE MEMORY: COUNTERFACTUAL LITERATURE IN THE CONTEXT OF GERMAN NORMALIZATION by GUIDO SCHENKEL M.A., Freie Universität Berlin, 2006 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (German Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Guido Schenkel, 2012 ABSTRACT This dissertation examines a variety of Alternate Histories of the Third Reich from the perspective of memory theory. The term ‘Alternate History’ describes a genre of literature that presents fictional accounts of historical developments which deviate from the known course of hi story. These allohistorical narratives are inherently presentist, meaning that their central question of “What If?” can harness the repertoire of collective memory in order to act as both a reflection of and a commentary on contemporary social and political conditions. Moreover, Alternate Histories can act as a form of counter-memory insofar as the counterfactual mode can be used to highlight marginalized historical events. This study investigates a specific manifestation of this process. Contrasted with American and British examples, the primary focus is the analysis of the discursive functions of German-language counterfactual literature in the context of German normalization. The category of normalization connects a variety of commemorative trends in postwar Germany aimed at overcoming the legacy of National Socialism and re-formulating a positive German national identity. The central hypothesis is that Alternate Histories can perform a unique task in this particular discursive setting. In the context of German normalization, counterfactual stories of the history of the Third Reich are capable of functioning as alternate memories, meaning that they effectively replace the memory of real events with fantasies that are better suited to serve as exculpatory narratives for the German collective. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Maine Campus November 10 1949 Maine Campus Staff
The University of Maine DigitalCommons@UMaine Maine Campus Archives University of Maine Publications Fall 11-10-1949 Maine Campus November 10 1949 Maine Campus Staff Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainecampus Repository Citation Staff, Maine Campus, "Maine Campus November 10 1949" (1949). Maine Campus Archives. 2854. https://digitalcommons.library.umaine.edu/mainecampus/2854 This Other is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine Campus Archives by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. 3, 1949 and his is spon- THE MAINE CAMPUS 11 of the PJIDlished Weekly by the Students of the University of Maine :ural 01. 1.1 1 26.5 Orono. NI:. November 10. 1910 r 8 It Ii Masque Play Allah Immune To Bowdoin Plea Calico Ball Will Climax Is Success As Supporters Pray For Point Annual Farmer's Fair; In Opening Queen Will Be Crowned Payson, Carr Lead Contests, Exhibits, And Games In Anderson Play VOI Be Part of Week-end Program l•.\• 101; SN“\\ N BY DICK SPRAGrk. 1.ast night the Maine Masque The third annual Farmers' Fair and the Calico Ball, big attrac- Theatre opened with its first pro- tions for this week end, will be held in the field house and the duction of the 1949-50 season. Memorial Gym this Saturday. Directed bv Herschel Bricker, the The fair will get underway at 10 a.m., and the ball is scheduled group presented "The Masque of for 8 p.m. -
26915__Mixiovanr.Pdf
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/26915 Please be advised that this information was generated on 2021-10-03 and may be subject to change. mixing ovaries and rosaries mixing ovaries and rosaries Catholic religion and reproduction in the Netherlands, 1870-1970 Een wetenschappelijke proeve op het gebied van de Letteren. Proefschrift ter verkrijging van de graad van doctor aan de Radboud Universiteit Nijmegen op gezag van de Rector Magnificus prof.dr. C.W.P.M. Blom, volgens besluit van het College van Decanen in het openbaar te verdedigen op woensdag 11 mei 2005 des namiddags om 1:30 uur precies door Marloes Marrigje Schoonheim geboren op 6 april 1976 te Middelburg Promotor: Prof.dr. P. Klep Copromotor: Dr. Th. Engelen Manuscriptcommissie: Prof.dr. P. Raedts Prof.dr. K. Matthijs, k.u.Leuven Dr. J. Kok, iisg Amsterdam Table of Contents Introduction 9 1 Denominations and demography 15 — Historiography and methodology 1 Aims of the chapter 15 1.1 The Dutch fertility decline and the concept of religion 16 2 Ireland and the religious determinants of fertility 21 2.1 Demographic disparities and the conflict in Northern Ireland 21 2.2 Catholic demographic behavior and the Irish border 24 2.3 Evaluating two decades of Irish demographic variety 26 2.4 Irish demographic historiography: a case of absent Catholicism 28 3 Revisiting the matter of religion and demography: Kevin -
Finding Aid to the Historymakers ® Video Oral History with Naomi Long Madgett
Finding Aid to The HistoryMakers ® Video Oral History with Naomi Long Madgett Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Madgett, Naomi Cornelia Long. Title: The HistoryMakers® Video Oral History Interview with Naomi Long Madgett, Dates: June 27, 2007 and March 5, 2007 Bulk Dates: 2007 Physical 12 Betacame SP videocasettes (5:29:45). Description: Abstract: Poet and english professor Naomi Long Madgett (1923 - ) was first published at age twelve. Madgett was the recipient of many honors including 1993's American Book Award and the George Kent Award in 1995. Madgett was interviewed by The HistoryMakers® on June 27, 2007 and March 5, 2007, in Detriot, Michigan and Detroit, Michigan. This collection is comprised of the original video footage of the interview. Identification: A2007_072 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Poet and English professor emeritus Naomi Cornelia Long Madgett was born on July 5, 1923 in Norfolk, Virginia to the Reverend Clarence Marcellus Long and the former Maude Selena Hilton. Growing up in East Orange, New Jersey, she attended Ashland Grammar School and Bordentown School. At age twelve, Madgett’s poem, My Choice, was published on the youth page of the Orange Daily Courier. In 1937, the family moved to St. Louis, Missouri where her schoolmates included Margaret Bush Wilson, E. Sims Campbell and lifelong friend, baritone Robert McFerrin, Sr. Madgett, at age fifteen, established a friendship with Langston Hughes. Just days after graduating with honors from Charles Sumner High School in 1941, Madgett’s first book of poetry, Songs to a Phantom Nightingale was published. -
Nostalgia 20 3.2.2.2
MEERJARENBEGROTING 2011-2015 Colofon September 2010 Uitgave NPO Corporate website Publiekeomroep.nl Vormgeving Studio FC Klap Druk ZuidamUithof Drukkerijen Inhoud Pagina: Pagina: Leeswijzer 6 4. Programmatische bijdragen omroepen 23 Inleiding 7 5. Distributie 32 1. Algemeen 9 6. Financieel kader en begroting 33 1.1. Evenwichtig en onderscheidend aanbod 9 1.2. Verbeteren bereik 11 Bijlagen 37 1.3. Vergroten van impact 12 1.4. Veranderend mediagebruik 13 Financiële terugblik 2009 55 2. Video 14 2.1. Algemeen 14 2.1.1. Technologische innovatie en experiment 14 2.2. Paletten 14 2.2.1. Nederland 1 14 2.2.2. Nederland 2 14 2.2.3. Nederland 3 15 2.2.4. Z@PP 16 2.2.5. Z@ppelin 17 2.2.6. Nederland 24 17 3. Audio 18 3.1. Algemeen 18 3.1.1. Technologische innovatie en experiment 18 3.2. Paletten 18 3.2.1. Verrijkende paletten 18 3.2.1.1. Radio 1 18 3.2.1.2. Radio 4 18 3.2.1.3. Radio 6 19 3.2.1.4. Radio 7 19 3.2.2. Verbindende paletten 20 3.2.2.1. Radio 5 Nostalgia 20 3.2.2.2. Radio 2 20 3.2.2.3. 3FM 21 3.2.2.4. FunX 21 Meerjarenbegroting | 2011-2015 5 Leeswijzer Deze Meerjarenbegroting is de eerste in de reeks van de nieuwe Concessieperiode, lopend tot januari 2016. In het Concessie- beleidsplan, dat in maart 2010 is gepresenteerd, is een samen- hangend pakket aan ambities en doelen neergelegd. In de voorliggende meerjarenbegroting is voor een selectie van deze ambities aangegeven wat de belangrijkste doelen in het komende begrotingsjaar zullen zijn. -
Chapter 6. the Voice of the Other America: African
Chapter 6 Th e Voice of the Other America African-American Music and Political Protest in the German Democratic Republic Michael Rauhut African-American music represents a synthesis of African and European tradi- tions, its origins reaching as far back as the early sixteenth century to the begin- ning of the systematic importation of “black” slaves to the European colonies of the American continent.1 Out of a plethora of forms and styles, three basic pil- lars of African-American music came to prominence during the wave of indus- trialization that took place at the start of the twentieth century: blues, jazz, and gospel. Th ese forms laid the foundation for nearly all important developments in popular music up to the present—whether R&B, soul and funk, house music, or hip-hop. Th anks to its continual innovation and evolution, African-American music has become a constitutive presence in the daily life of several generations. In East Germany, as throughout European countries on both sides of the Iron Curtain, manifold directions and derivatives of these forms took root. Th ey were carried through the airwaves and seeped into cultural niches until, fi nally, this music landed on the political agenda. Both fans and functionaries discovered an enormous social potential beneath the melodious surface, even if their aims were for the most part in opposition. For the government, the implicit rejection of the communist social model represented by African-American music was seen as a security issue and a threat to the stability of the system. Even though the state’s reactions became weaker over time, the offi cial interaction with African-American music retained a political connotation for the life of the regime. -
12 Dezember 2014 Bedeutende Sterkrader
Über den Dächern von Sterkrade. Montag Dienstag Mittwoch Donnerstag Freitag Samstag Sonntag 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 1. Weihnachtstag 2. Weihnachtstag 22 23 24 25 26 27 28 29 30 31 Bedeutende Menschen, in Sterkrade geboren Carl Lueg * 2. Dezember 1833 im Hause seines Vaters Eichelkamp 62 in Sterkrade. Das Haus (aufgehobenes Kloster der Sterkra- der Zisterzienserinnen) ist 1819 von seinem Vater, Wilhelm Lueg, aus der Versteigerungsmasse der säkularisierten Kirchengüter vom preußischen Staat, erstanden worden. † 5. Mai 1905 in Düsseldorf, deutscher Industriemanager und 1873 bis 1904 der erste Vorstandsvorsitzende der Gutehoffnungshütte (GHH). Heinrich Lueg * 14. September 1840 in Sterkrade; Eichelkamp 62, † 7. April 1917 in Düsseldorf; Bruder von Carl Lueg, war In- dustrieller und Stadtverordneter in Düsseldorf. In leitender Funktion bei der Oberhausener Gutehoffnungshütte. Von 1893 bis 1910 war er der zweite Präsident des 1892 gegründe- ten Vereins deutscher Maschinenbau-Anstalten. Lueg hatte die Industrieausstellungen von 1880 und 1902 mitgestaltet. Seit 1888 war er Mitglied der Düsseldorfer Stadtverordneten- versammlung. Er setzte sich für den Bau der Oberkasseler Brücke ein und gehörte zu den Gründern der Rheinischen Bahngesell- schaft im Jahr 1895. Felix Hollenberg * 15. Dezember 1868 in Sterkrade, † 28. April 1945 in Gomadingen-Schwäbische Alb; war ein deutscher Maler und Radierer. Felix Hollenberg gehört zu den bedeutenden Landschaftsradierern des 19./20. Jahrhunderts. 1888 studiere er an der Stuttgarter Kunstschule. Die Galerie Albstadt vergibt seit 1992 regelmäßig den Felix-Hollenberg-Preis für Druckgrafik. Die Galerie ist im Besitz zahlreicher Arbeiten Hollenbergs. Die Felix-Hollenberg-Galerie im Rathaus Gomadingen zeigt in einer ständigen Ausstellung 350 Grafiken, Gemälde und Aquarelle aus allen Schaffensphasen des Künstlers. -
Rudy Kousbroek in De Essayistisch-Humanistische Traditie Z1291-Revisie2 HE22 07-11-17 16:06 Pagina 2 Z1291-Revisie2 HE22 07-11-17 16:06 Pagina 3
Z1291-revisie2_HE22 07-11-17 16:06 Pagina 1 Rudy Kousbroek in de essayistisch-humanistische traditie Z1291-revisie2_HE22 07-11-17 16:06 Pagina 2 Z1291-revisie2_HE22 07-11-17 16:06 Pagina 3 Rudy Schreijnders Rudy Kousbroek in de essayistisch-humanistische traditie Humanistisch Erfgoed 22 HUMANISTISCH HISTORISCH CENTRUM PAPIEREN TIJGER Z1291-revisie2_HE22 07-11-17 16:06 Pagina 4 Foto achterkant Op de achterflap van Terug naar Negri Pan Erkoms (Meulenhoff, 1995) staat een foto van Rudy Kousbroek, zwemmend in het Tobameer op Sumatra. Pauline Wesselink fotografeerde Rudy Schreijnders, bijna twintig jaar later, zwem- mend in hetzelfde meer. Vormgeving omslag: Marc Heijmans Boekverzorging: Zefier Tekstverwerking Drukwerk: Wöhrmann B.V. © Rudy Schreijnders © Stichting Uitgeverij Papieren Tijger ISBN 978 90 6728 334 2 NUR 715 Alle rechten voorbehouden. Niets uit deze uitgave mag worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand, of openbaar gemaakt, in eni- ge vorm of op enige wijze, hetzij elektronisch, mechanisch, door fotokopie of op andere manier; zonder voorafgaande schriftelijke toestemming van de uitgever. www.uvh.nl/humanistisch-historisch-centrum www.papierentijger.org Z1291-revisie2_HE22 07-11-17 16:06 Pagina 5 Rudy Kousbroek in de essayistisch-humanistische traditie Rudy Kousbroek in the essayistic-humanist tradition (with a Summary in English) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit voor Humanistiek te Utrecht op gezag van de Rector Magnificus, prof. dr. Gerty Lensvelt-Mulders ingevolge het besluit van het College voor Promoties in het openbaar te verdedigen op 20 december 2017 om 10.30 uur door Rudy Schreijnders geboren op 13 april 1950, te Amsterdam Z1291-revisie2_HE22 07-11-17 16:06 Pagina 6 Promotor: prof. -
Otives and Impediments in Describing War Memories: the Tragedy of the Jews
171 HENRY SCHOGT, UNIVERSITY OF TORONTO M;otives and impediments in describing war memories: the tragedy of the Jews / . Although the number of Dutch people killed discrimination, persecution, deportation and in the Second World War is less than a third extermination - but therefore dangerous, of the number of people who died in the city because it tends to simplify and devalue and to of Leningrad alone, where the official death invite making unjustified comparisons. So toll of the blockade surpasses 600,000, the when I use the term, it only refers to the scars that the war left are equally deep in both uniquely gruesome tragedy of the Jews in the places, and in both places there is constant Second World War. preoccupation with the war years. But there the resemblance ends. Whereas Leningrad was It is not easy to classify the extensive literature never .occupied ... by the Germans, the that deals with the fate of the Dutch Jews (or Netherlands went through five years of Jewish Dutchmen), nor can one always German rule. During those years there were separate literary and non-literary works. many deeds of aggression and injustice Moreover, there are a great number of novels perpetrated by the occupying forces, but one about the war years in which the persecution stood out above all others in its of the Jews and the onderduik (hiding) are incomprehensible cruelty and brutality: the mentioned but are not the major theme, such extermination of the Jews. Of the 200,000 as Simon Vestdijk's Pastorale 19431• It would Dutch·war victims, halfwere Jews. -
The Complex Relationship Between Jews and African Americans in the Context of the Civil Rights Movement
The Gettysburg Historical Journal Volume 20 Article 8 May 2021 The Complex Relationship between Jews and African Americans in the Context of the Civil Rights Movement Hannah Labovitz Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/ghj Part of the History Commons Share feedback about the accessibility of this item. Recommended Citation Labovitz, Hannah (2021) "The Complex Relationship between Jews and African Americans in the Context of the Civil Rights Movement," The Gettysburg Historical Journal: Vol. 20 , Article 8. Available at: https://cupola.gettysburg.edu/ghj/vol20/iss1/8 This open access article is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. The Complex Relationship between Jews and African Americans in the Context of the Civil Rights Movement Abstract The Civil Rights Movement occurred throughout a substantial portion of the twentieth century, dedicated to fighting for equal rights for African Americans through various forms of activism. The movement had a profound impact on a number of different communities in the United States and around the world as demonstrated by the continued international attention marked by recent iterations of the Black Lives Matter and ‘Never Again’ movements. One community that had a complex reaction to the movement, played a major role within it, and was impacted by it was the American Jewish community. The African American community and the Jewish community were bonded by a similar exclusion from mainstream American society and a historic empathetic connection that would carry on into the mid-20th century; however, beginning in the late 1960s, the partnership between the groups eventually faced challenges and began to dissolve, only to resurface again in the twenty-first century. -
Marinus Van Der Lubbe En De Rijksdagbrand
1; Marinus van der Lubbe t' "Met de figuur Van der Lubbe heeft men het begrip van de en de Rijksdagbrand rebel venioemd, dat wil zeggen van de mens die op eigen houtje besluit zelf een daad te stellen die hem het beste lijkt, om in plaats daarvan alleen nog maar de politieke soldaat te ·laten gelden. 20 beschouwd heeft iedere partij de soldaten voor de tegenpartij klaargem22kt " GugK Glaser , ! Uitgeverij de Dolle Hond - Nico Jassies DH18 Marinus van der Lubbe en de Rijksdagbrand Eerder versehenen als artikel in]t14rlxxJeder scx:iale erz«r:rmisrhe wsdMJenis 1Jln Leiden erz antr8un 1999 (pirk van Eek-stiehting, Leiden 2000). Anti<O2002 Uitgeverij-de Dolle I-bnd_ pi a koffieshop Bollox lste Sehinkelstraat 14-16 1075 TX Amsterdam dollehodl!) dds.nl www.dollehon.dds.nl Marinus van der Lubbe en de Rijksdagbrand* NICO JASSIES lnleiding In de jaren derrig werd Marinus van der Lubbe wereldwijd bekend door de brandstiehting in de Rijksdag, het Duitse parlement, in Berlijn. In een geruchtrnakend proces werd hij hiervoor ter dood veroordeeld en in januari 1934 onthoofd, 24 jaar oud. Veel Leidenaars kenden Marinus al van voor de Rijksdagbrand als een bekend straatagitator. Hij vestigde de aandacht op zieh dOOfzijn optreden als werklozenactivist, waarbij hij demonstraties aan• voerde of uit protest de ruiten ingooide bij de Sodale Dienst. Ook speelde hij een belangrijke rol in de communistische jeugdbeweging van Leiden. Marinus van der Lubbe is een legende. Hoe kan het ook anders: hij is jong gestorven, er is ecn bibliotheek over hem volgesehreven van boeken die elkaar veelvuldig tegenspreken, en zijn geschreven werken zijn gering.