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The Literary Apprenticeship of Laura Ingalls Wilder
Copyright © 1984 by the South Dakota State Historical Society. All Rights Reserved. The Literary Apprenticeship of Laura Ingalls Wilder WILLIAM T. ANDERSON* Fifty years after the publication of Laura Ingalls Wilder's first book. Little House in the Big Woods (1932), that volume and eight succeeding volumes of the author's writings are American classics. The "Little House" books have been read, reread, trans- lated, adapted, and admired by multitudes world-wide. Wilder's books, which portray the frontier experience during the last great American expansionist era, "have given a notion of what pioneer life was like to far more Americans than ever heard of Frederick Jackson Turner."' Laura Ingalls Wilder's fame and the success of her books have been spiraling phenomenons in American publishing history. In I *The author wishes to acknowledge the many people who have contributed to the groundwork that resulted in this article. Among them are Roger Lea MacBride of Charlottesville. Va., whom I thank for years of friendship and favors—particu- larly the unlimited use of the once restricted Wilder papers; Mr. and Mrs. Aubrey Sherwood of De Smet, S.Dak., for loyal support and information exchange; Vera McCaskell and Vivian Glover of De SmeL, for lively teamwork; Dwight M. Miller and Nancy DeHamer of the Herbert Hoover Presidential Library, for research assistance; Dr. Ruth Alexander of South Dakota State University, for valuable sug- gestions and criticism; Alvilda Myre Sorenson, for encouragement and interest; and Mary Koltmansberger, for expert typing. 1. Charles Elliott, review of The First Four Years, by Laura Ingalls Wilder, in Time. -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
The Brain That Changes Itself
The Brain That Changes Itself Stories of Personal Triumph from the Frontiers of Brain Science NORMAN DOIDGE, M.D. For Eugene L. Goldberg, M.D., because you said you might like to read it Contents 1 A Woman Perpetually Falling . Rescued by the Man Who Discovered the Plasticity of Our Senses 2 Building Herself a Better Brain A Woman Labeled "Retarded" Discovers How to Heal Herself 3 Redesigning the Brain A Scientist Changes Brains to Sharpen Perception and Memory, Increase Speed of Thought, and Heal Learning Problems 4 Acquiring Tastes and Loves What Neuroplasticity Teaches Us About Sexual Attraction and Love 5 Midnight Resurrections Stroke Victims Learn to Move and Speak Again 6 Brain Lock Unlocked Using Plasticity to Stop Worries, OPsessions, Compulsions, and Bad Habits 7 Pain The Dark Side of Plasticity 8 Imagination How Thinking Makes It So 9 Turning Our Ghosts into Ancestors Psychoanalysis as a Neuroplastic Therapy 10 Rejuvenation The Discovery of the Neuronal Stem Cell and Lessons for Preserving Our Brains 11 More than the Sum of Her Parts A Woman Shows Us How Radically Plastic the Brain Can Be Appendix 1 The Culturally Modified Brain Appendix 2 Plasticity and the Idea of Progress Note to the Reader All the names of people who have undergone neuroplastic transformations are real, except in the few places indicated, and in the cases of children and their families. The Notes and References section at the end of the book includes comments on both the chapters and the appendices. Preface This book is about the revolutionary discovery that the human brain can change itself, as told through the stories of the scientists, doctors, and patients who have together brought about these astonishing transformations. -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
2016 PUNK IS DEAD Lux Mentis, Booksellers Lux Mentis Booksellers specializes in fine press, artist books, first editions, Punk rock evolved over several and esoterica with a particular emphasis generations and manifestations of youth on challenging and unusual materials. culture beginning in the 1970s. Even after 40 years, punk subculture still We actively collaborate with archives demonstrates the capability to influence and special collections libraries to meet successive contemporary elements of the research and collecting needs of art, music, and fashion regardless of its public learning institutions, private, original intention to lambast conformity. independent libraries and collections with primary sources. Selected inventory in the “Punk is Dead” catalog includes, the SST Records The inventory representing the “Punk is Collection, c. 1979-1996; original Dead” collection is a retrospective artwork from famed punk artist, selection of critical primary source Raymond Pettibon; correspondence materials documenting the punk rock from Gordon Gano, original member of movement of the 1970s-1990s. The the Violent Femmes; and several unique collection illustrates the profound fanzine and alternative publications. subculture of punk from an artistic and politically fueled era from Los Angeles, Lux Mentis regularly features and New York, and London. showcases punk culture related materials at major ABAA book fairs and Please contact us for an appointment or continues to cultivate the acquisition of with questions regarding the inventory. subculture materials for research and collection development purposes. 110 Marginal Way #777 Portland, ME 04101 Member: ILAB/ABAA T. 207.329.1469 Email: [email protected] Front cover image: From the SST [email protected] Records Collection, detail of “Outcry” Web: http://www.luxmentis.com magazine Blog: http://www.asideofbooks.com Cataloged created by Kim Schwenk and edited by Ian Kahn 2 Ginn, Greg, Pettibon, Raymond, et al. -
A WHALE of a Band!
Flipper http://www.markprindle.com/flipper.htm#dvd A WHALE of a band! special introductory paragraph! Generic Flipper Gone Fishin' Live Target Video 1980-81 DVD Blow'N Chunks Live Public Flipper Limited Live 1980-1985 Sex Bomb Baby! American Grafishy Flipper were one of the leading punk rock bands over in San Francisco in the early- to mid-80s, giving a big "frig you" to the rest of the punker scene by playing a louder SLOWER mess of the blues that relied wholly on attitude and bass line. See, the guitarist just played a bunch of scraggly noise. So the drummer would play his little rhythm and if they weren't too doped up, one of the two bass players (Will Shatter or Bruce Lose) would try to keep in time enough to play a catchy four-note bass line for you to tap your toe to. Then the OTHER of the two bassists (whichever one wasn't playing bass at the time) would yell some words that would seem nihilistic but would also occasionally make a statement about how important it is to rise above all the garbage that life throws at you and SURVIVE. They also had a great sense of humor (sample lyric: "Who cares anyway/who it is or what I say?/This song rhymes/And we play it in time!). Unfortunately drug habits have "dogged" the band since day one, resulting in one premature death and one immature reunion. Great ass band though, giving us more catchy bass lines than any band since The Tarney Spencer Group or whatever that band was that did that Run For Your Life album that my dad used to have. -
Stock DECEMBER 2020
DISTRO / 2020 DISQUE LP CODE STOCK CHF !Attention! - S/T INLP 859 1 12 562 – Cuando vivir es morir INLP 524 2 14 7 seconds – Leave a light on INLP 780 X 25 7 seconds – The crew INLP 599 x 18 7 seconds – Walk together, rock together INLP 107 1 16 A wilhelm scream – S/T INLP 493 1 17 Accidente – Amistad Y Rebelión INLP 918 1 10 Accidente – Pulso INLP 278 2 13 Accidente – S/t INLP 230 2 10 Adhesive – Sideburner INLP 879 1 18 Adolescents – OC Confidential INLP 622 2 12 Adolescents – S/T INLP 006 1 22 Adult Magic – S/T INLP 133 2 14 Against me! - As the eternal cowboy INLP 748 X 21 Against me! - Is reinventing Axl Rose INLP 228 1 21 Against me! - Searching for a former clarity 2LP INLP 752 1 28 Against me! - Shape Shift With Me INLP 342 1 32 Against me! - Transgender dysphoria blues INLP 751 3 27 Agent Attitude – First 2 Eps INLP 614 1 12 Agnostic front – Another voice INLP 668 1 17 Agnostic front – Live At CBGB INLP 543 x 19 Agnostic front – Victim in pain INLP 010 1 17 Alea Jacta Est – Dies Irae INLP 606 4 16 Alea Jacta Est – Gloria Victis INLP 357 2 10 Alea Jacta Est – Vae Victis INLP 776 1 15 Alkaline trio – Maybe i'll cacth fire INLP 222 x 18 Alkaline trio – My shame is true INLP 626 X 26 Alkaline trio – This addiction INLP 373 x 22 All – Allroy for prez INLP 240 1 20 All – Allroy Saves INLP 939 1 22 All – Allroys revenge INLP 238 X 27 All – Breaking things INLP 319 1 28 All – Pummel INLP 651 2 28 All out War – Dying Gods INLP 338 X 18 All Pigs Must Die – Hostage Animal INLP 698 1 21 All pigs must die – Nothing violates this nature INLP 701 1 22 All pigs must die – s/t INLP 015 1 22 Altair – Nuestro Enemigo INLP 294 2 12 American Football - S/T LP3 INLP 1010 2 28 UK 20 American football – s/t INLP 018 X 24 American Football – S/T (EP) INLP 762 x 16 American Football – S/T LP2 INLP 731 X 25 And So Your Life Is Ruined – s/t INLP 938 1 12 Page 1 DISTRO / 2020 And yo your life is ruined – s/t INLP 835 1 13 Angel Du$t - Pretty Buff INLP 1011 1 28 Angel Dust – A.D. -
The Ghosts of War by Ryan Smithson
THE GHOSTS OF WAR BY RYAN SMITHSON RED PHASE I. STUCK IN THE FENCE II. RECEPTION III. BASIC TRAINING PART I IV. MAYBE A RING? V. EQ PLATOON VI. GI JOE SCHMO VII. COLD LIGHTNING VIII. THE EIGHT HOUR DELAY IX. THE TOWN THAT ACHMED BUILT X. A TASTE OF DEATH WHITE PHASE XI. BASIC TRAINING PART II XII. RELIEF XIII. WAR MIRACLES XIV. A TASTE OF HOME XV. SATAN’S CLOTHES DRYER XVI. HARD CANVAS XVII. PETS XVIII. BAZOONA CAT XIX. TEARS BLUE PHASE XX. BASIC TRAINING PART III XXI. BEST DAY SO FAR XXII. IRONY XXIII. THE END XXIV. SILENCE AND SILHOUETTES XXV. WORDS ON PAPER XXVI. THE INNOCENT XXVII. THE GHOSTS OF WAR Ghosts of War/R. Smithson/2 PART I RED PHASE I. STUCK IN THE FENCE East Greenbush, NY is a suburb of Albany. Middle class and about as average as it gets. The work was steady, the incomes were suitable, and the kids at Columbia High School were wannabes. They wanted to be rich. They wanted to be hot. They wanted to be tough. They wanted to be too cool for the kids who wanted to be rich, hot, and tough. Picture me, the average teenage boy. Blond hair and blue eyes, smaller than average build, and, I’ll admit, a little dorky. I sat in third period lunch with friends wearing my brand new Aeropostale t-shirt abd backwards hat, wanting to be self-confident. The smell of greasy school lunches filled e air. We were at one of the identical, fold out tables. -
Frontier Food Ways in Laura Ingalls Wilder's Little House Books
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, Department of History History, Department of 12-2013 "Hunger is the Best Sauce": Frontier Food Ways in Laura Ingalls Wilder's Little House Books Erin E. Pedigo University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/historydiss Part of the American Literature Commons, American Material Culture Commons, and the United States History Commons Pedigo, Erin E., ""Hunger is the Best Sauce": Frontier Food Ways in Laura Ingalls Wilder's Little House Books" (2013). Dissertations, Theses, & Student Research, Department of History. 66. https://digitalcommons.unl.edu/historydiss/66 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “HUNGER IS THE BEST SAUCE”: FRONTIER FOOD WAYS IN LAURA INGALLS WILDER’S LITTLE HOUSE BOOKS BY ERIN ELIZABETH PEDIGO A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor Kenneth Winkle Lincoln, Nebraska December, 2013 “HUNGER IS THE BEST SAUCE”: FRONTIER FOOD WAYS IN LAURA INGALLS WILDER’S LITTLE HOUSE BOOKS Erin Elizabeth Pedigo, M. A. University of Nebraska, 2013 Adviser: Kenneth Winkle This thesis examines Laura Ingalls Wilder’s Little House book series for the frontier food ways described in it. Studying the series for its food ways edifies a 19th century American frontier of subsistence/companionate families practicing both old and new ways of obtaining food. -
Editors 2.Pdf
1. A team from this state put up 28 points to 0 in the fourth quarter to tie against another team from this state in a 1994 game that was rematched at the Sugar Bowl. That game, amusingly called “the Choke at Doak”, featured the Heisman-winning quarterback Steve Spurrier, who played for and coached a school in this state. A team from this state won a game against a local rival in 2016 after DeMarcus Walker blocked an extra point. In the 2009 BCS Championship Game, Oklahoma (*) lost to a team from this state, who had also won in 2007. Emmitt Smith played 3 years for a university in this state, where the first sophomore to win the Heisman played as well. Before playing for the Broncos, a star quarterback playing in this state became known for bending a knee to the ground in prayer. For 10 points, name this state where Tim Tebow played quarterback for the Gators. ANSWER: Florida 2. A pair consisting of a symmetric matrix and a positive definite matrix always hold the simultaneous form of this property. Through Jordan decomposition, any square matrix can be written as the sum of a nilpotent matrix and another matrix with this property. Every Hermitian matrix has this property according to the spectral theorem. This property holds exactly when a matrix has geometric (*) multiplicity equal to algebraic multiplicity for all its eigenvalues, and its namesake procedure can be performed using a matrix with columns equal to its eigenvectors. For 10 points, give this property of a matrix which states that it is equal to P times D times P- inverse, where D has nonzero entries only when the row and column indices are equal. -
First Four Years Ebook Free Download
FIRST FOUR YEARS PDF, EPUB, EBOOK Laura Ingalls Wilder | 134 pages | 25 Jun 2004 | HarperCollins Publishers Inc | 9780060581886 | English | New York, NY, United States First Four Years PDF Book Published January 2nd by HarperTrophy first published Of course El: So sad, I almost cried during that part Its a completely random order, its weird, i dont get it El: Heh. The two words that come to mind as I reflect upon this final book of the Little House Series are perseverance and, of course, grace. When she was old enough to read them for herself, I held this one back. Retrieved On Friday, the Labor Department reported that employers added a fairly robust , jobs in January. Greg Ginn Guitar, Written-By. There is a strife between them to please the farmer. View 1 comment. In the introduction, Roger Lea MacBride who wrote the series that follows the adventures of Rose, Laura's daughter says that this handwritten manuscript was found among Laura's papers, and that it wasn't revised and edited the way the earlier books were, perhaps because Laura lost interest after Almanzo died. Life was so hard, but so simple. They have to take trade away from each other in order to make more money, while all a farmer has to do is to sow another field if he wants to make a little extra. He hired a carpenter to do it for him. There is drought, hail, windstorms, blizzards and other bad luck. Reply Notify me Helpful. It seems more of an outline than a full-fledged Little House book. -
Hardcore Punk Scenes from 1980S Southern California Free
FREE WE GOT POWER!: HARDCORE PUNK SCENES FROM 1980S SOUTHERN CALIFORNIA PDF David Markey | 306 pages | 10 Jan 2013 | Bazillion Points | 9781935950073 | English | Brooklyn, United States We Got Power!: Hardcore Punk Scenes from ’s Southern California | RECORD COLLECTOR NEWS RSS News Feed. This book is a lot more We Got Power!: Hardcore Punk Scenes from 1980s Southern California just another "Punk Scene" book, this is as real as it gets by two guys, Dave Markey and Jordan Schwartz, the proprietors of We Got Power fanzine based in Los Angeles who were at ground zero in the early 80's. Their job as reporters covering the scene for the fanzine they started put them in many key places to document the scene from an unique prospective that gets you the straight scoop. The book is laced with very candid and sometimes self effacing essays by some of the Punk scenes most noted luminaries that include, Henry Rollins, Pat Fear, Keith Morris, Chuck Dukowski, Mike Watt, Tony Adolescents, Louiche Mayorga, Steve Human and more to give you a special insight into the Punk scene from their point of view. Along with the stories is about photos of the people, the places and the environment that were the backdrop for this growing movement. What makes the book We Got Power!: Hardcore Punk Scenes from 1980s Southern California important is that it will give you a lesson in Los Angeles Punk rock and know what it was like for the kids of this era. This book will take you there with no agenda, no bullshit and without a pretentiousness as found in many other books on the period whose authors waste most of their book talking about how cool they were and how important they think they were.