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Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
Recommended Talking Points
RECOMMENDED TALKING POINTS “What is SHREK THE MUSICAL?” The official title of the show is SHREK THE MUSICAL. SHREK THE MUSICAL is an entirely new musical based on the story and characters from William Steig’s book Shrek!, as well as the Oscar® winning DreamWorks Animation film Shrek, the first chapter of the Shrek movie series. SHREK THE MUSICAL looks backwards at all the fairy tale traditions we grew up on: a hero (a big, green, ill-tempered ogre), a beautiful princess (who is not all she appears to be), and a dastardly villain (with some obvious shortcomings) and takes great fun turning all their storytelling conventions upside-down and inside-out (and on their ear). “How did the musical come about?” Sam Mendes, the British director and producer, was a big fan of the first film, and he suggested the idea of creating a musical to DreamWorks’ Jeffrey Katzenberg, around the time the second film was in production. Now, the musical is being produced by DreamWorks Theatricals (Bill Damaschke, President) and Neal Street Productions, Ltd (principals Sam Mendes and Caro Newling). “How does the new musical fit into the Shrek pantheon?” The story of the musical follows the events and characters of the first Shrek feature film, which won the first-ever Academy Award® for Best Animated Feature. In SHREK THE MUSICAL, the creative team will go deeper into the background and story of Shrek, Princess Fiona, Donkey and the lovable collection of everyone’s favorite Fairy-Tale characters. SHREK THE MUSICAL will feature a completely original score by one the theatre’s most eclectic composers, Jeanine Tesori, working in theatre today. -
Flap Flap Away - Animation Cycle Multiplexing
Flap Flap Away - Animation Cycle Multiplexing Sandy Kao Simon Otto DreamWorks Animation [email protected] sandy.kao@dreamworks. com Figure 1: Toothless from How to Train Your Dragon 2 using built-in flap CCS CONCEPTS the ambitious task of animating many winged characters with lim- • Computing methodologies → Animation; ited resources. It has since been adopted through software platform changes, working with award winning software Premo, to its cur- KEYWORDS rent form in How to Train Your Dragon: The Hidden World. It would not have been possible to accomplish the film with the level of Character Rigging, Procedural Rigging visual complexity due to production budget and time constraints. ACM Reference Format: Sandy Kao and Simon Otto. 2019. Flap Flap Away - Animation Cycle Multi- plexing. In Proceedings of SIGGRAPH ’19 Talks. ACM, New York, NY, USA, 2 SCOPE OF THE PROBLEM 2 pages. https://doi.org/10.1145/3306307.3328159 At its most basic, the dragon wing is a typical arm setup with shoulder, upper arm, lower arm, and hand controls if mapped to 1 INTRODUCTION animal anatomy. Additionally, with the design, it also has: 7 major The use of animation cycle multiplexing technique was first de- bones with 5 segments per bone, 7 web sections with 3 areas for each ployed on How to Train Your Dragon at Dreamworks to accomplish section. That equates to about 60 purely FK, forward kinematics, © 2019 DreamWorks Animation, L.L.C. Originally published in Siggraph 2019 Talks. controls as a basis. In addition, there are meta controls for folding https://doi.org/10.1145/3306307.3328159 the wing as an unit and secondary bending controls for each bone segment. -
Advance Program
1 Advance Program N O L O G H Y C E T I N S P I R A T I O N N I N I O N O V A T The 41st International Conference and Exhibition on Computer Graphics and Interactive Techniques Table of Contents s2014.siggraph.org Table of Contents 2 3 Conference at a Glance 27 Real-Time Live! 4 Reasons to Attend 28 Studio 5 Conference Overview 32 Talks 7 Conference Schedule 37 Technical Papers 10 Art Gallery: Acting in Translation 50 Exhibitor Tech Talks 12 Art Papers 51 Exhibitor List (as of 6 June) 13 Computer Animation Festival 52 Job Fair Participants (as of 6 June) 14 Courses (See Studio for more Courses.) 53 General Information 18 Emerging Technologies 54 Registration Fee Information 20 Panels 55 Conference Committee 22 Production Sessions 56 Co-Located Events Cover images left to right: 1. Mesh Denoising via L0 Minimization © 2013 Lei He & Scott Schaefer, Texas A&M University. 2. ORU BURUS © 2013 Supinfocom Valenciennes, Autour de Minuit. 3. Weighted Averages on Surfaces Using Phong Projection © 2013 Daniele Panozzo, ETH Zürich. 4. not over © 2013 Toru Hayai, Taiyo Kikaku co., ltd. 5. The Octopus and the Geisha © 2013 Edward Dawson-Taylor, EDJFX. 6. Realtime Facial Animation with On-the-fly Correctives © 2013 Hao Li, University of Southern California, Industrial Light & Magic. Table of Contents s2014.siggraph.org Conference at a Glance 3 Conference Registration Categories Schedule subject to change. F Full Conference Access S Select Conference Access E+ Exhibits Plus Ex Exhibitors 10 August 11 August 12 August 13 August -
VES Goes Big for 'Hero,' 'Apes'
Search… Monday, June 22, 2015 News Resources Magazine Advertise Contact Shop Animag TV Galleries Calendar Home Festivals and Events VES Goes Big for ‘Hero,’ ‘Apes’ VES Goes Big for ‘Hero,’ ‘Apes’ Tom McLean Feb 4th, 2015 No Comments yet Like 0 Tweet 7 0 0 Share Email Print 0 The 13th annual VES Awards went ape for Apes and big for Big Hero 6 last night. Dawn of the Planet of the Apes lead the liveaction feature film categories Newsletter with three wins, while Disney’s animated feature Big Hero 6 took home the most awards overall with five. Subscribe to our Daily Newsletter In the TV categories, Game of Thrones came out on top, and SSE was email address Subscribe the mosthonored commercial. Here’s the full list of nominees, with the winners indicated in bold type. Congratulations to all the RSS Google Plus winners! Get updates Join our circle Outstanding Visual Effects in a Visual EffectsDriven Photoreal/Live Action Feature Motion Twitter Facebook Follow us Become our Picture fan Dawn of the Planet of the Apes. Joe Letteri, Ryan Stafford, Matt Kutcher, Dan Lemmon, Recent Posts Hannah Blanchini. Guardians of the Galaxy. Stephane Ceretti, Susan Pickett, Jonathan Fawkner, Nicolas Aithadi, Paul 'April,' 'Cosmos' Top Annecy Corbould. Awards Interstellar. Paul Franklin, Kevin Elam, Ann Podlozny, Andrew Lockley, Scott Fisher. June 21, 2015 0 Maleficent. Carey Villegas, Barrie Hemsley, Adam Valdez, Kelly Port, Michael Dawson. 'Inside Out' Opens to $91M, 2nd The Hobbit: The Battle of the Five Armies. Joe Letteri, David Conley, Eric Saindon, Kevin to 'Jurassic' Juggernaut Sherwood, Steve Ingram. -
2007 Annual Report
2007 Annual Report As a celebration of the creative spirit that drives everything we do at DreamWorks Animation, we held an artwork contest in 2007 in which we invited all employees to submit a design to be featured in the Annual Report. Every submission celebrated the unique and fulfilling process of working on an animated film at the Company. Rhion Magee, Consumer Products, created the winning submission. Dear Fellow Shareholders, I am pleased to report that 2007 was our most successful year since we took DreamWorks Animation public in 2004, thanks in large part to the blockbuster success of Shrek the Third and the Shrek franchise as a whole. In addition to boasting the best domestic opening in the history of animated film, Shrek the Third became the second highest grossing film of 2007 in the U.S. and the fourth best performing animated movie of all time. Even in a challenging home video market, Shrek the Third has risen above the competition and performed well. In 2007, we advanced our mission to successfully expand the Shrek brand with Shrek the Halls, our first made-for-television special. Over 21 million people throughout the U.S. watched the program this past holiday season on ABC. Additionally, Shrek made his first appearance at the annual Macy’s Thanksgiving Day Parade as the official 2007 Ambassador for the event. In December, we will take our brand expansion one step further by bringing Shrek the Musical to the Broadway Theatre in New York City. We are very excited about this tremendous opportunity to further extend one of the most successful franchises in Hollywood history. -
Australian Centre for the Moving Image
AUSTRALIAN CENTRE FOR THE MOVING IMAGE IMAGE THE MOVING CENTRE FOR AUSTRALIAN Australian Centre for the Moving Image — Annual Report 2013/2014 ANNUAL REPORT 2013/14 REPORT ANNUAL Accountable Officer’s Declaration In accordance with the Financial Management Act 1994 I am pleased to present the Report of Operations for the Board of the Australian Centre for the Moving Image (ACMI) for 2013/14. Antony G Sweeney Chief Executive Officer and Director 30 June 2014 In accordance with the Victorian Government’s FRD30A Standard Requirements for the Design and Production of agency Annual Reports, this publication has been designed and produced to minimise environmental Australian Centre for the Moving Image impacts. Federation Square, Melbourne Phone 61 3 8663 2200 Fax 61 3 8663 2498 Email [email protected] Web www.acmi.net.au Mail PO Box 14 Flinders Lane Victoria 8009 Australia Art, Film, & Digital Culture 02 Introduction 05 Highlights 06 From the President and Director 08 Exhibitions 12 Film Programs 18 Public and Education Programs 32 Outreach, Online and Resources 36 Our Audiences 38 Development and Partnerships 40 Diversity 42 Commercial and Operations 46 Performance Summary 48 Administrative Reporting Requirements 56 Disclosure Index Introduction Our Vision We are a leading international cultural The moving image is a powerful organisation with a unique content expression of human experience and imagination. Capturing ideas, memories range and powerful capabilities for and reality through stories and images helps us make sense of ourselves and the contemporary era of digital and our world. creative arts. We see the moving image as a unique arena for dynamic cultural and creative exchange. -
Lumaa 2016 Projektbeschrieb Presse
LuMAA 2016 1st Lucerne Animation Academy of Animation 1st of August – 9th of September 2016 Description of the Project The Project This summer, the department Animation of the Lucerne School of Art and Design will organize a MasterAcademy on computer animation in cooperation with Swiss animators from Hollywood and New Zealand. Under the direction of Simon Otto (Dreamworks Animation – How to Train Your Dragon), selected students and professionals will complete a six-week training in advanced computer animation. Michael Aerni (Weta Digital – Planet of the Apes, The Hobbit), Simon Christen (Pixar – Ratatouille, Inside Out), Jean-Denis Haas (ILM – Avatar, Star Trek) and Stefan Schumacher (Pixar – Brave, Monster University) are all colleagues of Simon Otto and will support him. Swiss citizens, Swiss residents or people who have a sustainable connection to Swiss Animation Film are eligible to apply. The academy focuses on Character Walk, Close Up Acting and Lipsynch, Creature Animation and Human Acting. How to Train Your Dragon 2, DreamWorks Animation , 2014 Initial Simon Otto The handful of active Swiss animation professionals working in the international feature animation business share a common story: enduring an improbable, at times obscure journey on their way into this profession. When we set out to follow our dream we had very little information about how to become animators and we didn’t have the slightest idea whether we actually had the talent to overcome the obstacles. But one thing we all had was luck and perseverance. Somewhere on this path we were lucky enough to run into someone who would point us toward what school to apply to, which studio to connect with or which convention to go to in order to get the advice or feedback we needed to make it to the next stage. -
Che Tipi Di Risparmiatori Siete?
Che tipi di risparmiatori siete? Costi della salute: consigli di risparmio per diverse esigenze Trend 2011: ipremi continuano ad aumentare Move: i giovani scoprono il fascino delle escursioni a piedi Settembre 2010 Numero 3 La rivista per i clienti Sanitas Care lettrici, cari lettori In questa edizione parliamo di denaro: di premi e costi della salute. I costi nel sistema sanitario continuano a crescere da anni e questa tendenza non sembra fermarsi. I premi del prossimo anno rispecchiano questa crescita: aumenteranno notevolmente (vedasi pagina 6). Inoltre vi diciamo come potete risparmiare e proteggere il vostro portafoglio. Che tipi di risparmiatori siete? Un «risparmiatore scrupoloso» che deve prestare attenzione al budget, ma non è assolutamente disposto a scendere a compromessi per quanto ri- guarda la qualità? O appartenete al tipo di «ottimizzatore di premi attento alle presta- zioni», per il quale è quasi uno sport trovare sempre il raPPorto giusto tra prezzo e prestazioni? Qualunque tipo di risparmiatore siate, sismo certi che vogliate impiegare i vostri soldi nel migliore dei modi! Per questo, abbiamo simpaticamente voluto definire i tipi di rispar- miatori e per ogni tipo indicare quali prodotti sono consigliati. Ce n’è per tutti, sia per il «minimalista attivo» che per il «risparmiatore occasionale senza preoccupazioni». Quindi determinate prima il vostro tipo e vi diremo come risparmiare (pagina 9). In alcuni articoli parliamo anche di «autoresponsabilità». Cosa intendiamo? Il termine si riferisce a clienti responsabili pronti ad agire prestando attenzione ai costi. Per esem- pio si assumono la responsabilità aumentando la franchigia. Devono sì assumersi un rischio finanziario più elevato, ma in compenso ricevono sconti sui premi. -
1 Skydance Media Appoints Bill Damaschke As
SKYDANCE MEDIA APPOINTS BILL DAMASCHKE AS PRESIDENT OF ANIMATION AND FAMILY ENTERTAINMENT SANTA MONICA, Calif. – October 10, 2017 – Skydance Media has named Bill Damaschke as President of Animation and Family Entertainment, effective immediately. Alongside Chief Creative Officer Dana Goldberg and Chief Executive Officer David Ellison, to whom he reports, Damaschke is responsible for helping to set the overall creative direction and strategy for Skydance’s animation and family entertainment division. In the newly created role, Damaschke will curate and oversee a team dedicated to producing a bold and original slate of both animated and hybrid family programming, in conjunction with the Company’s feature film and television divisions. Damaschke most recently served as Chief Creative Officer at DreamWorks Animation. In March of this year, Skydance formed a multi-year partnership with Madrid-based Ilion Animation Studios and in July, announced its first two animated feature films: Luck, which comes to theaters on March 19, 2021, and Split. Veteran creative leadership teams are already attached to both. Under Damaschke’s leadership, this new division at Skydance will rapidly expand within the U.S., resulting in a significant footprint for the team in both Los Angeles and Madrid. “Bill is a well-loved creative executive whose oversight of the DreamWorks Animation feature slate resulted in such global successes as Madagascar, Kung Fu Panda, and How to Train Your Dragon,” said Skydance Media’s Chief Executive Officer David Ellison. “Bill will now serve as the key architect of our family entertainment business and I look forward to working alongside him to extend our vision for world-building into animation and beyond.” “In a very short time, Skydance has made a real commitment to the animation business by bringing best-in-class creative leadership teams into its first two fantastic feature projects,” added Damaschke. -
Shrek the Musical • January 25-30, 2011 • TPAC’S Andrew Jackson Hall
OnStage The official playbill and performing arts magazine of the TENNESSEE PERFORMING ARTS CENTER HCA/TriStar Broadway at TPAC • TPAC Family Field Trip • TPAC Presents • TPAC’s Signature Series Shrek the Musical • January 25-30, 2011 • TPAC’s Andrew Jackson Hall www.tpac.org POWERING YOUR family time u plugged It’s often said that there are no small parts. At First Tennessee, we believe that there are no small dreams either. That’s why we offer a wide-range of financial services designed to help your family enjoy more of the things that matter most. So whether you’re looking for a convenient checking account or help with a home loan, our friendly staff is always available to play a supporting role. Banking products and services provided by First Tennessee Bank National Association. Member FDIC. ©2009 First Tennessee Bank National Association. www.firsttennessee.com SUPERIORITY MEANS NOTHING UNLESS IT’S WIELDED WITH PRECISION. The New 2011 Lexus IS 350. Wield Precision. LEXUS.COM Cool Springs Rivergate LEXUS OF NASHVILLE LEXUS OF NASHVILLE, NORTH 1636 Westgate Circle 1514 N. Gallatin Road (615) 221-5000 (615) 868-4400 Options shown. Published performance data for base automatic transmission models versus the IS 350. Ratings achieved using premi um fuel. Lexus reminds you to wear seatbelts, secure children in rear seat, obey all traffic laws and drive responsibly. ©2010 Lexus. &/,(17 /H[XV'HDOHU$VVRFLDWLRQ ),567,16(57,21'$7( +($'/,1( 6ZHUYH (&' &*UDYHV $'81,7 %OHHG& &5($7,9(',5(&725 &&UDZIRUG -2%180%(5 /'$,63 &5($7,9(',5(&725 -6WLQVPXHKOHQ 38%/,&$7,21 6L[3HUIRUPLQJ$UWV0DJD]LQH $57',5(&725 &'HQKDP ,0$*(180%(5 6 ,60/ &23<:5,7(5 32·5RXUNH /,9(6,=( µ[µ 75$)),& $%HDXPRQW 1(:&$5 678',2$57,67 /6KLR]DNL 5(*,21 6287+(515(*,21 35,17352'8&(5 '9ROLYD 9(56,21 3$*( $&&2817(;( 0:KHHORFN 0$5.(7 1$6+9,//( '$7( &OLHQW7HDP2QH-RE9HU$' /LYH &\DQ0DJHQWD<HOORZ%ODFN 7ULP %OHHG Sure, it’s just a tire. -
No Dragon Is the Same
No Dragon is the same Big Idea: Throughout time and across cultures people have had discovered relationships with nature where they are one in the same. Grade/ Class: 6th and 7th grade Time Allotment: 6-8 class periods 80 minutes each, varying intro times and at least 5 minute clean up at the end of each class period Overview: Lesson Summary: Students will explore the relationships that dragon riders have with their dragons in the animation, “How to Train Your Dragon”. They will then create their own dragon, which has the same type of relationship with themselves. The students will finish off the lesson by writing a poem about themselves and their dragon. Artworks/ Artists/ Artifacts: Nico Marlet, Simon Otto, Nunzio Paci, Seon Ghi Bahk, Rebecca J Coles, Kuncan and other Daoist art, team lab’s presentation, “Flowers and People…”, Caravaggio, How to Train Your Dragon action figures, “The Art of How to Train Your Dragon”, “The Art of How to Train Your Dragon 2” Key Concepts: Humans have discovered many parallels between themselves and nature. Humans and nature are one. Humans and nature are intertwined. Essential Questions: What are some of the parallels that can be seen between humans and nature? Why can humans and nature be considered one? How are humans and nature intertwined? Standards: 9.1.8.B Recognize, know, use, and demonstrate a variety of appropriate arts elements and principles to produce, review, and revise original works in the arts. Visual Arts: draw, craft, sculpt, and paint. 9.1.8.E Communicate a unifying theme or point of view through the production of works in the arts.