J2P and P2J Ver 1

Total Page:16

File Type:pdf, Size:1020Kb

J2P and P2J Ver 1 JANUARY 2, 1965 SEVENTIETH YEAR 50 CENTS Mercury Names Scott in Spoken Word Expansion CHICAGO -Mercury Rec- posure for this type material ords is launching a full -scale would be FM and college radio push into the spoken word field stations. and has named Joe Scott, New He credited much of the inter- York playwright and writer, its est in the spoken word field director of dramatic plays. to the younger generations Scott will head a department which were becoming more ex- Bulbo that will produyce material on posed to literature. with The International Music -Record Newsweekly the Mercury label but "With the growing college and packag- special promotion population, there is a greater by his Radio-TV Programming PhonoTap Merchandising Coln Machine Operating ing. He'll be assisted interest in preserving ideas ex- brother Bob Scott, well -known panded in dramatic plays be- musician, composer and ar- yond the limited attendance of ranger. the plays themselves," Steinberg In making the announcement said, Billboard, Irwin Steinberg, to He noted that records would Rodgers Stages Runaway Mercury executive vice- presi- be used to capture significant dent, noted that the firm wished dramatic works by specific ar- to expand its entry foothold in a tists just as records have been field in which it already recorded In Groove on All Fronts Arthur Miller's "After the Fall," used to do this in the field of music for many years. being done in New York's Lin- By MIKE GROSS Lieberson said to me the other stein on "West Side Story" and coln Repertory Center. Joe Scott was most recently day: 'How Is Richard Rodgers' with Jule Styne on "Gypsy." He Mercury is also negotiating associated with "Sunday," which NEW YORK - Richard score for his new show ?' 'Simply worked alone on the scores for for "Incident at Vichy." another is to go on Broadway, and to- Rodgers will be dominating the marvelous,' I answered. 'Have "A Funny Thing Happened on Miller production. gether with his brother Bob. within next record business the you heard it ?' asked my friend. the Way to the Forum" and Record and Buy Masters wrote the opera "Amaranths." veteran few months. The corn - 'No,' said I. 'But then .. ,; said "Anyone Can Whistle." Scott will not only record orig- Bob wrote the music for "Taste have go- poser will productions he. I was not being facetious, "Do I Hear a Waltz" is sched- inal material but will purchase of Honey" and has been arrang- ing for him on the Broadway I was simply expressing some- uled to open on Broadway in existing masters. Steinberg noted ing for Bobby Darin. Sarah and stage, motion pictures TV, thing which I know to be truc March. The musical stars Eliza- that the principle medium of ex- Vaughan and Harry Belafonte. and a flock of record companies -that if Richard Rodgers writes beth Allen and RCA Victor's at to tie in are already work a score, it is inconceivable that Sergio Franchi. with this unprecedented show it will not contain two, three, The "Cinderella" album will business spread. four or more beautiful songs. he released in conjunction with record corn - Leading off the His is an extraordinary gift. For the CBS-TV airing in February. Issue Caster pany activity will be Vic- to RCA example. who else could have The production stars Ginger RCA tor and Columbia Records. Vic- opened a musical, as he did 'No Rogers. Celeste Holm, Walter tor has the soundtrack of The Strings," with a ballad, com- Pigeon and Leslie Warren. Sound of Music" and Colum- pelling, ingratiating and lyrical, Rodgers and Hammerstein's Of Flora, Red Menace bia has the original Broadway when most shows are lucky if "Cinderella" was originally tele- album of "Do I a cast Hear they can get started with a 30- vised by CBS in 1957 with NEW YORK - RCA Victor starting March 29, The musical Waltz," as well as the original piece orchestra pushing along Julie Andrews in the title role. will release the original Broad- will be directed by George cast version of the TV special. solo singers, a chorus. assorted Columbia also issued a cast al- way cast album of "Flora, the Abbott. For the "Cinderella." rhythmic hand -clapping, danc- bum of the production. Red Menace." the musical The score for the show will Not to be shut out of this production, ers. hoof -beats, marching ele- new "Cinderella" which will mark the Broadway be published by Tommy Va- Rodgers runaway, many other wrote the words and phants, and whatever else can Rodgers debut of Liza Minnelli, Judy lando, who, incidentally, pub- labels already have plans in the the music to several new songs. he used to hopefully get Garland's daughter. lishes the "Fiddler on the Roof"' works to cover the scores of The RCA Victor album of the show off the ground ?" Miss Minnelli, who is a Capi- score written by Jerry Bock and "The Sound of Music" and "Do soundtrack is scheduled for re- (The original Broadway cast tol Records artist, will be given Sheldon Harnick. I Hear a Waltz" with their own before the album of "No Strings," inciden- lease in March, just an okay to record the cast pack- and single disk versions. that album was film's world premiere. At age for Victor. She's currently Never before has one composer advertising, ords.) time. an extensive scoring for the Capitol label so much current product cam- had promotion and publicity with an album entitled "Liza! as Rodgers with the Rodgers' new show, "Do I Vic- Newport Fest's available paign will be launched by Liza!" upcoming releases on these two Hear a Waltz," marks a depar- tor to support the album. "Flora" is being produced by productions. ture for him in that it is his The a 20th Century-Fox film, Prince and marks The record company drives first collaborative effort with Todd -AO De Luxe Color ver- Harold S. Victor's second tie of the season R.I. Site on Rodgers, who first clicked in Stephen Sondheim. Rodgers did sion of the Broadway hit, stars New Lorenz the score for "No Strings" alone with a Prince musical. The collaboration with Hart Julie Andrews and Christopher The Newport and collaborated with the late other is the top -selling original BOSTON - with "The Garrick Gaieties" Plummer. Co - starring are cast album Jazz Festival and Folk Festival 40 years ago, is best explained Oscar Hammerstein 2d on "The Parker, Richard Hadn Broadway of "Fid- Eleanor Roof." will operate in the 1965 edition by Goddard Lieberson, Colum- Sound of Music" and "Cinder- Peggy Wood, dler on the and in Rhode Island although the bia Records president. In an ex- ella." Sondheim previously col- the acquisition was In announcing The new musical, which will be changed, accord- clusive statement to Billboard. laborated with Leonard Bern- John (music) locale (Continued im page 8) written by Kander ing to George Wein, who Ebb (lyrics) with a and Fredd dropped in at his home town Robert Russell, is book by this week. A city license has scheduled to open on Broadway mimed on page 8) NewTeamupShows EMI: Empire on May 1 after a tryout tour Its CONNIE FRANCIS sings her newest hit single. "Whose Heart Are You Breaking Las Spreading Tonight ?" (K- 13303), in her current engagement at the Sahara Hotel, London recorded by Results for never before Vegas. Also part of her night club act are songs NEW YORK -The team -up London's product diversity Connie, now in her latest LP, "A New Kind of Connie" (E /SE 4153). of Herb Goldfarh and Walt was demonstrated to its fullest World Image (Advertisement) Maguire in the operational extent late last month when the structure of London Records company was working on the By ANDRE De VEKEY Electrical Mu- last year is paying off for the Rolling Stones and Sir Winston LONDON - deciding to company. With Goldfarb as na- Churchill. Both are hitting a sical Industries, in tional sales manager, and Ma- hot sales score for the company. enhance its international image on jackets, guire as manager of pop artists The Rolling Stones with its by using a new logo and ad- and repertoire and sales. London singles and album releases and promotion material all spells out once again has just come off one of its Sir Winston with a $100 pack- vertising, profitable age of his Goldfarh the "one world" concept of the most years and is speeches. Millions will looking to 1965 as one of ex- reported that more than 1,000 record business. pansion in all areas. Churchill albums already have see the design which brings to- from one The expansion program been sold. gether the labels is fountainhead: HMV. Angel, Co- wide - ranged, covering pop For 1965, Goldfarb and Ma- lumbia, Capitol, Pathe, Odeon, product from England and the guire will continue to stress Parlophone. LP and EP cover Memphis, a build -up of classical artists who've for been scoring designs are usually the same imports for its Da Alte Werk Among them in the past year. wherever an EMI record is is- series, an expansion of its re- them are Mantovani, the Bache- finished sleeves, cently formed domestic record sued (either lors. the Zombies, the Nashville fronts or color separates are tie, Coliseum Records, which Teens. the Combo, Bill Black shipped for local product). but debuted last month with Tutti Willy Mitchell and Gene Sim- as it is not possible to use label Camarata's "Tutus Trombones," mons. Black, Mitchell and Sim- well trade -marks in every country as as embarking on an ex- mons.
Recommended publications
  • The Beatles), 80, 165, 357, 358, 389
    Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and
    [Show full text]
  • Number 101 • Winter 2003
    Newsletter Association For Recorded Sound Collections Number 101 • Winter 2003 th Philadelphia Hosts 37 ARSC Conference Events th The 37 annual ARSC conference will be held in Philadelphia, on the May 28-31, 2003. 37th Annual ARSC campus of the University of Pennsylvania, May 28-31, 2003. Founded by Conference, Philadelphia, PA. Benjamin Franklin in 1749, the University offered the nation’s first modern http://www.library.upenn.edu/ARSC/ liberal arts curriculum and now supports 4 undergraduate and 12 graduate and professional schools with a total enrollment of over 22,000 students. March 22-25, 2003. 114th 2003 AES Conven- Conference sessions will be held in Houston Hall, located in the center of tion, Amsterdam, The Netherlands. campus. The country’s first student union, Houston Hall was built in 1894 http://www.aes.org/events/114/ and was recently re- April 27, 2003. Mechanical Music stored, opening in Extravaganza, Wayne, New Jersey. 2000 with new stu- http://www.antique-sound.com/MME/show.html dent lounges, reno- vated meeting space, May 23-25, 2003. 23rd International AES and a food court. Conference—Signal processing in audio re- The opening recep- cording and reproduction, Helsinger, Denmark. http://www.aes.org/events/23/ tion will be hosted by the University of June 19-25, 2003. ALA Annual Conference, Pennsylvania Librar- Toronto, Ontario. ies and will be held in http://www.ala.org/events/annual2003/ the Van Pelt-Dietrich Library Center’s June 14-15 28th, 2003. Annual Phonograph Kamin Gallery, where & Music Box Show and Sale, Union, Illinois. University of Pennsylvania Campus.
    [Show full text]
  • Directory Download Our App for the Most Up-To-Date Directory Info
    DIRECTORY DOWNLOAD OUR APP FOR THE MOST UP-TO-DATE DIRECTORY INFO. E = East Broadway N = North Garden C = Central Parkway S = South Avenue W = West Market m = Men’s w = Women’s c = Children’s NICKELODEON UNIVERSE = Theme Park The first number in the address indicates the floor level. ACCESSORIES Almost Famous Body Piercing E350 854-8000 Chapel of Love E318 854-4656 Claire’s E179 854-5504 Claire’s N394 851-0050 Claire’s E292 858-9903 GwiYoMi HAIR Level 3, North 544-0799 Icing E247 854-8851 Soho Fashions Level 1, West 854-5411 Sox Appeal W391 858-9141 APPAREL A|X Armani Exchange m w S141 854-9400 abercrombie c W209 854-2671 Abercrombie & Fitch m w N200 851-0911 aerie w E200 854-4178 Aéropostale m w N267 854-9446 A’GACI w E246 854-1649 Alpaca Connection m w c E367 883-0828 Altar’d State w N105 763-489-0037 American Eagle Outfitters m w S120 851-9011 American Eagle Outfitters m w N248 854-4788 Ann Taylor w S218 854-9220 Anthropologie w C128 953-9900 Athleta w S145 854-9387 babyGap c S210 854-1011 Banana Republic m w W100 854-1818 Boot Barn m w c N386 854-1063 BOSS HUGO BOSS m S176 854-4403 Buckle m w c E203 854-4388 Burberry m w S178 854-7000 Calvin Klein Performance w S130 854-1318 Carhartt m w c N144 612-318-6422 Carter’s baby c S254 854-4522 Champs Sports m w c W358 858-9215 Champs Sports m w c E202 854-4980 Chapel Hats m w c N170 854-6707 Charlotte Russe w E141 854-6862 Chico’s w S160 851-0882 Christopher & Banks | c.j.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Karaoke Catalog Updated On: 20/12/2018 Sing Online on Entire Catalog
    Karaoke catalog Updated on: 20/12/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Perfect - Ed Sheeran Grandma Got Run Over By A Reindeer - Elmo & All I Want For Christmas Is You - Mariah Carey Summer Nights - Grease Crazy - Patsy Cline Bohemian Rhapsody - Queen Feliz Navidad - José Feliciano Have Yourself A Merry Little Christmas - Michael Sweet Caroline - Neil Diamond Folsom Prison Blues - Johnny Cash Killing me Softly - The Fugees Don't Stop Believing - Journey Ring Of Fire - Johnny Cash Zombie - The Cranberries Baby, It's Cold Outside - Dean Martin Dancing Queen - ABBA Fly Me To The Moon - Frank Sinatra Rockin' Around The Christmas Tree - Brenda Lee Girl Crush - Little Big Town Livin' On A Prayer - Bon Jovi White Christmas - Bing Crosby Piano Man - Billy Joel Jackson - Johnny Cash Jingle Bell Rock - Bobby Helms Can't Help Falling In Love - Elvis Presley Baby It's Cold Outside - Idina Menzel Friends In Low Places - Garth Brooks Let It Go - Idina Menzel I Wanna Dance With Somebody - Whitney Houston Last Christmas - Wham! Let It Snow! Let It Snow! Let It Snow! - Dean Martin You're A Mean One, Mr. Grinch - Thurl Ravenscroft Uptown Funk - Bruno Mars Africa - Toto Rudolph The Red-Nosed Reindeer - Alan Jackson Shallow - A Star is Born My Way - Frank Sinatra I Will Survive - Gloria Gaynor The Christmas Song - Nat King Cole Wannabe - Spice Girls It's Beginning To Look A Lot Like Christmas - Dean Take Me Home, Country Roads - John Denver Please Come Home For Christmas - The Eagles Wagon Wheel -
    [Show full text]
  • 00007-22-2010 ( Pdf )
    ARGO EADER LVolume XXXII, No. 52 L July 22, 2010 www.TBNweekly.com Sisters Ramona Quimby (Joey King, right) and Beezus Quimby (Selena Largo commissioners Chow time Gomez) all-too-rarely see eye-to-eye in the film “Ramona and Beezus.” ...Page 11. approve millage rate Correction City leaders move ahead on plans An article in the July 15 Leader gave incorrect informa- to reduce cost of local elections tion about proposed utility fees. By SUZETTE PORTER City stormwater fees are project- ed to increase by 15 percent in LARGO – City commissioners voted unanimously July 20 to keep the fiscal year 2012, and wastewater millage rate as-is for fiscal year 2011. fees by 15 percent in fiscal year The proposed rate of 4.3113 has been the same for the past four years, 2013. according to Amy Davis, manager of Largo’s Office of Management and Budget. A public hearing on the millage rate and the tentative FY 2011 budget is scheduled on Monday, Sept. 13, 6 p.m., at Largo City Hall, 201 Highland Largo Ave. Around Largo: Fun things Davis told commissioners that latest figures from the property appraiser showed a $73,000 increase in property values; however, the amount of to do around town revenue coming in through property taxes for 2011 is estimated to be 10.2 Discover fun and affordable percent, or $1.6 million, lower than 2010. things to do throughout the city in August. ... Pages 3, 5. Charter amendment Commissioners also approved the first reading of an ordinance for a proposed charter amendment that provides for four-year terms for the mayor and commissioners to allow the city election to be held in conjunc- County tion with countywide elections.
    [Show full text]
  • Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966
    Cleveland State University EngagedScholarship@CSU ETD Archive 2010 The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966 Dana Aritonovich Cleveland State University Follow this and additional works at: https://engagedscholarship.csuohio.edu/etdarchive Part of the History Commons How does access to this work benefit ou?y Let us know! Recommended Citation Aritonovich, Dana, "The Only Common Thread: Race, Youth, and the Everyday Rebellion of Rock and Roll, Cleveland, Ohio, 1952-1966" (2010). ETD Archive. 714. https://engagedscholarship.csuohio.edu/etdarchive/714 This Thesis is brought to you for free and open access by EngagedScholarship@CSU. It has been accepted for inclusion in ETD Archive by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH Bachelor of Arts in Communications Lake Erie College May, 2006 submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN HISTORY at the CLEVELAND STATE UNIVERSITY May, 2010 This thesis has been approved for the Department of HISTORY and the College of Graduate Studies by _____________________________________________ Thesis Chairperson, Dr. Karen Sotiropoulos ___________________________ Department & Date _____________________________________________ Dr. David Goldberg ___________________________ Department & Date _____________________________________________ Dr. Thomas Humphrey ___________________________ Department & Date THE ONLY COMMON THREAD: RACE, YOUTH, AND THE EVERYDAY REBELLION OF ROCK AND ROLL, CLEVELAND, OHIO, 1952-1966 DANA ARITONOVICH ABSTRACT This thesis is a social and cultural history of young people, race relations, and rock and roll music in Cleveland between 1952 and 1966.
    [Show full text]
  • Festival Di San Remo, Ultima Fortezza Del Monopolio Della Musica!
    Festival di San Remo, ultima fortezza del monopolio della Musica! Ma com’è possibile che ancor oggi continui ad esistere “il Festival della Canzone Italiana”, detto comunemente “Festival di Sanremo”? Una domanda che mi pongo da anni, dal lontano 1975! Lo storico britannico Eric J.E. Hobsbawm (1917-2012), nel suo celebre volume Age of extremes The short twentieth century, 1914- 1991 (1994) ha definito il secondo dopoguerra in Italia una nuova «età dell’oro», mettendo in evidenza che si trattò di anni di «straordinaria crescita economica e di trasformazione sociale, che probabilmente hanno modificato la società umana più profondamente di qualunque altro periodo di analoga brevità» (trad. it. Il secolo breve, 1995, p. 18). Straordinaria trasformazione sociale che ha favorito pure la nascita del Festival di Sanremo in cui la canzone italiana ha iniziato ad emergere dal sottosuolo e tutto questo è andato pure bene nel decennio 50-60 ma poi avrebbe dovuto arricchirsi, cambiare continuamente, sperimentare, veder crescere nuovi talenti ed invece? Nulla di tutto ciò! Non annoierò il lettore con la lista di presentatori, presentatrici e vallette di turno che si sono avvicendate nel corso delle edizioni del Festival di Sanremo (complici di aver permesso uno scempio artistico di dimensioni apocalittiche; n.d.a.) perché non potrei esimermi dall’avviare una personale controversia su MUSIC in merito a personaggi “limite” come Luciana Littizzetto, diavoletto antipatico, neanche troppo comico, intriso di sarcasmo elitario da “radical chic”; non ritengo infatti la nostra rubrica lo spazio appropriato. Non tedierò nemmeno con la striscia di vincitori del Festival dal 1951 al 2016 ma citerò alcuni artisti che hanno fatto la storia della “Canzonetta” italiana ed altri che risultano dei prodotti “in vitro” dell’industria discografica “mordi e fuggi”.
    [Show full text]
  • Beatles Cover Albums During the Beatle Period
    Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964.
    [Show full text]
  • Solomon's Wisdom Is Not Philosophy; Rather, It Is an Ability to Perceive and to Describe the Simple, Godly Life That Leads to Happiness
    PROVERBS A Description of The Secret Pathway to Happiness John David Clark, Sr. This book is dedicated to the young, who are precious in the sight of God and in the eyes of those who are like Him. It is not written as a substitute for the wonderful books of Proverbs and Ecclesiastes, but only to acquaint the young reader with some of their beauty and wisdom. Solomon’s Wisdom: The Secret Pathway to Happiness ISBN- - Second edition, 2010 copyright 1999, John Clark, Sr. SOLOMON’S WISDOM P. O. Box 99 Burlington, NC 27216-0099 visit these web sites: www.GoingtoJesus.com www.Isaiah58.com and for good music all day long, go to: www.SongsofRest.com INTRODUCTION You want to be happy; everybody does. When you as a newborn cried in your mother's arms, you cried because you wanted to be happy. And that same yearning for happiness drives you now to do whatever you do and whatever you say. We are all desperate travelers in this confusing and tormented world. Old and young, rich and poor, wise and foolish, we are all striving and yearning together from the moment of birth for happiness. That longing for happiness drives all people at all times to do whatever they do; it drives the treasure hunter as well as the thief, to risk his life for gold; it inspires the astronaut to circle the earth, and it motivates the lazy bum to beg for a piece of bread. The irrepressible human longing for happiness motivates men to go fishing, to sleep late, to study microbes, to play games or to do work, to invent new materials or to vandalize masterpieces, to love and to cherish or to hate and kill, to write books or to read them, to become martyrs or to conquer empires, to believe in God or to deny that He exists.
    [Show full text]
  • Trevor Tolley Jazz Recording Collection
    TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
    [Show full text]
  • Background Dates for Popular Music Studies
    1 Background dates for Popular Music Studies Collected and prepared by Philip Tagg, Dave Harker and Matt Kelly -4000 to -1 c.4000 End of palaeolithic period in Mediterranean manism) and caste system. China: rational philoso- c.4000 Sumerians settle on site of Babylon phy of Chou dynasty gains over mysticism of earlier 3500-2800: King Menes the Fighter unites Upper and Shang (Yin) dynasty. Chinese textbook of maths Lower Egypt; 1st and 2nd dynasties and physics 3500-3000: Neolithic period in western Europe — Homer’s Iliad and Odyssey (ends 1700 BC) — Iron and steel production in Indo-Caucasian culture — Harps, flutes, lyres, double clarinets played in Egypt — Greeks settle in Spain, Southern Italy, Sicily. First 3000-2500: Old Kingdom of Egypt (3rd to 6th dynasty), Greek iron utensils including Cheops (4th dynasty: 2700-2675 BC), — Pentatonic and heptatonic scales in Babylonian mu- whose pyramid conforms in layout and dimension to sic. Earliest recorded music - hymn on a tablet in astronomical measurements. Sphinx built. Egyp- Sumeria (cuneiform). Greece: devel of choral and tians invade Palestine. Bronze Age in Bohemia. Sys- dramtic music. Rome founded (Ab urbe condita - tematic astronomical observations in Egypt, 753 BC) Babylonia, India and China — Kung Tu-tzu (Confucius, b. -551) dies 3000-2000 ‘Sage Kings’ in China, then the Yao, Shun and — Sappho of Lesbos. Lao-tse (Chinese philosopher). Hsai (-2000 to -1760) dynasties Israel in Babylon. Massilia (Marseille) founded 3000-2500: Chinese court musician Ling-Lun cuts first c 600 Shih Ching (Book of Songs) compiles material from bamboo pipe. Pentatonic scale formalised (2500- Hsia and Shang dynasties (2205-1122 BC) 2000).
    [Show full text]