VIII. LITURGY and CEREMONIAL Literary Evidence on the Forms And
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A Preliminary Study of the Inner Coffin and Mummy Cover Of
A PRELIMINARY STUDY OF THE INNER COFFIN AND MUMMY COVER OF NESYTANEBETTAWY FROM BAB EL-GUSUS (A.9) IN THE NATIONAL MUSEUM OF NATURAL HISTORY, SMITHSONIAN INSTITUTION, WASHINGTON, D.C. by Alec J. Noah A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Major: Art History The University of Memphis May 2013 Copyright © 2013 Alec Noah All rights reserved ii For my parents iii ACKNOWLEDGMENTS First and foremost, I must thank the National Museum of Natural History, particularly the assistant collection managers, David Hunt and David Rosenthal. I would also like to thank my advisor, Dr. Nigel Strudwick, for his guidance, suggestions, and willingness to help at every step of this project, and my thesis committee, Dr. Lorelei H. Corcoran and Dr. Patricia V. Podzorski, for their detailed comments which improved the final draft of this thesis. I would like to thank Grace Lahneman for introducing me to the coffin of Nesytanebettawy and for her support throughout this entire process. I am also grateful for the Lahneman family for graciously hosting me in Maryland on multiple occasions while I examined the coffin. Most importantly, I would like to thank my parents. Without their support, none of this would have been possible. iv ABSTRACT Noah, Alec. M.A. The University of Memphis. May 2013. A Preliminary Study of the Inner Coffin and Mummy Cover of Nesytanebettawy from Bab el-Gusus (A.9) in the National Museum of Natural History, Smithsonian Institution, Washington, D.C. Major Professor: Nigel Strudwick, Ph.D. The coffin of Nesytanebettawy (A.9) was retrieved from the second Deir el Bahari cache in the Bab el-Gusus tomb and was presented to the National Museum of Natural History in 1893. -
Vestal Virgins and Their Families
Vestal Virgins and Their Families Andrew B. Gallia* I. INTRODUCTION There is perhaps no more shining example of the extent to which the field of Roman studies has been enriched by a renewed engagement with anthropology and other cognate disciplines than the efflorescence of interest in the Vestal virgins that has followed Mary Beard’s path-breaking article regarding these priestesses’ “sexual status.”1 No longer content to treat the privileges and ritual obligations of this priesthood as the vestiges of some original position (whether as wives or daughters) in the household of the early Roman kings, scholars now interrogate these features as part of the broader frameworks of social and cultural meaning through which Roman concepts of family, * Published in Classical Antiquity 34.1 (2015). Early versions of this article were inflicted upon audiences in Berkeley and Minneapolis. I wish to thank the participants of those colloquia for helpful and judicious feedback, especially Ruth Karras, Darcy Krasne, Carlos Noreña, J. B. Shank, and Barbara Welke. I am also indebted to George Sheets, who read a penultimate draft, and to Alain Gowing and the anonymous readers for CA, who prompted additional improvements. None of the above should be held accountable for the views expressed or any errors that remain. 1 Beard 1980, cited approvingly by, e.g., Hopkins 1983: 18, Hallett 1984: x, Brown 1988: 8, Schultz 2012: 122. Critiques: Gardner 1986: 24-25, Beard 1995. 1 gender, and religion were produced.2 This shift, from a quasi-diachronic perspective, which seeks explanations for recorded phenomena in the conditions of an imagined past, to a more synchronic approach, in which contemporary contexts are emphasized, represents a welcome methodological advance. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Fraser Cup Digital Program
Join the School of Opportunity We Support Your NCAA Advancement We’ve seen players increase their GPA by 23%, Want to reduce your stress on average, after enrolling in our school. level, get more ice time, and • Over 200 NCAA-approved courses improve your grades? • Flexibility to work anytime, anywhere • Instruction by certified teachers Earn your high school • Real-time support from online tutors diploma at Apex Learning • Academic advising Virtual School! • Proud partners of the NAHL, the league with a record-breaking number of DI commits last season Sign up or call 206-489-1079 for your free NCAA Transcript Evaluation Official Partner of the NAHL apexlearningvs.com LETTER FROM THE NAHL COMMISSIONER I would like to welcome all of you to the 2021 North American 3 Hockey League (NA3HL) Fraser Cup Championship and Top Prospects Tournament. What a year it has been! I can’t begin thank the NA3HL teams enough for the way they have handled and navigated through this season. The fact that we made it through a full regular season and playoffs in all five divisions is a testament to how invested everyone was to making sure our players could compete and develop. As a result, we now get to celebrate this weekend with two great events in one location, the Fraser Cup and the NA3HL Top Prospects Tournament. While this season has been unique and one of the most challenging in our history, this weekend provides us with an opportunity to showcase our players, our teams, and our league. This weekend is also a bittersweet for all of us in the NAHL and NA3HL office, because we remember our long-time staff member Fraser Ritchie with the awarding of the Fraser Cup. -
APEX-JLS User's Manual
APEX-JLS User’s Manual Revision 1.15.00 Copyright ©1998-2006 Newing-Hall, Inc. 2019 Monroe Street Toledo, Ohio, 43624 NH Part # 2511000 Last Updated January 2006 Newing-Hall, Inc. makes every effort to update and insure the manuals and documentation is accurate. In continuing efforts to improve Newing-Hall’s product line this manual is subject to change without notice. Table of Contents Chapter 1 - Installation Guide 1.1 Upon Receipt of Shipment 1.2 Assembly of Engraving Tables 1.3 Spindle Installation 1.4 Air Compressor Installation 1.6 Installing the AMC Controller 1.7 Installing the APEX Product Software 1.8 Spindle Operation - General 1.9 Diamond Spindle Operation 1.10 Rotary Spindle Operation Chapter 2 - Overview 2.1 Getting Around 2.2 JLS Screen Areas 2.3 System Help 2.4 Creating A Simple Layout 2.5 Other Simple Job Controls 2.6 Setting up the Toolbox 2.7 Engraving the Work file 2.8 Creating a Manual Layout 2 Chapter 3 - Display Options 3.1 Scrolling the Draw Area 3.2 Zooming the Draw Area 3.3 Rulers & Guides 3.4 Maximizing the Available Draw Area 3.5 Preview 3.6 Unit Preferences Chapter 4 - JLS Objects 4.1 Plates 4.2 Jobs 4.3 Frames 4.4 Lines 4.5 Elements 4.6 Symbol Libraries 4.7 Object Selection 4.8 Aligning Objects Chapter 5 - Object Attributes 5.1 Setting An Object's Attributes 5.2 Attribute Dialog Box Controls 5.3 Standard Attributes 5.4 Using Standard Attributes 5.5 Job Attributes 5.6 Using Job Attributes 3 5.7 Frame Attributes 5.8 Using Frame Attributes 5.9 Line Attributes 5.10 Using Line Attributes 5.11 Graphic Attributes -
The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. -
Roman Religion
4 Roman Religion 1. “By pietas and fides the Romans Reached TheiR PResent eminence” the strength of Rome rested on a number of foundations. Among these were its extraordinarily vital political culture and its capacity to sustain warfare for extended periods of time. Previous chapters have emphasized these features, but in this chapter and the next, focus shifts to less obvious sources of Rome’s strength, namely the special character of its society whose dual foundations were the household and the civic religion of the city. Roman Religiosity during the period of the Republic, outsiders were struck by the religiosity of the Romans. In the second century b.c., Polybius, a Greek statesman and historian who lived much of his adult life in Rome, claimed that it was “scrupulous fear of the gods that kept the Roman commonwealth together” (6.56). A century or so later another expatriate Greek, Dionysius of Halicarnassus, was also impressed by the concern of Romans for religion. Writing about the second king of Rome, dionysius noted that as a result of Numa’s activities, Rome possessed more religious observances than any other city “Greek or non-Greek, even among those who thought of themselves as most god- fearing” (2.63). Needless to say, Romans themselves promoted the belief that fidelity to their oaths and treaties and their general reverence for the gods explained their imperial success. “the gods look kindly on these qualities, for it was by pietas and fides that Romans reached their present eminence” declared the consul Q. Marcius Philippus in 169 b.c. -
Corpus Vasorum Antiquorum Malibu 2 (Bareiss) (25) CVA 2
CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 25 The J. Paul Getty Museum, Malibu, Fascicule 2 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined closed shape, and lids from neck-amphorae ANDREW J. CLARK THE J. PAUL GETTY MUSEUM FASCICULE 2 . [U.S.A. FASCICULE 25] 1990 \\\ LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA (Revised for fasc. 2) Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fasc. 23) Fasc. 1- by Andrew J. Clark. At head of title: Union académique internationale. Includes index. Contents: fasc. 1. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes.—fasc. 2. Molly and Walter Bareiss Collection: Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined open shape, and lids from neck-amphorae 1. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949- . IL J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fasc. 23, etc. NK4640.C6U5 fasc. 23, etc. 738.3'82'o938o74 s 88-12781 [NK4624.B37] [738.3'82093807479493] ISBN 0-89236-134-4 (fasc. -
Ancient Carved Ambers in the J. Paul Getty Museum
Ancient Carved Ambers in the J. Paul Getty Museum Ancient Carved Ambers in the J. Paul Getty Museum Faya Causey With technical analysis by Jeff Maish, Herant Khanjian, and Michael R. Schilling THE J. PAUL GETTY MUSEUM, LOS ANGELES This catalogue was first published in 2012 at http: Library of Congress Cataloging-in-Publication Data //museumcatalogues.getty.edu/amber. The present online version Names: Causey, Faya, author. | Maish, Jeffrey, contributor. | was migrated in 2019 to https://www.getty.edu/publications Khanjian, Herant, contributor. | Schilling, Michael (Michael Roy), /ambers; it features zoomable high-resolution photography; free contributor. | J. Paul Getty Museum, issuing body. PDF, EPUB, and MOBI downloads; and JPG downloads of the Title: Ancient carved ambers in the J. Paul Getty Museum / Faya catalogue images. Causey ; with technical analysis by Jeff Maish, Herant Khanjian, and Michael Schilling. © 2012, 2019 J. Paul Getty Trust Description: Los Angeles : The J. Paul Getty Museum, [2019] | Includes bibliographical references. | Summary: “This catalogue provides a general introduction to amber in the ancient world followed by detailed catalogue entries for fifty-six Etruscan, Except where otherwise noted, this work is licensed under a Greek, and Italic carved ambers from the J. Paul Getty Museum. Creative Commons Attribution 4.0 International License. To view a The volume concludes with technical notes about scientific copy of this license, visit http://creativecommons.org/licenses/by/4 investigations of these objects and Baltic amber”—Provided by .0/. Figures 3, 9–17, 22–24, 28, 32, 33, 36, 38, 40, 51, and 54 are publisher. reproduced with the permission of the rights holders Identifiers: LCCN 2019016671 (print) | LCCN 2019981057 (ebook) | acknowledged in captions and are expressly excluded from the CC ISBN 9781606066348 (paperback) | ISBN 9781606066355 (epub) BY license covering the rest of this publication. -
The Spear As the Symbol of Property and Power in Ancient Rome
1216-2574 / USD 20.00 ACTA JURIDICA HUNGARICA © 2007 Akadémiai Kiadó, Budapest 48, No 3, pp. 231–257 (2007) DOI: 10.1556/AJur.47.2007.3.2 TAMÁS NÓTÁRI* The Spear as the Symbol of Property and Power in Ancient Rome Abstract. In his well-known description of legis actio sacramento in rem, Gaius remarks that the rod was used in the procedure instead of the spear as the sign of lawful property since what the Romans considered truly their own was the goods taken from the enemy: ”Festuca autem utebantur quasi hastae loco, signo quodam iusti dominii; quod maxime sua esse credebant quae ex hostibus cepissent.” In harmony with Gaius’s view Verrius Festus states that the spear is the symbol, incarnation of supreme power: “Hasta summa armorum et imperii est.” Setting out from these two testimonia, in the present study we intend to examine the content of the hasta and the festuca as symbols of power to support the interpretation of the ritual of legis actio sacramento in rem as duellum sacrum. First, we shall give a brief account of the occurrences of the spear as the symbol of imperium, of subhastatio related thereto and the function of the supreme commander’s spear; also, we shall touch on the stick of augures and certain Greek prefigurations and parallels of the symbolic nature of the spear and the rod. (I.) After that, we shall make some statements concerning the spear of the god Mars and the Mars cult, and the relation of Quirinus and Quirites to the symbolism of the spear. -
Handbook for the Bacteriological Diagnosis of Tuberculosis. Part I
HANDBOOK FOR THE BACTERIOLOGIC DIAGNOSIS OF TUBERCULOSI S PART I: Smear Microscopy Update Cataloging carried out by the Andean Health Organization Agreement –Hipolito Unanue Agreement HANDBOOK FOR THE BACTERIOLOGIC DIAGNOSIS OF TUBERCULOSIS. PART 1: SMEAR MICROSCOPY UPDATE / Program “Strengthening of the Network of Tuberculosis Laboratories in the Region of the Americas” -- Lima: ORAS - CONHU; 2018. xx p.; ilus, tab. DIAGNOSIS/ TUBERCULOSIS/ LABORATORIES/SMEAR MICROSCOPY Legal deposit done in the National Library of Peru. N°….. ……. HANDBOOK FOR THE BACTERIOLOGIC DIAGNOSIS OF TUBERCULOSIS. PART 1: SMEAR MICROSCOPY UPDATE Technical coordination María Susana Imaz. Tuberculosis Laboratory, Instituto Nacional de Enfermedades Respiratorias, ANLIS Dr. Carlos G. Malbrán, WHO Collaborating Centre for Epidemiology and Control of Tuberculosis, Argentina. Technical review Lucía Barrera. Independent consultant. Susana Balandrano and Claudia Backer. Mycobacteriology Laboratory, InDRE, Supranational Laboratory, México. Ernesto Montoro. Tuberculosis Labs Coordinator. OPS/OMS, WDC. Consultant Eddy Valencia Torres. Laboratorio de Referencia Nacional de Micobacterias, INS. Lima, Perú. First Edition of the Baciloscopy Manual, 2008. María Delfina Sequeira de Latini. Tuberculosis laboratory, Instituto Nacional de Enfermedades Respiratorias “Emilio Coni”, ANLIS Dr. Carlos G. Malbrán, WHO Collaborating Centre for Epidemiology and Control of Tuberculosis, Argentina. Lucia Barrera. Instituto Nacional de Enfermedades Infecciosas, Supranational Laboratory, ANLIS -
Julius Caesar
Working Paper CEsA CSG 168/2018 ANCIENT ROMAN POLITICS – JULIUS CAESAR Maria SOUSA GALITO Abstract Julius Caesar (JC) survived two civil wars: first, leaded by Cornelius Sulla and Gaius Marius; and second by himself and Pompeius Magnus. Until he was stabbed to death, at a senate session, in the Ides of March of 44 BC. JC has always been loved or hated, since he was alive and throughout History. He was a war hero, as many others. He was a patrician, among many. He was a roman Dictator, but not the only one. So what did he do exactly to get all this attention? Why did he stand out so much from the crowd? What did he represent? JC was a front-runner of his time, not a modern leader of the XXI century; and there are things not accepted today that were considered courageous or even extraordinary achievements back then. This text tries to explain why it’s important to focus on the man; on his life achievements before becoming the most powerful man in Rome; and why he stood out from every other man. Keywords Caesar, Politics, Military, Religion, Assassination. Sumário Júlio César (JC) sobreviveu a duas guerras civis: primeiro, lideradas por Cornélio Sula e Caio Mário; e depois por ele e Pompeius Magnus. Até ser esfaqueado numa sessão do senado nos Idos de Março de 44 AC. JC foi sempre amado ou odiado, quando ainda era vivo e ao longo da História. Ele foi um herói de guerra, como outros. Ele era um patrício, entre muitos. Ele foi um ditador romano, mas não o único.