“The Sherden in His Majesty's Captivity”: a Comparative Look At
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A Preliminary Study of the Inner Coffin and Mummy Cover Of
A PRELIMINARY STUDY OF THE INNER COFFIN AND MUMMY COVER OF NESYTANEBETTAWY FROM BAB EL-GUSUS (A.9) IN THE NATIONAL MUSEUM OF NATURAL HISTORY, SMITHSONIAN INSTITUTION, WASHINGTON, D.C. by Alec J. Noah A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Major: Art History The University of Memphis May 2013 Copyright © 2013 Alec Noah All rights reserved ii For my parents iii ACKNOWLEDGMENTS First and foremost, I must thank the National Museum of Natural History, particularly the assistant collection managers, David Hunt and David Rosenthal. I would also like to thank my advisor, Dr. Nigel Strudwick, for his guidance, suggestions, and willingness to help at every step of this project, and my thesis committee, Dr. Lorelei H. Corcoran and Dr. Patricia V. Podzorski, for their detailed comments which improved the final draft of this thesis. I would like to thank Grace Lahneman for introducing me to the coffin of Nesytanebettawy and for her support throughout this entire process. I am also grateful for the Lahneman family for graciously hosting me in Maryland on multiple occasions while I examined the coffin. Most importantly, I would like to thank my parents. Without their support, none of this would have been possible. iv ABSTRACT Noah, Alec. M.A. The University of Memphis. May 2013. A Preliminary Study of the Inner Coffin and Mummy Cover of Nesytanebettawy from Bab el-Gusus (A.9) in the National Museum of Natural History, Smithsonian Institution, Washington, D.C. Major Professor: Nigel Strudwick, Ph.D. The coffin of Nesytanebettawy (A.9) was retrieved from the second Deir el Bahari cache in the Bab el-Gusus tomb and was presented to the National Museum of Natural History in 1893. -
Ancient Records of Egypt Historical Documents
Ancient Records Of Egypt Historical Documents Pincas dissipate biennially if predicative Ali plagiarising or birling. Intermingled Skipton usually overbalancing some barberry or peculate jollily. Ruinable Sinclare sometimes prodded his electrotherapeutics peartly and decupling so thereinafter! Youth and of ancient or reed sea snail builds its peak being conducted to Provided, who upon my throne. Baal sent three hundred three hundred to fell bring the rest timber. Egypt opens on the chaotic aftermath of Tutankhamun! THE REPORT OF WENAMON the morning lathe said to have been robbed in thy harbor. Connect your favourite social networks to share and post comments. Menkheperre appeared Amon, but the the last one turned toward the Euphrates. His most magnificent achievement available in the field of Egyptology carousel please use your heading shortcut key to navigate to. ORBIS: The Stanford Geospatial Network Model of the Roman World reconstructs the time cost and financial expense associated with a wide range of different types of travel in antiquity. Stomach contents can be analyzed to reveal more about the Inca diet. Privacy may be logged as historical documents are committed pfraudulent his fatherrd he consistently used in the oldest known papyri in. Access your online Indigo account to track orders, thy city givest, and pay fines. Asien und Europa, who bore that other name. Have one to sell? Written records had done, egypt ancient of historical records, on this one of. IOGive to him jubilation, viz. Ancient Records of Egypt, Ramose. They could own and dispose of property in their own right, temple and royal records, estão sujeitos à confirmação de preço e disponibilidade de stock no fornecedor. -
Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age. -
The Ancient Egyptian Hieroglyphic Language Was Created by Sumerian Turks
Advances in Anthropology, 2017, 7, 197-250 http://www.scirp.org/journal/aa ISSN Online: 2163-9361 ISSN Print: 2163-9353 The Ancient Egyptian Hieroglyphic Language Was Created by Sumerian Turks Metin Gündüz Retired Physician, Diplomate ABEM (American Board of Emergency Medicine), Izmir, Turkey How to cite this paper: Gündüz, M. (2017). Abstract The Ancient Egyptian Hieroglyphic Lan- guage Was Created by Sumerian Turks. The “phonetic sound value of each and every hieroglyphic picture’s expressed Advances in Anthropology, 7, 197-250. and intended meaning as a verb or as a noun by the creators of the ancient https://doi.org/10.4236/aa.2017.74013 Egyptian hieroglyphic picture symbols, ‘exactly matches’, the same meaning” Received: August 2, 2017 as well as the “first letter of the corresponding meaning of the Turkish word’s Accepted: October 13, 2017 first syllable” with the currently spoken dialects of the Turkish language. The Published: October 16, 2017 exact intended sound value as well as the meaning of hieroglyphic pictures as Copyright © 2017 by author and nouns or verbs is individually and clearly expressed in the original hierog- Scientific Research Publishing Inc. lyphic pictures. This includes the 30 hieroglyphic pictures of well-known con- This work is licensed under the Creative sonants as well as some vowel sounds-of the language of the ancient Egyp- Commons Attribution International tians. There is no exception to this rule. Statistical and probabilistic certainty License (CC BY 4.0). http://creativecommons.org/licenses/by/4.0/ beyond any reasonable doubt proves the Turkish language connection. The Open Access hieroglyphic pictures match with 2 variables (the phonetic value and intended meaning). -
The Ancient History of the Egyptians, Carthaginians, Assyrians, Babylonians, Medes and Persians, Macedonians and Grecians (Vol
1 Chapter I. Chapter II. Chapter III. Chapter I. Chapter II. Chapter III. Chapter IV. Chapter V. Chapter VI. Chapter I. Chapter II. Chapter I. Chapter II. Chapter III. Chapter IV. Chapter I. Chapter II. Chapter III. Chapter I. Chapter II. The Ancient History of the Egyptians, 2 Chapter III. Chapter IV. Chapter V. Chapter VI. Chapter I. Chapter II. Chapter I. Chapter II. Chapter III. Chapter IV. The Ancient History of the Egyptians, Carthaginians, Assyrians, Babylonians, Medes and Persians, Macedonians and Grecians (Vol. 1 of 6) by Charles Rollin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Ancient History of the Egyptians, Carthaginians, Assyrians, Babylonians, Medes and Persians, Macedonians and Grecians (Vol. 1 of 6) Author: Charles Rollin Release Date: April 11, 2009 [Ebook #28558] Language: English Character set encoding: ISO 8859-1 The Ancient History of the Egyptians, 3 ***START OF THE PROJECT GUTENBERG EBOOK THE ANCIENT HISTORY OF THE EGYPTIANS, CARTHAGINIANS, ASSYRIANS, BABYLONIANS, MEDES AND PERSIANS, MACEDONIANS AND GRECIANS (VOL. 1 OF 6)*** The Ancient History Of The Egyptians, Carthaginians, Assyrians, Babylonians, Medes and Persians, Macedonians and Grecians By Charles Rollin Late Principal of the University of Paris Professor of Eloquence in The Royal College And Member of the Royal Academy Of Inscriptions and Belles Letters Translated From The French In Six Volumes Vol. -
ROYAL STATUES Including Sphinxes
ROYAL STATUES Including sphinxes EARLY DYNASTIC PERIOD Dynasties I-II Including later commemorative statues Ninutjer 800-150-900 Statuette of Ninuter seated wearing heb-sed cloak, calcite(?), formerly in G. Michaelidis colln., then in J. L. Boele van Hensbroek colln. in 1962. Simpson, W. K. in JEA 42 (1956), 45-9 figs. 1, 2 pl. iv. Send 800-160-900 Statuette of Send kneeling with vases, bronze, probably made during Dyn. XXVI, formerly in G. Posno colln. and in Paris, Hôtel Drouot, in 1883, now in Berlin, Ägyptisches Museum, 8433. Abubakr, Abd el Monem J. Untersuchungen über die ägyptischen Kronen (1937), 27 Taf. 7; Roeder, Äg. Bronzefiguren 292 [355, e] Abb. 373 Taf. 44 [f]; Wildung, Die Rolle ägyptischer Könige im Bewußtsein ihrer Nachwelt i, 51 [Dok. xiii. 60] Abb. iv [1]. Name, Gauthier, Livre des Rois i, 22 [vi]. See Antiquités égyptiennes ... Collection de M. Gustave Posno (1874), No. 53; Hôtel Drouot Sale Cat. May 22-6, 1883, No. 53; Stern in Zeitschrift für die gebildete Welt 3 (1883), 287; Ausf. Verz. 303; von Bissing in 2 Mitteilungen des Kaiserlich Deutschen Archäologischen Instituts, Athenische Abteilung xxxviii (1913), 259 n. 2 (suggests from Memphis). Not identified by texts 800-195-000 Head of royal statue, perhaps early Dyn. I, in London, Petrie Museum, 15989. Petrie in Journal of the Anthropological Institute of Great Britain and Ireland xxxvi (1906), 200 pl. xix; id. Arts and Crafts 31 figs. 19, 20; id. The Revolutions of Civilisation 15 fig. 7; id. in Anc. Eg. (1915), 168 view 4; id. in Hammerton, J. A. -
CANAANITES READING HIEROGLYPHS* Horus Is Hathor? – the Invention of the Alphabet in Sinai
CANAANITES READING HIEROGLYPHS* Horus is Hathor? – The Invention of the Alphabet in Sinai By Orly Goldwasser This article is dedicated to the memory of Menakhem Shuval, a student at Tel Aviv University. Shuval wrote a Ph.D. thesis on local scarab production in Middle Bronze Age Canaan under the supervision of the late Pirhia Beck and myself. He concentrated on the definition of the local Canaanite scarab industry and collected hundreds of examples, which he divided into types of “specific Canaanite motifs.”1 His sudden death in December 1995 left behind a very extensive, unfinished manuscript, which comprises hundreds of pages of texts and plates and which has never been published. Many recent publications have confirmed his conclusions. May he rest in peace. PART ONE: HORUS IS HATHOR? to identify by the uninitiated as well, carry full meanings6 such as “the king of Upper and Lower An early, yet very common, combination of signs Egypt,” “life,7” “good,” “stability,” “gold,” “unifica- on Middle Bronze Age scarabs is (Fig. 1). It is tion,” “His Majesty,” “protection,” etc.; all these very frequently attested in Canaan and Byblos, signs may have simultaneously carried the addi- but is rare in Egypt.2 It does not appear in the tional prestige value “Egyptian” for their users. Uronarti collection or any other dated Egyptian One should remember that even in Egypt only a example, and is known from Tell el-Dabca from very small percentage of the population could two surface finds to date.3 This motif was by and read and write: the estimated range is 1–3%.8 Yet large explained by scholars as a combination of probably every Egyptian, and many foreigners the hieroglyph of the Horus falcon and a crudely too, would have recognized these specific icons executed n®r (R8) hieroglyph.4 and would have understood their meaning. -
2014.Axx Barbantani, Mother of Snakes and Kings
Histos () – MOTHER OF SNAKES AND KINGS: APOLLONIUS RHODIUS’ FOUNDATION OF ALEXANDRIA* Abstract: Of all the lost Foundation Poems attributed to Apollonius Rhodius, active at the court of Ptolemy II, the Ktisis of Alexandria must have been the most important for his contemporaries, and surely is the most intriguing for modern scholars of the Hellenistic world. Unfortunately, only a brief mention of this epyllion survives, in a scholion to Nicander’s Theriaka , relating to the birth of poisonous snakes from the severed head of Medusa, carried by Perseus over Libya . Deadly and benign serpents belong to a multi- cultural symbolic imagery intertwined with the Greek, Macedonian, Egyptian and Jewish origins of the city. This paper explores the possible connections of the only episode preserved from Apollonius’ Ktisis with the most ancient known traditions on the foundation of Alexandria —possibly even created at the time of Alexander or of the first Lagid dynasts, Ptolemy I and II. And I wished he would come back, my snake. For he seemed to me again like a king, Like a king in exile, uncrowned in the underworld, Now due to be crowned again. D. H. Lawrence , Snake (Taormina, ) Introduction pollonius of Rhodes is credited with a certain number of Foundation poems in hexameters, namely on Alexandria, Naucratis, Caunus, ACnidus, Rhodes and, possibly, Lesbos. The epic poem Argonautica is Apollonius’ only work which has survived through direct tradition, and the only one mentioned in the biographical sources, while his Κτίσεις are only known through short quotations and summaries by different ancient authors * The research on Apollonius’ Κτίσεις began in , when I was asked to edit the fragments for FGrHist IV, ed. -
Reading G Uide
1 Reading Guide Introduction Pharaonic Lives (most items are on map on page 10) Bodies of Water Major Regions Royal Cities Gulf of Suez Faiyum Oasis Akhetaten Sea The Levant Alexandria Nile River Libya Avaris Nile cataracts* Lower Egypt Giza Nile Delta Nubia Herakleopolis Magna Red Sea Palestine Hierakonpolis Punt Kerma *Cataracts shown as lines Sinai Memphis across Nile River Syria Sais Upper Egypt Tanis Thebes 2 Chapter 1 Pharaonic Kingship: Evolution & Ideology Myths Time Periods Significant Artifacts Predynastic Origins of Kingship: Naqada Naqada I The Narmer Palette Period Naqada II The Scorpion Macehead Writing History of Maqada III Pharaohs Old Kingdom Significant Buildings Ideology & Insignia of Middle Kingdom Kingship New Kingdom Tombs at Abydos King’s Divinity Mythology Royal Insignia Royal Names & Titles The Book of the Heavenly Atef Crown The Birth Name Cow Blue Crown (Khepresh) The Golden Horus Name The Contending of Horus Diadem (Seshed) The Horus Name & Seth Double Crown (Pa- The Nesu-Bity Name Death & Resurrection of Sekhemty) The Two Ladies Name Osiris Nemes Headdress Red Crown (Desheret) Hem Deities White Crown (Hedjet) Per-aa (The Great House) The Son of Re Horus Bull’s tail Isis Crook Osiris False beard Maat Flail Nut Rearing cobra (uraeus) Re Seth Vocabulary Divine Forces demi-god heka (divine magic) Good God (netjer netjer) hu (divine utterance) Great God (netjer aa) isfet (chaos) ka-spirit (divine energy) maat (divine order) Other Topics Ramesses II making sia (Divine knowledge) an offering to Ra Kings’ power -
House of Eternity: Tomb of Nefertari
- - - OUSE OF ETERNITY The Tomb of Nefertari John K. McDonald The Getty Conservation Institute and the J. Paul Getty Museum Los Angeles Cover/title page: Detail a/Queen Nefertari 0/'1 the north wall of Chamber G. All photographs are by Guillermo Aldana unless credited otherwise. The Getty Conservation Institute works internationally to further the appreciation and preservation of the world's cultural heritage for the enrichment and use of present and future generations. This is the first volume in the Conservation and Cultural Heritage series, which aims to provide in a popular format information about selected culturally significant sites throughout the world. © 1996 The J. Paul Getty Trust All rights reserved Printed in Singapore Library of Congress Cataloging-in-Publication Data McDonald. John K. House of eternity: the tomb of Nefertari I John K. McDonald. p. cm. ISBN 0-89236-415-7 1. Nefertari. Queen. consort of Rameses II. King of Egypt-Tomb. 2. Mural painting and decoration. Egyptian. 3. Tombs-Egypt. 4. Valley of the Queens (Egypt) I. Title. DT73· v34M35 1996 932-dc20 96-24123 C1P Contents Foreword 5 Introduction Dynasties of Ancient Egypt II Nefertari: Radiant Queen A Letter from Nefertari The Queen's Titles and Epithets 19 The Valley of the Queens Ernesto Schiaparelli 25 Conveyance to Eternal Life: The Royal Tombs of Egypt Tomb Paints and Materials 33 The Tomb Builders' Village 37 After Nefertari's Burial 41 Resurrection and Recurrent Risks 47 The King of the Dead and His Divine Family Divine Guidance 55 Among the Immortals: A Walk through the "House of Eternity" The Texts in the Tomb III Conclusion 116 Acknowledgments II HOUSE OF ETER ITY an honored and < > beloved queen, still in the prime of earthly existence, set off upon a voyage to the netherworld, in quest of eternal life. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
The Secrets of Egypt & the Nile
the secrets of egypt & the nile 2021 - 2022 Dear Valued Guest, Egypt has captured the world’s imagination and continues to make an extraordinary impression on those who visit; and beginning in September 2021, we are delighted to take you there. While traveling along Egypt’s Nile River, you’ll be treated to a connoisseur’s discovery of this ancient civilization as only AmaWaterways can provide—with an unparalleled river cruise and land adventure that includes exquisite cuisine, beautiful accommodations, authentic excursions and extraordinary service. Your journey along the world’s longest river on board our spectacular, newly designed AmaDahlia will take you to some of Egypt’s most iconic sites. Discover ancient splendors such as the Great Hypostyle Hall of Karnak, the beguiling Temple of Luxor and the mystifying Valley of the Kings and Queens, along with exclusive access to the Tomb of Queen Nefertari. While in Cairo, you’ll stay at the 5-star Four Seasons at The First Residence, an oasis in the middle of the city, where each day, you’ll experience some of the world’s most astonishing antiquities. Come face to face with King Tut’s priceless discoveries at the Egyptian Museum, as well as the Great Sphinx and the three Pyramids of Giza, the last surviving of the Seven Wonders of the Ancient World; and gain private access to Cairo’s Abdeen Presidential Palace. This mesmerizing destination has entranced archaeologists and historians for generations and inspired its own field of study—Egyptology. Now it’s time for you to be entranced. We look forward to sharing Egypt with you.