DOCSLIB.ORG

Annual Exhibition Catalogue of the Royal Canadian Academy of Arts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Exhibition Catalogue of the Royal Canadian Academy of Arts Festival of Empire. Crystal Palace, London. Exhibition of Canadian Art under the Auspices of the Royal Cana- dian Academy. 24th May 191G V^^fflr&j' NlOanaatoflEgcaosigy CATALOGUE Festival of Empire. Crystal Palace, London. Exhibition of Canadian Art under the Auspices of the Royal Cana- dian Academy. 24th May 1910 CATALOGUE Digitized by the Internet Archive in 2010 with funding from Ontario Council of University Libraries http://www.archive.org/details/catalogueofexhib10nati Festival of Empire Catalogue - - - 1910 Royal Canadian Academy of Arts • . 1 Q 1 O . foxxnbcvs H. R. H. THE PRINCESS LOUISE, DUCHESS OF ARGYLL and HIS GRACE THE DUKE OF ARGYLL. IPatron HIS EXCELLENCY EARL GREY Governor-General of Canada. Ibonorars patron THE MARQUIS OF LANSDOWNE ©fficers President . HuMtors M. Matthews and F. M. Bell-Smith 1bonorar$ 1Retireî> Hcafcemtctans N. Bourassa, Monte Bello. S. H. Capper, - England. D. B. Dick, Hcafcemictans Painters. Architects. F. M. Bell Smith Toronto. A. F. Dunlop Montreal. F. Brown ell Ottawa. A. C. Hutchison ... " W. Brymner Montreal. James Smith Toronto. F. S. Challener Toronto. W. Cruikshank, " E. Maxwell Montreal. Maurice Cullen Montreal. Frank Darling Toronto. E. Dyonnet " E. Wyly Grier Toronto. J. Hammond Montreal. Sculptors. Wm. Hope " Robt. Harris. C.M.G P. Hebert, C.M.G... .Montreal. F. M. Knowles Toronto. Hamilton MacCarthy. Ottawa. M. Matthews " T. Mower Martin " A. D. Patterson " Designers. J. C. Pinhey Hudson, P.Q. Geo. A. Reid Toronto. A. H. Howard Toronto. H. R. Watson Doon. J. W. H. Watts Ottawa. Curtis Williamson . Toronto. Gustav Hahn ...Toronto. 1Ron*1Resifcent Hca&emtcians J. C. Forbes Hy. Sandham London, Eng. C. S. Millard Cheltenham, Eng. P. F. Woodcock . A. T. Taylor , England C J- Way Switzerland . Hcafcemicians ïï>eceasefc W. N. Cresvvell. James Griffiths. Paul Peel. Allan Edson. J. G. Howard. H. Perrè. D. Fowler. O. R. Jacobi. Antoine Plamondon. J. A. Fraser. C. E. Moss. Thomas Scott. Thomas Fuller. L. R. O'Brien. W. G. Storm. Forshavv Day. J. W. Hopkins. H. Langley. Bssoctates W. E. Atkinson Toronto Laura Muntz , . Montreal. J. W. Beatty J. C. Miles St. John. G. Brueneck * Mrs. M. H. Reid Toronto. A. Cox England. J. T. Rolph " Wm. Cutts Toronto. W. A, Sherwood " R. F. Gagen " Gertrude Spurr " J. L. Graham Montreal Sydney S. Tully " Clarence Gagnon " F. A. Verner London. J. C. Franchere " G. Horne Russell Montreal. C. M. Manly Toronto. Wm. Smith St. Thomas. Edmund Morris " Jos. St. Charles Montreal. C. S. Hagarty " E. A. McGillivary KNOWLES.Toronto. Hssociate Hrcbttects Edmund Burke Toronto. P. E. Nobbs Montreal. James Balfour Hamilton. James Nelson " John Gemmell Toronto. Joseph W. Powers Kingston. W. C. Harris Charlottetown. S. H. Townsend Toronto W. S. Maxwell Montreal. Henry Sproatt " Norman McVicar " associate Sculptors W. S. Allward Toronto. G. W. Hill . Montreal. — (Catalogue NOTE.—Tne letters R, C. A. after names mean Royal Canadian Academician, and A, R. C. A., Associate Royal Canadian Academician. BARNSLEY, ( Jas. M.) Montreal. i —Breaking Clouds. BEATTY, (J. W.) A. R. C. A Toronto. 2 —The Prospectors. 3 —The Evening Cloud of the North Land. 4—Autumn. BELL-SMITH, (P. M.) R. C. A Toronto. 5 Fraser Canon. Siwash Indians Catching Salmon. BOYD, (Edward F.) Montreal. 6—Red Autumn. BRITTON, (Harry) A. R. C. A Toronto. 7— St. Pauls in Winter. 8—The Drinking Place. BROWNE, (Archibald) Toronto. 9—Spring Song. io— Slumbering Waters, ii—The Little White Sail. 2 BRUCE, (Blair) Late 12 —Seascape in the Baltic. BRIGDEN, (F. H.) Toronto. 13—The Bay of Fundy Coast. 14—The Silver Stream. BRYMNER, (William) P. R. C. A Montreal. !5 — Portrait of Miss Dorothy and Miss Irene Vaughan. 16—October in Canada. 17—Under the Apple Tree. 18—Blackfoot Indian. CALDWELL, (Mrs. W.) Montreal. 19—Milking Time. CARLYLE, (Florence) A. R. C. A.. , Woodstock. 20—Grey and Gold. 21 —The Joy of Living. 22—The Tiff. CHALLENER, (F. S.) R. C. A Conestogo. 23—Indian Spearing Fish by Torchlight. 24—The Miniature. 25—Girl with Rabbits. CHAVIGNAUD, (Geo.) Meadow ville. 26—Grand Canal, Bruges. Montreal. CLELAND, (Alberta M. ) 27—Wilhelmina. 3 COTÉ, (A. SllZOr) Montreal. 28 —Canadian Stream in Winter. 29— Primitive Sugar Camp. 30—The Road to the Sawmill. CULLEN, (Maurice) R. C. A Montreal. 31 —Wolfe's Cove. 22—Water Carriers. 22— Louise Basin, Quebec. 34—Quebec from Levis. CRUIKSHANK, (Wm.) R. C. A Toronto. 35 — Breaking a Road. DYONNET, (Edmond) R. C. A Montreal. 36—Portrait of Prof. J. Poivert. 37—Portrait of R. Pinkerton, Esq. EDE, (F.) Toronto. 38— Cattle Drinking-. FOWLER, (D.) R. C. A, Late 39 —Dead Game. 40—Dead Birds. FRASER, (John) R. C A., Late 41 —Meadow, Moor and Mountain. 42— In the Mists. FRANCHÈRE, (J. C.) A. R. C. A Montreal. 43—After the Ball. 4 GAGNON, (Clarence) A. R. C. A Montreal. 44—Early Winter Moonrise. 45—A Mountain Stream. GAGEN, (R. F.) A. R. C. A Toronto. 46—A Valley of the Rockies, Rain. 47—Evening- in a New Brunswick Harbour. ^ GRAHAM, (Jas. L.) A. R. C. A Montreal, 48—The Prodigal Son. 49—A Stable Interior. GRIER, (E. Wyly) R. C A Toronto. 50— Portrait of Mrs. Agar Adamson. 51 —The Dreamer. 52 — Girl in Red. GORDON, (J. S.) Hamilton. 53—First Snow. HAMMOND, (John) R. C. A Sackvilie. 54 —Knocke (Belgium). HARRIS, (Robt.) C. M. G., R. C. A Montreal. 55—Portrait of Her Excellency the Countess of Minto. 56—Portrait of Mrs. Robt. Harris. 57— Lost in the Forest. HOUGHTON, (May) Montreal. 58—The Prayer. 5 JACOBI, (0. R.) R. C. A., Late 59—Mohawk Falls. 6o—Morning-. JACKSON, (A. Y.) Montreal. 6i —Corner of MaplewoocL 62—Early Spring. JEFFREYS, (0. W.) Toronto. 63— Linemen in New Ontario. KNOWLES, (F. McGillivray) R. C. A Toronto. 64—La Grande Riviere (Beaupré, Quebec.) 65—Queen of Night. KNOWLES, (Elizabeth McG.) A. R. C. A Toronto. 66—The Dew Drenched Stilly Night. 67—The Corn is in the Shock. MACPHERSON, (Kenneth R.) Montreal. 68—The Farm by the River. 69—The Edge of the Wood. MACDONALD, ÎJ. E. H.) Toronto. 70—Snowshoers, Moonlight. 71 —A Grey Day, Winter. 72—October on Howard Lake. McNICOLL, (Helen G.) Montreal. 73— In a Surrey Orchard. 74— In the Farmyard. MORRIS, (Edmund) A. R. C. A Toronto. 75 — Little Shield, a Blackfoot Indian. 76—Cove Fields, Quebec. 77 —Old Piegan Indian. .Toronto. MANLY, (C. M.) A. R. C. A 78—The Trail of Sunset Red. MARTIN, (T. Mower) R. C. A. Toronto. 79—Muskoka River. MUNTZ, (Laura) A. R. C. A... Montreal. 80—The Ghost Story. PATTERSON, (A. Dickson) R. C. A . Montreal. 81—The String of Beads. 82—Portrait of Dr. R. A. Stevenson. PEEL, (Paul) R. C. A., Late 83—The Return of the Flock. 84—The Milk Maid. PINHEY, (John C.) R. C. A Hudson Heights. 85—The Old Mill Dam. 86—The Haunted Mill. ROBINSON, (Albert H.) Montreal. 87—Montreal Harbour. 88—Old Houses, Montreal. —— 7 ROSAIRE, (Arthur D.) Montreal. 89—Sand Hills. REID, (Mary H.) A. R. C. A Toronto. 90 Moonrise. 91 Roses. 92—Nightfall. REID, (Geo. A.) R- C. A Toronto. 93 The Homeseekers. 94 A Canadian Girl. 95—The Iris. RUSSELL, (G. Home) A. R. C. A Montreal. 96 Portrait of the late Chas. Alexander. ST. THOMAS SMITH, A. R. C. A St. Thomas. 97 — Restless Sea. 98— Squally Weather. STAPLES, (Owen) Toronto. 99— Light at Eventide. 100 — Spreading Flax. SHORE, (Henrietta M.) Toronto. 101 —Girl in Brown. TULLEY, (Miss Sydney S.) A. R. C. A Toronto. 102 —Twilight of Life. 103 Le Vieux Curé. A. R. VERNER, (F. A.) C. A London, Eng-. 104— Buffalo, Midday. WATSON, (Homer) R. C. A Doon. *°5 —Pioneer crossing- a River at Evening, 106—Smugglers Cave. Coast of Nova Scotia. 107—Lone Cattle Shed. 108—The Dry Creek. WILLIAMSON, (Curtis) R. C. A Toronto. 109—Study in Scarlet. no— Portrait of Archibald Browne, Esq. in — Pioneer Preacher. WRINCH, (Mary E.) Toronto. 112—The Rideau Valley. 113— On Stone Lake. Bmlptmt. HÉBERT, (Philippe) C. M. G., R. c. A ... Montreal. 114—A Chance for Freedom. 115— Kironyare. 116—Mademoiselle De Verchères. LALIBERTÉ, (Alfred) Montreal. 117—The Mendicant. 118—Woman Carrying Water. .
Load more

Recommended publications
  • 2018-2019 Annual Report
    2018-2019 annuAl report THE MONTREAL MUSEUM OF FINE ARTS CITED AS MODEL EXAMPLE IN THE OECD AND ICOM’S INTERNATIONAL GUIDE “The Organisation for Economic Co-operation and Development (OECD) and the International Council of Museums (ICOM) recognized the Montreal Museum of Fine Arts’ pioneering role in their guide launched in December 2018, Culture and Local Development: Maximising the Impact. Guide for Local Governments, Communities and Museums. This remarkable validation from two major international economic and cultural institutions will enable us to disseminate our message ever farther, so as to strengthen the role of culture and expand the definition of trailblazing museums, like the MMFA, that are fostering greater inclusion and wellness.” – Nathalie Bondil The Museum is cited in 5 of the 16 international case studies in the guide: a remarkable nod to our institution’s actions that stem from a humanist, innovative and inclusive vision. Below are a few excerpts from the publication that is available online at www.oedc.org: 1. Partnering for urban regeneration 3. Partnership for education: EducArt 5. Promoting inclusiveness, health and Regarding the MMFA’s involvement in creating the digital platform, Quebec, Canada well-being: A Manifesto for a Humanist Zone Éducation-Culture in 2016, in collaboration Launched in 2017 by the MMFA, EducArt gives Fine Arts Museum with Concordia University and the Ville de Montreal: secondary school teachers across the province access “As part of the Manifesto for a Humanist Fine “The project … has its roots in a common vision [of to an interdisciplinary approach to teaching the Arts Museum written by Nathalie Bondil,1 the the three institutions] to improve Montreal’s role as educational curriculum, based on the Museum’s MMFA has put forth a strong vision of the social a city of knowledge and culture.
    [Show full text]
  • 26727 Consignor Auction Catalogue Template
    Auction of Important Canadian & International Art September 24, 2020 AUCTION OF IMPORTANT CANADIAN & INTERNATIONAL ART LIVE AUCTION THURSDAY, SEPTEMBER 24TH AT 7:00 PM ROYAL ONTARIO MUSEUM 100 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario ON VIEW Please note: Viewings will be by appointment. Please contact our team or visit our website to arrange a viewing. COWLEY ABBOTT GALLERY 326 Dundas Street West, Toronto, Ontario JULY 8TH - SEPTEMBER 4TH Monday to Friday: 9:00 am to 5:00 pm SEPTEMBER 8TH - 24TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm Sunday, September 20th: 11:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 2 COWLEY ABBOTT | September Auction 2020 Cowley Abbott Fine Art was founded as Consignor Canadian Fine Art in August 2013 as an innovative partnership within the Canadian Art industry between Rob Cowley, Lydia Abbott and Ryan Mayberry. In response to the changing landscape of the Canadian art market and art collecting practices, the frm acts to bridge the services of a retail gallery and auction business, specializing in consultation, valuation and professional presentation of Canadian art. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, holding semi-annual live auctions, as well as monthly online Canadian and International art auctions. Our frm also ofers services for private sales, charity auctions and formal appraisal services, including insurance, probate and donation.
    [Show full text]
  • Fine Canadian Art
    HEFFEL FINE ART AUCTION HOUSE HEFFEL FINE ART FINE CANADIAN ART FINE CANADIAN ART FINE CANADIAN ART NOVEMBER 27, 2014 HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE ISBN 978~1~927031~14~8 SALE THURSDAY, NOVEMBER 27, 2014, TORONTO FINE CANADIAN ART AUCTION THURSDAY, NOVEMBER 27, 2014 4 PM, CANADIAN POST~WAR & CONTEMPORARY ART 7 PM, FINE CANADIAN ART PARK HYATT HOTEL, QUEEN’S PARK BALLROOM 4 AVENUE ROAD, TORONTO PREVIEW AT HEFFEL GALLERY, VANCOUVER 2247 GRANVILLE STREET SATURDAY, NOVEMBER 1 THROUGH TUESDAY, NOVEMBER 4, 11 AM TO 6 PM PREVIEW AT GALERIE HEFFEL, MONTREAL 1840 RUE SHERBROOKE OUEST THURSDAY, NOVEMBER 13 THROUGH SATURDAY, NOVEMBER 15, 11 AM TO 6 PM PREVIEW AT UNIVERSITY OF TORONTO ART CENTRE 15 KING’S COLLEGE CIRCLE ENTRANCE OFF HART HOUSE CIRCLE SATURDAY, NOVEMBER 22 THROUGH WEDNESDAY, NOVEMBER 26, 10 AM TO 6 PM THURSDAY, NOVEMBER 27, 10 AM TO 12 PM HEFFEL GALLERY, TORONTO 13 HAZELTON AVENUE, TORONTO ONTARIO, CANADA M5R 2E1 TELEPHONE 416 961~6505, FAX 416 961~4245 TOLL FREE 1 800 528-9608 WWW.HEFFEL.COM HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE CATALOGUE SUBSCRIPTIONS A Division of Heffel Gallery Inc. Heffel Fine Art Auction House and Heffel Gallery Inc. regularly publish a variety of materials beneficial to the art collector. An TORONTO Annual Subscription entitles you to receive our Auction Catalogues 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 and Auction Result Sheets. Our Annual Subscription Form can be Telephone 416 961~6505, Fax 416 961~4245 found on page 116 of this catalogue.
    [Show full text]
  • Auction Cdn Art A08f 10062008 Final Draft V1
    HEFFEL FINE ART AUCTION HOUSE 81 verso 166 168 adaptation of Impressionism in Canada. While spending time in Paris in 168 CLARENCE ALPHONSE GAGNON her youth, she was undoubtedly moved by the artistic masters of the CAC RCA 1881 ~ 1942 Impressionist movement. May was captivated by the Impressionists’ St~Eustache Evening modern subjects, such as steam engines and railways, during a time when industry and transportation were becoming increasingly important. As is oil on panel, signed and on verso titled twice evident in this summer landscape, May painted similar themes in the and certified by Lucile Rodier Gagnon, inventory #958, loose brush~stroke style made famous by Impressionist masters. Paris 1946, on the Rodier Gagnon label 4 3/4 x 7 1/8 in, 12.1 x 18.1 cm ESTIMATE: $20,000 ~ 25,000 PROVENANCE: Galerie Walter Klinkoff Inc., Montreal 167 NORA FRANCES ELIZABETH COLLYER Private Collection, Toronto BHHG FCA 1898 ~ 1979 ESTIMATE: $8,000 ~ 10,000 St~Fidèle, PQ oil on board, signed and on verso signed, titled and dated August 1936 16 x 18 in, 40.6 x 45.7 cm PROVENANCE: Private Collection, Quebec Nora Collyer was a founding member of the Beaver Hall Group in Montreal in 1920. This group provided an impetus to the careers of some of the finest women painters in Canada. Collyer often painted in the Quebec countryside, as her family cottage was at Foster, and from 1950 to 1967 she spent summers painting at a cottage she built nearby overlooking Lake Memphremagog. Collyer was known for her Eastern Township landscapes and Quebec village scenes such as this richly coloured work, a strong, layered composition packed with interesting elements such as the village church, flooded with bright, clear light.
    [Show full text]
  • 117 Clarence Alphonse Gagnon Exhibited at Saint-Malo Is Being Offered for Sale This Autumn
    1909, his beach scenes correspond to a time when he decided to be recognized as a painter rather than an engraver. Several pho- tos from his personal album bear witness to the summer of 1907 and the pleasure he took frolicking in the waters of the Channel in Brittany, with his brother Willford and the sisters Katherine (his future wife) and Ethel Irwin. Faced with the spectacle of the Emerald Coast’s seaside resorts at Dinard, Saint-Malo, and Paramé, Gagnon the painter could satisfy his love of plein air painting. These delicate and elegant impressions of beach scenes would henceforth associate him with the master James W. Morrice, his compatriot 15 years his senior. Under Morrice’s influence, Gagnon painted his observations on small wooden panels. The light of the sea striking the coastline and the beaches crowded with holidaymakers brightened his colour palette. Incidentally, Morrice was staying in Saint-Malo in July 1907. However, no documents exist to confirm that the two painters met there. For Gagnon, beach scenes provided no more than a passing interest cLarEncE aLPhonsE GaGnon for a period of at most three years, during which time he com- The Two Beaches: Paramé and Saint-Malo pleted such works as Summer Breeze at Dinard, 1907 (collection of oil on canvas, 1908 49 x 67 1/2 in, 124.5 x 171.50 cm the Musée national des beaux-arts du Québec); The Two Beaches: Collection of the Beaverbrook Art Gallery Paramé and Saint-Malo, 1908 (collection of the Beaverbrook Art Gift of the Beaverbrook Canadian Foundation Gallery); and The Beach at Dinard, 1909 (collection of the Mon- treal Museum of Fine Arts).
    [Show full text]
  • The Group of Seven, AJM Smith and FR Scott Alexandra M. Roza
    Towards a Modern Canadian Art 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott Alexandra M. Roza Department of English McGill University. Montreal August 1997 A Thesis subrnitted to the Facdty of Graduate Studies and Researçh in partial fiilfiliment of the requirements of the degree of Master of Arts. O Alexandra Roza, 1997 National Library BiMiotheque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellingtocl Ottawa ON KIA ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aliowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seii reproduire, prêter, distnibuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nim, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. iii During the 19 los, there was an increasing concerted effort on the part of Canadian artists to create art and literature which would afhn Canada's sense of nationhood and modernity. Although in agreement that Canada desperately required its own culture, the Canadian artistic community was divided on what Canadian culture ought to be- For the majority of Canadian painters, wrïters, critics and readers, the fbture of the Canadian arts, especially poetry and painting, lay in Canada's past.
    [Show full text]
  • The Art Museum and the Visual a Rts Archives
    Pictures and History: The Art Museum and the Visual A rts Archives by GREG SPURGEON* The pictorial arts are collected for many reasons. Among the numerous public and private institutions which collect pictorial art are the art museum or gallery which specializes in the "fine arts," and the pictorial archives which specializes in "documentary art." The Oxford English Dictionary defines each as follows: a "museum" is "a building ... used as a repository for the preservation and exhibition of objects illustrative of antiquities, natural history, fine and industrial art, or some particular branch of any of these subjects" and "art" is the "skilful production of the beautiful in visible forms," whereas an "archives" is "a place in which public records or other important documents are kept" and a "document" is "something written or otherwise inscribed which furnishes evidence or information upon any subject, such as a manuscript, title-deed, tombstone, coin, picture, etc." Clearly there is some overlap of territory for the museum and the archives in their roles as preservers of heritage, but there is also clearly some difference of focus. In the arena of pictorial art, the art museum focuses on "art" with its connotations of taste, beauty, and creative excellence, whereas the archives focuses on the "document" with its inherent evidential, informational, or historical value. But are these distinctions clear either in fact or in practice? Is any example of pictorial art ever wholly "art" or wholly a "document"? And where should it find a home - in a museum or in an archives? The answers to these questions are neither simple nor clear-cut.
    [Show full text]
  • Beaupré 1896-1904. Lieu D'inspiration D'une Peinture Identitaire
    Madeleine Landry Beaupré 1896 . 1904 LIEU D’INSPIRATION D’UNE PEINTURE IDENTITAIRE Avant-proposSEPTENTRION1 2 Beaupré 1896 . 1904 LIEU D’INSPIRATION D’UNE PEINTURE IDENTITAIRE Avant-propos 3 4 Beaupré 1896 . 1904 LIEU D’INSPIRATION D’UNE PEINTURE IDENTITAIRE Madeleine Landry SEPTENTRION Avant-propos 5 Pour effectuer une recherche libre par mot-clé à l’intérieur de cet ouvrage, rendez-vous sur notre site Internet au www.septentrion.qc.ca Les éditions du Septentrion remercient le Conseil des Arts du Canada et la Société de dévelop pement des entreprises culturelles du Québec (SODEC) pour le soutien accordé à leur programme d’édition, ainsi que le gouvernement du Québec pour son Programme de crédit d’impôt pour l’édition de livres. Nous reconnaissons également l’aide financière du gouvernement du Canada par l’entremise du Fonds du livre du Canada (FLC) pour nos activités d’édition. Correction d’épreuves : Marie-Michèle Rheault Mise en pages et maquette de couverture : Louise Méthé Si vous désirez être tenu au courant des publications des ÉDITIONS DU SEPTENTRION vous pouvez nous écrire par courrier, par courriel à [email protected], Abréviations par télécopieur au 418 527-4978 ou consulter notre catalogue sur Internet : www.septentrion.qc.ca AAM Art Association of Montreal © Les éditions du Septentrion AEAC Agnes Etherington Art Centre, 1300, av. Maguire Queen’s University, Kingston, Ontario Québec (Québec) AGH Art Gallery of Hamilton, Ontario G1T 1Z3 AGO Art Gallery of Ontario, Toronto Diffusion au Canada : Diffusion Dimedia AVM Archives
    [Show full text]
  • Canadian, Impressionist & Modern
    CanAdiAn, impressionist & modern Art Sale Wednesday, november 21, 2018 · 7 Pm · toronto Canadian, impressionist & modern art auCtion Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein refered to as “Heffel” Fine Canadian art or “Auction House” [email protected] CONTACt appraisals Toll Free 1-888-818-6505 [email protected] [email protected], www.heffel.com absentee and telephone bidding toronto [email protected] 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 Telephone 416-961-6505, Fax 416-961-4245 shipping [email protected] ottawa 451 Daly Avenue, Ottawa, Ontario K1N 6H6 subsCriptions Telephone 613-230-6505, Fax 613-230-8884 [email protected] montreal 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Catalogue subsCriptions Telephone 514-939-6505, Fax 514-939-1100 Heffel Gallery Limited regularly publishes a variety of materials vanCouver beneficial to the art collector.
    [Show full text]
  • Newton Mactavish Fonds CA OTAG SC018
    Art Gallery of Ontario E. P. Taylor Research Library and Archives Description & Finding Aid: Newton MacTavish Fonds CA OTAG SC018 Finding aid prepared by Joanne Lombardo, 1987 Modified by Kathleen McLean, ca. 1997 Description prepared by Amy Marshall With assistance from Gary Fitzgibbon, 2003 317 Dundas Street West, Toronto, Ontario, Canada M5T 1G4 Reference Desk: 416-979-6642 www.ago.net/ago/library Newton MacTavish fonds Newton MacTavish fonds Dates of creation 1900 – 1961 Physical description 529 photographs and other material Biographical sketch Newton McFaul MacTavish (1875-1941) was a Canadian journalist, art critic and early art historian. Born in Staffa, Ontario, he became a reporter at The Toronto Globe in 1896 and was its assistant financial editor until 1900. From then until 1906, he studied English literature at McGill University while working as a correspondent and business representative of The Globe in Montreal. In 1903 he married Kate Johnson. Between 1906 and 1926, MacTavish was the editor of The Canadian Magazine in Toronto. In 1910 he travelled to Europe and visited the Canadian artists J.W. Morrice and John Wentworth Russell in Paris. He subsequently (1922-1933) served as a trustee of the National Gallery of Canada in Ottawa. Acadia University, Wolfville, Nova Scotia conferred honorary degrees on Newton MacTavish in 1924 (M.A.) and 1928 (D. Litt.). From 1926 to 1932 he was a member of the Civil Service Commission of Canada. A founder of the Arts and Letters Club (Toronto), he was also on the editorial advisory board of and contributor to the Encyclopedia of Canada (1932-1935).
    [Show full text]
  • Fonds Edmond Dyonnet Couvre La Période 1898-1954
    Ottawa, août 1976. Documents de travail du CRCCF, no 5. CENTRE DE RECHERCHE EN CIVILISATION CANADIENNE-FRANÇAISE INVENTAIRE DES DOCUMENTS EDMOND DYONNET conservés au Centre de recherche en civilisation canadienne-française par Céline Larivière-Derome Ottawa, Université d'Ottawa. Août 1976. INTRODUCTION EDMOND DYONNET, (Crest, France, 1859 - Montréal, 1954), artiste peintre, professeur d'art, officier de l'Académie royale du Canada, membre associé de l'Art Association of Montreal et du Pen and Pencil Club. Dyonnet arrive à Montréal en 1875 et s'inscrit à l'école du Conseil des Arts et Manufactures de la Province de Québec. Déçu par l'enseignement artistique qu'on y donne, il s'empresse de retourner en Europe. Il séjourne pendant quatre ans en Italie et étudie, entre autres, à la Scuola Libéra et à l'Académie de France. Quelques années après son retour à Montréal, il enseignera à l'école du Conseil des Arts et Manufactures de la Province de Québec de 1891 à 1922, à l'Ecole Polytechnique de 1907 à 1923 ainsi qu'à l'Ecole des Beaux-Arts de 1922 à 1925. Les pièces d'archives contenues dans le présent fonds nous font connaître un homme et un artiste fort estimé par ses contemporains. Le fonds Edmond Dyonnet couvre la période 1898-1954. Les docu- ments sont regroupés dans un carton portant la cote P9; on y trouve cent-vingt-quatre pièces occupant un espace de quatre pouces linéaires sur les rayons. La presque totalité de ces documents concerne la car- rière artistique et professorale de Dyonnet: notes biographiques, correspondance personnelle (lettres, cartes postales), photographies d'oeuvres, articles (coupures de journaux, manuscrits) relatifs tant à la profession de Dyonnet qu'à l'histoire de l'art canadien et surtout québécois.
    [Show full text]
  • The Best of Canada's Most Celebrated Landscape Artists
    The Best of Canada’s most celebrated landscape artists The Textured Collection Tel. 416-665-8215 90 Martin Ross Avenue, Toronto, ON M3J 2L4 ImagesByFrameMakers.com Available in 2 different styles and 4 sizes UdUnder g lass, i ncl ldudes HdHand‐tttextured . colour‐coordinated double mats. No glass, available in two sizes Available in two sizes Finished size: 24” X 28” To order this style please add “T” following the image code Finished size: 34” X 38” PRICE CODE “E” To order this style please add “G” following the image code PRICE CODE “AK” Finished size: 12” X 14” To order this style please add “T” following the image code PRICE CODE “AP” Finished size: 20” X 21” To order this style please add “G” TO ORDER following the image code PRICE CODE “C” EXAMPLE: Autumn Orillia by Franklin Carmichael FC‐02‐G Tel. 416-665-8215 90 Martin Ross Avenue, Toronto, ON M3J 2L4 ImagesByFrameMakers.com ARTIST PAGE # A. J. CASSON 1 C FRANKLIN CARMICHAEL 9 EMILY CARR 12 O CLARENCE GAGNON 14 N LAWREN HARRIS 17 A. Y. JACKSON 23 T FRANZ JOHNSTON 25 E ARTHUR LISMER 25 N JEHMACDONALDJ. E. H. MACDONALD 26 TOM THOMSON 28 T FREDERICK VARLEY 37 S Tel. 416-665-8215 90 Martin Ross Avenue, Toronto, ON M3J 2L4 ImagesByFrameMakers.com A. J. CASSON A. J. Casson’s friendship with Franklin Carmichael, an original member of the Group of Seven, proved to be the catalyst of C'Casson's career. AkdtAsked to become a member of the Group in 1926 to replace Frank Johnston who had resigned, Casson went on to become known as a painter of Ontario, as was Carmichael.
    [Show full text]