The Influence of Fine Art on Fashion by Dani-Elle
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2018-2019 Annual Report
2018-2019 annuAl report THE MONTREAL MUSEUM OF FINE ARTS CITED AS MODEL EXAMPLE IN THE OECD AND ICOM’S INTERNATIONAL GUIDE “The Organisation for Economic Co-operation and Development (OECD) and the International Council of Museums (ICOM) recognized the Montreal Museum of Fine Arts’ pioneering role in their guide launched in December 2018, Culture and Local Development: Maximising the Impact. Guide for Local Governments, Communities and Museums. This remarkable validation from two major international economic and cultural institutions will enable us to disseminate our message ever farther, so as to strengthen the role of culture and expand the definition of trailblazing museums, like the MMFA, that are fostering greater inclusion and wellness.” – Nathalie Bondil The Museum is cited in 5 of the 16 international case studies in the guide: a remarkable nod to our institution’s actions that stem from a humanist, innovative and inclusive vision. Below are a few excerpts from the publication that is available online at www.oedc.org: 1. Partnering for urban regeneration 3. Partnership for education: EducArt 5. Promoting inclusiveness, health and Regarding the MMFA’s involvement in creating the digital platform, Quebec, Canada well-being: A Manifesto for a Humanist Zone Éducation-Culture in 2016, in collaboration Launched in 2017 by the MMFA, EducArt gives Fine Arts Museum with Concordia University and the Ville de Montreal: secondary school teachers across the province access “As part of the Manifesto for a Humanist Fine “The project … has its roots in a common vision [of to an interdisciplinary approach to teaching the Arts Museum written by Nathalie Bondil,1 the the three institutions] to improve Montreal’s role as educational curriculum, based on the Museum’s MMFA has put forth a strong vision of the social a city of knowledge and culture. -
Artisspectrum Vol.28, November 2012
ARTisSpectrum Volume 28 The Chelsea Perspective Pomp and Exaltation - The Influence of Fine Art on Fashion By Dani-Elle Dubé 1 ARTisSpectrumProfiles | Volume 28 | artisspectrum.com of Contemporary Art and Artists DELAWARE CENTER FOR THE CONTEMPORARY ARTS DCCA; 35,000 sq. ft., seven galleries, 26 artists’ studios, gift shop, high-tech auditorium, and always FREE Admission. Upcoming Exhibits Natural Forces: Alison Stigora Sep 7, 2012 – Dec 9, 2012 Young Country: Rural Themes in Art Sep 29, 2012 – Jan 27, 2013 Rise and Fall: Monumental Duct Tape Drawings: Joe Girandola Oct 6, 2012 – Feb 10, 2013 Freak Antique: Contemporary Art Curios Oct 27, 2012 – Feb 10, 2013 Artist: Sarah Lyon Portrait of Artist’s Bronzed Boots from the Young Country exhibition. A forum for new ideas, new ART Tue, Thu, Fri & Sat: 10 to 5 Wed & Sun: 12 to 5 Mon:Closed 200 South Madison Street Wilmington, DE 19801 302.656.6466 www.thedcca.org Royal Academicians from Anish Kapoor to Zaha Hadid Public previews 3 – 7 October 2012 Public auction 9 October 2012 Exhibition 11 October – 11 November 2012 RA Friends go free royalacademy.org.uk ARTisSpectrum | Volume 28 | artisspectrum.com 2 Agora.indd 1 04/09/2012 11:26 Treasures of the Amazon Rainforest: A solo exhibition of photography by Robert Oelman November 27- December 18, 2012 Opening Reception Thursday, November 29, 2012 6-8pm Agora Ad Robert Oelman: Membracis bucktoni/”Michael” Photographic Print on Fine Art bucktoni/”Michael” 7” x 11” Photographic Oelman: Membracis Robert Paper 530 West 25th Street, New York 10001 www.Agora-Gallery.com -
26727 Consignor Auction Catalogue Template
Auction of Important Canadian & International Art September 24, 2020 AUCTION OF IMPORTANT CANADIAN & INTERNATIONAL ART LIVE AUCTION THURSDAY, SEPTEMBER 24TH AT 7:00 PM ROYAL ONTARIO MUSEUM 100 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario ON VIEW Please note: Viewings will be by appointment. Please contact our team or visit our website to arrange a viewing. COWLEY ABBOTT GALLERY 326 Dundas Street West, Toronto, Ontario JULY 8TH - SEPTEMBER 4TH Monday to Friday: 9:00 am to 5:00 pm SEPTEMBER 8TH - 24TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm Sunday, September 20th: 11:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 2 COWLEY ABBOTT | September Auction 2020 Cowley Abbott Fine Art was founded as Consignor Canadian Fine Art in August 2013 as an innovative partnership within the Canadian Art industry between Rob Cowley, Lydia Abbott and Ryan Mayberry. In response to the changing landscape of the Canadian art market and art collecting practices, the frm acts to bridge the services of a retail gallery and auction business, specializing in consultation, valuation and professional presentation of Canadian art. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, holding semi-annual live auctions, as well as monthly online Canadian and International art auctions. Our frm also ofers services for private sales, charity auctions and formal appraisal services, including insurance, probate and donation. -
Fine Canadian Art
HEFFEL FINE ART AUCTION HOUSE HEFFEL FINE ART FINE CANADIAN ART FINE CANADIAN ART FINE CANADIAN ART NOVEMBER 27, 2014 HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE ISBN 978~1~927031~14~8 SALE THURSDAY, NOVEMBER 27, 2014, TORONTO FINE CANADIAN ART AUCTION THURSDAY, NOVEMBER 27, 2014 4 PM, CANADIAN POST~WAR & CONTEMPORARY ART 7 PM, FINE CANADIAN ART PARK HYATT HOTEL, QUEEN’S PARK BALLROOM 4 AVENUE ROAD, TORONTO PREVIEW AT HEFFEL GALLERY, VANCOUVER 2247 GRANVILLE STREET SATURDAY, NOVEMBER 1 THROUGH TUESDAY, NOVEMBER 4, 11 AM TO 6 PM PREVIEW AT GALERIE HEFFEL, MONTREAL 1840 RUE SHERBROOKE OUEST THURSDAY, NOVEMBER 13 THROUGH SATURDAY, NOVEMBER 15, 11 AM TO 6 PM PREVIEW AT UNIVERSITY OF TORONTO ART CENTRE 15 KING’S COLLEGE CIRCLE ENTRANCE OFF HART HOUSE CIRCLE SATURDAY, NOVEMBER 22 THROUGH WEDNESDAY, NOVEMBER 26, 10 AM TO 6 PM THURSDAY, NOVEMBER 27, 10 AM TO 12 PM HEFFEL GALLERY, TORONTO 13 HAZELTON AVENUE, TORONTO ONTARIO, CANADA M5R 2E1 TELEPHONE 416 961~6505, FAX 416 961~4245 TOLL FREE 1 800 528-9608 WWW.HEFFEL.COM HEFFEL FINE ART AUCTION HOUSE VANCOUVER • CALGARY • TORONTO • OTTAWA • MONTREAL HEFFEL FINE ART AUCTION HOUSE CATALOGUE SUBSCRIPTIONS A Division of Heffel Gallery Inc. Heffel Fine Art Auction House and Heffel Gallery Inc. regularly publish a variety of materials beneficial to the art collector. An TORONTO Annual Subscription entitles you to receive our Auction Catalogues 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 and Auction Result Sheets. Our Annual Subscription Form can be Telephone 416 961~6505, Fax 416 961~4245 found on page 116 of this catalogue. -
Auction Cdn Art A08f 10062008 Final Draft V1
HEFFEL FINE ART AUCTION HOUSE 81 verso 166 168 adaptation of Impressionism in Canada. While spending time in Paris in 168 CLARENCE ALPHONSE GAGNON her youth, she was undoubtedly moved by the artistic masters of the CAC RCA 1881 ~ 1942 Impressionist movement. May was captivated by the Impressionists’ St~Eustache Evening modern subjects, such as steam engines and railways, during a time when industry and transportation were becoming increasingly important. As is oil on panel, signed and on verso titled twice evident in this summer landscape, May painted similar themes in the and certified by Lucile Rodier Gagnon, inventory #958, loose brush~stroke style made famous by Impressionist masters. Paris 1946, on the Rodier Gagnon label 4 3/4 x 7 1/8 in, 12.1 x 18.1 cm ESTIMATE: $20,000 ~ 25,000 PROVENANCE: Galerie Walter Klinkoff Inc., Montreal 167 NORA FRANCES ELIZABETH COLLYER Private Collection, Toronto BHHG FCA 1898 ~ 1979 ESTIMATE: $8,000 ~ 10,000 St~Fidèle, PQ oil on board, signed and on verso signed, titled and dated August 1936 16 x 18 in, 40.6 x 45.7 cm PROVENANCE: Private Collection, Quebec Nora Collyer was a founding member of the Beaver Hall Group in Montreal in 1920. This group provided an impetus to the careers of some of the finest women painters in Canada. Collyer often painted in the Quebec countryside, as her family cottage was at Foster, and from 1950 to 1967 she spent summers painting at a cottage she built nearby overlooking Lake Memphremagog. Collyer was known for her Eastern Township landscapes and Quebec village scenes such as this richly coloured work, a strong, layered composition packed with interesting elements such as the village church, flooded with bright, clear light. -
117 Clarence Alphonse Gagnon Exhibited at Saint-Malo Is Being Offered for Sale This Autumn
1909, his beach scenes correspond to a time when he decided to be recognized as a painter rather than an engraver. Several pho- tos from his personal album bear witness to the summer of 1907 and the pleasure he took frolicking in the waters of the Channel in Brittany, with his brother Willford and the sisters Katherine (his future wife) and Ethel Irwin. Faced with the spectacle of the Emerald Coast’s seaside resorts at Dinard, Saint-Malo, and Paramé, Gagnon the painter could satisfy his love of plein air painting. These delicate and elegant impressions of beach scenes would henceforth associate him with the master James W. Morrice, his compatriot 15 years his senior. Under Morrice’s influence, Gagnon painted his observations on small wooden panels. The light of the sea striking the coastline and the beaches crowded with holidaymakers brightened his colour palette. Incidentally, Morrice was staying in Saint-Malo in July 1907. However, no documents exist to confirm that the two painters met there. For Gagnon, beach scenes provided no more than a passing interest cLarEncE aLPhonsE GaGnon for a period of at most three years, during which time he com- The Two Beaches: Paramé and Saint-Malo pleted such works as Summer Breeze at Dinard, 1907 (collection of oil on canvas, 1908 49 x 67 1/2 in, 124.5 x 171.50 cm the Musée national des beaux-arts du Québec); The Two Beaches: Collection of the Beaverbrook Art Gallery Paramé and Saint-Malo, 1908 (collection of the Beaverbrook Art Gift of the Beaverbrook Canadian Foundation Gallery); and The Beach at Dinard, 1909 (collection of the Mon- treal Museum of Fine Arts). -
000 CANOEING at 1936-2008 OLYMPIC GAMES MEDAL
OLYMPIC GAMES MEDAL WINNERS Sprint and Slalom 1936 to 2008 1 MEDAL WINNERS TABLE (SPRINT) 1936 to 2008 SUMMER OLYMPICS Year s and Host Cities Medals per Event Gold Silver Bronze MEN K-1, 10 000 m (collapsible) 1936 Berlin, Gregor Hradetzky Henri Eberhardt Xaver Hörmann Germany Austria (AUT) France (FRA) Germany (GER) MEN K-2, 10 000 m (collapsible) 1936 Berlin, Sven Johansson Willi Horn Piet Wijdekop Germany Erik Bladström Erich Hanisch Cees Wijdekop Sweden (SWE) Germany (GER) Netherlands (NED) MEN K-1, 10 000 m 1936 Berlin, Ernst Krebs Fritz Landertinger Ernest Riedel Germany Germany (GER) Austria (AUT) United States (USA) 1948 London, Gert Fredriksson Kurt Wires Eivind Skabo United Kingdom Sweden (SWE) Finland (FIN) Norway (NOR) 1952 Helsinki, Thorvald Strömberg Gert Fredriksson Michael Scheuer Finland Finland (FIN) Sweden (SWE) West Germany (FRG) 1956 Melbourne, Gert Fredriksson Ferenc Hatlaczky Michael Scheuer Australia Sweden (SWE) Hungary (HUN) Germany (EUA) MEN K-2, 10 000 m 1936 Berlin, Paul Wevers Viktor Kalisch Tage Fahlborg Germany Ludwig Landen Karl Steinhuber Helge Larsson Germany (GER) Austria (AUT) Sweden (SWE) 1948 London, Gunnar Åkerlund Ivar Mathisen Thor Axelsson United Kingdom Hans Wetterström Knut Østby Nils Björklöf Sweden (SWE) Norway (NOR) Finland (FIN) 1952 Helsinki, Kurt Wires Gunnar Åkerlund Ferenc Varga Finland Yrjö Hietanen Hans Wetterström József Gurovits Finland (FIN) Sweden (SWE) Hungary (HUN) 1956 Melbourne, János Urányi Fritz Briel Dennis Green Australia László Fábián Theodor Kleine Walter Brown Hungary -
The Group of Seven, AJM Smith and FR Scott Alexandra M. Roza
Towards a Modern Canadian Art 1910-1936: The Group of Seven, A.J.M. Smith and F.R. Scott Alexandra M. Roza Department of English McGill University. Montreal August 1997 A Thesis subrnitted to the Facdty of Graduate Studies and Researçh in partial fiilfiliment of the requirements of the degree of Master of Arts. O Alexandra Roza, 1997 National Library BiMiotheque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellingtocl Ottawa ON KIA ON4 OttawaON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence aliowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seii reproduire, prêter, distnibuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nim, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. iii During the 19 los, there was an increasing concerted effort on the part of Canadian artists to create art and literature which would afhn Canada's sense of nationhood and modernity. Although in agreement that Canada desperately required its own culture, the Canadian artistic community was divided on what Canadian culture ought to be- For the majority of Canadian painters, wrïters, critics and readers, the fbture of the Canadian arts, especially poetry and painting, lay in Canada's past. -
The Art Museum and the Visual a Rts Archives
Pictures and History: The Art Museum and the Visual A rts Archives by GREG SPURGEON* The pictorial arts are collected for many reasons. Among the numerous public and private institutions which collect pictorial art are the art museum or gallery which specializes in the "fine arts," and the pictorial archives which specializes in "documentary art." The Oxford English Dictionary defines each as follows: a "museum" is "a building ... used as a repository for the preservation and exhibition of objects illustrative of antiquities, natural history, fine and industrial art, or some particular branch of any of these subjects" and "art" is the "skilful production of the beautiful in visible forms," whereas an "archives" is "a place in which public records or other important documents are kept" and a "document" is "something written or otherwise inscribed which furnishes evidence or information upon any subject, such as a manuscript, title-deed, tombstone, coin, picture, etc." Clearly there is some overlap of territory for the museum and the archives in their roles as preservers of heritage, but there is also clearly some difference of focus. In the arena of pictorial art, the art museum focuses on "art" with its connotations of taste, beauty, and creative excellence, whereas the archives focuses on the "document" with its inherent evidential, informational, or historical value. But are these distinctions clear either in fact or in practice? Is any example of pictorial art ever wholly "art" or wholly a "document"? And where should it find a home - in a museum or in an archives? The answers to these questions are neither simple nor clear-cut. -
Olympic Canoe/Kayak Flatwater Medals & USA Results
Olympic Canoe/Kayak Flatwater Medals & USA Results By Dan Henderson The goal of this paper is to provide the reader with a clear understanding of the history of USA Canoe/Kayak Sprint performance, and where it is trending. From the data it’s clear that the USA Team international performance has been in decline, and there’s not much farther down to go. The American Canoe Association, the National Governing Body for canoe/kayak racing in the United States, is tasked with a turnaround project to stop the decline and improve performance. I believe there’s a set of solutions and that those of us within the sport now can find it: that we can provide the opportunities for American youth to prepare for and successfully compete with the best in the world, that given the opportunity many American youth will step up to the challenge and prepare and compete. Fundamental is that national leadership initiate a discussion involving all stakeholders as to what is to be accomplished, and how to develop performance based structures and programs, to build an attitude of confidence and high expectations to move our nation’s performance forward in a positive direction. It is my hope that this paper will initiate that discussion. USA Canoe/Kayak Olympic Performance 100% % Entered 90% % Top 9 80% % Medal 70% 60% Trend Line 50% 40% 30% 20% 10% 0% 1992 2012 1936 1940 1944 1948 1952 1956 1960 1964 1968 1972 1976 1980 1984 1988 1996 2000 2004 2008 2016 Chart 1 – USA Canoe/Kayak Olympic Performance In a given Olympic year, the chart above displays the percentage of total canoe/kayak events the USA Team entered, in what percentage of the total events the USA Team reached the final 1 for sprints (or top 9 for 10,000m events through 1956), and the podium (medal). -
Beaupré 1896-1904. Lieu D'inspiration D'une Peinture Identitaire
Madeleine Landry Beaupré 1896 . 1904 LIEU D’INSPIRATION D’UNE PEINTURE IDENTITAIRE Avant-proposSEPTENTRION1 2 Beaupré 1896 . 1904 LIEU D’INSPIRATION D’UNE PEINTURE IDENTITAIRE Avant-propos 3 4 Beaupré 1896 . 1904 LIEU D’INSPIRATION D’UNE PEINTURE IDENTITAIRE Madeleine Landry SEPTENTRION Avant-propos 5 Pour effectuer une recherche libre par mot-clé à l’intérieur de cet ouvrage, rendez-vous sur notre site Internet au www.septentrion.qc.ca Les éditions du Septentrion remercient le Conseil des Arts du Canada et la Société de dévelop pement des entreprises culturelles du Québec (SODEC) pour le soutien accordé à leur programme d’édition, ainsi que le gouvernement du Québec pour son Programme de crédit d’impôt pour l’édition de livres. Nous reconnaissons également l’aide financière du gouvernement du Canada par l’entremise du Fonds du livre du Canada (FLC) pour nos activités d’édition. Correction d’épreuves : Marie-Michèle Rheault Mise en pages et maquette de couverture : Louise Méthé Si vous désirez être tenu au courant des publications des ÉDITIONS DU SEPTENTRION vous pouvez nous écrire par courrier, par courriel à [email protected], Abréviations par télécopieur au 418 527-4978 ou consulter notre catalogue sur Internet : www.septentrion.qc.ca AAM Art Association of Montreal © Les éditions du Septentrion AEAC Agnes Etherington Art Centre, 1300, av. Maguire Queen’s University, Kingston, Ontario Québec (Québec) AGH Art Gallery of Hamilton, Ontario G1T 1Z3 AGO Art Gallery of Ontario, Toronto Diffusion au Canada : Diffusion Dimedia AVM Archives -
Canadian, Impressionist & Modern
CanAdiAn, impressionist & modern Art Sale Wednesday, november 21, 2018 · 7 Pm · toronto Canadian, impressionist & modern art auCtion Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein refered to as “Heffel” Fine Canadian art or “Auction House” [email protected] CONTACt appraisals Toll Free 1-888-818-6505 [email protected] [email protected], www.heffel.com absentee and telephone bidding toronto [email protected] 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 Telephone 416-961-6505, Fax 416-961-4245 shipping [email protected] ottawa 451 Daly Avenue, Ottawa, Ontario K1N 6H6 subsCriptions Telephone 613-230-6505, Fax 613-230-8884 [email protected] montreal 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Catalogue subsCriptions Telephone 514-939-6505, Fax 514-939-1100 Heffel Gallery Limited regularly publishes a variety of materials vanCouver beneficial to the art collector.