First-Time Encounters: "Passing" Revisited and Demystification As a Critical Practice
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H.Doc. 108-224 Black Americans in Congress 1870-2007
“The Negroes’ Temporary Farewell” JIM CROW AND THE EXCLUSION OF AFRICAN AMERICANS FROM CONGRESS, 1887–1929 On December 5, 1887, for the first time in almost two decades, Congress convened without an African-American Member. “All the men who stood up in awkward squads to be sworn in on Monday had white faces,” noted a correspondent for the Philadelphia Record of the Members who took the oath of office on the House Floor. “The negro is not only out of Congress, he is practically out of politics.”1 Though three black men served in the next Congress (51st, 1889–1891), the number of African Americans serving on Capitol Hill diminished significantly as the congressional focus on racial equality faded. Only five African Americans were elected to the House in the next decade: Henry Cheatham and George White of North Carolina, Thomas Miller and George Murray of South Carolina, and John M. Langston of Virginia. But despite their isolation, these men sought to represent the interests of all African Americans. Like their predecessors, they confronted violent and contested elections, difficulty procuring desirable committee assignments, and an inability to pass their legislative initiatives. Moreover, these black Members faced further impediments in the form of legalized segregation and disfranchisement, general disinterest in progressive racial legislation, and the increasing power of southern conservatives in Congress. John M. Langston took his seat in Congress after contesting the election results in his district. One of the first African Americans in the nation elected to public office, he was clerk of the Brownhelm (Ohio) Townshipn i 1855. -
Historical Origins of the One-Drop Racial Rule in the United States
Historical Origins of the One-Drop Racial Rule in the United States Winthrop D. Jordan1 Edited by Paul Spickard2 Editor’s Note Winthrop Jordan was one of the most honored US historians of the second half of the twentieth century. His subjects were race, gender, sex, slavery, and religion, and he wrote almost exclusively about the early centuries of American history. One of his first published articles, “American Chiaroscuro: The Status and Definition of Mulattoes in the British Colonies” (1962), may be considered an intellectual forerunner of multiracial studies, as it described the high degree of social and sexual mixing that occurred in the early centuries between Africans and Europeans in what later became the United States, and hinted at the subtle racial positionings of mixed people in those years.3 Jordan’s first book, White over Black: American Attitudes Toward the Negro, 1550–1812, was published in 1968 at the height of the Civil Rights Movement era. The product of years of painstaking archival research, attentive to the nuances of the thousands of documents that are its sources, and written in sparkling prose, White over Black showed as no previous book had done the subtle psycho-social origins of the American racial caste system.4 It won the National Book Award, the Ralph Waldo Emerson Prize, the Bancroft Prize, the Parkman Prize, and other honors. It has never been out of print since, and it remains a staple of the graduate school curriculum for American historians and scholars of ethnic studies. In 2005, the eminent public intellectual Gerald Early, at the request of the African American magazine American Legacy, listed what he believed to be the ten most influential books on African American history. -
Than Segregation, Racial Identity: the Neglected Question in Plessy V
Washington and Lee Journal of Civil Rights and Social Justice Volume 10 | Issue 1 Article 3 Spring 4-1-2004 MORE THAN SEGREGATION, RACIAL IDENTITY: THE NEGLECTED QUESTION IN PLESSY V. FERGUSON Thomas J. Davis Follow this and additional works at: https://scholarlycommons.law.wlu.edu/crsj Part of the Civil Rights and Discrimination Commons, and the Legal History Commons Recommended Citation Thomas J. Davis, MORE THAN SEGREGATION, RACIAL IDENTITY: THE NEGLECTED QUESTION IN PLESSY V. FERGUSON, 10 Wash. & Lee Race & Ethnic Anc. L. J. 1 (2004). Available at: https://scholarlycommons.law.wlu.edu/crsj/vol10/iss1/3 This Article is brought to you for free and open access by the Washington and Lee Journal of Civil Rights and Social Justice at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Journal of Civil Rights and Social Justice by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. MORE THAN SEGREGATION, RACIAL IDENTITY: THE NEGLECTED QUESTION IN PLESSY V. FERGUSON Thomas J. Davis* I. INTRODUCTION The U.S. Supreme Court's 1896 decision in Plessy v. Ferguson' has long stood as an ignominious marker in U.S. law, symbolizing the nation's highest legal sanction for the physical separation by race of persons in the United States. In ruling against thirty-four-year-old New Orleans shoemaker Homer Adolph Plessy's challenge to Louisiana's Separate Railway Act of 1890,2 the Court majority declared that we think the enforced separation of the races, as applied to the internal commerce of the state, neither abridges the privileges or immunities of the colored man, deprives him of his property without due process of law, nor denies him the equal protection of the laws, within the meaning of the Fourteenth Amendment.3 One commentator on the Court's treatment of African-American civil rights cast the Plessy decision as "the climactic Supreme Court pronouncement on segregated institutions."4 Historian C. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Litigating the Lash: Quaker Emancipator Robert Pleasants, the Law
LITIGATING THE LASH: QUAKER EMANCIPATOR ROBERT PLEASANTS, THE LAW OF SLAVERY, AND THE MEANING OF MANUMISSION IN REVOLUTIONARY AND EARLY NATIONAL VIRGINIA By William Fernandez Hardin Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2013 Nashville, Tennessee Approved: Richard J.M. Blackett David L. Carlton Daniel J. Sharfstein Daniel H. Usner Copyright © by William Fernandez Hardin All Rights Reserved To Jessica, for loving a grumpy man, and to Ainsley, for making him less grumpy. ii ACKNOWLEDGMENTS I would like to thank the Virginia Historical Society and the John D. Rockefeller Jr. Library at Colonial Williamsburg for their support in the research of this dissertation—both collections proved invaluable and the staff helped a fledging graduate student navigate unfamiliar terrain. I would also like to thank the Folger Institute’s Center for the History of British Political Thought in Washington D.C. and my fellow participants in the “Changing Conceptions of Property” seminar for the opportunity to spend a summer discussing the relationship between English property law and colonial governance. I would also like to thank the Vanderbilt history department for its generous support. It has been a pleasure to learn the craft from such a distinguished group of historians. Professors Michael Bess, Bill Caferro, Katie Crawford, Dennis Dickerson, and Elizabeth Lunbeck, each—in vastly different ways—helped me discover new ways of considering the past and the people who lived there and I thank them for it. I would also like to thank the Vanderbilt Americanist Works-in-Progress Seminar for graciously allowing me to present my work and the invaluable comments and critiques provided. -
(In)Determinable: Race in Brazil and the United States
Michigan Journal of Race and Law Volume 14 2009 Determining the (In)Determinable: Race in Brazil and the United States D. Wendy Greene Cumberland School fo Law at Samford University Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Comparative and Foreign Law Commons, Education Law Commons, Law and Race Commons, and the Law and Society Commons Recommended Citation D. W. Greene, Determining the (In)Determinable: Race in Brazil and the United States, 14 MICH. J. RACE & L. 143 (2009). Available at: https://repository.law.umich.edu/mjrl/vol14/iss2/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. DETERMINING THE (IN)DETERMINABLE: RACE IN BRAZIL AND THE UNITED STATES D. Wendy Greene* In recent years, the Brazilian states of Rio de Janeiro, So Paulo, and Mato Grasso du Sol have implemented race-conscious affirmative action programs in higher education. These states established admissions quotas in public universities '' for Afro-Brazilians or afrodescendentes. As a result, determining who is "Black has become a complex yet important undertaking in Brazil. Scholars and the general public alike have claimed that the determination of Blackness in Brazil is different than in the United States; determining Blackness in the United States is allegedly a simpler task than in Brazil. In Brazil it is widely acknowledged that most Brazilians are descendants of Aficans in light of the pervasive miscegenation that occurred during and after the Portuguese and Brazilian enslavement of * Assistant Professor of Law, Cumberland School of Law at Samford University. -
Emerging Paradigms in Critical Mixed Race Studies G
Emerging Paradigms in Critical Mixed Race Studies G. Reginald Daniel, Laura Kina, Wei Ming Dariotis, and Camilla Fojas Mixed Race Studies1 In the early 1980s, several important unpublished doctoral dissertations were written on the topic of multiraciality and mixed-race experiences in the United States. Numerous scholarly works were published in the late 1980s and early 1990s. By 2004, master’s theses, doctoral dissertations, books, book chapters, and journal articles on the subject reached a critical mass. They composed part of the emerging field of mixed race studies although that scholarship did not yet encompass a formally defined area of inquiry. What has changed is that there is now recognition of an entire field devoted to the study of multiracial identities and mixed-race experiences. Rather than indicating an abrupt shift or change in the study of these topics, mixed race studies is now being formally defined at a time that beckons scholars to be more critical. That is, the current moment calls upon scholars to assess the merit of arguments made over the last twenty years and their relevance for future research. This essay seeks to map out the critical turn in mixed race studies. It discusses whether and to what extent the field that is now being called critical mixed race studies (CMRS) diverges from previous explorations of the topic, thereby leading to formations of new intellectual terrain. In the United States, the public interest in the topic of mixed race intensified during the 2008 presidential campaign of Barack Obama, an African American whose biracial background and global experience figured prominently in his campaign for and election to the nation’s highest office. -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
Imitation of Life
Genre Films: OLLI: Spring 2021: weeks 5 & 6 week 5: IMITATION OF LIFE (1959) directed by Douglas Sirk; cast: Lana Turner, John Gavin, Sandra Dee, Juanita Moore, Susan Kohner, Dan O'Herlihy, Troy Donahue, Robert Alda Richard Brody: new yorker .com: “For his last Hollywood film, released in 1959, the German director Douglas Sirk unleashed a melodramatic torrent of rage at the corrupt core of American life—the unholy trinity of racism, commercialism, and puritanism. The story starts in 1948, when two widowed mothers of young daughters meet at Coney Island: Lora Meredith (Lana Turner), an aspiring actress, who is white, and Annie Johnson (Juanita Moore), a homeless and unemployed woman, who is black. The Johnsons move in with the Merediths; Annie keeps house while Lora auditions. A decade later, Lora is the toast of Broadway and Annie (who still calls her Miss Lora) continues to maintain the house. Meanwhile, Lora endures troubled relationships with a playwright (Dan O’Herlihy), an adman (John Gavin), and her daughter (Sandra Dee); Annie’s light-skinned teen-age daughter, Sarah Jane (Susan Kohner), is working as a bump-and-grind showgirl and passing as white, even as whites pass as happy and Annie exhausts herself mastering her anger and maintaining her self-control. For Sirk, the grand finale was a funeral for the prevailing order, a trumpet blast against social façades and walls of silence. The price of success, in his view, may be the death of the soul, but its wages afford retirement, withdrawal, and contemplation—and, upon completing the film, that’s what Sirk did.” Charles Taylor: villagevoice.com: 2015: “Fifty-six years after it opened, Douglas Sirk’s Imitation of Life … remains the apotheosis of Hollywood melodrama — as Sirk’s final film, it could hardly be anything else — and the toughest-minded, most irresolvable movie ever made about race in this country. -
The Politics of Multiracialism Is to Analyze What This Transformation Means Within the Current Racial Politics
INTRODUCTION Heather M. Dalmage “Almighty God created the races White, Black, Yellow, Malay, and Red, and he placed them on separate continents. The fact that he separated the races shows that he did not intend them to mix.”1 With these words Judge Bazile sentenced Mildred and Richard Loving, an interracial couple from Virginia, to one year in prison in 1950. The crime—marrying across race lines. His ruling reflects the history of racial formation in the United States. Calling upon a mixture of religious and scientific mythology, the judge used his power on behalf of the state to strengthen racial categories and white su- premacy. After living in exile in Washington, D.C., for nearly seventeen years, the Lovings finally had their case heard before the Supreme Court. Buttressed by the strength of the civil rights movement in 1967, more than 240 years since the first codified antimiscegenation law,2 the United States Supreme Court declared intermarriage legal in every state.3 Given the legal green light, multiracial families began to form, leading to what Maria Root has called the “biracial babyboom.”4 Of course, intermixing has occurred throughout history, but this would mark the first time that U.S. law would honor each partner as racially equal in the marriage contract. The Loving decision created the legal, if not the social, space for the growth of multi- racial family organizations and other forms of multiracial expression, which eventually became collectively known as the Multiracial Movement. 1 © 2004 State University of New York Press, -
2017 Annual Report
Annual 2017 Report Our ongoing investment into increasing services for the senior In 2017, The Actors Fund Dear Friends, members of our creative community has resulted in 1,474 senior and helped 13,571 people in It was a challenging year in many ways for our nation, but thanks retired performing arts and entertainment professionals served in to your generous support, The Actors Fund continues, stronger 2017, and we’re likely to see that number increase in years to come. 48 states nationally. than ever. Our increased activities programming extends to Los Angeles, too. Our programs and services With the support of The Elizabeth Taylor AIDS Foundation, The Actors Whether it’s our quick and compassionate response to disasters offer social and health services, Fund started an activities program at our Palm View residence in West ANNUAL REPORT like the hurricanes and California wildfires, or new beginnings, employment and training like the openings of The Shubert Pavilion at The Actors Fund Hollywood that has helped build community and provide creative outlets for residents and our larger HIV/AIDS caseload. And the programs, emergency financial Home (see cover photo), a facility that provides world class assistance, affordable housing 2017 rehabilitative care, and The Friedman Health Center for the Hollywood Arts Collective, a new affordable housing complex and more. Performing Arts, our brand new primary care facility in the heart aimed at the performing arts community, is of Times Square, The Actors Fund continues to anticipate and in the development phase. provide for our community’s most urgent needs. Mission Our work would not be possible without an engaged Board as well as the efforts of our top notch staff and volunteers. -
Check One Box: Reconsidering Directive No. 15 and the Classification of Mixed-Race People
Check One Box: Reconsidering Directive No. 15 and the Classification of Mixed-Race People Kenneth E. Paysont INTRODUCTION "What are you?" As the child of a Japanese mother and a White father, I have often been asked this question.' While I am also male, heterosexual, law student, spouse, sibling, and child, this query is usually directed at my racial identity. As a mixed-race person, I am part of an ill-defined, amorphous group of persons who are increasingly becoming the subject of private and public scrutiny. As one commen- tator quipped, one "cannot turn on 'Oprah' without seeing a segment on multiraciality . ."' The simple question "What are you?" illus- trates the fundamental role race plays in defining our relationships with others. When faced with ambiguous morphology, we seek clarification of another's racial identity so that we may begin defining our Copyright © 1996 California Law Review, Inc. t Law clerk to the Honorable Barbara Durham, Chief Justice, Washington Supreme Court. J.D. 1996, Boalt Hall School of Law, University of California, Berkeley. I would like to thank Professor Rachel Moran for her patience, insight, and encouragement. I would also like to thank Professors Robert Chang, Jewelle Taylor Gibbs, Angela Harris, and Marina Hsieh for their thoughtful feedback. Lastly, I would like to thank the editors and staff of the CaliforniaLaw Review for all their hard work. This Comment is dedicated to my wife, Monica, for her unfailing love and support. 1. I evidently appear racially ambiguous, having at various times been identified by others as Asian, Latino, American Indian or African-American.