University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2015 Fashion and Identity in Georgian Britain: the Grand Tour Portraits of Pompeo Batoni Matthew Rogan University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Rogan, Matthew, "Fashion and Identity in Georgian Britain: the Grand Tour Portraits of Pompeo Batoni" (2015). Theses and Dissertations. 835. https://dc.uwm.edu/etd/835 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact
[email protected]. FASHION AND IDENTITY IN GEORGIAN BRITAIN: THE GRAND TOUR PORTRAITS OF POMPEO BATONI by Matthew M. L. Rogan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee May 2015 ABSTRACT FASHION AND IDENTITY IN GEORGIAN BRITAIN: THE GRAND TOUR PORTRAITS OF POMPEO BATONI by Matthew M. L. Rogan The University of Wisconsin-Milwaukee, 2015 Under the Supervision of Professor Tanya Tiffany Portrait artist to popes, royalty, and nobility, Pompeo Batoni was hailed as the premier portrait painter in Rome during his career in the mid to late eighteenth century. Batoni’s reputation as the de rigueur portraitist amongst wealthy British Grand Tourists was solidified by the late 1750s, and he dominated this market until his death in 1787. This thesis will examine the different types of fashion displayed in Batoni’s Grand Tour portraits, and argue that many of the Georgian men depicted paid great attention to their dress and how it augmented their self-fashioned identities.