The History of Tourism: Structures on the Path to Modernity by Ueli Gyr
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GRAND TOUR of PORTUGAL Beyond Return Date FEATURING the D OURO RIVER VALLEY & PORTUGUESE RIVIERA
Durgan Travel presents… VALID 11 Days / 9 Nights PASSPORT REQUIRED Must be valid for 6 mos. GRAND TOUR OF PORTUGAL beyond return date FEATURING THE D OURO RIVER VALLEY & PORTUGUESE RIVIERA Your choice of departures: April ~ Early May ~ October $ $ TBA* for payment by credit card TBA* for payment by cash/check Rates are per person, twin occupancy, and INCLUDE $TBA in air taxes, fees, and fuel surcharges (subject to change). OUR GRAND TOUR OF PORTUGAL TOUR ITINERARY: DAY 1 – BOSTON~PORTUGAL: Depart Boston’s Logan International Airport aboard our transatlantic flight to Porto, Portugal (via intermediate city) with full meal and beverage service, as well as stereo headsets, available in flight. DAY 2 – PORTO, PORTUGAL: Upon arrival at Francisco Carneiro Airport in Porto, we will meet our Tour Escort, who will help with our transfer. We’ll board our private motorcoach and enjoy a panoramic sightseeing tour en route to our 4-star hotel, which is centrally located. After check-in, the remainder of the day is at leisure. Prior to dinner this evening, we will gather for a Welcome Drink. Dinner and overnight. (D) DAY 3 – PORTO: After breakfast at our hotel, we are off for a full day of guided sightseeing in Porto, Portugal’s second largest city, situated on the right bank of the Douro River. Our tour begins in the Foz area near the mouth of the river. Next, we will visit Pol ácio da Bolsa (the stock exchange) , the Old Trade Hall, the Gold Room, the Arabian Hall, the Clerigos Tower, and Cais da Bibeira. -
Episode 88 Transcript
Untold Italy Episode 88 - The Grand Tour This is the Untold Italy Travel podcast, and you're listening to episode number 88. Ciao a tutti and Benvenuti to Untold Italy, the travel podcast, where you go to the towns and villages, mountains and lakes, hills and coastlines of Bella italia. Each week your host Katy Clarke takes you on a journey in search of magical landscapes of history, culture, wine, gelato, and, of course, a whole lot of pasta. If you're dreaming of Italy and planning future adventures there, you've come to the right place. Katy Buon giorno! Ciao! Hi everyone, It’s Katy here and today I am wondering whether you’ve ever done a Grand Tour of Italy? If you’re not sure what I am talking about then today’s episode will reveal all as we dive into a another trip report from one of our listeners. So what is a Grand Tour of Italy? Well this is a tradition that dates back hundreds of years to the 17th century when well to do English gentlemen and later American men and women would travel to Europe as a rite of passage on becoming an adult. While their trips took them to France and Greece they would spend most of their time exploring Italy - in particular Rome, Florence and Venice. Back in those days the trips would last months and involve deep exploration of the cities as part of a rounded education for the elite classes. As steam trains arrived in Europe in the 19th century, this opportunity opened up to the middle classes and is best described in EM Forster’s beautiful novel A Room with A View which just happens to be one of my favorite books of all time. -
Leopold and Wolfgang Mozart's View of the World
Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World by Thomas McPharlin Ford B. Arts (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy European Studies – School of Humanities and Social Sciences University of Adelaide July 2010 i Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World. Preface vii Introduction 1 Chapter 1: Leopold Mozart, 1719–1756: The Making of an Enlightened Father 10 1.1: Leopold’s education. 11 1.2: Leopold’s model of education. 17 1.3: Leopold, Gellert, Gottsched and Günther. 24 1.4: Leopold and his Versuch. 32 Chapter 2: The Mozarts’ Taste: Leopold’s and Wolfgang’s aesthetic perception of their world. 39 2.1: Leopold’s and Wolfgang’s general aesthetic outlook. 40 2.2: Leopold and the aesthetics in his Versuch. 49 2.3: Leopold’s and Wolfgang’s musical aesthetics. 53 2.4: Leopold’s and Wolfgang’s opera aesthetics. 56 Chapter 3: Leopold and Wolfgang, 1756–1778: The education of a Wunderkind. 64 3.1: The Grand Tour. 65 3.2: Tour of Vienna. 82 3.3: Tour of Italy. 89 3.4: Leopold and Wolfgang on Wieland. 96 Chapter 4: Leopold and Wolfgang, 1778–1781: Sturm und Drang and the demise of the Mozarts’ relationship. 106 4.1: Wolfgang’s Paris journey without Leopold. 110 4.2: Maria Anna Mozart’s death. 122 4.3: Wolfgang’s relations with the Weber family. 129 4.4: Wolfgang’s break with Salzburg patronage. -
GRAND TOUR CALIFORNIA Paso Robles
From the producers of Modena Cento Ore and Terre di Canossa GRAND TOUR CALIFORNIA Paso Robles La Dolce Vita meets California Dreamin ‘ Canossa Grand Tours was born in Emilia-Romagna, Italy’s culinary and automotive epicenter – and home to Europe’s most awe inspiring drives. Known as “Food Valley,” the region is home to Parmigiano Reggiano, Parma Prosciutto and Modena Balsamic Vinegar, among other delicacies. Emilia-Romagna is also referred to as the “Motor Valley,” thanks to its illustrious supercar and motorbike houses: Ferrari, Lamborghini, Maserati, Pagani, Dallara and Ducati. Canossa Grand Tour – Paso Robles, is an exclusive, highly curated automotive tour for car enthusiasts inspired by the atmosphere, lifestyle and culture of Emilia-Romagna. Modena, Reggio Emilia, Italy Join Canossa Grand Tour for the ultimate road trip J along the breathtaking roadways of California’s beautiful Central Coast. You will be a part of our intimate, bespoke tours discovering hidden culinary and oenological gems, and indulging in the most unique and savory culinary jewels of the slow food movement, complemented by laureated wines from small scale wineries. Just thirty minutes from coastal Highway 1 and set among the rolling oak-studded foothills of the Santa Lucia Coastal Mountains, J Paso Robles is where the luxurious world of wine meets California cowboy culture. Here you’ll enjoy a private, insider’s guide to Paso Robles’ secluded vineyard drives, its most exclusive wineries and winemakers, and its elevated farm-to-fork cuisine. Rolling Hillsides & Vineyard Drives Explore the westside of beautiful Paso Robles as we tour scenic vineyard roads and connect with the region’s elite winemakers during harvest for vintage 2020. -
The Grand Tour Portraits of Pompeo Batoni Matthew Rogan University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2015 Fashion and Identity in Georgian Britain: the Grand Tour Portraits of Pompeo Batoni Matthew Rogan University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Rogan, Matthew, "Fashion and Identity in Georgian Britain: the Grand Tour Portraits of Pompeo Batoni" (2015). Theses and Dissertations. 835. https://dc.uwm.edu/etd/835 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FASHION AND IDENTITY IN GEORGIAN BRITAIN: THE GRAND TOUR PORTRAITS OF POMPEO BATONI by Matthew M. L. Rogan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee May 2015 ABSTRACT FASHION AND IDENTITY IN GEORGIAN BRITAIN: THE GRAND TOUR PORTRAITS OF POMPEO BATONI by Matthew M. L. Rogan The University of Wisconsin-Milwaukee, 2015 Under the Supervision of Professor Tanya Tiffany Portrait artist to popes, royalty, and nobility, Pompeo Batoni was hailed as the premier portrait painter in Rome during his career in the mid to late eighteenth century. Batoni’s reputation as the de rigueur portraitist amongst wealthy British Grand Tourists was solidified by the late 1750s, and he dominated this market until his death in 1787. This thesis will examine the different types of fashion displayed in Batoni’s Grand Tour portraits, and argue that many of the Georgian men depicted paid great attention to their dress and how it augmented their self-fashioned identities. -
Ideology and Utopia Along the Backpacker Trail
Responsibly Engaged: Ideology and Utopia along the Backpacker Trail By Sonja Bohn Submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in Sociology (2012) Abstract By following the backpacker trail beyond the „tourist bubble,‟ travellers invest in the ideals of freedom, engagement, and responsibility. Backpacker discourse foregrounds travellers‟ freedom to mobility as it constructs the world as „tourable‟; engagement is demonstrated in the search for „authentic‟ connections with cultural Others, beyond the reach of globalised capitalism; responsibility is shouldered by yearning to improve the lives of these Others, through capitalist development. While backpackers frequently question the attainability of these ideals, aspiring to them reveals a desire for a world that is open, diverse, and egalitarian. My perspective is framed by Fredric Jameson‟s reading of the interrelated concepts of ideology and utopia. While backpacker discourse functions ideologically to reify and obscure global inequalities, to entrench free market capitalism, and to limit the imagining of alternatives, it also figures for a utopian world in which such ideology is not necessary. Using this approach, I attempt to undertake critique of backpacker ideology without invalidating its utopian content, while seeking to reveal its limits. Overall, I suggest that late- capitalism subsumes utopian desires for a better way of living by presenting itself as the solution. This leaves backpackers feeling stranded, seeking to escape the ills of capitalism, via capitalism. ii Acknowledgements I am grateful to the backpackers who generously shared their travel stories and reflections for the purposes of this research, I wish you well on your future journeys. -
From Batoni's Brush to Canova's Chisel: Painted and Sculpted Portraiture at Rome, 1740-1830 Volume One of Two: Text Maeve O'dwy
From Batoni's Brush to Canova's Chisel: Painted and sculpted portraiture at Rome, 1740-1830 Volume One of Two: Text Maeve O'Dwyer PhD Thesis University of Edinburgh 2016 I, Maeve O'Dwyer, ________________________________, hereby declare that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional qualification. 2 Abstract This thesis examines the city of Rome as a primary context of British sociability and portrait identity during the period from 1740 to 1830. Part I considers the work of the portrait painter Pompeo Batoni. It examines the pictorial record of grand tourist sociability at Rome in the 1750s, questioning the complex articulation of nationality among British visitors, and the introduction of overt references to antiquity in the portraiture of Pompeo Batoni. It subsequently interrogates Batoni's use of the partially nude Vatican Ariadne sculpture in five portraits of male grand tourists, dating from Charles John Crowle in 1762, to Thomas William Coke in 1774. Part II of this thesis considers the realities of viewing the sculpted body at Rome, recreating the studios of sculptors Christopher Hewetson and Antonio Canova. It posits the studio space as a locus of sociability for British visitors to Rome, drawing on the feminine gaze in the form of the early nineteenth-century writings of Charlotte Eaton and Lady Murray. The final chapter moves from the focus on British sitters to examine sculpture by Antonio Canova, framing it within a wider discourse of masculinity and propriety. -
Grand Tour of Switzerland & Glacier Express, 8
GRAND TOUR OF SWITZERLAND & GLACIER EXPRESS Independent Rail Tour April 1 - October 31, 2021 - Departure any day 8 days / 7 nights: 1 night in Zurich or Geneva, 2 nights in Lucerne, 1 night in St. Moritz 2 nights in Zermatt, 1 night in Zurich or Geneva Zurich Hotels Geneva Hotels Lucerne Hotels St. Moritz Hotels Zermatt Hotels 4* Category 4* Category 4* Category 4* Category 4* Category Glockenhof; Central Plaza Montbrillant;Cornavin; Art Deco Hotel Montana; Art Boutique Hotel Hotel Simi; Pollux; La or similar Manotel Auteuil or similar Flora; Cascada; Radisson Blu Monopole; Steffani; Crystal Ginabelle; Schlosshotel ✳ ✳ Lucerne or similar or similar Zermatt; Alpen Resort; 3* Category 3* Category ✳ ✳ Parkhotel Beau Site; Montana; Comfort Inn Cristal; Strasbourg-Univers 3* Category 3* Category Allalin or similar Royal; Rutli or similar or similar Drei Konige; Waldstatterhof; Soldanella; Laudinella; ✳ Ambassador Des Alpes; Ibis Hauser; Baren or similar 3* Category Styles; De la Paix; Le Stelle or Sarazena; Bristol; Excelsi- similar or; Butterfly or similar Meals Tours Transportation Transfer Also includes Breakfast daily in each city. Explore destinations as per 2nd class roundtrip rail No transfers included. Tax and Service Charge itinerary. travel from Swiss border to Swiss airport. Transfers available at an Seat reservation on Glacier extra cost. Express. Rates 2021 US$ per Person Day by Day Itinerary Day 1: Arrival in Zurich or Geneva by train (2nd class) from the Swiss border or any Swiss airport. April 1 - Ocotber 31 Twin Single Overnight in Zurich or Geneva as per your itinerary. 4* Hotels $2,484 $3,113 Day 2: Breakfast at the hotel. -
Following Mozart in Europe
Following Mozart in Europe E 65 62 lb 22 55 62 20 Kingston che e 45 Wismar Goleniów Chelmno Brodnica Mlawa 1 sis Cuxhaven Czaplinek upon Hull stfrie Lübeck Güstrow We recommend... Man- 22 O seln Schwerin Neubrandenburg Bydgoszcz Ciechanów 180 In Bremer- 27 Szczecin Torun chester Hamburg 22 19 Müritz- Pila 18 Doncaster Grimsby eln Wilhelmshaven haven Walcz Ins See Prenzlau Stargard Szez. W Following the tracks of Mozart through Europe! he 24 28 c Sierpc G sc ote 261 is Sheffield Lincoln si Emden 26 Parchim Neustrelitz N l Plonsk ie Inowroclaw a fr 1 r st 55 Lauenburg Wloclawek Plock Stoke Newark Skegness e 234 Ludwigs- Wagrowiec e Leeuwarden Groningen Leer 22 22 E lust Pritzwalk 251 Dobiegniew Route de France Route Royale Boston W Lüneburg l b PL 5 Derby Nottingham a Bremen 45 e 55 Löwenberg 65 NL Oldenburg Perleberg O Gorzów Gniezno 75 1 28 Uelzen Kyritz d War Sochaczew Cromer s Soltau e ta England t 29 r Wlkp. Krosniewice m W Eberswalde 37 e 24 11 Lowicz King's Heerenveen E Kostrzyn 30 Walsall Stamford Den Helder Assen s A Wrzesnia Lynn 22 232 Cloppenburg e lle H Kutno B r r Salzwedel a Berlin Skwierzyna Pniewy Kolo 69 7 v Rathenow 10 2 Skiernie- Norwich IJssel- e 24 Leicester Peter- Celle l Poznan 42 13 Great Meppel 233 Stendal 10 wice r Emmen Frankfurt/O. 30 Konin borough Yarmouth Alkmaar Spree Steszew Birmingham Nienburg 234 Brandenburg Swiebodzin 67 i meer Slubice ta Northampton Scole Lowestoft 19 Zwolle 1 Diepholz Potsdam 12 War _ Stratford- Ouse Lingen Hannover Pleszew Lódz t Haarlem al Wolfsburg Beeskow Bedford Almelo an 2 2 Krosno Odrz. -
Hitler's Happy People: Kraft Durch Freude's Everyday Production Of
Hitler’s Happy People: Kraft durch Freude’s Everyday Production of Joy in the Third Reich By Julia Timpe M.A., Brown University 2007 Thesis Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of History at Brown University Dissertation Committee: Prof. Omer Bartov Prof. Deborah Cohen Prof. Ethan Pollock PROVIDENCE, MAY 2013 © 2012 by Julia Timpe The dissertation by Julia Timpe is accepted in its present form by the Department of History as satisfying the dissertation requirements for the degree of Doctor of Philosophy. ________________________ _____________________________________ Date Omer Bartov, Advisor Recommended to the Graduate Council _______________________ ______________________________________ Date Deborah Cohen, Reader _______________________ ______________________________________ Date Ethan Pollock, Reader Approved by the Graduate Council _______________________ ______________________________________ Date Peter Weber, Dean of the Graduate School iii CURRICULUM VITAE Julia Timpe was born on November 21, 1980 in Wolfenbüttel, Germany and came to Brown University, Providence, RI in 2004 as an exchange student from Humboldt University, Berlin, Germany, where she was enrolled in a Magister Artium program in the fields of Modern and Contemporary History (major,) Modern German Literature and European Ethnology (minors.) At Brown, she first worked as a Teaching Assistant in the Department of German Studies, before entering the Ph.D. program of Brown’s History Department in 2006. She received an A.M. in History from Brown in 2007 and passed her preliminary examinations with distinction in 2008 in her major field Modern German History (with Omer Bartov) and her minor fields Modern European History (with Deborah Cohen) and Modern Russian History (with Ethan Pollock.) At Brown, she has worked as a Teaching Assistant in the Departments of History and German Studies, taught several courses in Brown’s Summer Program and an undergraduate seminar on the history Weimar Germany in the History Department. -
Destination Berlin: Orderings of City-Identity in Contemporary Tourist Guidebooks
Destination Berlin: Orderings of City-Identity in Contemporary Tourist Guidebooks Ignacio Farías A radical process of standardization of tourist destinations around the globe, particularly in urban contexts, has been described by numerous scholars dur- ing the last decades.1 Indeed, the reinvention of many cities as tourist destina- tions has made evident ‘an odd paradox: whereas the appeal of tourism is the opportunity to see something different, cities that are remade to attract tour- ists seem more and more alike’.2 In such a context, both scholars and practi- tioners point to abstract elements such as images, identities, flairs, and experi- ences, as the main elements defining destinations’ profiles.3 The American historian Catherine Cocks argued that the attribution of a ‘personality’ to the city was a key aspect in the transformation of American cities into tourist des- tinations. Urban personalities made the city easily available, readable and in- telligible, transformed it into a salable commodity, and offered a compelling reason to visit it and to come back.4 Similarly, contemporary European cities can be seen as bearers of specific local urban identities that remain relatively fixed even when information, stereotypes and attributes may prove to be in- accurate or simply false. Wolfgang Kaschuba has in this sense described the production of urban identities as a cultural technique that is predominantly performed in certain societal spaces such as literature, tourism, mass media, pop culture, and history marketing.5 This article focuses on one of such spaces, tourism, and explores how tourist communication transforms Berlin into a distinct and unique destination. -
Feeding the Volk: Food, Culture, and the Politics of Nazi Consumption, 1933-1945
FEEDING THE VOLK: FOOD, CULTURE, AND THE POLITICS OF NAZI CONSUMPTION, 1933-1945 By MARK B. COLE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Mark B. Cole 2 In memory of my mother 3 ACKNOWLEDGMENTS Researching and writing a dissertation is largely a solitary endeavor, but my experience has been greatly enriched by people and institutions on both sides of the Atlantic. First and foremost I must wholeheartedly thank my Doktorvater, Geoffrey J. Giles, not simply because he had the good sense to take on a graduate student with admittedly peculiar interests (food and Nazis), but because he has been a model advisor and has always unflinchingly “mounted the barricades” on my behalf. His support has been unwavering, his advice always spot on, and his criticisms insightful. While he will always remain a mentor, I am happy to say that over the years he has also become a dear friend. I should also like to thank two other scholars. At the University of Toledo, Larry Wilcox was the first to spark my interest in German history by doing what he does best, being a fabulous teacher. And, from my very first semester as master’s student at the University of Akron to the present day, Shelley Baranowski has been a constant source of support and inspiration. It is a great personal and intellectual debt that I owe her. The University of Florida in general and the Department of History in particular provided an excellent intellectual environment for me to grow as a historian.