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Dossier De Presse DOSSIER DE PRESSE 1 R E N S E I G N E M E N T S Directeur artistique : Misha Katz Coproduction Ville de Cannes / Casino Barrière de Cannes Croisette Avec le soutien du Département des Alpes-Maritimes Concerts de 21h - Parvis de l’Eglise Notre-Dame d’Espérance Concerts de 19h – Cour du Musée de la Castre TARIFS ET POINTS DE VENTE Concerts de 21H - Parvis de l’Église Notre-Dame d’Espérance Concerts assis - numérotés Tarif public 32€ Jeunes -26 ans 15€ Tarif réduit 28€ Enfants -10 ans 10€ Concerts de 19H - Cour du Musée de la Castre Concerts assis – non numérotés Tarif public 12€ Enfants -10 ans 10€ BILLETTERIE Palais des Festivals Sur place : Esplanade G.Pompidou – Accès par l’Office de Tourisme de Cannes Par téléphone : avec transmission carte bancaire +33 (0)4 92 98 62 77 Par mail : [email protected] Du lundi au samedi de 10h à 18h et 1 heure avant chaque représentation sur le lieu du spectacle. Par internet : www.palaisdesfestivals.com En vente également dans les points de ventes habituels PARKING Forfait parking du Palais des Festivals : 5,50€ pour 7 heures de stationnement. Nouveau fonctionnement : Billet de sortie à retirer à la billetterie ou à l’accueil du spectacle et règlement directement aux bornes de sortie du parking. Navettes exclusivement réservées aux personnes à mobilité réduite. Départ devant le Casino Croisette. Début des rotations à 19h (18h pour les spectacles de 19h).* SUIVEZ-NOUS CONTACTS PRESSE Blandine DUGENETAY - Attachée de presse - 04 92 99 84 45 - [email protected] Sophie SANTANDREA - Assistante presse - 04 92 99 84 46 - [email protected] 2 S O M M A I R E 4 E D I T O R I A L 5 B I O G R A P H I E M I S H A K A T Z 6 P R O G R A M M E 7 ORCHESTRA SINFONICA DI SAN REMO 8 GRAND PRIX DE CONCOURS INTERNATIONAUX 9 HOMMAGE À BRIGITTE ENGERER 10 LES TALENTS DE LA REGION - CONCERT DEDIE A AURORE BUSSER 11 CARTE BLANCHE À PHILIPPE BIANCONI 12 GRAND PRIX DE CONCOURS INTERNATIONAUX 12 ORCHESTRE DE CANNES 3 E D I T O R I A L Avant que les lumières s’allument… La programmation d’un rendez-vous de musique classique comme les Nuits Musicales du Suquet tient bien souvent de la quête de l’alchimiste : une recherche constante d’ingrédients mystérieux et de dosages délicats pour atteindre un obsédant objectif. Il n’est pas question ici d’un quelconque métal bien sûr, mais de convaincre et séduire les mélomanes, avertis ou amateurs, et valoriser toujours la musique et ceux qui l’interprètent ! Ma recette préconise de surprendre sans rebuter ; mettre en lumière les grandes partitions sans négliger les œuvres plus confidentielles ; chérir les solistes sans occulter les compositions pour orchestre ; faire entendre les grands noms de la scène internationale tout en offrant de découvrir de nouveaux talents ; traquer comme le graal des interprètes aux personnalités et aux styles différents, mais avec la même excellence technique et toujours animés d’une passion communicative pour leur art… mais bien sûr on ne révèle jamais TOUS les ingrédients ! Voilà déjà en tout cas quelques-uns de ceux qui ont composé cette programmation 2018, avec en fil rouge la volonté omniprésente de donner aux mélomanes familiers de ce Festival au charme si particulier l’envie de revenir… et aux autres l’envie de nous rejoindre. Misha KATZ Directeur artistique 4 B I O G R A P H I E M I S H A K A T Z Misha KATZ est né à Rostov sur le Don, en Russie, naturalisé français. A l’âge de 5 ans, il a commencé ses études de violoncelle. En 1971, il entre au Conservatoire Tchaïkovski de Moscou pour étudier auprès de Mstislav ROSTROPOVITCH, son maître et professeur. Il a fait des études de Direction d’Orchestre en 1972, avec son père, Léonid KATZ, remarquable Chef d’Orchestre russe, artiste émérite du peuple. En 1976, Misha KATZ a remporté le Grand Prix du Concours de Toutes les Russies, récompensant ainsi son interprétation, sa virtuosité et son talent. Il a obtenu son Doctorat au même Conservatoire Tchaïkovski de Moscou en 1979. En 1982, il a suivi les cours de Direction d’ Orchestre donnés par le célèbre compositeur et éminent Chef d’Orchestre, Léonard BERNSTEIN. Arrivé en France en 1985, il forme le « Trio Chostakovitch ». En 1994, l’artiste est invité, avec son Trio, pour enregistrer chez SONY CLASSICAL. Misha KATZ donne des Master-Classes à Genève , à Nice , à Mexico , à Bruxelles , à Moscou , à Tel-Aviv… Il a été invité à participer aux plus importants Festivals Internationaux comme celui de Monte Carlo , Bodensee, Palma de Majorque, Harrogate, Bregenz, Sion, Cervantino de Mexico, Jerusalem, Santander, Flandres, Cannes, Luxembourg, Sansepolcro, Moravie, Festival Pau Casals, Ohrid, Toblach Mahler Festival… Il s’est également produit dans les plus prestigieuses salles du monde, comme le Concertgebouw à Amsterdam, Alte Oper à Francfort, la Salle Pleyel à Paris, la Grande Salle du Conservatoire de Moscou, la Salle Netzahualcoyotl à Mexico, le Théâtre Manoël à Malte, le Wigmore Hall à Londres, Ateneul Român à Bucarest, au Palais des Festivals de Cannes, au Théâtre Bolchoï de Moscou, à l’Auditorium de Monte-Carlo, Herkulessal à Munich, Auditorium de Barcelone, Capella à Saint – Pétersbourg, Grand Auditorium de l’UNESCO à Paris, Town Hall à New York, Rialto à Montréal, Théatre Gesher à Tel-Aviv … En 1996, Misha KATZ est nommé Chef Permanent de l’Orchestre National de Bélarus à Minsk. En 1998, il est nommé Principal Chef Invité de l’Orchestre Symphonique National d’Ukraine. Depuis cette année-là, il est Chef Permanent de l’Orchestre de Chambre « Solistes de Russie ». Depuis 1997, sa carrière de Chef d’Orchestre a connu un développement très important. En effet, il a été invité à diriger des Orchestres partout dans le monde : en Angleterre, en Moldavie, en Belgique , en Russie, en Pologne, en France, en République Tchèque, en Espagne, à Monaco, en Italie, en Géorgie, en Allemagne, en Macédoine, aux Etats Unis, ou encore au Canada… En 2003, il est nommé Directeur Artistique du Festival International Solomon Mikhoëls en France, sous le haut patronage du Président de la République Française Jacques CHIRAC. En 2005, Misha Katz est devenu Directeur Artistique du Festival International de la Paix, soutenu par Nicolas Sarkozy puis, à partir de 2013, par François Hollande. Depuis 2008, il devient Chef Principal Invité de l’orchestre « Slovak Sinfonietta ». En 2013, il cofonde le projet « Culture sans frontières », sous le patronage de l’UNESCO. A partir de 2017, il devient le Directeur Artistique du festival « Les Nuits Musicales du Suquet » à Cannes. 5 P R O G R A M M E JEUDI 19 JUILLET 21H - ORCHESTRA SINFONICA DI SAN REMO Direction : Misha Katz et Métropolite Hilarion Dan GRIGORE, piano - Mikhail BEZVERKHNI, violon - Pal Laszlo SZOMORA, violon VENDREDI 20 JUILLET 19H - GRAND PRIX DE CONCOURS INTERNATIONAUX Pal Laszlo SZOMORA, violon - Mikhail BEZVERKHNI, violon - Maria CANYIGUERAL, piano 21H - HOMMAGE À BRIGITTE ENGERER Augustin DUMAY, violon - Henri DEMARQUETTE, violoncelle - Michel DALBERTO, piano Avec la participation exceptionnelle de Léonore Queffelec Engerer DIMANCHE 22 JUILLET 19H - LES TALENTS DE LA REGION - CONCERT DEDIE A AURORE BUSSER Jonathan BENICHOU, piano - John GADE, piano 21H - CARTE BLANCHE À PHILIPPE BIANCONI, piano LUNDI 23 JUILLET 19H - GRAND PRIX DE CONCOURS INTERNATIONAUX Sofia MENSHIKOVA, piano 21H - ORCHESTRE DE CANNES Direction : Benjamin LEVY - Petrit Çeku, guitare 6 J E U D I 19 JUILLET 21H : ORCHESTRA SINFONICA DI SAN REMO Dan GRIGORE, piano - Mikhail BEZVERKHNI, violon - Pal Laszlo SZOMORA, violon Direction : Misha Katz et Métropolite Hilarion 1re partie Ouverture Les Noces de Figaro K. 492 Wolfgang Amadeus MOZART Concerto N°5 Op. 73 “L’Empereur“ Ludwig van BEETHOVEN Sous la direction de Misha KATZ 2e partie Concerto Grosso Métropolite HILARION Sous la direction de Métropolite HILARION Symphonie N°8 en Fa majeur Op. 93 Ludwig van BEETHOVEN Sous la direction de Misha KATZ C’est un des plus anciens orchestres internationaux qui vient en voisin ouvrir le Festival, dirigé tour à tour par Misha Katz et par un invité hors normes : Métropolite Hilarion, compositeur, auteur, Docteur en théologie, évêque et Président du département des relations extérieures du patriarcat de Moscou, inlassable artisan du rapprochement entre les églises orthodoxe et catholique. Avec l’extraordinaire pianiste roumain Dan Grigore - un des rares solistes préférés du Maestro Sergiu Celibidache - spécialiste de Beethoven et des grands compositeurs romantiques, Mikhail Bezverkhni, l’un des violonistes les plus emblématiques de l’école musicale soviétique, et un jeune prodige au talent fascinant, ils nous offrent à entendre un programme d’une ampleur remarquable et d’une jolie variété technique et stylistique. Avec notamment un "Empereur" plein d’éclat, puissant comme une apothéose et pétillant d’originalité et d’imagination ; une "Symphonie N°8" à priori plus classique mais marquée d’une forte originalité rythmique, lyrique et d’une vivacité endiablée ; tous deux encadrant un "Concerto Grosso", dirigé de la main de son compositeur, qui excelle à faire dialoguer avec une habile alternance l’orchestre et le duo de solistes. ORCHESTRA SINFONICA DI SAN REMO 7 V E N D R E D I 2 0 JUILLET 19H : GRANDS PRIX DE CONCOURS INTERNATIONAUX Mikhail BEZVERKHNI et Pal Laszlo SZOMORA, violon - Maria CANYIGUERAL, piano Passacaglia pour deux violons Georg Friedrich HAENDEL – Johan HALVORSEN Mikhail Bezverkhni, violon - Pal Laszlo Szomora, violon Sonata N°. 3 en Ré mineur, Op. 27 “ Ballade” Eugène YSAYE Mikhail Bezverkhni, violon Thème de « La Liste de Schindler » John WILLIAMS Pal Laszlo Szomora, violon - Anastasia Kenner, piano Grand Caprice sur “Erlkönig” (Le Roi des Aulnes) Franz SCHUBERT – H.
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