Catalina Teican Pianiste

Total Page：16

File Type：pdf, Size：1020Kb

Catalina Teican Pianiste A native of Romania, Catalina Teican holds a Bachelor of Arts Degree from the University of Bucharest, where she studied with Veronica Gaspar, Vlad Dimulescu and Dan Grigore. After graduation, she was awarded a scholarship to further her studies at the University of Bowling Green, SUA, where she earned her Artist Diploma and Master of Arts degrees, studying under Dr. Virginia Marks. Showing an outstanding development, in 2004 she was awarded a Fellowship for the Arts scholarship to pursue her Doctoral degree at the University of Iowa with Dr. Uriel Tsachor. During her studies in Romania, Catalina has been awarded prizes in numerous national and international competitions such as Golden Lyre, Dinu Lipatti and Mihail Jora. While in SUA, she was the winner of the Ohio State Division of MTNA Piano Competition, appeared as a soloist with the Bowling Green Philharmonia as the winner of the 33rd College’s Annual Competition in Music and Performance, and won the first prize at the Graves Piano Competition and Marjorie Conrad Peatee Art Song Competition, for singers and collaborative pianists. She was also the recipient of numerous grants and awards, such as the James Paul Kennedy Academic Achievement Award for music studies. Catalina has performed in workshops and master classes with Gerard Fremmy, Daniel Shapiro, Garrick Ohlsson and Andre Watts, and participated in numerous festivals as a recitalist, soloist, chamber musician and duo pianist. Since 2008, Catalina lives in Cyprus, where she maintained an active performing schedule, and she has been recognized for her achievements as a piano teacher, chamber musician and accompanist. .

Copy Link

Recommended publications

No. 8/ 4Th Year 15Th – 30Th of April 2011 Politics Economics Culture
Embassy of Romania in the United Kingdom of Great Britain and Northern Ireland ____________________________________________________________________________________________ No. 8/ 4th Year 15th – 30th of April 2011 Politics 1. Ceremony is held as Regele Ferdinand frigate leaves on mission 2. Romanian and Moldovan Presidents agree on quickly drawing up action plan for implementing strategic partnership 3. President Aliyev: There is very good cooperation context on natural gas with Romania 4. President Basescu met King Abdullah II in Amman 5. Romania maintains target of accessing euro area in 2015 6. ForMin Baconschi to visit London to prepare President Basescu's official visit 7. ForMin Baconschi, Minister Davutoglu discussed options for boosting bilateral cooperation 8. Iraq's gates are open to Romanian companies 9. Foreign Affairs Minister Baconschi signs convention on avoiding double taxation 10. Qatar Crown Prince professes to Minister Baconschi his resolution to consolidate economic relations with Romania 11. Romania prepares technical aspects of accommodating Tunisian immigrants from Italy 12. Swedish companies are interesting by Constanta-Istanbul submarine power cable 13. British Ambassador to Bucharest: Well qualified work force is an advantage of Romania but it needs fiscal and legislative predictability 14. The Ambassador of Romania attended the Royal wedding ceremonies at Westminster Abbey Economics 1. Romania FDI inflow rises to EUR294M in Jan-Feb 2. BCR expecting Romanian economy to advance 3.9 pct in 2012 3. Centre of Excellence in Research in Targu Mures, with IBM expertise 4. Den Braven Romania sales increase 25 percent in first quarter 5. Thirty companies showcasing Romania's export offers at Sharjah 2011 General Exhibition 6.
[Show full text]
6013 Missa Solemnis
(LYRCD 6013) MISSA SOLEMNIS & Egmont Overture Ludwig van Beethoven AMA DEUS ENSEMBLE Valentin Radu, Artistic Director and Conductor Sarah Davis, Soprano Jody Kidwell, Mezzo-Soprano Timothy Bentch, Tenor Ed Bara, Bass PROGRAM NOTES: EGMONT, OP. 84, is a set of incidental music pieces for the 1787 play of the same name by Goethe. It consists of an overture and nine separate subsequent pieces for soprano and full orchestra. Beethoven wrote it between October 1809 and June 1810, and it was premiered on 15 June 1810. The overture, powerful and expressive, is one of the last works of his middle period; it has become as famous a composition as the Coriolan Overture, and is in a similar style to the Fifth Symphony which he completed two years earlier. When in 1809 the Burgtheater of Vienna asked Beethoven, a great admirer of Goethe, to compose incidental music for a revival of the play, he accepted with enthusiasm. It recalled themes close to his own political preoccupations, already expressed in his opera Leonore (renamed Fidelio, in the definitive 1814 version) and in his overture Coriolan (in 1807). 1 MISSA SOLEMNIS, OP. 123 “The Missa Solemnis is the greatest work I have composed so far.” Even allowing for the facts that Beethoven was telling this to a publisher and that in1822 he had not yet composed the Ninth Symphony and the last string quartets, his declaration must be taken seriously nevertheless. The Mass is Beethoven’s largest and longest composition (not counting the opera Fidelio), and yet at times also one of his most intimate and personal.
[Show full text]
Corneliu Gheorghiu De La Pianistique
Corneliu Gheorghiu De la pianistique © 2015. Les Editions musicales GRAFOART Tous droits réservés. L’équipe de rédaction tient à remercier Madame Ileana Littera pour son expertise linguistique. Descrierea CIP a Bibliotecii Naţionale a României GHEORGHIU, CORNELIU Despre pianistică / Corneliu Gheorghiu ; îngr.: Oana Rădulescu Velcovici ; ed.: Matei Bănică. - Bucureşti : Grafoart : Bucureşti, 2015 ISBN 978-606-747-026-0 I. Rădulescu-Velcovici, Oana (îngr.) II. Bănică, Matei (ed.) 786.2 Les Editions musicales GRAFOART 20, rue Braşov, Bucureşti, 6 Tel.: 0747 236 278 ; fax.: 0318 15 15 13 Commandes online: www.LIBRARIAMUZICALA.ro Corneliu Gheorghiu De la pianistique Nouvelle édition réalisée grâce à Oana Rădulescu Velcovici et Corneliu Rădulescu pianistes et professeurs à l’Université Nationale de Musique de Bucarest Editions Musicales GRAFOART SOMMAIRE Corneliu Gheorghiu, portrait du musicien .......................... 7 I. Introduction ........................................................................... 13 II. L’Élément psychologique .................................................... 22 III. Sections anatomiques 1. La commande du cerveau............................................... 27 2. Le contrôle par l'oreille ................................................... 28 3. L'ensemble du bras 3.a. L’épaule ................................................................. 29 3.b. Le bras ................................................................... 33 3.c. Le problème du coude ........................................ 37 3.d.
[Show full text]
DAN GRIGORE Est Réputé Comme L'un Des Plus Grands Musiciens Roumains. Enfant Prodige, Il a Commencé Le Piano Dès L'âge
DAN GRIGORE est réputé comme l’un des plus grands musiciens roumains. Enfant prodige, il a commencé le piano dès l’âge de 3 ans et il a étudié avec les professeurs de Dinu Lipatti. A 14 ans il faisait ses débuts dans la camerata Enesco à côté de solistes consacrés. Il est lauréat du Concours International Georges Enesco et du Concours International de Piano de Montréal. Lors de cette période, la princesse Maria Cantacuzino-Enesco, épouse du compositeur, lui accorda le privilège d’étudier sur le piano qui avait appartenu à Georges Enesco. Sa carrière nationale et internationale a été affectée pendant le régime communiste. Plusieurs bourses internationales, visites et concerts aux Etats Unis et en Europe lui ont été rejetées par le gouvernement. Parfois la situation de Dan Grigore sous la dictature communiste de Ceausescu a été comparée avec celle du compositeur russe Dmitri Shostakovich dans l’Union Soviétique de Staline. Après la chute du communisme, Dan Grigore a joué dans les plus importantes salles de concert du monde, étant reconnu parmi les plus grands pianistes du siècle. En 1996 il s’est produit dans la célèbre Salle Gasteig avec l’Orchestre Philharmonique de Münich dirigée par Sergiu Celibidache. Il s’agissait des trois derniers concerts du Maestro Celibidache, qui s’est exclamé: ’Extraordinaire ! Tu es parmi les plus grands pianistes du monde’. En 1999 Dan Grigore a reçu l’ordre ’Chevalier des Arts et Lettres’ de la part du gouvernement français. En 2007 le gouvernement roumain lui a octroyé la plus grande distinction de l’Etat, la grande croix de l’ordre ’L’étoile de Roumanie’.
[Show full text]
Rachmaninov (1873-1943)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Sergei Rachmaninov (1873-1943) Born at Oneg, Novgorod Region. He had piano lessons from an early age but his serious training in composition began at the Moscow Conservatory where he studied counterpoint with Sergei Taneyev and harmony with Anton Arensky. He began to compose and for the rest of his life divided his musical time between composing, conducting and piano playing gaining great fame in all three. After leaving Russia permanently in 1917, the need to make a living made his role as a piano virtuoso predominant. His 4 Piano Concertos, Rhapsody on a Theme of Paganini and substantial solo piano works make him one of the world's most-performed composers. However, he also composed operas and liturgical choral works as well as other pieces for orchestra, chamber groups and voice. Piano Concerto No. 1 in F-sharp minor, Op. 1 (1892, rev. 1917) Leif Ove Andsnes (piano)/Antonio Pappano/Berlin Philharmonic Orchestra ( + Piano Concerto No. 2) EMI CLASSICS 74813-2 (2005) Agustin Anievas (piano)/Rafael Frühbeck de Burgos/New Philharmonia Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Prelude in C-sharp minor, 10 Preludes and 12 Preludes) EMI CLASSICS TRIPLE 5 00871-2 (2007) (original LP release: ANGEL SCB 3801 {3 LPs}) (1973) Vladimir Ashkenazy (piano)/Bernard Haitink/Royal Concertgebouw Orchestra (+ Rhapsody on a Theme of Paganini) DECCA 417613-2 (1987) Vladimir Ashkenazy (piano)/André Previn/London Symphony Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Variations on a Theme of Corelli and Piano Sonata No.
[Show full text]
Catalina Butcaru Piano
Catalina Butcaru Piano Catalina Butcaru was born in Constanta, Romania. When she was five years old, Catalina began taking piano lessons at Constanta music school with Victoria Nitu. At the age of eight, Catalina gave her first public concert, which was followed by her first solo concert with orchestra at the age of fourteen. Catalina moved to Bucharest when she was thirteen years old, where she continued her studies at the music school “G. Enescu” with Olga Szel. The renowned Romanian pianists Aurora Ienei and Dan Grigore also encouraged and influenced Catalina’s musical develop- ment. First recordings for Romanian radio broadcasting followed. Already at the age of 16, Catalina Butcaru was accepted at the renowned University of Music and Performing Arts Vienna. She gained her Soloist’s diploma under the supervision of Prof. Jürg von Vintschger. Her longstanding work with pianist Meira Farkas gave Catalina vital artistic impulses. Catalina continued her musical education at the University of Music and Performing Arts Graz, where she obtained her Master’s degree in 2004 after intensive studies with the acclaimed Russian piano teacher Alexandr Satz. Master courses with renowned musicians, such as Dmitri Bashkirov, Martin Hughes, and Andrzej Jasinski profoundly influenced her artistic development. Catalina Butcaru won several piano competitions in Romania, among them the Golden Lyra competition and the Mozart competition. She is a finalist of the international Steinway Competi- tion in Vienna. Between 1996 and 2001 Catalina recorded for Austrian television and radio. Her first solo CD was presented in full in Austrian radio. Catalina Butcaru is a scholar of the “Alban Berg” foundation and the “Maria Theresia” foundation.
[Show full text]
Filarmonica „George Enescu”
FILARMONICA „GEORGE ENESCU” Raport de Activitate pentru perioada 01.01.2018 – 31.12.2018 CAPITOLUL I: Prezentul raport de activitate a fost elaborat pentru evaluarea managementului de către Ministerul Culturii şi Identităţii Naţionale denumit în continuare Autoritatea, pentru Filarmonica „George Enescu, denumită în continuare Instituţia, aflată în subordinea sa, în conformitate cu prevederile Ordonanţei de urgenţă a Guvernului nr. 189/2008 privind managementul instituţiilor publice de cultură, aprobată cu modificări şi completări prin Legea nr. 269/2009, cu modificările şi completările ulterioare, denumită în continuare ordonanţa de urgenţă, precum şi cu cele ale regulamentului de evaluare. 1 Analiza şi notarea raportului de activitate şi a interviului se fac în baza următoarelor criterii de evaluare: 1. evoluţia instituţiei în raport cu mediul în care îşi desfăşoară activitatea şi în raport cu sistemul instituţional existent; 2. îmbunătăţirea activităţii instituţiei; 3. organizarea/sistemul organizaţional al instituţiei; 4. situaţia economico-financiară a instituţiei; 5. strategia, programele şi implementarea planului de acţiune pentru îndeplinirea misiunii specifice instituţiei, conform sarcinilor formulate de autoritate; 6. evoluţia economico-financiară a instituţiei, pentru următoarea perioadă de management, cu menţionarea resurselor financiare necesare de alocat de către autoritate. În conformitate cu prevederile contractului de management, datele şi informaţiile din prezentul raport sunt aferente perioadei: de la 01.01.2018 la 31.12.2018
[Show full text]
Pianistul Dan Grigore Isi Povesteste Viata „In Bijuterii Muzicale” La Sala Radio
Pianistul Dan Grigore isi povesteste viata „in bijuterii muzicale” la Sala Radio (14 iunie 2011) Mihail Jora considera ca „Dan Grigore este un talent exceptional, care nu sufera comparatie cu tot ce trece drept mare talent in Romania”. Atunci, Dan Grigore se afla la inceputul carierei. Acum, Dan Grigore revine pe scena Salii Radio pentru a-si povesti viata in bijuterii muzicale. Va prezenta in premiera in fata publicului din Romania programul cu care i-a incantat pe iubitorii de muzica de la Londra, in urma cu aproximativ o luna, cand a participat la Seria „Concertelor Enescu”, in calitate de invitat special. Recitalul extraordinar al marelui pianist va avea loc in data 16 iunie, ora 19.00. Programul oferit melomanilor va contine douazeci dintre cele mai cumoscute piese pentru pian, compuse de-a lungul istoriei, sub semnatura unor artisti precum Chopin, Scarlatti, Beethoven, Mozart, Enescu, Schubert, Bach, Brahms, Skriabin, Debussy sau MacDowell. Dan Grigore defineste acest program ca fiind „un colaj de stiluri diferite, reprezentand trairi subiective, uneori chiar amintiri personale din intreaga mea activitate concertistica de pana acum”. Mai mult, prin aceasta selectie de compozitii muzicale, el doreste o actualizare a trecutului: „Cred ca marile capodopere ne sunt mereu contemporane si ca ele, indiferent de epoca in care au fost scrise, isi dau mana peste timp”. Dan Grigore s-a remarcat de-a lungul timpului ca pianist concertist, profesor, mentor si personalitate publica. Inca de la o varsta frageda, talentul sau a fost remarcat de catre Printesa Maria Cantacuzino, care i-a acordat privilegiul de a studia la pianul lui George Enescu.
[Show full text]
Dinu Lipatti 1917 – 1950
DINU LIPATTI 1917 – 1950 CUPRINS Prefaţa ........................................................................................ 7 I. Corespondenţa dintre Dinu Lipatti şi Clara Haskil ............................................................................. 15 II. Corespondenţa dintre Dinu Lipatti şi George Georgescu ................................................................. 123 III. Corespondenţa dintre Dinu Lipatti şi Paul Sacher ............................................................................ 165 IV. Corespondenţa dintre Dinu Lipatti şi Henri Gagnebin ..................................................................... 381 V. Corespondenţa dintre Dinu Lipatti şi Nikita Magaloff ..................................................................... 432 Index de nume....................................................................... 493 Notă asupra ediţiei ................................................................ 499 DINU LIPATTI ŞI CLARA HASKIL (1895 – 1960) I. Corespondenţa dintre Dinu Lipatti şi Clara Haskil Schloss Berg, 13 Juli ’39 Scumpe Prietene, Azi la 12 aţi sosit la Bucureşti şi sper din toată inima că n-aţi ajuns prea obosiţi după 40 ore de călătorie ! Îmi reprezint uşor bucuria ce au resimţit-o la Gara de Nord tatăl d-tale, Florica Musicescu6 şi alţi prieteni cari vă aşteptau cu dor de atâta vreme ! Poţi să-ţi închipui cât de tristă am fost eu când am înţeles că într-adevăr aţi plecat şi că nu ne vom vedea poate mai multe luni ! Am acum mai mult ca oricând sentimentul de singurătate tot
[Show full text]
Corneliu Gheorghiu Despre Pianistică
Corneliu Gheorghiu Despre pianistică © 2015. Casa de Editură GRAFOART Toate drepturile rezervate pentru prezenta traducere. Descrierea CIP a Bibliotecii Naţionale a României GHEORGHIU, CORNELIU Despre pianistică / Corneliu Gheorghiu ; trad.: Oana Rădulescu-Velcovici ; ed.: Matei Bănică. - Bucureşti : Grafoart : Editura Universităţii Naţionale de Muzică Bucureşti, 2014 ISBN 978-606-747-006-2 ISBN 978-606-659-074-7 I. Rădulescu-Velcovici, Oana (trad.) II. Bănică, Matei (ed.) 786.2 Editura Muzicală GRAFOART Str. Braşov nr. 20, sector 6, Bucureşti Tel.: 0747 236 278 ; fax.: 0318 15 15 13 Comenzi online: www.LIBRĂRIAMUZICALA.ro Corneliu Gheorghiu Despre pianistică Ediţie realizată de Oana Rădulescu Velcovici GRAFOART Editura UNMB PROFIL ARTISTIC: CORNELIU GHEORGHIU Această carte a fost scrisă de un artist cu o bogată formaţie profesională pe plan pianistic, concertistic şi pedagogic. Experienţa naţională şi internaţională a făcut să rodească talentul său înnăscut, ajutat de o imaginaţie fertilă şi de o cultură cu ramificaţii multiple. Corneliu Gheorghiu arată, din fragedă copilărie, daruri excepţionale pentru muzică. La şase ani, micile sale compoziţii – pe care le cânta, încă de pe atunci, pe scenă – sunt remarcate de George Enescu, care recomandă o carieră muzicală sprijinită pe studii serioase. Acestea sunt realizate la Bucureşti, sub îndrumarea unor eminenţi profesori, precum Florica Musicescu (la Pian, în clasa căreia se împrieteneşte cu legendarul Dinu Lipatti şi cu virtuozul Mândru Katz), Ion Nonna Otescu (la Armonie şi Contrapunct), Mihail Jora (la Compoziţie), Dimitrie Cuclin (la Fugă, Forme muzicale şi Estetică), Constantin Brăiloiu (la Istoria Muzicii şi Folclor), Mihail Andricu (la Muzică de cameră). Absolvă Academia Regală de Muzică şi Artă Dramatică în 1943, fiind primul clasat şi obţinând Premiul I la Concursul absolvenţilor claselor de pian.
[Show full text]
Instructions for Authors
Journal of Science and Arts Supplement at No. 2(13), pp. 91-96, 2010 MUSIC UNDER THE SIGN OF THE LUDIC – 1 REMUS MANOLEANU National University of Music Bucharest, 010102, Bucharest, Romania Argument: There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy Hamlet1 Abstract. „Everything already happened once before” [1], asserts Cioran in one of his marvelous books. Parmenides – a pre-Socratic Greek philosopher – was the first one to offer us what would be later called, in Aristotle’s formal logic2 the principle of identity: „what is, it actually is, what is not, it is not, nor will it ever be”. Now, why these statements? Keywords: ludic, music, piano. 1. INTRODUCTION In support of the idea that our preoccupations with the ludic are not accidental at all, and that, throughout our existential ludic journey, certain meetings were really meant to be, such as the „meeting” with: – The piano – in several languages (German, English, French, Russian, Hungarian etc.), in the collocation playing an instrument, the verb used for performing music is the same as for playing with something – why not with that very instrument; – The true masters of the initiation in the art of piano (Mrs V. Taban, a genuine trail blazer in music, while also opening up a world of pathos, or Mr S. Neuhaus, who guided me – as if at play – into discovering a few things of the artistry of Ravel, Brahms, Scriabin, Shostakovich etc.); – Bosch (Garden of pleasures, Prado Museum, Madrid) or Matisse (Dance, Music, Hermitage Museum, Sankt-Petersburg) or the impressionists from Musée du Jeu de Paume (now moved to Musée d’Orsay), Paris; – Ravel (Gaspard de la nuit), Stravinsky (Petrushka) or Scriabin (Three studies op.
[Show full text]
Filarmonica De Stat „Transilvania”
FILARMONICA DE STAT „TRANSILVANIA” P-ţa Lucian Blaga nr. 1-3, Cluj Napoca Tel. 0264-43 00 60, Fax. 0264-59 78 12 [email protected] / [email protected] www.filarmonicatransilvania.ro Istoric Ca instituţie artistică dedicată exclusiv activităţii de concert, Filarmonica clujeană a fost înfiinţată printr-un decret oficial al Consiliului de Miniştri al României în toamna anului 1955, cu numele oficial de Filarmonica de Stat Cluj. La data înfiinţării, formaţiile muzicale au fost orchestra simfonică mare, cu un număr de 75 muzicieni, şi un ansamblu instrumental de muzică tradiţională, cu un număr de 20 muzicieni. Sub direcţia iniţială a dirijorului Wilhelm Demian, s-a realizat o selecţie a membrilor proaspetei instituţii prin concurs, comisiile fiind prezidate de către marele dirijor Antonin Ciolan, cu participarea celor mai reputaţi specialişti clujeni ai epocii. Antonin Ciolan a fost numit dirijor principal al orchestrei simfonice, dirijând primul concert al acesteia pe data de 4 decembrie 1955, într-un veritabil tur de forţă: Preludiul la Maeştrii cântăreţi din Nürnberg de Wagner, Concertul nr. 1 pentru orchestră de coarde de Sigismund Toduţă, Concertul nr. 2 pentru pian de Rahmaninov (cu Silvia Şerbescu) şi Eroica lui Beethoven. La începutul anului 1956, el a preluat şi funcţia de director al Filarmonicii. Tradiţia activităţii simfonice în Cluj datează de la începutul secolului al XIX-lea, fiind întreţinută succesiv de asociaţii ca Orchestra Teatrului Maghiar (înfiinţată în 1792), Societatea de Muzică, Cercul de Muzică. În perioada interbelică a existat o adevărată emulaţie în susţinerea de evenimente simfonice de către orchestrele Operei Române (înfiinţată în 1919), a Teatrului Maghiar şi de către o orchestră susţinută de comunitatea evreiască a oraşului, numită Orchestra „Goldmark” (condusă de Wilhelm Demian).
[Show full text]