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Disco Top 15 Histories
10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15 -
The Singles Chart
ALPHABETICAL LISTING 1 201 SINGLES CHART THE SINGLES CHART PRODUCER, PUBLISHER, LICENSEE AT SEVENTEEN Brooks Arthur (Mine/ MIDNIGHT BLUE Vini Poncia April, ASCAP) 77 (New York Times/Roumanian ATTITUDE DANCING Richard Perry Pickleworks, BMA) 14 15 (C'est/Maya, ASCAP) 47 MISTY Ray Stevens (Vernon, ASCAP) 23 BABY THAT'S BACKATCHA Smokey MORNIN' BEAUTIFUL Hank Medress & Dave Robinson (Bertram, ASCAP) 42 Appell (Apple Cider/Music of the Times, ASCAP; Little Max/New York JULY 5, 1975 BAD LUCK Gamble-Huff (Mighty Three, Times, BMI) 37 BMI) 39 JULY JUNE OLD DAYS James William Guercio BAD TIME Jimmy lenner (Cram Renraff, 5 28 (Make Me Smile/Big Elk, ASCAP) 52 BMI) 31 ONE OF THESE NIGHTS Bill Szymczyk 101 101 FUNNY HOW LOVE CAN BE FIRST CLASS-UK 5N 59033 (London) BALLROOM BLITZ Phil Wainman (Benchmark/Kicking Bear, ASCAP) 12 (Southern, ASCAP) (Chinnichap/RAK, BMI) 93 ONLY WOMEN Bob Ezrin BEFORE THE NEXT TEARDROP FALLS 102 110 DREAM MERCHANT NEW BIRTH-Buddah 470 (Saturday, BMI) (Ezra/Early Frost, BMI) 16 Huey Meaux (Shelby Singleton, BMI) 28 103 107 HONEY TRIPPIN' MYSTIC MOODS-Soundbird 5002 (Sutton Miller) ONLY YESTERDAY Richard Carpenter BLACK FRIDAY Gary Katz (American (Ginseng/Medallion Avenue, ASCAP) (Almo/Sweet Harmony/Hammer & Broadcasting, ASCAP) 43 Nails, ASCAP) 48 104 103 AIN'T NO USE COOK E. JARR & HIS KRUMS-Roulette 20426 BLACK SUPERMAN-MUHAMMAD ALI PHILADELPHIA FREEDOM Gus Dudgeon Robin Blanchflower Boy, BMI) 95 (Adam R. Levy & Father/Missile, BMI) (Drummer (Big Pig/Leeds, ASCAP) 54 105 104 IT'S ALL UP TO YOU JIM CAPALDI-Island D25 (Ackee, ASCAP) BURNIN' THING Gary Klein PLEASE MR. -
MIZELL, Alfonce and Freddie Perren
Howard University Digital Howard @ Howard University Manuscript Division Finding Aids Finding Aids 10-1-2015 MIZELL, Alfonce and Freddie Perren MSRC Staff Follow this and additional works at: https://dh.howard.edu/finaid_manu Recommended Citation Staff, MSRC, "MIZELL, Alfonce and Freddie Perren" (2015). Manuscript Division Finding Aids. 136. https://dh.howard.edu/finaid_manu/136 This Article is brought to you for free and open access by the Finding Aids at Digital Howard @ Howard University. It has been accepted for inclusion in Manuscript Division Finding Aids by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ALFONCE MIZELL AND FREDDIE PERREN COLLECTION Collection 72-1 Prepared & Revised by: Greta S. Wilson June 1980 ----------------------------------------------------------------- -------------- Scope Note The musical scores of Alfonce Mizell and Freddie Perren were presented to Moorland Spingarn Research Center on December 3, 1971. The seventeen scores, which were written and arranged primarily for the popular singing group, the "Jackson Five" are contained in one box measuring l/2 linear foot. Also contained in this box is a flyer and one photograph ----------------------------------------------------------------- MIZELL.Alfonce.FreddiePerren.TXT[11/13/2014 12:27:26 PM] -------------- - 2 - Series Description Series A Musical Scores Box 72-1 Popular music arranged and composed by Mizell and Perren for the singing group, "The Jackson Five"(* indicates material composed by them) Series B Broadside Box 72-1 One xerox copy of a flyer from the Howard University Jazz Institute announcing a class taught by Alfonce Mizell on the history of Jazz Series C Photograph Box 72-1 One photograph of members of "The Corporation", Deke Richards, Freddie Perren and Fonce Mizell, accepting awards at Broadcast Music Inc. -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
Biography Armed with Some of the Greatest Songs Ever Written, The
Biography Armed with some of the greatest songs ever written, The Miracles are still after 40 years, attracting enthusiastic audiences around the world. Motown’s first of many famous groups such as The Temptations, The Four Tops, The Supremes, The Commodores, and The Jackson Five, and of course The Miracles the very first group to sign to Motown records, continue to keep the Motown sound alive by performing songs, such as: “Shop Around”, “I Second That Emotion”, “Tears Of A Clown”, “Love Machine”, “You’ve Really Got A Hold On Me”, “The Tracks Of My Tears”, “Ooh Baby Baby” and many more. Their performances at the Nassau Coliseum, the Inaugural Gala in Washington, D.C. and the 4th of July celebration at Duke University with over 60,000 fans in attendance, was simply unbelievable. In 1956, Bobby Rogers, Smokey Robinson, Claudette Robinson, Ronnie White and Pete Moore, childhood friends became The Miracles, and embarked on a career that would surpass their wildest dreams. Berry Gordy Motown’s founder recorded and released “Shop Around” a number one smash on all the charts, establishing The Miracles and giving Motown their first gold seller, this was the beginning of the record company and the group success for many years to come. The Miracles and Motown Records became known throughout the entire world. Over the course of the years, The Miracles continued to record chart-topping hits, including “Ooo Baby Baby”, “Going To A Go-Go”, “More Love”, “Mickey’s Monkey” and “Tears Of A Clown”. The Miracles established themselves as one of the best groups of all times. -
View Playbill
MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL. -
The Apprenticeship of Duddy Kravitz Had Been a Popular Movie, with Richard Dreyfuss Playing a Jewish Nerd
Begin Reading Table of Contents About the Author Photos Copyright Page Thank you for buying this Henry Holt and Company ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on Lenny Kravitz, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For my mother I can’t breathe. Beneath the ground, the wooden casket I am trapped in is being lowered deeper and deeper into the cold, dark earth. Fear overtakes me as I fall into a paralytic state. I can hear the dirt being shoveled over me. My heart pounds through my chest. I can’t scream, and if I could, who would hear me? Just as the final shovel of soil is being packed tightly over me, I convulse out of my nightmare into the sweat- and urine-soaked bed in the small apartment on the island of Manhattan that my family calls home. Shaken and disoriented, I make my way out of the tiny back bedroom into the pitch-dark living room, where my mother and father sleep on a convertible couch. I stand at the foot of their bed just staring … waiting. -
Legends of Motown: Celebrating the Supremes Opening June 25
Legends Of Motown: Celebrating The Supremes Opening June 25 New Exhibit Features Rare Artifacts from the Premier Motown Records Act Founding Supremes Member Ms. Mary Wilson to Appear at the GRAMMY Museum June 24 For Intimate Interview and Q&A LOS ANGELES (June 5, 2015) — The GRAMMY Museum will explore the enduring legacy and influence of Motown Records' premier recording artists with the unveiling of Legends Of Motown: Celebrating The Supremes on June 25, 2015. The exhibit will offer visitors a unique look at the life and career of one of the most successful American singing groups of the '60s, the Supremes, through rare artifacts from the private collection of founding member Ms. Mary Wilson. On display on the Museum's third floor through spring 2016, the exhibit will feature rare photographs from the personal collection of Mary Wilson; concert posters; tour books, fan memorabilia; and an assortment of performance gowns, including: "Primette Pristine" gowns worn in 1961, one of the earliest sets purchased by the Supremes when they were still known as the Primettes "White De Mink" outfit worn on ABC's "The Hollywood Palace" in 1966 "Turquoise Freeze" dresses worn during a 1967 appearance on "The Ed Sullivan Show" "Red Hot" gown worn by Mary Wilson on "The Ed Sullivan Show" in 1970 for the debut of the new Supremes lineup featuring Cindy Birdsong and Jean Terrell "We've been eager to feature an exhibit celebrating Motown since we honored Berry Gordy and Smokey Robinson at our inaugural benefit gala in 2013," said Bob Santelli, Executive Director of the GRAMMY Museum. -
Soul: a Historical Reconstruction of Continuity and Change in Black Popular Music Author(S): Robert W
Professor J. Southern (Managing Editor-Publisher) Soul: A Historical Reconstruction of Continuity and Change in Black Popular Music Author(s): Robert W. Stephens Source: The Black Perspective in Music, Vol. 12, No. 1 (Spring, 1984), pp. 21-43 Published by: Professor J. Southern (Managing Editor-Publisher) Stable URL: http://www.jstor.org/stable/1214967 Accessed: 02-01-2018 00:35 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Professor J. Southern (Managing Editor-Publisher) is collaborating with JSTOR to digitize, preserve and extend access to The Black Perspective in Music This content downloaded from 199.79.168.81 on Tue, 02 Jan 2018 00:35:51 UTC All use subject to http://about.jstor.org/terms Soul: A Historical Reconstruction of Continuity and Change in Black Popular Music BY ROBERT W. STEPHENS rT r aHE SOUL TRADITION is a prime cultural force in American popular music; of that, there can be little doubt, although this musical phenomenon is sometimes vaguely defined. Born of the Civil Rights and Black Power movements of the 1960s, soul has provided a musical and cultural foundation for virtually every facet of contemporary popular music. More important than its commercial successes, however, are the messages and philosophies it has communicated and the musical influences which underlie its development. -
As One of Nola Blue Records' Newest Signings, Clarence Spady Is
As one of Nola Blue Records’ newest signings, Clarence Spady is thoroughly motivated when it comes to his career. “Here we are in the saddle,” says the veteran blues guitarist. “I’ve got both hands on the reins right now. So I don’t plan on letting go.” Excellent news for contemporary blues fans who are well aware of Spady’s acclaimed 1996 album Nature of the Beast and his equally impressive 2008 followup Just Between Us. Clarence’s musical career has weathered its share of peaks and val- leys, but playing his singularly funky brand of impassioned, electrifying blues—a talent that has taken him all over the world—dominates his time these days as he writes great new material and prepares to record it. By any standard, Clarence embarked on his musical odyssey at an uncommonly tender age. Born in Paterson, New Jersey, Spady began playing guitar when he was only five years old (his family moved a couple of hours west to Scranton, PA during this period, a town Spady lives in today). Clarence’s musical exploits commenced due to encouragement from two guitarists in his immediate family, his father (also named Clarence) and his Uncle Fletchey. “He was a very good blues guitarist, the likes of Otis Rush or Booba Barnes,” Spady says of his uncle. “He had that nasty, raw feel. He was from North Carolina origi- nally. And he could sing. “When I was five, we were sitting at my Uncle Fletchey’s. He had a blues jam every weekend. And I would sit on my dad’s left knee while he was playing, looking at his hand. -
Big Blast & the Party Masters
BIG BLAST & THE PARTY MASTERS 2018 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat. -
“I Will Survive” Original Work, Derivatives, and Covers
Copyright Lore Since its 1978 release, “I Will Survive” has been recorded “I Will Survive” and released many times. Gaynor recorded a derivative work of the song translated into Spanish, “Yo Vivire,” in 1979, and Polydor Incorporated registered that version for Original Work, copyright protection. The next year, Discos Musart S.A. registered Juan Torres’ album Amor en la Discotheque, Derivatives, which also included a recording of the Spanish translation. Two more derivative works were registered in 1994 when PolyGram Records, Inc. released remixes of Gaynor’s English and Covers and Spanish versions of the song. ALISON HALL Covers of “I Will Survive,” in different styles of music, began to hit the charts soon after the original. Billie Jo Spears’ country version was one of the first. It appeared Gloria Gaynor’s iconic 1978 hit “I Will Survive” is recognized in the Library’s National Recording Registry. on her album The Billie Jo Spears Singles Album. Chantay Savage recorded a soulful rendition of it on her album I Will Today, multiple generations enjoy the song, and Gaynor continues to perform the hit around the world, Survive (Doin It My Way) in 1996. In 2002, Cake recorded a including at the Library’s Bibliodiscotheque. Dino Fekaris and Freddie Perren wrote the words and music rock-based version on their album Fashion Nugget, and in 2007, The Puppini Sisters recorded a 1940s-style version to the song as a work made for hire for Perren-Vibes Music Co., who submitted the original copyright on their album Betcha Bottom Dollar. For each of these application.