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Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Codes Used in D&M
CODES USED IN D&M - MCPS A DISTRIBUTIONS D&M Code D&M Name Category Further details Source Type Code Source Type Name Z98 UK/Ireland Commercial International 2 20 South African (SAMRO) General & Broadcasting (TV only) International 3 Overseas 21 Australian (APRA) General & Broadcasting International 3 Overseas 36 USA (BMI) General & Broadcasting International 3 Overseas 38 USA (SESAC) Broadcasting International 3 Overseas 39 USA (ASCAP) General & Broadcasting International 3 Overseas 47 Japanese (JASRAC) General & Broadcasting International 3 Overseas 48 Israeli (ACUM) General & Broadcasting International 3 Overseas 048M Norway (NCB) International 3 Overseas 049M Algeria (ONDA) International 3 Overseas 58 Bulgarian (MUSICAUTOR) General & Broadcasting International 3 Overseas 62 Russian (RAO) General & Broadcasting International 3 Overseas 74 Austrian (AKM) General & Broadcasting International 3 Overseas 75 Belgian (SABAM) General & Broadcasting International 3 Overseas 79 Hungarian (ARTISJUS) General & Broadcasting International 3 Overseas 80 Danish (KODA) General & Broadcasting International 3 Overseas 81 Netherlands (BUMA) General & Broadcasting International 3 Overseas 83 Finnish (TEOSTO) General & Broadcasting International 3 Overseas 84 French (SACEM) General & Broadcasting International 3 Overseas 85 German (GEMA) General & Broadcasting International 3 Overseas 86 Hong Kong (CASH) General & Broadcasting International 3 Overseas 87 Italian (SIAE) General & Broadcasting International 3 Overseas 88 Mexican (SACM) General & Broadcasting -
Performing Right Society Limited Distribution Rules
PERFORMING RIGHT SOCIETY LIMITED DISTRIBUTION RULES PRS distribution policy rules Contents INTRODUCTION...................................................................................... 12 Scope of the PRS Distribution Policy ................................................................................ 12 General distribution policy principles ............................................................................. 12 Policy review and decision-making processes ............................................................. 13 DISTRIBUTION CYCLES AND CONCEPTS ................................................. 15 Standard distribution cycles and frequency .................................................................. 15 Distribution basis ..................................................................................................................... 15 Distribution sections ............................................................................................................... 16 Non-licence revenue ............................................................................................................... 16 Administration recovery rates ............................................................................................ 16 Donation to the PRS Foundation and Members Benevolent Fund ........................ 17 Weightings .................................................................................................................................. 17 Points and point values ......................................................................................................... -
Distribution Rules
PERFORMING RIGHT SOCIETY LIMITED DISTRIBUTION RULES Appendices APPENDIX Standard distribution cycle Distribution Source April July October December Reconciliation BBC radio Oct – Dec Jan - Mar Apr - Jun Jul - Sept July BBC TV Sept - Dec Jan - Mar Apr - Jun Jul - Aug July BSkyB TV Sept - Dec Jan - Mar Apr - Jun Jul - Aug October All other TV Re Sept - Dec Jan - Mar Apr - Jun Jul - Aug April po (exc. music TV channels) rti All other radio ng Oct – Dec Jan - Mar Apr - Jun Jul - Sept April (and music TV channels) Pe ri od Public performance * Oct – Dec Jan - Mar Apr - Jun Jul - Sept April Online ** Oct – Dec Jan - Mar Apr - Jun Jul - Sept N/A International Jul-Dec Jan-Jun N/A (agencies) International Varies depending on affiliate society timetable N/A (affiliate societies) *Concerts using the live concert service are distributed outside the four major distributions with a target of within 60 days of the concert **It is not always possible to adhere to this timetable for some online services Broadcast sampling rates Since 2010 new TV and radio services are sampled at the following minimum rates. TV Sampling Threshold Sample Band Days 4 0-15K 10 15-30K 37 30-60K 91 60-100K 181 100-200K 365 200K+ Radio Sampling Threshold Sample Band Days 4 £0-£50K 8 £50-£100K 16 £100-£200K 32 £200-£500K 365 £750K+ At present services that existed before 2010 are still sampled at minimum rates calculated using a complex statistical formula. In practice, because of electronic reporting and the use of music recognition technology, many services have much higher sample rates, bordering on census for non-advertising plays. -
THE VOICE of UK COMMERCIAL Annual Review 2011
Annual Review 2011 THE VOICE OF UK COMMERCIAL Contents 03 CHAIRMAN’S REVIEW 04 CEO’S REVIEW RADIO 06 12 18 REVENUE DIGITAL ORGANISATION 10 14 AUDIENCE INFLUENCE RadioCentre | Annual Review 2011 01 // 2011 has been a year where radio has continued to buck the trend and confound its critics as the only traditional medium to grow revenue. // 02 RadioCentre | Annual Review 2011 Chairman’s Review Welcome to the RadioCentre Review of An industry-wide marketing campaign was When I meet with my colleagues on the 2011. The last twelve months have been an launched by the RAB under the umbrella RadioCentre board each quarter, we are impressive year for commercial radio, with theme of Britain Loves Radio, with a mindful of the importance of all these continuing record audiences and strong national advertising campaign helping to services and the need to balance both the revenue growth, especially against the deliver this message. differing priorities of different members, and recessionary backdrop for all businesses. work for a secure and prosperous future for RAB also tackled the historic challenge of a the sector. I hope that 2012 proves It has been a year where radio has lack of creativity in radio advertising, with successful for you and for everyone involved continued to buck the trend and confound an important partnership with D&AD, the in our industry. its critics, as the only traditional medium to membership organisation which represents grow revenue. And if the forecasts are to be excellence in the creative, design and believed there could be more good news in advertising communities. -
Ofcom Broadcast and on Demand Bulletin, Issue
Issue 379 of Ofcom’s Broadcast and On Demand Bulletin 28 May 2019 Issue number 379 28 May 2019 Issue 379 of Ofcom’s Broadcast and On Demand Bulletin 28 May 2019 Contents Introduction 3 Broadcast Standards cases In Breach Morning Mix Secklow Sounds, 17 January 2019, 07:30; 23 January 2019, 07:55; and 26 February 2019, 08:10 6 HUD AXN SPiN (Romania), 1 February 2019, 17:35 9 Resolved Good Morning Britain ITV, 22 March 2019, 08:15 12 Broadcast Licence Conditions cases In Breach Broadcast licensees’ late and non-payment of licence fees Various licensees 14 Provision of information and Providing a service in accordance with ‘Key Commitments’ Chorley FM, 28, 29 and 30 January 2019 17 Compliance procedures (retention of recordings) and Providing a service in accordance with ‘Key Commitments’ CSR, Canterbury Youth and Student Media Limited, 24 to 30 September 2018 20 Providing a service in accordance with ‘Key Commitments’ Bradford Asian Radio Limited Company, 7, 8 and 9 January 2019 24 Compliance procedures (retention of recordings) Bradford Asian Radio Limited Company, 17 to 19 December 2018 27 Tables of cases Investigations Not in Breach 29 Complaints assessed, not investigated 30 Complaints outside of remit 38 BBC First 39 Issue 379 of Ofcom’s Broadcast and On Demand Bulletin 28 May 2019 Investigations List 41 Issue 379 of Ofcom’s Broadcast and On Demand Bulletin 28 May 2019 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. Ofcom also has a duty to ensure that On Demand Programme Services (“ODPS”) comply with certain standards requirements set out in the Act2.