Ed 094 415 Author Title Institution Pub Date

Total Page:16

File Type:pdf, Size:1020Kb

Ed 094 415 Author Title Institution Pub Date DOCUMENT RESUME ED 094 415 CS 201 478 AUTHOR Donelson, Ken, Ed. TITLE Rhetoric and Composition in the English Classroom. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Feb 74 NOTE 214p. AVAILABLE FROM National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock No. 31478, $3.75 nonmember, $3.35 member) JOURNAL CIT Arizona English Bulletin; v16 n2 Entire Issue Feb 1974 EDRS PRICE MF-$0.75 HC-$10.20 PLUS POSTAGE DESCRIPTORS Class Activities; *Composition (Literary); English Instruction; *Evaluation Techniques; *Instructional Materials; *Rhetoric; Secondary Education; *Teaching Techniques; Undergraduate Study; Writing Exercises; Writing Skills; Written Language ABSTRACT The emphasis in the essays printed here is on the problems students face in writing and the problems teachers face in helping their students to improve. The contents include: "New and Renewed Rhetorics: Implications for Teaching," "Experience in Awareness, an Introduction to Creative Writing," "An Experiment with Christfalisen's 'Rhetoric of the Sentence' in Junior High School," "Films as an Aid to Teaching Creative Writing," "The Writer's Laboratory--One Approach to Composition," "Teaching Writing to the New Students of the '70s and '80s," "Teaching Writing to High School Students, Instilling Confidence," "Descriptive Writing: An Aid from Film and Story," "On Sensory Awareness, Compositions, and Flicks," "Trust, Write, Read . An Approach to Launching a Class in Creative Writing," "Handwriting," "Transformations and Stylistic Options," "Some Recent Questions and Some Not-So-Recent Answers about Teaching Composition," "Five Easy Pieces--A Paradigm for Style and Stylistics in Composition," "What You Can Do with Tests of Written Composition," "Writing Sample: An Assessment Tool," "Using Journals with 'Slow' High School Learners," "Composition Criteria," and "Improving Communication and Evaluation through the Class Profile." (RB) U S DEPARTMENT OF HEALTH. EDUCATION B. WELFARE NATIONAL INSTITUTE OF EDUCATION ., EC. 1,L Ni lASESFSN 4.1 PNC r f I[I '4f O.N (1,1Loo, % I N ..1 (..Pol4101 f U1 NO, `if f ppf. :l., AL NA' NS 1 l) ( AfJ'i PC11 RHETORIC AND COMPOSITION IN THE ENGLISH CLASSROOM R Volume 16 - - Number 2 February 1974 0 E N G LI SH evelleteft 11111A ARIZONA ENGLISH BULLETIN A Member of the NCTE Exchange Agreement The ARIZONA ENGLISH BULLETIN is a publication of the Arizona English Teachers Association, a non-profit state affiliate of the National Council of Teachers of English. The ARIZONA ENGLISH BULLETIN exists to create effective statewide artic- ulation of English teachers at all levels, to increase awareness of new ideas, programs, and movements in English, and to improve instruction at every level. The ARIZONA ENGLISH BULLETIN is published three times each year, in October, Feb- ruary, and April. It is supported and subsidized by the Arizona. English Teachers Association, Northern Arizona University, the University of Arizona, and Arizona State University. Membership in the Arizona English Teachers Association (including subscription to the ARIZONA ENGLISH BULLETIN) is $4.00 the year (a three year mem- bership is available for $10.00). Send applications for membership to Frank Dallas,AETA Treasurer Phoenix Union High School 512 E. Van Buren Phoenix, Arizona 85004 Make checks payable to the AETA and include both school and home addresses, including zip codes. Subscriptions to the ARIZONA ENGLISH BULLETIN alone are $4.00 for the three issues. Individual issues are available as supply exists for per issue (except for special issues). For subscriptions or individual copies, send a check made payable to the ARIZONA ENGLISH BULLETIN to Ken Donelson, Editor, ARIZONA ENGLISH BULLETIN English Department Arizona State University Tempe, Arizona 85281 Note to contributors: The editor of the ARIZONA ENGLISH BULLETIN welcomes all con- tributions related to the teaching of English and applicable to the theme of a forthcoming issue. Writers might find the following helpful in preparing manuscripts. 1. Papers should ordinarily run no more than 10-12 pages, typed, double-spaced. 2. Writers who wish to submit brief notes should consider them for the Shoptalk section of a particular issue. 3. Avoid footnotes, unless they are absolutely necessary. 4. The ARIZONA ENGLISH BULLETIN exists to serve all teachers of English, but its primary allegiance is to the National Council of Teachers of English. Writers should attempt to make their articles as practical and useful as possible to the classroom teacher-audience the BULLETIN serves. 5. The editor assumes the right to make small changes to fit the format and needs of the BULLETIN. Major surgery will be handled by correspondence. Subjects for the 1973-1974 Issues: October (Humor and Satire in the English Classroom); February (Rhetoric and Composition); and April (Teaching Fiction: Short Stories and Novels). rr,c,rrr, VATE.Inr P,F F,PAN rr Arizona English Teachers Assn. PIC AND OPri.r41:r.,-.N_,,Pr UNM:PAGPEEMPO,,VO4,4Erwrn,,,,,,,, Sm U OrE DUCA *ION P Pr PNO DUC rN Co rSIOF O E F Ca5rEM NE ouippS PINMISSIONor rrr F COPYPIC.NT Vea F P Iv ARIZONA ENGLISH BULLETIN Winter 1973 RHETORIC AND COMPOSITION IN THE ENGLISH CLASSROOM Contents New and Renewed Rhetorics: Implications for Teaching Frank D'Angelo, Arizona State University 1 Experience in Awareness, An Introduction to Creative Writing Sister Jeannette Shean, Bourgade High School, Phoenix 16 Stand Up and Cheer for Grubby Prose Donald C. Stewart, Kansas State University 22 An Experiment with Christensen's "Rhetoric of the Sentence"in Junior High School Michael Elliott, Kino Junior High School, Mesa 28 Seeing, Shaping, and Socking It to 'em Donald R. Gallo, Central Connecticut State College, New Britain 35 See Dick and Jane Write James R. Rankin and Margaret B. Fleming, University of Arizona 42 Films as an Aid to Teaching Creative Writing Jesse Hise, Central High School, Phoenix 50 The Writer's Laboratory--One Approach to Composition Ronald H. Dow, University of Maine at Presque Isle 55 Backyards I Have Known and Loved--and Why Carol V. Crawford, Arvada West High School, Arvada, Colorado 67 It's All In the Box Sue Hardesty, Chandler High School, and Nel Ward, West High School, Phoenix 75 Teaching Writing to the New Students of the '70s and '80s Russ Larson, Eastern Michigan University, Ypsilanti 77 Teaching Writing to High School Students, Instilling Confidence James T. Klimtzak, Cardinal O'Hara High School, Tonawanda, New York 83 Descriptive Writing: An Aid from Film and Story Del Waite, Camelback High School, Phoenix 86 On Sensory Awareness, Compositions, and Flicks Lynn Kerr, formerly Kaibab School, Scottsdale, now Arizona State University. 89 Trust, Write, Read. AnApproach to Launching a Class in Creative Writing Larry Vosovic and Tom Baer, Homestead High School, Sunnyvale, California . 92 Handwriting Charles Davis, University of Arizona 95 Transformations and Stylistic Options Enola Borgh, University of Wisconsin-Milwaukee 97 Some Recent Questions and Some Not-So-Recent Answers about Teaching Composition 103 Five Easy Pieces -- A Paradigm for Style and Stylistics in Composition Tim Scannell, Westwood High School, Mesa 109 What You Can Do with Tests of Written Composition Henry B. Slotni4,Upstate Medical Center, Syracuse, New York 113 Writing Sample: An Assessment Tool Marguerite Townsend, Jefferson County Public Schools, Lakewood, Colorado . 117 Using Journals with "Slow" High School Learners Gail Fisher Briscoe, Tempe High School 135 Composition Criteria Hal Fortner, Central High School, Phoenix 139 Improving Communication and Evaluation Through the Class Profile Jan A. Guffin, North Central High School, Indianapolis, Indiana 142 Compassionate Grading: Possible? Josephine Kehoe, Jefferson High School, Rochester, New York 146 An Informal Approach to Teaching Composition: Love a Frog, He May Be Your Prince Sandy Baldwin and Sallee Clements, Arizona State University 152 Notions about Skills and a Sequence of Skills in Written Composition Harrison J. Means, Cleveland State University, Cleveland, Ohio 160 "There's Nothing to Write About" Jesse Hise, Central High School, Phoenix. 165 NCTE Achievement Awards Charles Davis, University of Arizona 168 New Rhetorics and Adolescent Fiction: Are They Compatible': Joseph F. Higgins, Five Points High School, Five Points, Alabama Richard L. Graves, Auburn University, Auburn, Alabama 170 The Whole Is More Than the Sum of Its Parts: Responding to Students' Papers Richard L. Larson, Herbert H. Lehman College, New York 175 Barrett Wendell and the Contradictions of Composition Wallace Douglas, Northwestern University 182 Shoptalk 191 Current Reading 197 Preface to the Issue RHETORIC AND COMPOSITION IN THE ENGLISH CLASSROOM This issue is the longest BULLETIN ever published, and fittingly the topic is writing and the problems students face in writing and the problems teachers face in helping their students improve their writing. Thoughts put into words that may help students understand themselves a little better and communicate their thoughts and feelings more effectively is the whole point of this issue. The muliplicity of topics herein covered may help to convey some of the problems and enthusiasms about the composition process and the ways that process can he better handled in the classroom. In the only previous BULLETIN (April 1968) dealing with composition, I cited eight points that seemed essential to creating a classroom conducive to teaching composition. Those eight points were and are 1. Too many
Recommended publications
  • April 1920) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1920 Volume 38, Number 04 (April 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 04 (April 1920)." , (1920). https://digitalcommons.gardner-webb.edu/etude/667 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Jlae Utiuiufi SPRING NUMBER 1MUUISZ5 LJEJNTS APRIL 1920 $ 2.00 A YEAR The Tonne daugrhter of the Into Tnrasn-Bonlba, a new opera by A Brrent Opera Trnst, according: to Colerldgre-Taylor is following a musical Marcel Sninuel-Houssenu, was recently report. Is being proposed in tlif« career, and has already a number of songs country, which would control all presenta¬ tions of opera, all singers, all opera houses, ■SS.rJE •! *£rS'.!Bf j" ' 1 CONTENTS FOR APRIL, 1920 sHSr!Sir'-s‘^“'s SV,s£S: APRIL 1920 Page THE ETUDE Page 218 APRIL 1920 THE Jane Novak in “The River’s End” Jane Novak is an emotional ac¬ PUPILS RECITALS AND PLEASED AUDIENCES tress of sincere power and dis¬ tinguished ability.
    [Show full text]
  • Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
    1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
    [Show full text]
  • Graded Pieces Sorted by Difficulty (PDF)
    Grade Composer Composition Main Technical Difficulty or Benefit Other Notes & Comments 1 Agay Mysterious Procession Left Hand Melody This is for the total beginner, and can be taught on the very first lesson. RH play a Sight Reading steady even ostinato using only the note E, while the left hand plays the melody which Hand Independence consists only of ABC in different orders and simple rhythms. Excellent for sight- Expressive Playing reading, for hand independence, for expressive playing and for bringing up a melody on the left hand. It can also be used as a seed for free improvisation. 1 Alt Hot Noon in the Meadow Introduction to how chords develop emotSioimn ilar in difficulty to the above, this set of pieces uses modern harmonies to tell stories, so it is a very good introduction to how and why chords and intervals can elicit different emotions (for instance, “The spider” uses tritons to build up suspense, and “Bees and Flies” uses chromatic intervals to emulate buzzing). 1 Alt The Ocean Pattern Introduction A collection of 10 pieces for the complete beginner, most you can teach at the first lesson. The interesting thing here is that they use the whole keyboard and introduce patterns that frequently appear in the more advanced pieces, so they are excellent preparatory pieces. Again very good recital material for beginners. 1 Bach Chorale Lord, do with me as you will, BWV 514 1 Bach, J.C. Air in F, BWV Anh. 131, from 'The Anna Magdalena Bach Book of 1725' 1 Bach, J.C. Aria in A minor 1 Bartók Children at Play 1 Bartók Quasi Adagio no 3 from 'For Children' vol 1 1 Bartók Two Little Dialogues 1 Bartók Two Short Pieces and Two Little Dances 1 Beethoven Ecossaise in Eb major WoO 86 These are one-page very easy pieces (grade 1) that Beethoven most likely wrote as pedagogical material for is pupils.
    [Show full text]
  • Ed 045 242 Pc 004 P76
    DOCUMENT RESUME ED 045 242 PC 004 P76 TT7T,E A guile to Books on Recreation, Fourteenth Annual Edition-1071. TNSTTTDTION National Recreation anA Park Association, Washington, 1.C. ?U8 DATE /0 NOTE 56o. AVAT1ABLF FECM Publications Center, National Recreation & Dark Association, 1/00 Pennsylvania Avenue, 4.W., qashinaton, n.c. 20006 (51.00) FDPS PRICE ERRS Price 4F-40.2') VC -f2. °0 DESCRIPTORS Administration, txt Fxnression, *Booklists, Camrina, *!'coloay, Games, Eohbiep, leisure Time, *Physical Fitness, *Recreation, *Peoreational Activities ABSTRACT Brief descriptions of Pfo books and macaTines are presented in this hooklist which represents the hest hooks available in the park, recreation, and conservation field. It is noted that textbooks and Professional aids are available for recreation Professionals, while laymen can find books to satisfy any number of leisure-time interests. Also listed are PEI technical manuals for the park and recreation Professional designed to provide expert data or specific problems and projects, new manapPment techriaues and resources, and ur-to-date references to source materials. A ti'le index is provided. (.I1) A GUIDE TO 00 '11I" der"^NN on recreation U OtANWINT Ofmt MAK,tOuCATION yFEtPAUt WKS OP 1115ut1iw011 IN* 0000NIWT WI HO IIIIPADvtiD ITLACTty PIttret0 MIN TNT PINSON ON ONGANg M1011 OINC-INATINO T OOS OF Wt* ON (*mods S1AFt0 00 NOT PARIS SON?, IlitITISTNI °MCA? OF ICE Of IOU c A tot osIvoir op Paley FOURTEENTH ANNUAL EDITION -1971 $1.00 CONTENTS INTRODUCTION INUODUCTION 2 The 1971 GUIDE TO BOOKS ON RECREATION is I. ARTS & CRAFTS. HOBBIES 3 different in many ways from preceding years, and A.
    [Show full text]
  • January 1921) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1921 Volume 39, Number 01 (January 1921) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 39, Number 01 (January 1921)." , (1921). https://digitalcommons.gardner-webb.edu/etude/675 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Sufcfl HE ETUDE States,! Presser’s Musical Magazine of Shari , and Com Single j rev] JANUARY 1921 $2.00 A YEAR The ! TEACHING WORKS FOR | ELEMENTARY INSTRUCTION Most » <1 »fr >F -F»t< >F * ❖❖ ♦ *t« * *? ■!< * "t< ‘t"fr * iH* 't» ♦ ♦ *F ‘F $ SONGS of the NORTH AMERICAN IND1 By Thurlow Lieurance Price, J TWENTY-FIVE MELODIES FOR EYE, Recent Mr. Lieurance’s transcriptions and arranger! EAR AND HAND TRAINING of native aboriginal themes have attained irnnl popularity and almost invariably will be fount] By Mathilde Bilbro Price, 75 cents the concert and recital programs of the foref These little pieces may be regarded as second Publications artists. Nine of his recent and most grade studies and are intended to aid in establish¬ ing the position of the hand upon the keyboard, at¬ In Book Form taining freedom, training the eye, especially in leger of the lines, in staff positions and cultivating a musical ear.
    [Show full text]
  • Burglary Wave Strikes Campus; Man Charged by Chris Landry Cidents in Which More Than $1,600 Ty and Town Police Led to His Arrest Belongings
    INSIDE . Looking back at the Reag an years — page 8 a THGCIRCLG Volume 35, Number 11 Marist College, Poughkeepsie, N.Y. February 2, 1989 Burglary wave strikes campus; man charged by Chris Landry cidents in which more than $1,600 ty and town police led to his arrest belongings. The man, who was escorted off campus after telling in cash and merchandise was was also charged m the Leo later identified as Barton, denied Abdelrahman they were waiting for A Mount Vernon, N.Y., man reported missing by students since burglary. the theft and told the victim he had a friend who was visiting a student who last month was paroled from the beginning of the spring The burglary victim, who re­ seen another man escape with the named Linda Davis, said Security prison was arrested Sunday and semester, according to Marist quested anonymity, was on the hall merchandise. officials. Security has since deter­ charged with the burglary of $340 Security and Town of Poughkeep­ phone, only few feet away, when Investigators were led to Barton mined that there is no such Marist from a Marist student's Leo Hall sie police. a man entered his room on the after a Marist Security guard, Al student. room, according to Marist's Office Barton and an accomplice were third floor last Saturday at 9:30 Abdelrahman, reported the license A few hours later the Leo of Safety and Security. arrested at Saint Francis hospital in p.m. plate of a "suspicious looking" car burglary was reported. In­ Raymond Barton, paroled Dec.
    [Show full text]
  • January 1920)
    Gardner-Webb University Digital Commons @ Gardner-Webb University The Etude Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1920 Volume 38, Number 01 (January 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 01 (January 1920)." , (1920). https://digitalcommons.gardner- webb.edu/etude/664 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The Etude Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. SiAU Ulae 111 mm • , ***v«*«f > , • f - THE ETUDE PRESSER’S MUSICAL MAGAZINE H Pafl« Devoted Teaching Works for Elementary Instruction OLD RHYMES WITH NEW TUNES VERDI—CHILD’S OWN BOOK to the most By Geo. F. Hamer Price,"60 cents OF GREAT MUSICANS The six easy pianoforte compositions in this little Price, 20 cents volume comprise the best set of Mother Goose Melodies the publishers have ever seen. They can The latest of a series written by Thomas Tapper be played or sung and, will delight the child pianist to furnish the child music student with interesting Recent Me facts about great composers. After gathering these or the little singer.
    [Show full text]
  • A Survey of Elementary Piano Repertoire: a Piano Instructor’S Resource
    A SURVEY OF ELEMENTARY PIANO REPERTOIRE: A PIANO INSTRUCTOR’S RESOURCE BY MATTHEW GLADDEN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Vocal Coaching and Accompanying in the Graduate College of the University of Illinois at Urbana-Champaign, 2017 Urbana, Illinois Doctoral Committee: Associate Professor Julie Gunn, Chair Professor Christos Tsitsaros, Director of Research Professor Stephen Taylor Professor Emeritus Bruno Nettl Abstract This project opens with the premise that some piano instructors are unaware of or don’t have immediate access to elementary literature written by notable composers over the last few centuries. At times, this can lead to a student learning only from methods, resulting in a keyboard education that may lack the diversity of styles and challenges that supplemental pieces can provide. In this document, I will present an overview of important composers who contributed to repertoire at the elementary level. Beginning with Bach and his contemporaries, I will write a short discussion on the background of each composer, provide a few short examples, and discuss the works in question. I will stress the importance of teaching such repertoire to elementary students and argue that this exposure will better equip them as they move on to more advanced styles of playing. ii Table of Contents CHAPTER 1: INTRODUCTION……………………………..…………………………………………..1 CHAPTER 2: THE BAROQUE ERA……………………………………………………………..……..5 CHAPTER 3: THE CLASSICAL ERA…………………………………………………………………27 CHAPTER 4: THE ROMANTIC ERA……………………………………………………………….…45 CHAPTER 5: THE CONTEMPORARY ERA………………………………………………...........…83 CHAPTER 6: CONTEMPORARY PEDAGOGICAL COMPOSERS……………………………..114 CHAPTER 7: CONCLUSION…………………………………………………………………………133 BIBLIOGRAPHY……...………………………………………………………………..………………134 iii Chapter 1: Introduction The purpose of this project is to expand a piano teacher’s knowledgebase of available keyboard repertoire, with particular regards to elementary pieces.
    [Show full text]
  • Two Cheers for Anarchism : Sixeasy Pieces on Autonomy, Dignity, and Meaningful Work and Play I James C
    Two Cheers for /tnarchism Two Cheers for f\narchism Six Easy Pieces on Autonomy, Dignity, and Meaningful Work and Play JAMES C. SCOTT Princeton University Press Princeton & Oxford Copyright© 2012 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, 6 OxfordStreet, Woodstock, Oxfordshire OX20 I TW press.princeton.edu AU RightsReserved LIBRARY OF CONGRESS CATALOGING·IN·PUBLICATION DATA Scott, James C. Two cheers for anarchism : sixeasy pieces on autonomy, dignity, and meaningful work and play I James C. Scott. p. em. Includes bibliographical referencesand index. ISBN 978-0-691-15529-6 (hardcover : alk. paper) 1. Anarchism. I. Title. HX826.S35 2012 2012015029 British Library Cataloging-in-Publication Data is available Thisbook has been composed in Garamond Pro Printed on acid-free paper.oo Printed in the United States of America 1 3 5 7 9 10 8 6 4 2 Contents Illustrations vii Preface ix one TheUses of Disorder and "Charisma" 1 tw o Vernacular Order, Official Order 30 thr ee TheProduction of Human Beings 57 four Two Cheers for the Petty Bourgeoisie 84 fiv e For Politics 101 six Particularity and Flux 129 Notes 143 Acknowledgments 151 Index 153 Illustrations Frontispiece. ii 1.1. Memorialfo r the Unknown Deserter,by Mehmet Aksoy, Potsdam. 8 1.2. Dr. Martin Luther King, Jr., delivering his last sermon, Memphis, Tennessee, April 3, 1968. 26 2.1. Scientificforest, Lithuania. 38 2.2. Edgar Anderson's drawings for the Vernacular Garden, Guatemala. {a) An orchard garden. 50 {b) Detailed glyphs identifyingthe plants and their categories in the garden.
    [Show full text]
  • PIANO : Adult Piano Classes
    NEW FOR 2007! PIANO : Adult Piano Classes Piano - play your own music BANDS : Folk Music SINGING & CHOIRS : Gospel music & hymns SPEECH & DRAMA - NOW IN KINGS LYNN AND CONTINUING FOR 2007 Recital Classes and Evening Concert to be held at the Assembly House and sponsored by Final concerts will be held on Sunday 25 March 2007 NORFOLK EDUCATION MUSIC SERVICE NORFOLK COUNTY MUSIC FESTIVAL NOW INCLUDING THE SPOKEN WORD Registered Charity number 1081411 Affiliated to the British and International Federation of Festivals for Music, Dance and Speech President Paul Harris ARAM GRSM LRAM ARCM MTC Hon TCL Monday 5 March– Friday 16 March 2007 SYLLABUS Adjudicators include: Heather Bills Paul Harris Graeme Humphrey Sue Lawrence Roger Montgomery Tish Nicoll Vivien Pike Gary Sieling Alison Mary Sutton Allison Walker - Morecroft Details of individual adjudicators are given at the beginning of each class. VENUES Norwich Kings Lynn Closing date for entries : 30 November 2006 The final concert will take place on Sunday 25 March 2007 Entries to be sent, faxed or emailed to the Festival Administrator Brackendale, Poringland Road Upper Stoke Holy Cross Norwich NR14 8NW Fax 01508 493871 Email: [email protected] NORFOLK COUNTY MUSIC FESTIVAL INCLUDING THE SPOKEN WORD Registered Charity number 1081411 Affiliated to the British Federation of Festivals for Music, Dance and Speech CONTENTS Proposed Timetable printed on inside front cover Page Accordion Class N 41 Adult Choirs/Choral Singing Class A 7 Belleplates Class U 46 Brass Class G 22 Chamber Groups/Orchestras/Band
    [Show full text]
  • The Hal Leonard Herald May 2016
    www.halleonard.com The Hal Leonard Herald May 2016 P/V/G Personality Folios Easy Piano Sara Bareilles Queen – – What’s Easy Piano P/V/G Pop & Inside: Songs Collection Standards from Waitress Ten top tunes from glam rock I Took a Pill in Ibiza Bareilles’ 2015 (Mike Posner) 00160847 release features a gods Queen ar- dozen songs from ranged for easy Me, Myself & I piano: Another (G-Eazy) 00160457 the Broadway adaptation of One Bites the Seven Years Dust • Bohemian (Lukas Graham) 00160825 Adrienne Shelly’s 2007 indie comedy-drama Waitress. Rhapsody • Crazy Little Thing Called Love • Don’t Stop Me Now • Killer Our folio features piano/vocal/guitar P/V/G Country Queen • Somebody to Love • Under arrangements of all the songs: Bad Came Here to Forget Pressure • We Are the Champions • We Idea • Door Number Three • Everything (Blake Shelton) 00171140 Will Rock You • You’re My Best Friend. Changes • Lulu’s Pie Song • Never Ever 00139187 Easy Piano ..............$14.99 Humble and Kind Getting Rid of Me • Opening Up • She (Tim McGraw) 00160850 (EAN 978-1-4950-0628-9) (UPC 8-88680-03587-7) Used to Be Mine • When He Sees Me • My Church and more. (Maren Morris) 00160292 ® Coldplay – 00155843 P/V/G ....................$17.99 Pro Vocal Series A Head Full of Dreams (EAN 978-1-4950-5730-4) (UPC 8-88680-60242-0) Women’s Edition Our matching folio features all 12 tracks from the British rock band’s 2016 release 56. Adele – which reached #2 on the Billboard® 200 All Jazzed Up! 2nd Edition Book/ album charts, including: Adventure of a Ozzy Osbourne Lifetime • Amazing Day • Army of One Online Audio • Birds • Colour Spectrum • Everglow In this series, Whether you’re pop hits receive • Fun • A Head Full of Dreams • Hymn a karoake singer unexpected or preparing for for the Weekend • Kaleidoscope • Up & fresh treatments.
    [Show full text]
  • RCM Piano Syllabus
    Piano SYL LABUS / 2015 EDITION PianoPiano SYLLABUS / 20152015 EDITIONEDITION The Royal Conservatory © Copyright 2015 The Frederick Harris Music Co., Limited All Rights Reserved The Royal Conservatory of Music is one of the largest and most respected music education institutions in the world, providing the definitive standard of excellence in curriculum design, assessment, performance training, teacher certification, and arts-based social programs. The mission of The Royal Conservatory—to develop human potential through leadership in music and the arts—is based on the conviction that the arts are humanity’s greatest means to achieve personal growth and social cohesion. Advancing the transformative effect that music and the arts have on society lies at the heart of everything The Royal Conservatory does. Increasingly, music and the arts are also being recognized as crucial intellectual building blocks, closely linked to cognitive functions such as brain and verbal-linguistic development; spatial reasoning; complex problem solving in mathematics and science; the development of emotional intelligence; interpersonal skills; and self-expression. Since its inception in 1886, The Royal Conservatory has translated the latest research on music and arts education into effective programs benefiting millions of people around the world. The more than five million alumni of The Royal Conservatory have enjoyed the many benefits of music study and carried these benefits into subsequent careers in a wide range of fields, including medicine, business, politics, education, science, and sports. Others, such as Glenn Gould, Oscar Peterson, Diana Krall, Teresa Stratas, Sir Roger Norrington, and Jon Vickers, have achieved international musical acclaim. The Royal Conservatory Certificate Program provides a recognized standard of musical achievement through an effectively sequenced system of study and individual student assessments, from preparatory to advanced levels.
    [Show full text]