January 1922) James Francis Cooke
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
University of Florida Thesis Or Dissertation Formatting
IRISH MUSIC AND HOME-RULE POLITICS, 1800-1922 By AARON C. KEEBAUGH A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Aaron C. Keebaugh 2 ―I received a letter from the American Quarter Horse Association saying that I was the only member on their list who actually doesn‘t own a horse.‖—Jim Logg to Ernest the Sincere from Love Never Dies in Punxsutawney To James E. Schoenfelder 3 ACKNOWLEDGMENTS A project such as this one could easily go on forever. That said, I wish to thank many people for their assistance and support during the four years it took to complete this dissertation. First, I thank the members of my committee—Dr. Larry Crook, Dr. Paul Richards, Dr. Joyce Davis, and Dr. Jessica Harland-Jacobs—for their comments and pointers on the written draft of this work. I especially thank my committee chair, Dr. David Z. Kushner, for his guidance and friendship during my graduate studies at the University of Florida the past decade. I have learned much from the fine example he embodies as a scholar and teacher for his students in the musicology program. I also thank the University of Florida Center for European Studies and Office of Research, both of which provided funding for my travel to London to conduct research at the British Library. I owe gratitude to the staff at the Library of Congress in Washington, D.C. for their assistance in locating some of the materials in the Victor Herbert Collection. -
March 1921) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1921 Volume 39, Number 03 (March 1921) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 39, Number 03 (March 1921)." , (1921). https://digitalcommons.gardner-webb.edu/etude/677 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. MARCH J921 The World of Music The Baton Range Philharmonic Or¬ chestra is the first organization of this na¬ ture, of symphony size, to be formed in the State of Louisiana. It gave its first program SSsS®®*' SEEK K'S Sissas8®' Page U6 MARCH 1921 THE ETUDE MARCH 1921 Page U THE ETUDE Schools anb Colleges-cbtcago SUMMER MASTER COURSES FOR PROFESSIONALS AND ADVANCED STUDENTS June 2Tth=July joth=ig2i DAVID Summer master School The American Conservatory announces the return LHEVINNE engagement of these world-famous BISPHAM June 27 to August 6 [Six Weeks] artists to conduct SPECIAL ENGAGEMENT OF MAST3EE CLASSES specially designed for professional pianists and PROF. -
NUI MAYNOOTH Ûllscôst La Ttéiîéann Mâ Üuad Charles Villiers Stanford’S Preludes for Piano Op.163 and Op.179: a Musicological Retrospective
NUI MAYNOOTH Ûllscôst la ttÉiîéann Mâ Üuad Charles Villiers Stanford’s Preludes for Piano op.163 and op.179: A Musicological Retrospective (3 Volumes) Volume 1 Adèle Commins Thesis Submitted to the National University of Ireland, Maynooth for the degree of Doctor of Philosophy Department of Music National University of Ireland, Maynooth Maynooth Co. Kildare 2012 Head of Department: Professor Fiona M. Palmer Supervisors: Dr Lorraine Byrne Bodley & Dr Patrick F. Devine Acknowledgements I would like to express my appreciation to a number of people who have helped me throughout my doctoral studies. Firstly, I would like to express my gratitude and appreciation to my supervisors and mentors, Dr Lorraine Byrne Bodley and Dr Patrick Devine, for their guidance, insight, advice, criticism and commitment over the course of my doctoral studies. They enabled me to develop my ideas and bring the project to completion. I am grateful to Professor Fiona Palmer and to Professor Gerard Gillen who encouraged and supported my studies during both my undergraduate and postgraduate studies in the Music Department at NUI Maynooth. It was Professor Gillen who introduced me to Stanford and his music, and for this, I am very grateful. I am grateful to the staff in many libraries and archives for assisting me with my many queries and furnishing me with research materials. In particular, the Stanford Collection at the Robinson Library, Newcastle University has been an invaluable resource during this research project and I would like to thank Melanie Wood, Elaine Archbold and Alan Callender and all the staff at the Robinson Library, for all of their help and for granting me access to the vast Stanford collection. -
Prohibition, American Cultural Expansion, and the New Hegemony in the 1920S: an Interpretation
Prohibition, American Cultural Expansion, and the New Hegemony in the 1920s: An Interpretation IAN TYRRELL* In the [920s American prohibitionists, through the World League against Alcohol ism, sought to extend their war on liquor beyond the boundaries of the United States. Prohibitionistsfailed in their efforts due to anti-American sentiment, complex class and cultural opposition to prohibition, and negative reporting of the experi ment with prohibition in the U.S. Nevertheless, restrictive anti-alcohol laws were introduced in a number ofcountries. Moreover, the efforts ofAmerican prohibition ists furthered the larger process of American cultural expansion by emphasizing achievements of the U.S. in economic modernization and technical advancement. This episode in American cultural expansion occurred with the support of anti alcohol groups in foreign countries that embraced the message equating American reform with modernity. Prohibitionists abroad colluded in the process, thereby accepting a form ofAmerican cultural hegemony. En 1920, par l'intermédiaire de la World League against Alcoholism, les prohibi tionnistes américains se sont efforcés de pousser leur lutte contre l'alcool au-delà des frontières des États-Unis. Cependant, le sentiment anti-américain, l'opposition complexe des classes et de la culture à l'endroit de la prohibition ainsi que la mauvaise presse dont l'expérience américaine a fait l'objet ont fait échouer leurs efforts. Néanmoins, plusieurs pays ont adopté des lois restrictives contre l'alcool. Qui plus est, les efforts des prohibitionnistes américains ont favorisé l'expansion de la culture américaine en mettant en valeur les réussites des É.-u. au chapitre de la modernisation économique et de l'avancement de la technologie. -
Printcatalog Realdeal 3 DO
DISCAHOLIC auction #3 2021 OLD SCHOOL: NO JOKE! This is the 3rd list of Discaholic Auctions. Free Jazz, improvised music, jazz, experimental music, sound poetry and much more. CREATIVE MUSIC the way we need it. The way we want it! Thank you all for making the previous auctions great! The network of discaholics, collectors and related is getting extended and we are happy about that and hoping for it to be spreading even more. Let´s share, let´s make the connections, let´s collect, let´s trim our (vinyl)gardens! This specific auction is named: OLD SCHOOL: NO JOKE! Rare vinyls and more. Carefully chosen vinyls, put together by Discaholic and Ayler- completist Mats Gustafsson in collaboration with fellow Discaholic and Sun Ra- completist Björn Thorstensson. After over 33 years of trading rare records with each other, we will be offering some of the rarest and most unusual records available. For this auction we have invited electronic and conceptual-music-wizard – and Ornette Coleman-completist – Christof Kurzmann to contribute with some great objects! Our auction-lists are inspired by the great auctioneer and jazz enthusiast Roberto Castelli and his amazing auction catalogues “Jazz and Improvised Music Auction List” from waaaaay back! And most definitely inspired by our discaholic friends Johan at Tiliqua-records and Brad at Vinylvault. The Discaholic network is expanding – outer space is no limit. http://www.tiliqua-records.com/ https://vinylvault.online/ We have also invited some musicians, presenters and collectors to contribute with some records and printed materials. Among others we have Joe Mcphee who has contributed with unique posters and records directly from his archive. -
Musical Fund Society of Philadelphia Supplementary Records Ms
Musical Fund Society of Philadelphia supplementary records Ms. Coll. 513 Finding aid prepared by Leann Currie. Last updated on May 15, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2005 Musical Fund Society of Philadelphia supplementary records Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents..................................................................................................................................... 10 Administrative Information......................................................................................................................... 12 Controlled Access Headings........................................................................................................................13 Collection Inventory.................................................................................................................................... 14 Early Membership..................................................................................................................................14 Minutes...................................................................................................................................................15 Musical Fund Hall................................................................................................................................ -
Download Booklet
Benjamin James Dale (1885–1943): The Romantic Viola majesty and grandeur and a melodic sweep such as some of his original intentions in his compositions. There none other of the present generation of string- are many instances, not only in the Phantasy but also in Suite for Viola and Piano in D major, Op. 2 writers seems able to approach”. the Suite, where although he keeps a long, legato Introduction and Andante for Six Violas, Op. 5 • Phantasy for Viola and Piano, Op. 4 melody in the piano part, the viola part for a similar or Dale promoted a number of techniques that were even identical melody is broken up, with tenuto markings Edwin Evans wrote of Dale in The Musical Times on 1st October 1906. This was followed by a performance of the not often used in English chamber music at the time, to separate the legato line. I personally feel that this may May 1919: “ʻHe has written fewer and better works than complete work in 1907. Tertis, who was particularly fond such as pizzicato, tremolos, ponticello and harmonics in have been Tertisʼs suggestion, in order to give the viola any English composer of his generation.ʼ That is the of the first two movements, asked Dale to orchestrate all six parts, also instructing the sixth violaʼs C string to part a better chance of being heard alongside the considered opinion of a well-known English musician.” them. The orchestrated versions were subsequently be tuned down to a G in order to reach the bass A flat in beautiful but nevertheless somewhat thick piano writing. -
Auction Results Srandr10145 Wednesday, 28 July 2021
Auction Results srandr10145 Wednesday, 28 July 2021 Lot No Description 1 An oak canteen table, the fitted drawer with lift-out tray, on twist supports, 80cm wide, containing a mixed part set of epns old £50.00 English pattern flatware, etc. 2 An oak canteen of epns old English pattern flatware for six, c/w ivory-handled cutlery and carving set, etc. £100.00 3 A set of Mappin & Webb epns Russell pattern flatware and cutlery for eight settings, 86pcs, in original retailers' box (light use), £220.00 Ato/w large a small rectangular quantity ep of two-handled other electroplated tray, 63 flatware x 39cm, to/w a waisted tray with pierced gallery, 59 x 30cm, a bullet-shaped kettle 5 on stand, two hot water jugs, a tea pot with matching milk jug, and a cased carving set with carved ivory 'scimitar' handles £60.00 (box) 6 A cased set of twelve mother of pearl caviar spoons, to/w a pair of epns entrée dishes and covers with gadrooned rims, three £55.00 electroplated serving bowls and an oak canteen of electroplated fish knives and forks 8 A Walker & Hall two-handled soup tureen and cover on stemmed foot, to/w four entrée dishes and covers (box) £50.00 9 An epns two-handled oval tray with pierced gallery, to/w a compressed melon tea pot, half-reeded coffee pot, plated on £100.00 copper jug (possible Danish design), various flatware, etc. 10 A good set of Christofle (France) electroplated flatware and cutlery of modified fiddle pattern, for twelve settings (87 pcs - little £670.00 used) 11 A quantity of fiddle, thread and shell flatware and cutlery, to/w various other mixed flatware, half-reeded bachelor teapot and £60.00 milk jug, a collection of Churchill and other commemorative crowns (including one silver 1977 Jubilee example), etc. -
360 Degrees Focus on Lighting Design
360 Degrees: Focus on Lighting Design on Lighting 360 Degrees: Focus 360 Degrees Focus on Lighting Design (Edited by) TOMI HUMALISTO, KIMMO KARJUNEN, RAISA KILPELÄINEN 70 THE PUBLICATION SERIES OF THE THEATRE ACADEMY RAISA KILPELÄINEN RAISA KIMMO KARJUNEN, KARJUNEN, KIMMO TOMI HUMALISTO, Edited by Edited 360 Degrees Focus on Lighting Design TOMI HUMALISTO, KIMMO KARJUNEN, RAISA KILPELÄINEN (ED.) TOMI HUMALISTO, KIMMO KARJUNEN, RAISA KILPELÄINEN (ED.) 360 Degrees Focus on Lighting Design PUBLISHER University of the Arts Helsinki, Theatre Academy 2019 University of the Arts Helsinki, Theatre Academy, Editor & Writers THE PUBLICATION SERIES OF THE THEATRE ACADEMY VOL 70 ISBN (print): 978-952-353-010-2 ISBN (pdf): 978-952-353-011-9 ISSN (print): 0788-3385 ISSN (pdf): 2242-6507 GRAPHIC DESIGN BOND Creative Agency www.bond.fi COVER PHOTO Kimmo Karjunen LAYOUT Atte Tuulenkylä, Edita Prima Ltd PRINTED BY Edita Prima Ltd, Helsinki 2019 ISTÖM ÄR ER P K M K PAPER Y I Scandia 2000 Natural 240 g/m2 & Maxi offset 100 g/m2 M I KT FONTS LJÖMÄR Benton Modern Two & Monosten Painotuotteet 4041 0002 360 Degrees Focus on Lighting Design TOMI HUMALISTO, KIMMO KARJUNEN, RAISA KILPELÄINEN (ED.) 70 THE PUBLICATION SERIES OF THE THEATRE ACADEMY Contents Introduction 9 PART I Multidisciplinary perspectives on lighting design 13 Tarja Ervasti Found spaces, tiny suns 13 Kimmo Karjunen Creating new worlds out of experimentation 37 Raisa Kilpeläinen Thoughts on 30 years of lighting design education at the Theatre Academy 59 Kaisa Korhonen Memories and sensations – the -
Tuesday, 5 December 1922 Various Resolutions; Election of ECCI; Close of Congress
Session 32 – Tuesday, 5 December 1922 Various Resolutions; Election of ECCI; Close of Congress The Norwegian question. Resolution on the terror in Ire- land. Question of the Versailles Peace Treaty. Tactics of the Communist International. The Eastern question. Edu- cational work. France. Resolution on the Russian Revolu- tion. Election of the Executive Committee. Closing speech by Zinoviev. Speakers: Haakon Meyer, Connolly, Hoernle, Bor- diga, Clara Zetkin, Kolarov, Billings, Grün, Torp, Kolarov, Zinoviev Convened: 6:50 p.m. Chairperson: Neurath Haakon Meyer (Norway): The majority of the Nor- wegian delegation states that it is not happy with the proposed resolution. A number of its points do not reflect our views. In some cases, we believe that the Commission has handled specific matters in too abstract and schematic a fashion. This applies, for example, to the cases of Halvard Olsen and Karl Johanssen. As for the latter point, a proposal had been made by the entire delegation to formulate this differ- ently, but it was rejected by the Commission. In other cases, we believe that the resolution is insufficiently objective. That applies to the point concerning Mot Dag, which, in our opinion, is not a closed group, and also for Point 4 [of the resolution], which deserves criticism. 1094 • Session 32 – 5 December 1922 However, after thorough discussion of all the disputed questions in the Commission, we will not initiate further debate in the plenary, but, rather, state that the majority of the delegation will vote for the resolution. Chair: We will now take the vote on the resolution proposed by the Norwegian Commission. -
April 1920) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1920 Volume 38, Number 04 (April 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 04 (April 1920)." , (1920). https://digitalcommons.gardner-webb.edu/etude/667 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Jlae Utiuiufi SPRING NUMBER 1MUUISZ5 LJEJNTS APRIL 1920 $ 2.00 A YEAR The Tonne daugrhter of the Into Tnrasn-Bonlba, a new opera by A Brrent Opera Trnst, according: to Colerldgre-Taylor is following a musical Marcel Sninuel-Houssenu, was recently report. Is being proposed in tlif« career, and has already a number of songs country, which would control all presenta¬ tions of opera, all singers, all opera houses, ■SS.rJE •! *£rS'.!Bf j" ' 1 CONTENTS FOR APRIL, 1920 sHSr!Sir'-s‘^“'s SV,s£S: APRIL 1920 Page THE ETUDE Page 218 APRIL 1920 THE Jane Novak in “The River’s End” Jane Novak is an emotional ac¬ PUPILS RECITALS AND PLEASED AUDIENCES tress of sincere power and dis¬ tinguished ability. -
Nickelodeon Greenlights Fourth Season of Hit Music Comedy Series Big Time Rush
Nickelodeon Greenlights Fourth Season Of Hit Music Comedy Series Big Time Rush Network Orders 13 Episodes with Production Beginning Q1 2013 NEW YORK, Aug. 6, 2012 /PRNewswire/ -- As music sensation Big Time Rush crosses the U.S. this summer performing to sold- out audiences and arenas, and with their hit single "Windows Down" climbing the charts, Nickelodeon has ordered a fourth season of their self-titled hit comedy series Big Time Rush. Created by Scott Fellows and produced in partnership with Sony Music, the series chronicles the adventures of four best friends living the dream in Los Angeles, balancing their newfound fame, fans, music and girlfriends. Starring Kendall Schmidt, James Maslow, Carlos Pena and Logan Henderson, Big Time Rush is slated to commence production on 13 episodes early 2013 in Los Angeles. (Photo: http://photos.prnewswire.com/prnh/20120806/NY52671) The band's summer anthem "Windows Down," sparked by their strongest first week sales to date, is trending to be their biggest hit yet at radio, digital sales providers and online, with their music video approaching nearly three million views. "Windows Down" will be Big Time Rush's third consecutive charted single at Pop radio. The "Big Time Summer Tour" has the band entertaining fans in 60 cities, making appearances across the U.S., Canada and South America. Their debut, gold- certified BTR and follow-up album Elevate, both entered the Billboard charts in the top 15 and currently total over 1.25 million albums sold worldwide and 3.5 million singles in the U.S. "Our viewers continue to love the stories, music and comedic misadventures of Kendall, James, Carlos and Logan.