Study Guide: Students & Educators CLOUD NINE Heather Baird Director of Education
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The Theory of Relativity
Theory of Relativity | 11 Cast | 12 Songs and Scenes | 12 Who’s Who | 13 Authors’ Notes | 19 About Goodspeed Musicals | 25 History of The Norma Terris Theatre | 27 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Goodspeed Musicals Staff | 34 For Your Information | 44 Audio and video recording and photography are prohibited in the theatre. Please turn off your cell phone, beeper, watch alarm or anything else that might make a distracting noise during the GMS2 performance. Unwrap any candies, cough drops, or mints before the performance begins to avoid disturbing your fellow audience members or the actors on stage. We appreciate your cooperation. Editor Lori A. Cartwright ADVERTISING OnStage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of OnStage Publications, Inc. Contents © 2015. All rights reserved. Printed in the U.S.A. 2 GOODSPEED MUSICALS | 2015 SEASON Theory of Relativity | 11 Cast | 12 Songs and Scenes | 12 Who’s Who | 13 Authors’ Notes | 19 About Goodspeed Musicals | 25 History of The Norma Terris Theatre | 27 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Goodspeed Musicals Staff | 34 For Your Information | 44 Audio and video recording and photography are prohibited in the theatre. Please turn off your cell phone, beeper, watch alarm or anything else that might make a distracting noise during the GMS2 performance. -
UPSTAGE Winter 2009 Hedda Gabler 1 PSYCHOLOGY–The Study of the Mind and Mental Processes, Especially in Relation to Behavior
UPA PUblicAtion of the edUcAtionSTAGE department At ROUNDABOUTTHEATRECOMPANY UP Winter2009 UPSTAGE WINTER 2009 Hedda Gabler 1 PSYCHOLOGY– The study of the mind and mental processes, especially in relation to behavior. Hedda: Is there something I can help you with? Miss Tesman: No, no, no! Hedda Tesman must only have happy thoughts at a time like this Hedda: Happy thoughts? I can’t control my thoughts. 2 ROUNDABOUTTHEATRECOMPANY The Roundabout Theatre Company’s production of Hedda Gabler stars Mary-Louise Parker, Peter Stormare, and Michael Cerveris in this adaptation by Christopher Shinn. On the following pages are interviews with some of the actors as well as a section titled, “The World of The Play,” which provides more information about understanding Ibsen, his history, and his world. 4 The PSYCHOLOGY of Acting: Mary-Louise Parker 4 The PSYCHOLOGY of Directing: Ian Rickson 6 The PSYCHOLOGY of Ibsen: The World of the Play 8 6 The PSYCHOLOGY of Hedda: The Women Who Have Played Hedda 10 The PSYCHOLOGY of Adaptation: Christopher Shinn 12 The PSYCHOLOGY of Costume Design: Ann Roth 14 The PSYCHOLOGY of Language: Vocabulary 15 8 10 12 14 15 UPstAge contribUTORS: greg mccaslin Director of Education; reneé flemings Director of Instruction and Curriculum Development; ted sod Education Dramaturg; Jennifer dibella Education Program Manager; Jay gerlach Education Associate for Theatre-Based Programs; Amanda hinkle Education Associate for School-Based Programs; Kayla carpenter Education Intern; emily meagher Education Intern. coVer: Artwork for the Roundabout Theatre Company production of Hedda Gabler. Production photos: Nigel Parry. copyright © 2008 roundabout theatre company, inc. All rights reserved. -
Marketing Fragment 6 X 10.5.T65
Cambridge University Press 978-0-521-86606-4 - The Cambridge Companion to August Wilson Edited by Christopher Bigsby Excerpt More information 1 CHRISTOPHER BIGSBY August Wilson: the ground on which he stood I am one of those warrior spirits. The battle since the first African set foot on the continent of North America has been a battle for the affirmation of the value and worth of one’s being in the face of this society that says you’re worthless. ...AsAfricans prior to coming over here, they existed, and they were the center. Everything revolved around them in their world view. Over here, all of that has been taken and stripped away. So I say, ‘Let’s look at it. The world is right here in this back yard.’ There is no idea that cannot be contained by black life. We have the entire world here...italldepends on where you’re standing...I’mstanding over here. August Wilson1 On 2 October 2005 August Wilson died at the Swedish Medical Centre in Seattle. It was just eight months after the death of another American playwright, Arthur Miller. They came out of different worlds. Miller was descended from immigrants on both sides of the family, Jews who went to America to escape persecution and seek their fortune. And if they sub- sequently lost the fortune they made, they nonetheless never lost belief in the system that had redeemed them from a far worse fate. To be sure, they encountered prejudice, but even so they slid with some ease into an Amer- ica which swiftly bore the impress of European Jews as they emerged as entrepreneurs, artists, scientists and intellectuals surprisingly ready to inter- pret America to itself. -
Market Rules
XML Template (2008) [21.11.2008–2:40pm] [88–93] {TANDF_REV}RIOC/RIOC_I_37_04/RIOC_A_355573.3d (RIOC) [Revised Proof] MARKET RULES US theatre now prefers to play it safe rather than risk controversy and alienate the mainstream, says playwright Christopher Shinn The question of self-censorship came to prominence in 2006, when New York Theatre Workshop, a major non-profit theatre widely viewed as politically progressive, cancelled a planned production of My Name is Rachel Corrie at the last minute. Weeks before the production was to travel from an acclaimed run in London at the Royal Court Theatre to the East Village for a stint at the Workshop, the theatre (depending on whom you believe) either postponed or cancelled the play. Jim Nicola, the artistic director of New York Theatre Workshop, told the Guardian: ‘In our pre-production planning and our talking around and listening in our communities in New York, what we heard was that after Ariel Sharon’s illness and the election of Hamas, we had a very edgy situation. We found that our plan to present a work of art would be seen as us taking a stand in a political conflict that we didn’t want to take.’ The theatre then made an unconvincing attempt to backtrack from this statement in the press – the production was delayed because the size of the set used in London would not fit into the Workshop’s space, the personnel didn’t have the proper visas to work in the US etc. There were other, only 88 XML Template (2008) [21.11.2008–2:40pm] [88–93] {TANDF_REV}RIOC/RIOC_I_37_04/RIOC_A_355573.3d (RIOC) [Revised Proof] MARKET RULES – CHRISTOPHER SHINN slightly more defensible rationalisations, including that the Workshop wanted more time to organise post-show discussions that would include voices seen as ‘pro-Israel’ to balance the perceived ‘pro-Palestinian’ bias of the play. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
Downloaded by Michael Mitnick and Grace, Or the Art of Climbing by Lauren Feldman
The Dream Continues: American New Play Development in the Twenty-First Century by Gregory Stuart Thorson B.A., University of Oregon, 2001 M.A., University of Colorado, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre This thesis entitled: The Dream Continues: American New Play Development in the Twenty-First Century written by Gregory Stuart Thorson has been approved by the Department of Theatre and Dance _____________________________________ Dr. Oliver Gerland ____________________________________ Dr. James Symons Date ____________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 12-0485 iii Abstract Thorson, Gregory Stuart (Ph.D. Department of Theatre) The Dream Continues: American New Play Development in the Twenty-First Century Thesis directed by Associate Professor Oliver Gerland New play development is an important component of contemporary American theatre. In this dissertation, I examined current models of new play development in the United States. Looking at Lincoln Center Theater and Signature Theatre, I considered major non-profit theatres that seek to create life-long connections to legendary playwrights. I studied new play development at a major regional theatre, Denver Center Theatre Company, and showed how the use of commissions contribute to its new play development program, the Colorado New Play Summit. I also examined a new model of play development that has arisen in recent years—the use of small black box theatres housed in large non-profit theatre institutions. -
Post No Bills
Rattlestick Playwrights Theater gratefully relies on donor support. Giving has never been easier. Use your phone to scan the QR code and donate now.. Post No Bills Or, detach the form below and return it to the house manager - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Name Billing address City, ST, Zip Code I (we) pledge a total of $____________________ to be paid: ☐now ☐monthly ☐quarterly ☐yearly. Credit card number | Exp. date By Mando Alvarado Authorized Signature Directed by Please make checks, corporate matches, or other gifts payable to: Michael Ray Escamilla Rattlestick Productions, Inc. 224 Waverly Place, New York, NY 10014 I (we) would like Rattlestick to use the following name(s) in all acknowledgements: ________________________________ ☐I (we) wish to have our gift remain anonymous. Support Rattlestick: As a nonprofit theater serving New York receive additional discounts, invitations City for the past 20 years, Rattlestick to private events, benefits and more. For Presents Playwrights Theater relies on the gener- more information, or to make a contri- osity of its patrons who donate through- bution, visit our website at out the season. Our Patron Program is a www.rattlestick.org/donatetorattlestick THE FEW new initiative for our most dedicated or contact: supporters to become a vital part of the Hannah Baxter by Rattlestick family, with seven levels of Individual Giving Manager giving tailored to fit all of our patrons, [email protected] Samuel D. Hunter no matter your budget. Please consider making a donation to Rattlestick and directed by 1. Friend—$75 Davis McCallum 25% discount on tickets to shows throughout the season 2. Donor—$150 50% discounts on tickets to shows throughout the season with 3. -
Caryl Churchill's Fourth New Play Imp Announced
PRESS RELEASE Friday 7 June 2019 CARYL CHURCHILL’S FOURTH NEW PLAY IMP ANNOUNCED Following last month’s announcement of new work which included details of three new Caryl Churchill plays, the Royal Court Theatre announces today a fourth play, Imp, just received from the celebrated writer. Glass. Kill. Bluebeard. Imp. will be directed by James Macdonald and will run in the Jerwood Theatre Downstairs Wednesday 18 September 2019 – Saturday 12 October 2019 with press night on Wednesday 25 September 2019, 7pm. Artistic Director of the Royal Court Theatre Vicky Featherstone said; “As Artistic Director of the Royal Court the precious moment when a play by Caryl Churchill arrives fully formed, breaking new ground and utterly surprising us is what this job is all about. I thought the delight I felt when she sent Glass, Kill and Bluebeard would be unsurpassed. Imagine then the joy when two weeks ago the wonderful Imp dropped into my inbox. So now we have four new and extraordinary plays by Caryl in our autumn season. Not three.” Set design by Miriam Buether, costume design by Nicky Gillibrand, lighting design by Jack Knowles and sound design by Christopher Shutt. “I can see her just. Most people can’t see her at all.” A girl made of glass. Gods and murders. A serial killer’s friends. And a secret in a bottle. Four stories by Caryl Churchill. Caryl Churchill’s most recent play Escaped Alone, opened at the Royal Court to critical acclaim and transferred to New York. Many of her plays which first premiered at the Royal Court are now considered modern classics including Top Girls, A Number and Far Away. -
The 2017 Broadway Revival of Once on This Island
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie “A Play That Provides:” the 2017 Broadway revival of Once on this Island Anouk Bottero Electronic version URL: http://journals.openedition.org/miranda/13878 DOI: 10.4000/miranda.13878 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Anouk Bottero, ““A Play That Provides:” the 2017 Broadway revival of Once on this Island”, Miranda [Online], 17 | 2018, Online since 01 October 2018, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/13878 ; DOI: https://doi.org/10.4000/miranda.13878 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. “A Play That Provides:” the 2017 Broadway revival of Once on this Island 1 “A Play That Provides:” the 2017 Broadway revival of Once on this Island Anouk Bottero Factual information about the show 1 Play: Once on this Island (1990) - 1h30 (no intermission). 2 Venue: Circle in the Square Theatre 235 W 50th St, New York, NY 10019. 3 Opening: Circle in the Square Theatre, December 3rd, 2017. 4 Book & Lyrics: Lynn Ahrens 5 Music: Stephen Flaherty 6 Director: Michael Arden 7 Choreography: Camille A. Brown 8 Cast: Hailey Kilgore (Ti Moune), Lea Salonga (Erzulie), Aurelia Williams (Asaka), Quentin Earl Darrington (Agwe), Tamyra Gray (Papa Ge), Isaac Powell (Daniel), Kenita R. Miller (Mama Euralie), Phillip Boykin (Tonton Julian), Alysha Deslorieux (Andrea/ Storyteller), Darlesia Cearcy (“Beauxhommes” Narrator/Storyteller), Rodrick Covington (“Beauxhommes” Narrator/Storyteller), Tyler Hardwick (Storyteller), Cassondra James (Storyteller), David Jennings (Armand/Storyteller), Grasan Kingsberry (Beauxhomme/Storyteller), Loren Lott (Storytller), T. -
April 1 to October 31 Niagara-On-The-Lake, Ontario
April 1 to October 31 Niagara-on-the-Lake, Ontario JACKIE MAXWELL Artistic Director The 2010 Shaw Festival Company Festival Theatre AN IDEAL HUSBAND 5 TO BE UPDATED Benedict Campbell David Jansen Marla McLean Ken James Stewart April 9 to October 31 Kawa Ada Lisa Codrington Gabrielle Jones Patrick McManus Richard Stewart Beryl Bain Krista Colosimo Claire Jullien Jim Mezon Steven Sutcliffe THE WOMEN 7 Michael Ball Nicolá Correia- Lorne Kennedy Peter Millard Jacqueline Thair May 12 to October 9 Guy Bannerman Damude Corrine Koslo Ali Momen Wendy Thatcher Neil Barclay Saccha Dennis Al Kozlik Laurie Paton Jay Turvey THE DOCTOR’S DILEMMA 9 Anthony Bekenn Sharry Flett Peter Krantz Gray Powell Mark Uhre June 10 to October 30 Donna Belleville Patrick Galligan Billy Lake Micheal Querin Jonathan Widdifield Kyle Blair Patricia Hamilton Anthony Malarky Ric Reid Robin Evan Willis Court House Theatre Evan Buliung Mary Haney Esther Maloney David Schurmann Kelly Wong THE CHERRY ORCHARD 11 Andrew Bunker Deborah Hay Thom Marriott Goldie Semple Jenny L. Wright April 20 to October 2 Fiona Byrne Patty Jamieson Julie Martell Graeme Somerville Jenny Young JOHN BULL’S OTHER ISLAND 13 June 18 to October 9 AGE OF AROUSAL 15 July 23 to October 10 Royal George Theatre HARVEY 17 April 1 to October 31 MANDATE TO COME ONE TOUCH OF VENUS 19 May 16 to October 10 HALF AN HOUR 21 LOREM IPSUM June 26 to October 9 LUNCHTIME Studio Theatre SERIOUS MONEY 23 July 31 to September 12 Reading Series 24 How to Order Tickets 25 Gift Certificates + Memberships 25 Theatre for all Budgets -
Bigsby, Christopher. "Index." Staging America. London: Methuen Drama, 2020
Bigsby, Christopher. "Index." Staging America. London: Methuen Drama, 2020. 235–239. Bloomsbury Collections. Web. 1 Oct. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:24 UTC. Copyright © Christopher Bigsby 2020. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. I N D E X Abbie’s Irish Rose , 7 Bechdel, Alison, 97 Adjmi, David, 2 Beckett, Samuel, 103, 107, 120, 151 Adventures of the Barrio Grrr!! (Hudes), 79 Beautiful Mind, A , 37 Afghanistan invasion, 135, 177, 178, 180–4, 200 Betrayal (Packer), 164 Against (Shinn), 189, 210–12 Between Riverside and Crazy (Guirgis), 74–6 Akhtar, Ayad, 1, 6 ‘Big Two-Hearted River’ (Hemingway), 136 American Dervish , 10, 13–16, 17 Billington, Michael, 29, 68, 100, 154, 165, 171, 179, Disgraced , 6, 13, 16–20, 55–6 182–3, 188, 212 Invisible Hand, Th e , 6, 13, 20–2 bin Laden, Osama, 21, 22 Junk: Th e Golden Age of Debt , 6, 26–30 Birth of Tragedy, Th e (Nietzsche), 127 early life and family infl uences, 10–11, 15 Blood and Gift s (Rogers), 2, 6, 178–83, 184 War Within, Th e , 11–12 Blue Bonnet State (Norris), 132 Who & the What, Th e , 7–8, 9, 13, 22–6 Bond, Edward, 190 Albee, Edward, 149, 169, 186 Boom Boom Boom Boom (Guirgis), 59 Alexie, Sherman, 106 Bosch, Hieronymus, 103 Als, Hilton, 124, 128 Brantley, Ben, 29, 64, 68, 71, 177, 188, 196, 203, 207, 215 Alsop, Joseph, 47–53 Breasts of Tiresias, Th e , (Apollinaire), 103 -
Teddy Ferrara by Christopher Shinn
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan November 21, 2013 [email protected] 212-609-5955 New from TCG Books: Teddy Ferrara by Christopher Shinn NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the publication of Teddy Ferrara by Christopher Shinn, the author of the Pulitzer Prize-finalist, Dying City. This gripping new drama inspired by real events received its world premiere at Chicago’s Goodman Theatre in winter 2013. “Chris Shinn explores politics and ethics without moralizing and finds justice and beauty in intimate life, keenly observed and rendered scrupulously, unapologetically, fearlessly… I admire his work enormously.” ― Tony Kushner When a campus tragedy makes national headlines, Gabe, a senior who runs the Queer Students Group, discovers that events surrounding the tragedy aren’t as straightforward as they seem. Inspired by the case of gay Rutgers University student Tyler Clementi, who killed himself in 2010 after being harassed by his straight roommate, Teddy Ferrara is a searing new play about what happens when a tragedy sparks a movement – and the truth gets lost along the way. “Mr. Shinn is among the most provocative and probing of American playwrights today.” ― New York Times Christopher Shinn is the author of Four, Other People, The Coming World, What Didn’t Happen, On the Mountain, Where Do We Live (Obie Award for Playwriting), Dying City, Now or Later (Evening Standard Award for Best Play shortlist) and Picked. His work has been produced at the Royal Court Theatre, Lincoln Center Theater, Manhattan Theatre Club, Vineyard Theatre, Playwrights Horizons, South Coast Repertory and Soho Theatre, among others.