Merrily We Roll Along BRENT SCHINDELE*
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
July 8-18, 2021
July 8-18, 2021 Val Underwood Artistic Director ExecutiveFrom Directorthe Dear Friends: to offer a world-class training and performance program, to improve Throughout education, and to elevate the spirit of history, global all who participate. pandemics have shaped society, We are delighted to begin our season culture, and with Stars of Tomorrow, featuring institutions. As many successful young alumni of our we find ourselves Young Singer Program—including exiting the Becca Barrett, Stacee Firestone, and COVID-19 crisis, one pandemic and many others. Under the direction subsequent recovery that comes to of both Beth Dunnington and Val mind is the bubonic plague—or Black Underwood, this performance will Death—which devastated Europe and celebrate the art of storytelling in its Asia in the 14th century. There was a most simple and elegant state. The silver lining, however, as it’s believed season also includes performances that the socio-economic impacts of by many of our very own, long- the Plague on European society— time Festival favorites, and two of particularly in Italy—helped create Broadway’s finest, including HPAF the conditions necessary for what is Alumna and 1st Place Winner of arguably the greatest post-pandemic the 2020 HPAF Musical Theatre recovery of all time—the Renaissance. Competition, Nyla Watson (Wicked, The Color Purple). Though our 2021 Summer Festival is not what was initially envisioned, As we enter the recovery phase and we are thrilled to return to in-person many of us eagerly await a return to programming for the first time in 24 “normal,” let’s remember one thing: we months. -
Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
Curriculum Vitae
KATHY A. PERKINS EDUCATION M.F.A. University of Michigan (Ann Arbor) 1978 Theatre - Lighting Design B.F.A. Howard University (Washington, D.C.) 1976 Drama PROFESSIONAL EXPERIENCE 2012 – Professor of Theatre – Department of Dramatic Art 2018 University of North Carolina at Chapel Hill Professor Emerita 2018 1989 - Professor of Theatre – Department of Theatre 2011 University of Illinois – Urbana-Champaign (UIUC) Professor Emerita 2011 Full Professor 1999 Associate Professor 1993 Assistant Professor 1989 1989-2009 Chair of Lighting Design Program 2009 – 2011 Chair of M.A. in Theatre History & Practice Program Spring Sterling Brown Visiting Professor of Theatre 2005 Williams College Williamstown, Mass. Spring Visiting Professor - Ethnic Studies Program 1997 University of Oregon (Eugene) Summer Visiting Lecturer - United States Information Service (USIS) 1995 South Africa (Durban, Johannesburg and Pietermaritzburg) Summer Visiting Professor - Course: Black Women Playwrights 1991 Eastern Illinois University, Charleston, Ill. Summer Visiting Professor - Women's Studies Program 1990 University of California, Los Angeles (UCLA) 1987 - 89 Affiliated Scholar - Center for the Study of Women The University of California, Los Angeles (UCLA) 1986 - 89 Curatorial Assistant (History) - The California Afro-American Museum Los Angeles, Calif. (Curator - Lonnie Bunch, III) 1985 - 87 Resident Lighting Designer - Los Angeles Theatre Center (LATC) 1979 - 85 Lighting Instructor - Theatre Department, Smith College Northampton, Mass. 1981 - 82 Visiting Scholar - Theatre Arts Dept., Columbia University New York City (Ford Foundation Fellow) 1981 Guest Lecturer - The National Arts Consortium, New York City 1978-1979 Lighting Designer/Technical Director – Sounds in Motion Dance Company Artistic Director: Dianne McIntyre New York City PROFESSIONAL LIGHTING DESIGN (Representative Listing) 1990- St. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
July 14–19, 2019 on the Campus of Belmont University at Austin Peay State University
July 14–19, 2019 On the Campus of Belmont University at Austin Peay State University OVER 30 years as Tennessee’s only Center of Excellence for the Creative Arts OVER 100 events per year OVER 85 acclaimed guest artists per year Masterclasses Publications Performances Exhibits Lectures Readings Community Classes Professional Learning for Educators School Field Trip Grants Student Scholarships Learn more about us at: Austin Peay State University does not discriminate on the basis of race, color, religion, creed, national origin, sex, sexual orientation, gender identity/expression, disability, age, status as a protected veteran, genetic information, or any other legally protected class with respect to all employment, programs and activities sponsored by APSU. The Premier Summer Teacher Training Institute for K–12 Arts Education The Tennessee Arts Academy is a project of the Tennessee Department of Education and is funded under a grant contract with the State of Tennessee. Major corporate, organizational, and individual funding support for the Tennessee Arts Academy is generously provided by: Significant sponsorship, scholarship, and event support is generously provided by the Belmont University Department of Art; Community Foundation of Middle Tennessee; Dorothy Gillespie Foundation; Solie Fott; Bobby Jean Frost; KHS America; Sara Savell; Lee Stites; Tennessee Book Company; The Big Payback; Theatrical Rights Worldwide; and Adolph Thornton Jr., aka Young Dolph. Welcome From the Governor of Tennessee Dear Educators, On behalf of the great State of Tennessee, it is my honor to welcome you to the 2019 Tennessee Arts Academy. We are so fortunate as a state to have a nationally recognized program for professional development in arts education. -
The Theory of Relativity
Theory of Relativity | 11 Cast | 12 Songs and Scenes | 12 Who’s Who | 13 Authors’ Notes | 19 About Goodspeed Musicals | 25 History of The Norma Terris Theatre | 27 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Goodspeed Musicals Staff | 34 For Your Information | 44 Audio and video recording and photography are prohibited in the theatre. Please turn off your cell phone, beeper, watch alarm or anything else that might make a distracting noise during the GMS2 performance. Unwrap any candies, cough drops, or mints before the performance begins to avoid disturbing your fellow audience members or the actors on stage. We appreciate your cooperation. Editor Lori A. Cartwright ADVERTISING OnStage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with OnStage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of OnStage Publications, Inc. Contents © 2015. All rights reserved. Printed in the U.S.A. 2 GOODSPEED MUSICALS | 2015 SEASON Theory of Relativity | 11 Cast | 12 Songs and Scenes | 12 Who’s Who | 13 Authors’ Notes | 19 About Goodspeed Musicals | 25 History of The Norma Terris Theatre | 27 The Goodspeed Opera House Foundation | 29 Corporate Support | 30 Foundation & Government Support | 30 Looking to the Future | 31 Goodspeed Musicals Staff | 34 For Your Information | 44 Audio and video recording and photography are prohibited in the theatre. Please turn off your cell phone, beeper, watch alarm or anything else that might make a distracting noise during the GMS2 performance. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
Human Trafficking 101: a Conversation with Mrs. Cindy Mccain and Ernie Allen
Human Trafficking 101: A Conversation with Mrs. Cindy McCain and Ernie Allen [applause] Claire Sechler Merkel: Thank you, Paris. Welcome, everyone. I am Claire Merkel. I am the Director of Arizona Initiatives for the McCain Institute. I am just delighted to welcome each of you here tonight for the first in what we hope to be a seven or eight-piece series on human trafficking. You can see the titles we have up on the billboards here. We're excited to get started this evening with Ernie Allen. Before we get started, I get to have just a couple of minutes to tell you about some of the exciting things that are going on in human trafficking, here in Arizona, with Mrs. McCain and the Institute. First of all, I get to announce that we have a new partnership with ASU and Demand Abolition, which is an organization that is run by former ambassador Swanee Hunt. The program will look at demand in Arizona and first do a baseline study. After that, the goal is to reduce demand in Arizona by 20 percent in two years, which I think is a very laudable goal. We are lucky enough... [applause] Claire: Yay. [claps] You can clap. Lucky enough to have our project coordinator, Angie Bayless, with us tonight. If you all have questions about that, please see her. In addition, Lindsay and I just came from a meeting with the Department of Homeland Security Blue Campaign, which is something that the Arizona Governor's Human Trafficking Council is partnering with. I learned a fact there today that I didn't know, and it was exciting. -
Sandy Bainum •Actor, Singer, Dancer SAG-AFTRA
Sandy Bainum • Actor, Singer, Dancer SAG-AFTRA AEA Height: 5.7 Weight: 119 lbs Eyes: Green Hair: Blonde Film Role Category The Friendly Neighborhood Coven Anna Amazon Prime Streaming Game Change Cindy McCain HBO Donna: Stronger Than Pretty Agnes Indie Stuck Helen Short The Worst Day of My Life Principle Pinsker Short The Truth Kathy Short Non-Disclosure Elizabeth Short TV and Web Series Role Network Criminal Minds Karen Coleman CBS There's a Place in Hell For Fashion Bloggers Kathy TV Series Damage Control Veronica Amazon Web Series The Mels Barbara Schmitt Pilot Theater (Broadway & Regional) Role Venue 42nd Street Anytime Annie Broadway Mamma Mia Tanya 5 Star Theatricals Be a Good Little Widow Hope Odyssey Theater Catch Me If You Can Paula Abagnale Musical Theatre West 42nd Street Dorothy Brock 3D Theatricals | Palos Verdes Performing Arts Barefoot in the Park Mrs. Banks Lyric Hyperion Theater Merrily We Roll Along Mrs Spencer, Ensemble Wallis Annenberg Center for Performing Arts Mame Mame Riverside Theater Gypsy Tessie Tura, US Mama Rose Signature Theater Company Susan Signature Theater Hamlet Gertrude, Grave Digger Capital Fringe 2012 Parade Mrs. Phagan, Sally Slaton Ford’s Theatre Showboat Ellie Signature Theater Music Man Marian Paroo Washington Savoyards Kiss Me Kate Kate, Lili Washington Savoyards Cabaret Directors Venues Ever Blondeward Andrea Marcovicci Sterling's Upstairs at The Federal, Signature It Might Be Fun, Simply, This Christmas Lanny Meyers, Musical Director Theater, Creative Cauldron, Kennedy Center 'S Wonderful, Excuse My Dust, Blue Skies Millenium Stage, Gardenia, Metropolitan Rm. Awards & Nominations: 2014 MAC Award • 2013 Edon Award • 2010 Helen Hayes Award (The Music Man, Showboat) • Best CD, Simply Solo Albums: It Might Be Fun, 2014 • Simply, 2013 • This Christmas, 2012 • Excuse My Dust, 2011 • Believe, 2008 Featured Vocalist: Strange Meadowlark - Songs of Dave Brubeck, Lanny Meyers • Blessings of the Season, The Last Time, Buzzco Assoc. -
OFFICIAL PROGRAM for BROADWAY in DETROIT at the Detroit Opera House MADE IN
OFFICIAL PROGRAM FOR BROADWAY IN DETROIT AT THE Detroit Opera HOUSE MADE IN PEOPLE MAGNET. REALIZES EVERY DAY IS A BLESSING. ENJOYS WORKING AT COSTCO. APPRECIATES HIS SECOND CHANCE IN LIFE. 100 % SAM ZIEMAN XL CHARACTER We have character. Thousands of them, actually. Like Sam, our residents won’t just steal the show... they’ll steal your heart. Visit americanhouse.com/testimonials to watch videos and learn more about our incredible cast of characters. For information on our communities visit americanhouse.com or call (800) 351-5224. Residences • Dining • Activities • Education • Wellness • Transportation • Support Services* TDD (800) 649-3777 *Support Services provided by third party not affiliated with American House. job number: 50679_B24_C1-1 date: 10/07/11 client: RLX advertiser: RLX dtp: color: cs: acct: client: please contact thelab at 212-209-1333 with any questions or concerns regarding these materials. Proof: 12/23/11; 8:30PM Million Dollar Quartet JERRY LEE JOHNNY Tom Hulce & Ira Pittelman Work Light Productions Publication: ELVIS CARL Vivek J. Tiwary Latitude Link Scott M. Delman Broadway in Detroit programAllan for S. Gordon MagicSpace Entertainment PRESLEY PERKINS “Wicked” LEWIS CASH In Association with Run dates: 12/7/11 tpAbbie 12/31/11 M. Strassler John Domo Lorenzo Thione & Jay Kuo Size: full page full bleed Present trim size: 5-3/8” x 8-3/8” THE BROADWAY MUSICAL bleed: 1/8” inside margin: 1/4” For: Nederlander Detroit (Fisher Theatre & others) Music by Lyrics by Design: Frank Bach, Green Day Billie Joe Armstrong INSPIRED BY THE ELECTRIFYING TRUE STORY Bach & Associates; Book by Phone 313-822-43038;Billie Joe Armstrong and Michael Mayer [email protected] Van Hughes Scott J.