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Four Named to Presidential Search Undergraduate, Graduate and Mo Alumni Representatives Chosen »> | Fe Lege Junior; and Will Rice College by Liora Danan (Hanszen '65)
MMfiMiii Vol. XC, Issue No. 22 SINCE 1916 Friday, March 7, 2003 . Revote ordered in three contested SA elections 6 by Jenny Rees tallied preferentially, Emmett said. THRESHER EDITORIAL STAFF "The instructions on the ballot prevented the votes from being tallied so that the voters' The Student Association will conduct vot- intent could be found correctly," Emmett said. ing for a second time in three races from the "I think a re-vote is the only viable way to get General Election ballot, the University Court the voters' interests represented and be in decided Sunday. U. Court ruled the SA must accordance with the SA constitution." hold voting again because of misleading Skye Schell, a Baker College sophomore instructions on the ballot for U. Court sopho- and SA director of technology, said although more representatives and Honor Council the electronic ballot itself will remain the same junior and senior representative. for the new elections, he will change the in- The new elections will begin at noon structions on the ballot. The instructions will March 21 and end at 1 p.m. March 26. The clearly state voters will have a number of votes same candidates will appear on the ballot, and of the same weight that will be equal to the no new petitions will be accepted. number of candidates elected in each race, U. Court justices decided to mandate the new Schell, a Thresher editorial staff member, said. vote after hearing a contest to the election filed SA Elections Chair Alan Pham, a Baker by Lovett College sophomore Robert Emmett, sophomore, said he is worried fewer students who lost the race for Honor Council junior rep- will vote in the new elections. -
Dra Matics Off Early Tart Friday Ight
p IJr Jlnbtrgrabaatr VOUJM£ 56. NUMBER 2 Dra matics Off Earl y tart Hey! Friday ight Playbill Will Include Three One-Act Plays; Warren's "You Can't Win" Will Be Given by Footlights Club. Th un iver ity dramatic sea on will be off to an early start with the pr sentation of the Playbill pr ductions at Mitchell Hall next Friday night. Thoma. Warren's original play, to "You an't Win," which wa sub mi t<'d in the Dean mith onte t Ia t year, will b given by the Footlight Play r , wllile th Pup P s have chosen a on -a t play, " onflict," and th guest arti. t , th L niversity Drama Group, will pr s nt chnitzler' "The Far well upper." Eliza th MacFarland will di r th Puppets' one-act play, and B tty Jane Brown, Blanche L , Mina P re s, and Joseph Holz man compri e the cast. Barbara Hutchings and Tom Warren will rv as understudies. The plot concerns a watchful moth r who evidently believe that het· childr n will never be able to tak care of themselves. Her at t mpt to r un her daughter's life and the difficulties she encounters' provide comedy for the story. ' In pre nting "You Can't Win," the cast of which has n t as y t be n cho n, the Footlight Play ~r a~ t ~d ing toward originality 10 ~mv r. tty dramatics. Th play, w~tt en by a member of th group, Wlli }}(' t goo , directed and pro due d by amateur artist . -
Christian Rock Eine Betrachtung Unter Kulturästhetischen Und
JOHANN WOLFGANG GOETHE UNIVERSITÄT FRANKFURT AM MAIN Fachbereich Sprach- und Kulturwissenschaften Die Arbeit wird im Rahmen des Studiengangs Musikwissenschaft vorgelegt zur Erlangung des Magister Artium. Christian Rock Eine Betrachtung unter kulturästhetischen und musikalischen Aspekten vorgelegt von: Tobias Rux aus: Zwickau (Geburtsort) 1. Gutachter/in: Prof. Dr. Linda Maria Koldau 2. Gutachter/in: PD Dr. Andreas Meyer Abgabedatum: 30.01.2009 Christian Rock – Eine Betrachtung unter kulturästhetischen und musikalischen Aspekten Vorwort Seite 2/139 Vorwort Ich bin seit meiner Jugendzeit Hörer von Rockmusik. Über Tonträger oder auf Konzerten kam ich mit vielen Spielarten des Rock in Berührung. Dabei ist mir aufgefallen, wie unterschiedlich sich Performance, Text und Kontext auf meine Wahrnehmung auswirkten. Es schien mir, als ob dabei die innere Einstellung des Protagonisten einen großen Einfluss auf die Rezeption von Musik hat – was sich im Rock noch augenscheinlicher niederschlug als in anderen Ausdrucksformen populärer Musik. Einerseits vom persönlichen Ausdruck des Interpreten bzw. der Aussage und Ausstrahlung seiner Musik angetan, riefen andere Darbietungen in diesen Punkten Enttäuschung in mir hervor. Mit dem Studium der Musikwissenschaft, besonders des Seminars Musikwissenschaft und Popularmusik, entstand ein persönliches Interesse, herauszufinden, ob und inwieweit bestimmte Strömungen des Rock sich hinsichtlich musikalischer, ideologischer und soziologischer Kriterien unterscheiden und welchen Wert bzw. Unwert sie für die Gesellschaft besitzen. Auch die Kritik an der vielleicht authentischsten Ausdrucksform der (jugendlichen) Gesellschaft veranlasste mich, jene Aspekte, hier auf Christian Rock bezogen, auf wissenschaftlicher Ebene zu beleuchten. Mein Dank gilt in erster Linie meiner Professorin Linda Maria Koldau, die mir in inhaltlichen sowie formalen Fragen für die Zeit meines Schreibens zur Verfügung stand. -
Nominalization in Puaar
Nominalization in Pulaar By Copyright 2017 Ibrahima Ba Submitted to the graduate degree program in Linguistics and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr Andrew McKenzie ________________________________ Dr Alison Gabriele ________________________________ Dr Isaac Gould ________________________________ Dr Utako Minai ________________________________ Dr Peter Ojiambo ________________________________ Dr Harold Torrence Date Defended: 27 January 2017 The Dissertation Committee for Ibrahima Ba certifies that this is the approved version of the following dissertation: Nominalization in Pulaar ________________________________ Chairperson Dr Andrew McKenzie Date approved: 27 January 2017 ii Abstract There are a few strategies to construct nominal structures and phrases. The Pulaar infinitive, for instance is used genitive nominalization and other non-finite clauses with nominal properties. Relative clause (RC) nominalization (headed relative clause and factive clauses) is also another nominalization process in the language. This dissertation lays out a description of these nominalization processes with a main focus on constructions involving the infinitive and relative clause nominalizations. The infinitive in Pulaar can have both nominal and verbal properties and this is usually indicated by an agreeing determiner but also through adjectival or adverbial modification. RC nominalization is a very prominent and productive in the language. The verb within the relative clause can occur with functional morphemes such as tense, aspect and negation. In addition, a relativized verb can have derivational morphemes like valency-changing affixes attached to it. The factive RC nominals can have an event, factive and manner interpretation whereas the GN nominal can have a generic, event and factive interpretation. -
Re-Thinking South Korean Postcolonial Multiculturalism in the Fine Art Textbook for Fifth- and Sixth- Graders
Re-thinking South Korean Postcolonial Multiculturalism in the Fine Art Textbook for Fifth- and Sixth- Graders Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Young Lim Nam, M.A. Graduate Program in Art Education The Ohio State University 2014 Dissertation Committee: Professor Christine Ballengee-Morris Advisor Professor Deborah L. Smith-Shank Professor Shari Savage Professor Vesta Daniel Copyright by Young Lim Nam 2014 i Abstract This study is a critical analysis of the context of image examples for the multicultural art education portion in a Fine Art textbook, which is currently used in South Korea for 5th and 6th graders. The purpose of this research is to evaluate how multiculturalism is represented in the text. To this end, this research focuses on ethnicity construction: how politico-economic contexts and cultural representation of ethnic arts have influenced the content of the textbook. Postcolonial multiculturalism is designated as a theoretical framework and a critical discourse analysis (CDA) as a methodological framework for this research. Through CDA, I understand invisible beliefs and cultural identities that people share by paying attention to power, ideology, and intertextuality that are infiltrated in language. The findings revealed that inside/outside the Fine Art textbook promotes the pedagogy of South Korean ethnicity construction through postcolonial multiculturalism, which disrupts the idea of multiculturalism. The government is involved in narrating South Korean ethnicity and its visual art forms in a traditional artistic format. This seems to be a response to the political context where this competitive particular culture is desired and promoted to engage and respond to both opportunity and crisis in the global economy. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
A Banda "STRYPER"
PARTITURA PARA BATERIA DE: Por: Anderson Cleiton Rodrigues “CALLING ON ” 02/2013 BATERA CENTER- SBO/SP. A banda "STRYPER" A banda cristã Stryper, foi formada em 1983 pelos irmãos Michael (vocalista) e Robert Sweet (baterista) e os amigos Oz Fox (guitarrista) e Timothy Gaines (baixista, tecladista), no condado de Orange, Califórnia, E.U .A . É considerada a pioneira do gênero “Metal Cristão”. O nome “Stryper”, é referência a palavra “stripes”, do verso 5 Do capítulo 53 do livro Bíblico de Isaías. " stripes" significa "ferida", ou seja, as marcas causadas pela flagelação que Jesus Cristo viria a sofrer. Discografia: The Yellow and Black Attack (EP 1983), Soldiers Under Command (1985), The Yellow and Black Attack (1986), To Hell with the Devil (1986), In God We Trust (1988), Against the Law (1990), Can’t Stop the Rock (1991), Seven, The Best of Stryper (2003), 7 Weeks: Live in America (2003), Rebom (2005), The Roxx Regime Demos (2007), Murder by Pride (2009), The Covering (2011). Membros Atuais: Michael Sweet (vocal e guitarra), O z Fox (guitarra), Tracy Ferrie, e Timothy Gaines (baixo), Robert Sweet (bateria). Álbum “To hell with the devil” (1986) A música “CALLING ON" A canção pertence ao álbum "To hell with the devil" de 1986, o quarto da banda. Esse disco é considerado o melhor trabalho da banda e do genêro white metal em geral se tornando o ápice musical e comercial do Strype, ficando entre os top 40 da bilboard (algo então inédito para uma banda de white metal) e recebendo indicações para o Grammy. Baterista: Robert Sweet O baterista “ROBERT SWEET” Robert Sweet Lee nasceu em 21 de Março de 1960, Lynwood, Califórnia, E.U .A ., é baterista e produtor, e vocalista, no Stryper dês de 1984 até o momento. -
Without a Doubt, Stryper Is One of the Top Christian Rock Bands of All-Time, and Certainly the Most Celebrated Christian Metal Band of All Time
Without a doubt, Stryper is one of the top Christian rock bands of all-time, and certainly the most celebrated Christian metal band of all time. Comprised of Michael Sweet (vocals/guitar), Oz Fox (guitar), Tim Gaines (bass), and Robert Sweet (drums), Stryper has been rocking since 1983, and is responsible for such '80s metal classic albums as 'Soldiers Under Command,' 'To Hell with the Devil,' In God We Trust,' and such MTV hit singles/videos as "Calling on You," "Free," and "Honestly." After a sabbatical for much of the 1990's, Stryper returned strong in the early 21st century. But it was not until their 2011 covers set, 'The Covering,' that the aforementioned definitive Stryper was reinstated, as the band welcomed Gaines back into the fold. "Tim is an original member, so there's a certain magic and chemistry that you have with the original line-up, that you can't replace with someone else," explains Michael Sweet. "It's just there, it is what it is. And Tim brings that to the band. He's a very talented bass player, singer, and keyboard player. He brings a certain chemistry and energy to the band, and it takes the four of us to recreate that." Running the gamut from 1970's era classic rock (Led Zeppelin's "Immigrant Song," Deep Purple's "Highway Star," Kiss' "Shout It Out Loud," etc.) to 1980's era heavy metal (Black Sabbath's "Heaven and Hell," the Scorpions' "Blackout," "Iron Maiden's "The Trooper," etc.), 'The Covering' is certain to be a most welcomed addition to Stryper fan's album collections. -
Tunnel of Oppression Exposes Students to Issues
Xbox One X : the future of gaming Soccer advances to MVC Semifinals Page B1 Page A12 Vol. 122 | No. 10 | November 10, 2017 The Scout @bradley_scout Smoke-free initiative to be implemented BY AJ LAMB Copy Editor After almost two years of deliberating, rewriting and voting, University Senate passed the Smoke- Free Campus resolution on Oct. 19. Originally, the resolution started as a referendum during the spring 2016 student body elections as a way to gauge student interest in a smoke-free campus, but discussion surrounding the topic has been ongoing since 2014. “It was a non-binding referendum that [asked] if students would support a smoke-free campus or not,” Nathan Thomas, vice president of Student Affairs, said. “[The results of the vote said] 78 percent of the students Photo by Cenn Hall supported some version of a smoke- Bradley’s 2017 Tunnel of Oppression included nine tunnels to raise awareness on a range of issues including sexual assault, mental health stigma and more. free campus. Senate has worked on it, then it’s been to University Senate. So it’s been 18 months, at least, since Tunnel of Oppression exposes students to issues that referendum passed.” As is written in the resolution, BY ANTHONY LANDAHL main purpose is to expose students Tunnel as tour guides and actors for if you’re not, you have a privilege,” smoking will be completely Off-staff Reporter to the multiples issues and topics each individual tunnel. Youssef said. “Identifying our prohibited on Bradley’s campus, that others deal with on a day-to-day “I got to create my own tunnel,” privileges shouldn’t be a burden including all academic and residence Bradley hosted its sixth Tunnel of basis. -
I Love Korea!
I Love Korea! TheThe story story of of why why 33 foreignforeign tourists tourists fellfell in in love love with Korea. Korea. Co-plannedCo-planned by bythe the Visit Visit Korea Korea Committee Committee & & the the Korea Korea JoongAng JoongAng Daily Daily I Love Korea! The story of why 33 foreign tourists fell in love with Korea. Co-planned by the Visit Korea Committee & the Korea JoongAng Daily I Love Korea! This book was co-published by the Visit Korea Committee and the Korea JoongAng Daily newspaper. “The Korea Foreigners Fell in Love With” was a column published from April, 2010 until October, 2012 in the week& section of the Korea JoongAng Daily. Foreigners who visited and saw Korea’s beautiful nature, culture, foods and styles have sent in their experiences with pictures attached. I Love Korea is an honest and heart-warming story of the Korea these people fell in love with. c o n t e n t s 012 Korea 070 Heritage of Korea _ Tradition & History 072 General Yi Sun-sin 016 Nature of Korea _ Mountains, Oceans & Roads General! I get very emotional seeing you standing in the middle of Seoul with a big sword 018 Bicycle Riding in Seoul 076 Panmunjeom & the DMZ The 8 Streams of Seoul, and Chuseok Ah, so heart breaking! 024 Hiking the Baekdudaegan Mountain Range Only a few steps separate the south to the north Yikes! Bang! What?! Hahaha…an unforgettable night 080 Bukchon Hanok Village, Seoul at the Jirisan National Park’s Shelters Jeongdok Public Library, Samcheong Park and the Asian Art Museum, 030 Busan Seoul Bicycle Tour a cluster of -
Nigerian Exchange Student Offers Cross-Cultural Observations Ime L
^^TZSJS^^»5^^^^S^S5C^^^^^MS^^^3 ODIMR^RNAL Thursday, May 28,1987 • ^i&*X:Ze:- Nigerian exchange student offers cross-cultural observations By Pat Shaw damental differences, lb accommodate the size is politely critical of American teenagers. Most movie or occasionally does homework. For all McQuaid Jesuit High School of its student body, the school is partitioned of all he observes a lack of cultural unity of Andrew's cultural differences, his social ac The other day, something resembling a tie- into three houses similar to college fraternities. among teenagers here. From his standpoint, tivities seem to be a common bond he shares dyed shirt, in a swarm of surrounding ties, . A sense of competitiveness exists among them, there is no firm set of customs in America. The with his American contemporaries. caught iny eye. This was when I first noticed but, as Andrew says, "You have to see the good lackadaisical attitude that Americans display Because South Africa is the subject of con our Nigerian exchange student. Although his side of it" toward each other — and particularly to their siderable criticism regarding its policy of apart native clothes stood out, he seemed vtxjy«- Andrew's schedule would discourage even elders — contrasts sharply with the uncondi heid, Andrew is very aware politically. He feels served; but upon talking to him, I found tlat the most academic American student, yet he tional deference and respect practiced in his the effects of- apartheid indirectly, but that is he opened up, fascinating me with his views describes his school as academically difficult homeland. -
Christian Rock Profanity
Carman’s Resurrection Rap video is some of the worst blas- P.O.D. is frequently quoted in rock magazines openly using “Ripped From the Cross”, he sings, “If there were a god, I’d thank phemy I have ever witnessed. The video has the Lord Jesus Christ Christian Rock profanity. In Circus magazine, Traa of P.O.D . says, “Of course we got him they flailed him / Oh to have been there at Golgotha and as a confused street hippie, and the Pharisees and apostles are the same view on life as most people out there - it’s too short and to have been the one who f****** nailed him”. And these are black street gang members. The crucifixion takes place, not on most of the time it’s quite a shi**y business.” (Circus, July 2002, the few lyrics clean enough to print! Calvary — but in a back alley gang fight. The body of the Lord p.22) What a glowing testimony for a supposedly Christian, “life. Jesus is thrown into a garbage dumpster! And Carman includes is a shi**y business”! What about the wonderful words of the Lord Martinez abhors his previous Christian life, “Even this day a the occult (Carman’s videos are soaked in occult imagery). Satanic Jesus in John 10:10, “. I am come that they might have life, and that feeling of disgust comes over me when I think of how I was conned tarot cards are used to tell the Calvary story! they might have it more abundantly?” with fear tactics as an American teenager into pushing the vile and sorrid puss called Christianity.