How Indie App Developers Are Standing Apart from the Crowd
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PROGRAM November 18-20, 2015 THANKS to the 2015 Children, Youth & Media Conference Sponsors
Toronto PROGRAM November 18-20, 2015 THANKS tO tHe 2015 ChIlDrEn, YoUtH & MeDiA CoNfErEnCe sponsors MAIN SPONSOR PRESTIGE SPONSORS EXCELLENCE SPONSORS 2 SPECIAL THANKS Youth Media Alliance would like to warmly thank its 2015 Children, Youth & Media Conference advisory committee: NATALIE DUMOULIN / 9 Story Media Group MARTHA SEPULVEDA / RACHEL MARCUS / Guru Studio Breakthrough Entertainment MICHELLE MELANSON CUPERUS / CLAUDIA SICONDOLFO Radical Sheep Productions JULIE STALL / Portfolio Entertainment LYNN OLDERSHAW / Kids’ CBC TRAVIS WILLIAMS / Mercury Filmworks MIK PERLUS / marblemedia SUZANNE WILSON / TVO Kids JAMIE PIEKARZ / Corus Entertainment And the volunteers: KELLY LYNNE ASHTON, KAYLA LATHAM, HENRIKA LUONG, TATIANA MARQUES, JAYNA RAN and MARCELA LUCIA ROJAS. TABLE OF CONTENTS Words from Chair .............................................................................p. 4 Words from Executive Director ............................................................p. 5 Schedule and Venue ..........................................................................p. 6 General Conference ..........................................................................p. 8 Workshop with Sheena Macrae ............................................................p. 12 Workshop with Linda Schuyler .............................................................p. 12 Prix Jeunesse Screening ....................................................................p. 13 Speakers’ Biographies .......................................................................p. -
Copyright by Daniel Joseph Mauro 2020
Copyright by Daniel Joseph Mauro 2020 The Dissertation Committee for Daniel Joseph Mauro Certifies that this is the approved version of the following dissertation: Locating the Politics of Amateur Media Committee: Caroline Frick, Supervisor Michael Baskett Wenhong Chen Mary Celeste Kearney Shanti Kumar Locating the Politics of Amateur Media by Daniel Joseph Mauro Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2020 Dedication For my parents and grandparents. Acknowledgements First and foremost, I thank my supervisor, Caroline Frick, for her patience, humor, guidance, inspiration, pragmatism, and support during my time at the University of Texas at Austin. This project has evolved greatly thanks to her insight and critique and would not have been possible without her wisdom and vision. Caroline has always supported my interest in a career in the museum field and has been a role model for me both personally and professionally. I also greatly appreciate the support and invaluable insights of my doctoral committee: Michael Baskett, Wenhong Chen, Mary Celeste Kearney, and Shanti Kumar. Many thanks for their time, encouragement, and thoughtful feedback throughout my graduate studies. Michael has been a mentor to me since my time at the University of Kansas and challenged me to become a better scholar and teacher. Wenhong broadened my perspective on the study of digital media and invited me to be a part of several exciting research projects. Mary has been an inspiration, from reading Girls Make Media, to seeing her admirable support of graduate students, to having many conversations about amateur media when drafting my dissertation proposal. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Russian Games Market Report.Pdf
Foreword Following Newzoo’s free 42-page report on China and its games market, this report focuses on Russia. This report aims to provide understanding of the Russian market by putting it in a broader perspective. Russia is a dynamic and rapidly growing games We hope this helps to familiarize our clients and friends market, currently number 12 in the world in terms of around the globe with the intricacies of the Russian revenues generated. It is quickly becoming one of market. the most important players in the industry and its complexity warrants further attention and This report begins with some basic information on examination. The Russian market differs from its demographics, politics and cultural context, as well as European counterparts in many ways and this can be brief descriptions of the media, entertainment, telecoms traced to cultural and economic traditions, which in and internet sectors. It also contains short profiles of the some cases are comparable to their Asian key local players in these sectors, including the leading neighbours. local app stores, Search Engines and Social Networks. Russia has been a part of the Newzoo portfolio since In the second part of the report we move onto describe 2011, allowing us to witness first-hand the the games market in more detail, incorporating data unprecedented growth and potential within this from our own primary consumer research findings as market. We have accumulated a vast array of insights well as data from third party sources. on both the Russian consumers and the companies that are feeding this growth, allowing us to assist our clients with access to, and interpretation of, data on We also provide brief profiles of the top games in Russia, the Russia games market. -
Zeptolab's C.A.T.S.: Crash Arena Turbo Stars
Source : ZeptoLab 19 avr. 2017 15h00 HE ZeptoLab’s C.A.T.S.: Crash Arena Turbo Stars - Now Available on iOS and Android Build the ultimate battle machine in free-to-play multiplayer game from Cut the Rope and King of Thieves creators LONDON , April 19, 2017 (GLOBE NEWSWIRE) -- Pump up your tires and prepare for battle! C.A.T.S.: Crash Arena Turbo Stars, the latest mobile PvP game from Cut the Rope and King of Thieves creators, is now available for free on iOS and Android. Build and customize battle cars in the role of a street kitten, and go head-to-head against other players to become the Crash Arena champion. Get C.A.T.S.: Crash Arena Turbo Stars for free: Apple App Store: https://itunes.apple.com/us/app/cats-crash-arena-turbo-stars/id1208561922 Google Play: https://play.google.com/store/apps/details?id=com.zeptolab.cats.google View the official launch trailer here: https://youtu.be/Ssb-MHsOVvM Your road to the top of the World Championship starts in the garage. Experiment, upgrade, and combine a variety of deadly hand-made weapons and gadgets — from drills and chainsaws to soda pop bottles — to build a machine that’s unlike any other. When your car is good enough, enter the Championship and fight against real players from all over the world in uncontrollable physics-based battles. Defeat all opponents in the group to move into the next stage. Higher stages allow access to higher ranked weaponry and accessories. “We made sure that battles in C.A.T.S. -
Game Design Test
Game Design Test GAME DESIGN TEST IPHONE GAMES PROFILE Name: Thomas Grové Rate your design experience in the following fields: Platform games Sports games Racing games Puzzle games Action Adventure Fighting Are you familiar with game prototyping tools? Yes Which ones? Unity, Flash, Paper (actual paper and other physical props) Rate your knowledge of these tools: Unity Flash Paper FAVOURITE GAMES List the gaming devices you own or have played a lot (from most recent to oldest): iPad, Android Phone, iPod Touch, Web, Playstation 3, XBox 360, OSX Mac, PSP, DS Lite, DS, GameCube, GBA SP, Playstation 2, Playstation 1, DOS/Windows PC, TurboGrafx 16 (PC Engine), NES, Apple II Name three AAA games of the past 2 years you have personally enjoyed from a game-design perspective. The games can be of any genre, and on any hardware (iPhone / console / PC / mobile ). Indicate their sales figures and/or ranking when available. Vanquish (3rd Person Shooter, PS3, 84 Metacritic) Bayonetta (Action Adventure, XBOX 360, 90 Metacritic) Valkyria Chronicles (Hybrid Tactics/3rd Person Shooter, PS3, 86 Metacritic) My Current Top 3 iOS Games (Though Not Necessarily AAA): Color Bind (Puzzle, #16 in Strategy Games on Oct 3, 2010), Guerrilla Bob (Top Down Shooter, #2 in Adventure Games on Jan 8, 2011) Angry Birds (Physics Puzzle, #1 in Top Apps on Feb 23, 2011) Data from http://www.topappcharts.com/ candidate: Thomas Grové - Page 1/21 Game Design Test Part one: game analysis Select one of the three games you’ve just listed. Game chosen: Valkyria Chronicles Valkyria Chronicles was released more than two years ago but I only began playing it about a year ago and think it will be a more interesting example to draw from than my other listed games. -
GAMING GLOBAL a Report for British Council Nick Webber and Paul Long with Assistance from Oliver Williams and Jerome Turner
GAMING GLOBAL A report for British Council Nick Webber and Paul Long with assistance from Oliver Williams and Jerome Turner I Executive Summary The Gaming Global report explores the games environment in: five EU countries, • Finland • France • Germany • Poland • UK three non-EU countries, • Brazil • Russia • Republic of Korea and one non-European region. • East Asia It takes a culturally-focused approach, offers examples of innovative work, and makes the case for British Council’s engagement with the games sector, both as an entertainment and leisure sector, and as a culturally-productive contributor to the arts. What does the international landscape for gaming look like? In economic terms, the international video games market was worth approximately $75.5 billion in 2013, and will grow to almost $103 billion by 2017. In the UK video games are the most valuable purchased entertainment market, outstripping cinema, recorded music and DVDs. UK developers make a significant contribution in many formats and spaces, as do developers across the EU. Beyond the EU, there are established industries in a number of countries (notably Japan, Korea, Australia, New Zealand) who access international markets, with new entrants such as China and Brazil moving in that direction. Video games are almost always categorised as part of the creative economy, situating them within the scope of investment and promotion by a number of governments. Many countries draw on UK models of policy, although different countries take games either more or less seriously in terms of their cultural significance. The games industry tends to receive innovation funding, with money available through focused programmes. -
Free Online Johnny Test Racing Games
Free online johnny test racing games Play Johnny Test games to see what crazy experiment Johnny Test and his dog Dukey try next! Play lots of other free online games on Cartoon Network! Love Johnny Test? Play the latest Johnny Test games for free at Cartoon Network. Visit us for more free online games to play. Street Skate Race · Deep Sea. Play the free Johnny Test game, Street Skate Race and other Johnny Test games at Cartoon Network. Johnny Test? Play the latest Johnny Test games for free at Cartoon Network. Visit us for more free online games to play. Gravity Pants · Street Skate Race. Game Johnny Test: Road Race online. Johnny Test will take the most difficult route on your favorite vehicle - skateboard. It is well managed and. Homepage» Search results for: johnny test Johnny Test: Street Skate Race With an ever-expanding showcase of free online games, is. Play Johnny Test games to see what crazy experiment Johnny Test and his dog Dukey try next! Play lots of other free online games on Cartoon Network. The administrative team of has added 17 Johnny Test Games, . success among you kids, we thought it's time for a new adventure game with. here on , the best website with free online games of all types!!! Johnny Test · Cartoon. Johhny's sisters gave him a camera that he can use it underwater. He's very good at diving but this time he won't have his wet suit. Monday - Friday AM et/pt, Sundays at AM ET/PT, Monday - Friday at PM ET/PT. -
Download the Program
Sponsors Partners Special Thanks The Alliance for Children and Television (ACT) would like to warmly thank it’s Média-Jeunes 2010 advisory committee : Guillaume Aniorté Pierre Proulx Tribal Nova Alliance Numérique Marie-Claude Beauchamp Nancy Savard CarpeDiem Productions 10e Ave Marie-Hélène Guay Sylvie Tremblay Télé-Québec Productions Sovimage Marc Beaudet Turbulent Special thanks go to Louise Lantagne and Lisa Savard of Radio-Canada for housing the Alliance for Children and Television’s Offi ce free of charge. Special thanks as well to Kirsten Schneid, Organization Manager of the Munich PRIX JEUNESSE and to David W. Kleeman, Executive Director, American Center for Children and Media, for helping us with the screening of the Munich Prix Jeunesse. Many thanks to all our collaborators and volunteers. Summary Welcome note from ACT’s Director 3 Organization 4 A word from our Sponsors 5 Schedule – Conferences, November 18 9 The future of Quebec’s youth animation industry 10 How can we convey positive messages to young people through the various media platforms they use? 13 Exclusive Lunch with a Broadcaster 15 Is TV really dying? 16 Portrait of the Situation with the new CMF 18 Audience migration to new platforms: what are the challenges for public broadcasters? 19 Engaging kids and building communities around a TV brand 21 Schedule – Screenings, November 19 23 Welcome note from ACT’s Director Welcome to Média-Jeunes 2010! Here we are – creators, artists, producers, broadcasters, researchers and fi nancial backers – all together again to review our methods, expand our horizons, and discuss the latest issues. This year, we’re also taking the opportunity to unveil our new name, logo and mission statement! We are now in a world where content is increasingly delivered on new platforms, especially where kids are concerned, so the Alliance is giving itself a makeover to expand its efforts to all types of screens, not just TV. -
Johnny Test CYOA (Jumpchain-Compliant!) +1000 CP
Johnny Test CYOA (Jumpchain-Compliant!) You're not sure why your benefactor put you here, really. The animation is cheap and choppy, and you're pretty sure you don't actually like anyone here. That said, a world is a world, and with any luck, you can make an impact on this one. Of course, don't be surprised if some of your plans go a bit haywire. That's just another day in the life of a boy named Johnny Test. If you want to get anything out of this trip, you'll need these. +1000 CP Good luck, and have fun in Porkbelly! Or, at least try to. See, there's two last little provisions here. Should Johnny Test or any of his enemies or family members be slain, by your hand or any other, you will fail. This includes being trapped in permanent stasis or being permanently banished/barred from the “real world” of this dimension. There is, however, a certain limit to this – Bumper is fair game. Bling-Bling Boy, on the other hand, is not. The second? You know that time machine? Traveller! You can't do that! The future will be changed! You'll create a time paradox! Section 1: Background Roll 1d8+11 to determine your age and keep your current gender, or pay 50 CP to choose your age (within the rollable range) and gender for yourself. Drop-In [Free] – You don't have any new memories or new quirks here – but nobody here knows you, and at least some of them can tell there's something off about you.. -
Looking At, Through, and with Youtube Paul A
Santa Clara University Scholar Commons Communication College of Arts & Sciences 2014 Looking at, through, and with YouTube Paul A. Soukup Santa Clara University, [email protected] Follow this and additional works at: https://scholarcommons.scu.edu/comm Part of the Communication Commons Recommended Citation Soukup, Paul A. (2014). Looking at, through, and with YouTube. Communication Research Trends, 33(3), 3-34. CRT allows the authors to retain copyright. This Article is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in Communication by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Looking at, with, and through YouTube™ Paul A. Soukup, S.J. [email protected] 1. Looking at YouTube Begun in 2004, YouTube rapidly grew as a digi- history and a simple explanation of how the platform tal video site achieving 98.8 million viewers in the works.) YouTube was not the first attempt to manage United States watching 5.3 billion videos by early 2009 online video. One of the first, shareyourworld.com (Jarboe, 2009, p. xxii). Within a year of its founding, begin 1997, but failed, probably due to immature tech- Google purchased the platform. Succeeding far beyond nology (Woog, 2009, pp. 9–10). In 2000 Singingfish what and where other video sharing sites had attempt- appeared as a public site acquired by Thompson ed, YouTube soon held a dominant position as a Web Multimedia. Further acquired by AOL in 2003, it even- 2.0 anchor (Jarboe, 2009, pp. -
Bronycan Con Book
1 Credits BronyCAN 2013 Visit BronyCAN.ca/Staff for the complete staff list! Con Chair Charity Auction Artists Jay “Regen” Weiland Nathan “Drake” Rogers Cas - catspian.deviantart.com Deer - deerghost.deviantart.com Irvin Durana - sonicpower451.deviantart.com Finance Registration & Vendors Keenan Born - kborn.deviantart.com Jason “HaloInverse” Brownridge William “Dexter Rabbit” Dixon Marco Paparatto - marco23p.deviantart.com Jon “Shroobs” Leslie Mareinthemoon - mare--in--the--moon.deviantart.com PonyHuman Resources Lorne “Gizmo” Seifred Radioactive K - radioactive-k-deviantart.com Silver Nicktail Alex “Afion” Ing Tatsuki - askrosequartz.tumblr.com Guest Relations Audio/Visual Apricity/Provincial Ponies Erin “Sharky” Leslie Kristie “Rabbitasaur” Bush Felyx “BeamPegasu5” Kain Zephaniah “Eclipse” Washington albinosharky.deviantart.com Andrew “adeptusraven“ Ho Sean “Shramp” Browning Kaelisa “MyLittlePonyTales” VanDyke Landon “Lupon” Freden stickgag.deviantart.com Sabrina “realafterglow” Taylor Marty “Ginge” Sisk Tabatha Hughes Jacob “GhostSonic” Poersch Amanda “CrimsonFirefal” Pyle Alex “Sumap” Schell Ask BronyCAN Randy Ho Aaron “Fisherpon” Siebenga Angela “Ponyzilla” Li Information Tech Wanderereclipse Jacob “GhostSonic” Poersch Thomas “Solar Flare” Sullivan Nick Nack Rebeckah “Misaki” MacLeod Richard “CascadeHope“ Layes Peter “Feld0” Deltchev Staff Photagrapher Public Relations Carson “Spitfire” Berreth Lucas “Senn555” Sestak Gophers and Grunts David “The Iron Pony” Cuyno Skyler “Time Right” Hoff-Male Original Founders Angela “Ponyzilla”