Dr. Justin Woodman Dept. of Professional & Community Education (Social Anthropology) Goldsmiths College University of London New Cross London SE14 6NW Tel: 020 8908 0272 E-mail:
[email protected] Alien Selves: Modernity and the Social Diagnostics of the Demonic in “Lovecraftian Magick”. (First published in the Journal for the Academic Study of Magic, 2004) Justin Woodman Introduction This article examines the significance of the category of the ‘demonic’ as applied within the theory and practice of ‘Lovecraftian’ magick1: a ‘style’ of magical practice inspired by the fictional universe of the ‘Cthulhu mythos’ created by the author H. P. Lovecraft, and popularised within certain sectors of the contemporary Euro-American magical subculture. For these contemporary ‘Lovecraftian’ magicians, the demonic is mobilised as a potent ‘apocalyptic’ weapon in contesting the alienating consequences of modernity, and forms an ambivalent moral category distinct from Christianised conceptions of supernatural evil. An equivalent moral ambivalence has also been noted in a number of recent anthropological accounts of postcolonial African modernities2 - modernities partly characterised by an emerging (and global) tendency ‘to interpret modern processes of change in terms of ‘witchcraft’’ 3. These accounts recognise that the idiom of the demonic - both in African contexts and more widely - encompasses a simultaneous fascination with and desire to be ‘modern’, and a deep anxiety about where society is heading. The demonic, in this 0 understanding, is not a