A Chaos Marxism Primer
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Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Pathways in Modern Western Magic • Drury Pathways in Modern Western Magic Edited by Nevill Drury Pathways
Pathways in Modern Western Magic Western in Modern Pathways Pathways in Modern Western Magic Edited by Nevill Drury Pathways his exciting multi-authored volume provides a fascinating overview of the many different pathways that help defi ne esoteric belief and prac- in Modern ticeT in modern Western magic. Included here are chapters on the late 19th century Hermetic Order of the Golden Dawn, the infl uential Thelemic doc- trines of Aleister Crowley, and the different faces of the Universal God- dess in Wicca and the Pagan traditions. Also included are chapters on Neo- Western Magic shamanism in Europe and the United States—and an account of how these traditions have in turn infl uenced the rise of techno-shamanism in the West. Additional features of this collection include insider perspectives on Seidr oracles, hybridised Tantra, contemporary black magic, the Scandinavian Dragon Rouge and Chaos magic in Britain—as well as profi les of the magi- cal artists Ithell Colquhoun, Austin Osman Spare and Rosaleen Norton. Contributors: Nikki Bado • Jenny Blain • Nevill Drury • Dave Evans • Amy Hale Phil Hine • Lynne Hume • Marguerite Johnson • Thomas Karlsson James R. Lewis • Libuše Martínková • Robert J. Wallis • Don Webb Dominique Beth Wilson • Andrei A. Znamenski Nevill Drury, editor of this collection, received his PhD from the Univer- sity of Newcastle, Australia, in 2008. His most recent publications include Stealing Fire from Heaven: the Rise of Modern Western Magic and The • Drury Varieties of Magical Experience (co-authored with Dr Lynne Hume). Concrescent Scholars Scholars Richmond • California S Edited by Nevill Drury 10 Pathways in Modern Western Magic 05 Pathways in Modern Western Magic Edited by Nevill Drury Scholars Concrescent Scholars 06 Pathways in Modern Western Magic Pathways in Modern Western Magic © 2012 Concrescent LLC All rights reserved. -
Tary Spirits
Quareia—The Adept Module II—Magical Construction Lesson 7: The Hall of Planetary Spirits by Josephine McCarthy Quareia Welcome Welcome to this lesson of the Quareia curriculum. The Quareia takes a magical apprentice from the beginning of magic to the level of adeptship and beyond. The course has no superfluous text; there is no dressing, no padding—everything is in its place and everything within the course has a good reason to be there. For more information and all course modules please visit www.quareia.com So remember—in order for this course to work, it is wise to work with the lessons in sequence. If you don’t, it won’t work. Yours, Quareia—The Adept Module II—Magical Construction Lesson 7: The Hall of Planetary Spirits Another, and final, layer that we add to the temple is that of the planetary spirits. This brings the influence of the planetary spirits into a closer relationship with the Inner Temple, which focuses the patterns of fate and the tides of influence that the planets have on the temple’s life and work. This enables the Inner Temple adepts to foresee the tides of fate that gather and express out in the world, and to adjust the temple’s work accordingly. Working in such close connection with the planetary spirits and their influences lets our adepts work with the momentum of the streams of fate rather than pushing against them. It also allows the specific qualities of the individual planetary spirits to be worked with, consulted, and brought into action with the work of the temple and individual adepts through the generations. -
Aesthetaphysicks and the Anti-Dialectical Hyper-Occultation
Aesthetaphysicks and the Anti-Dialectical Hyperoccultation of Disenchanted Representation: Hyperstitional Esoterrorism as Occultural Accelerationism Robert Elio Cabrales University of Amsterdam Theology and Religious Studies Master’s Thesis: Western Esotericism August 30th, 2019 Contents Plex • Becoming Sorcerer • Hyperstitional Ontology-Cybernetics • Accelerationism (Teleology of Capital-Time Modulations) • Occultural Esoterrorism • Aesthetaphysickal Reflexivity: Occultural Accelerationism & Hyperstitional Esoterrorism Time-Circuit • Chaos Reigns • Theater of the [Black (Plague) Mass] • Anti-Dialectical Dismemberment Networks • Cybernetic Occulture Warp • Swarm Dynamics Aesthetaphysicks and the Anti-Dialectical Hyperoccultation of Disenchanted Representation: Hyperstitional Esoterrorism as Occultural Accelerationism Robert E. Cabrales, University of Amsterdam, 2019 MA Thesis - Theology & Religious Studies: Western Esotericism Plex A viral rot festers on the precipice of Representation. This contagion liquifies the sinewy retentions of unity, violating the limits of ordered thought and centralized identity. Deliquesced discharge oozes from the pores of a once sedentary territory. Wracked by plague, Representation becomes monstrous: a presentation of an alien alterity which transgresses semiotic stasis. The subversive infestation of reality unfolds across the spectrum of contemporary culture. Postmodern thought has identified the unnecessary and oppressive rigidity of normative social constructs and as such, Philosophers, Occultists, Artists, -
Practical Sigil Magic.Pdf
Other Books by the Author Kursus der praktischen Magie (A course of Practical magic) Secrets of Western Sex Magic: Magical Energy and Gnostic Trance High Magick: Theory and Practice Secrets of the German Sex Magicians: A Practical Handbook for Men and Women Contents Introduction..............................................ix Chapter 1: Austin Osman Spare and His Theory of Sigils.....1 Chapter 2: Fuller Exploration of the Word Method..........15 Chapter 3: The Magical Trance / Activating the Sigils.....29 Chapter 4: The Pictorial Method...........................43 Chapter 5: The Mantrical Spell Method.....................55 Activating/Internalization of Mantrical Sigils ● Words of Power ● Activating/Internalizing Words of Power Chapter 6: The Alphabet of Desire.........................63 The Alphabet of Desire as a Structuring Prin— ciple ● The Alphabet of Desire as a Mirror of the Psyche Chapter 7: Working with Atavistic Nostalgia...............85 Chapter 8: But How Does It Work?..........................95 Sherwin's Model ● Model A ● Model B Chapter 9: Constructing Sigils with Planetary Cameas.....105 The Magical Cameas of the Planets (“Tables”) and the Seals and Sigils of the Planetary Powers, Intelligences and Demons Conclusion...............................................123 Glossary.................................................125 Comments.................................................129 Bibliography.............................................133 INTRODUCTION Sigil Magic, Particularly the system developed by the English painter and sorcerer Austin Osman Spare, is one of the most efficient and economical disciplines of magic. For the most part, it can be performed without complicated rituals, needs hardly any paraphernalia, is independent of philosophical and dogmatic premises and, due to its simplicity, can be learned easily and quickly. Most important of all, none of the magical techniques we know of today is more efficient and will give even beginners the immediate chance to convince themselves of its power and their own abilities. -
Magic of the North Gate 2 MAGIC at the NORTH GATE
JOSEPHINE MCCARTHY 1 Magic of the North Gate 2 MAGIC AT THE NORTH GATE Dedicated To my partner Stuart Littlejohn And To Robert Henry A magical brother who walked into the West on Dec 25th 2012 JOSEPHINE MCCARTHY 3 Josephine McCarthy Magic of the North Gate 4 MAGIC AT THE NORTH GATE Copyright © Josephine McCarthy & Mandrake of Oxford 2013 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted without permission or in accordance with the provision of the copyright act of 1956 (as amended). Cover art/design and illustrations © Stuart Littlejohn By same author Magical Knowledge Book I - Foundations/The Lone Practitioner Magical Knowledge Book II - The Initiate Magical Knowledge Book III - Contact of the Adepts JOSEPHINE MCCARTHY 5 Contents Foreword ................................................................................................... 7 Introduction ........................................................................................... 12 1 The Body and Magic..................................................................... 15 2 Living Magically – Home/Temple ............................................................................... 49 3 Magic and the Land Part I: Ground zero... the environment and its powers .......... 74 4 Magic and the Land Part II: Practical Applications ..................................................... 97 5 Magic and the Land Part III: Shrines .......................................................................... -
The Basics of Magick 1
THE BASICS OF MAGICK 1 THE BASICS OF MAGICK By K. Amber Get any book for free on: www.Abika.com Get any book for free on: www.Abika.com THE BASICS OF MAGICK 2 I. Ethics A. The Wiccan Rede B. The Law or Return (sometimes called the "Threefold Law") C. Perfect Love and Perfect Trust (among partners in magick) II. The Witches' Pyramid A. Faith in your abilities and powers. B. Imagination to vividly create in your mind that which you desire to manifest. C. Will to achieve your goal despite all obstacles. D. Secrecy to keep your magickal intention concentrated and pure. III. The four Qualities of the Mage A. To know B. To will C. To dare D. To keep silence IV. Preparatory Skills (hatha and raja yoga are good aids to developing these) A. Cleansing, clearing and stilling B. Grounding C. Centering d. Concentrating ieving one-pointedness) V. Defining the Goal: Form vs. Essence VI. Working with the Power A. Confining it (casting the Circle) B. Raising it C. Sending it (channeling it)... for imediate effect or into storage D. Earthing the excess (grounding it) VII. Systems and Techniques A. Spellcraft B. Words of Power and affirmations, charms and incantations C. Dance, postures and mudras D. Meditation, trancework and hypnosis, fascination E. Stone magick F. Candle magick G. Amulets and talismans; power objects or "psychic batteries" H. Healing 1. Psychic (visualization, laying on of hands) 2. Herbal 3. Energy channeling iwht auras and chakras 4. Color therapy Get any book for free on: www.Abika.com THE BASICS OF MAGICK 3 5. -
SUMMONING SPIRITS Now That We Have a Working Definition of What Magical Evocation Is, We Should Be Able to Illustrate What It Is Not Rather Simply
Evocation can be defined as the calling forth of an entity from another plane of existence to an external manifestation in either the astral or physical plane. INTRODUCTION magician felt a surge of excitement run through him as he icked up the leather-bound book. He carefully opened the old diary to the section marked "Conjuration," and began to read by the red light of the filtered lamp on the altar. When the oration was completed, the magician glanced at the painted wooden triangle he had positioned outside the magic circle. Toward the cen- ter of the equilateral triangle, smoke rose from a brass censer in a steady stream, filling the entire room with the scent of peppermint. Scattered about this glowing bowl were pieces of iron, garnet, and red jasper; to the right of the censer stood a metal figurine of a scorpion that cast moving shadows on the floor as the glow of the coals illuminated it. Slowly, the magician's gaze fixed upon the small object at the base of the triangle. The red light in the room, combined with the faint glow of the censer, clearly showed the symbol drawn on the round piece of paper. It was this sigil that the magician began to focus on as he closed his eyes. In a few moments, the magician held up his wand and slowly started opening his eyes. The name "Phalegh," which he had been repeating mentally, escaped his lips as a whisper, and he continued calling the Mars spirit out loud. With each repetition of the name, the magician opened his eyes a little more, and his voice grew in volume and resonance. -
Justin Woodman Dept
Dr. Justin Woodman Dept. of Professional & Community Education (Social Anthropology) Goldsmiths College University of London New Cross London SE14 6NW Tel: 020 8908 0272 E-mail: [email protected] Alien Selves: Modernity and the Social Diagnostics of the Demonic in “Lovecraftian Magick”. (First published in the Journal for the Academic Study of Magic, 2004) Justin Woodman Introduction This article examines the significance of the category of the ‘demonic’ as applied within the theory and practice of ‘Lovecraftian’ magick1: a ‘style’ of magical practice inspired by the fictional universe of the ‘Cthulhu mythos’ created by the author H. P. Lovecraft, and popularised within certain sectors of the contemporary Euro-American magical subculture. For these contemporary ‘Lovecraftian’ magicians, the demonic is mobilised as a potent ‘apocalyptic’ weapon in contesting the alienating consequences of modernity, and forms an ambivalent moral category distinct from Christianised conceptions of supernatural evil. An equivalent moral ambivalence has also been noted in a number of recent anthropological accounts of postcolonial African modernities2 - modernities partly characterised by an emerging (and global) tendency ‘to interpret modern processes of change in terms of ‘witchcraft’’ 3. These accounts recognise that the idiom of the demonic - both in African contexts and more widely - encompasses a simultaneous fascination with and desire to be ‘modern’, and a deep anxiety about where society is heading. The demonic, in this 0 understanding, is not a -
Ellis and the Underground
1 The Marauder Underground Our primary activity is attacking what is commonly known as consensual reality, the dominant paradigm, the mundane world, whatever you want to call it. We cast spells, scribe sigils, summon spirits, and open gateways. Anything that can be done to influence reality towards our goal. We use chalk to tag buildings & sidewalks with sigils and goetic summonings. We conjure up spirits and set them loose, leaving in our wake freshly haunted sites. We infect the population with the power of chaos, and watch as random magick explodes into the lives of unsuspecting citizens. We are reality deviants in the truest sense of the word, as we pry open the eyes of a sleeping humanity to the terror and wonder of the worlds beyond. What you are about to read is a condensed presentation of the online forums, emails, and conversations that encompass the creation, implementation, and current state of Ellis and the underground. Much of the original online discussion that gave birth to what may or may not be this movement has been lost or deleted. As a result, this text begins in the middle, with the first recoverable post. This text edited to the best quality, though consider the source, given that being published was not the original goal. To summarize, this discussion began with a question posed about placing ads in newspapers with the text “Magick is Real” and what sorts of effects would occur. From this humble beginning you may or may not have before you the resulting revolution. 2 Alaudurel: In retrospect, this could also be a great way to find others in your area; I, for one, think I'd get curious should I stumble across various markings. -
Proquest Dissertations
Boring Formless Nonsense (or, On The Aesthetics of Failure in Recent Experimental Composition) by eldritch Michael Priest A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations Carleton University Ottawa, Ontario ©2011 eldritch Priest Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-81589-2 Our file Notre r6terence ISBN: 978-0-494-81589-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
NON PARADIGMAL MAGICK This Manuscript Lays out an Exercise in Non-Paradigmal Pantheon Creation
NON PARADIGMAL MAGICK This manuscript lays out an exercise in non-paradigmal pantheon creation. We see this as an especially useful way of introducing magick to those who wish to practice without the use of specific deities. By creating this experiment, we ultimately want to test the efficacy of non-paradigmal magick. To begin, we have created eight egregores that each represent a color of magick as outlined by Peter Carroll in Liber Kaos. These egregores will serve participating magicians by acting as a point of contemplation in the creation of an individual servitor for each person, in each color of magick. In other words, the magician will draw from the egregore to receive or create a liaison to work with, rather than working with the egregore directly. The reason for this extra step is to allow the magician to work within a given color of magick without their work being clouded by outside influence. By creating and interacting with your servitor, you will be indirectly interacting with the egregore. Therefore, there is no need to directly feed the egregore once you’ve begun work with your servitor. As your practice continues with each egregore through the creation of individual servitors, you will begin to collect a self-created “pantheon” through which you will explore, gain insight, and enact your magick. This is an exercise not based on serving some god, but on creating entities to serve you, however you see fit. Should you choose to do so, you may share information regarding your servitor with our community as a means by which others may benefit from its creation.