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Home , For the Sake of Love, Lifetime Thing, The Isaac Hayes Movement

isaac hayes discography free download discography free download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a9bf2ef98816d3 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. MQS Download.

Mastering Quality Sound,Hi-Res Audio Download, 高解析音樂, 高音質の音楽. Isaac Hayes – Shaft: Music From The Soundtrack (1971) [SACD 2004] SACD ISO. Isaac Hayes – Shaft: Music From The Soundtrack (1971) [SACD 2004] PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 69:27 minutes | Scans included | 2,81 GB or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,45 GB. Isaac Hayes was undoubtedly one of the era’s most accomplished soul artists. With the , Hayes delivered an anthem just as ambitious and revered as the film itself, a song that has only grown more treasured over the years, after having been an enormously popular hit at the time of its release. This CD features cinematic moments of instrumentation, composed and produced by Hayes while being performed by the Bar-Kays – some down-tempo, others quite jazzy. Of the many wonderful blaxpoitation soundtracks to emerge during the early ’70s, Shaft certainly deserves mention as not only one of the most lasting but also one of the most successful. Isaac Hayes was undoubtedly one of the era’s most accomplished soul artists, having helped elevate Stax to its esteemed status; therefore, his being chosen to score such a high-profile major-studio film shouldn’t seem like a surprise. And with “Theme from Shaft,” he delivered an anthem just as ambitious and revered as the film itself, a song that has only grown more treasured over the years, after having been an enormously popular hit at the time of its release. Besides this song, though, there aren’t too many more radio-targeted moments here. “Soulsville” operates effectively as the sort of downtempo ballad Hayes was most known for, just as the almost 20-minute “Do Your Thing” showcased just how impressive the Bar-Kays had become, stretching the song to unseen limits with their inventive, funky jamming. For the most part, though, this double-LP features nothing but cinematic moments of instrumentation, composed and produced by Hayes while being performed by the Bar-Kays — some downtempo, others quite jazzy, nothing too funky, though. Even if it’s not quite as enjoyable as Curtis Mayfield’s Superfly due to its emphasis on instrumentals, Shaft still remains a powerful record; one of Hayes’ pinnacle moments for sure. Tracklist: 01 – Theme From “Shaft” 02 – Bumpy’s Lament 03 – Walk From Reggio’s 04 – Ellie’s Love Theme 05 – Shaft’s Cab Ride 06 – Cafe Reggio’s 07 – Early Sunday Morning 08 – Be Yourself 09 – A Friend’s Place 10 – Soulsville 11 – No Name Bar 12 – Bumpy’s Blues 13 – Shaft Strikes Again 14 – Do Your Thing 15 – The End Theme. free download. Isaac Lee Hayes Jr. (August 20, 1942 – August 10, 2008) was an American singer-songwriter, actor, voice actor and producer. Hayes was one of the creative forces behind the Southern label , where he served both as an in-house songwriter and as a session musician and , teaming with his partner during the mid-1960s. Hayes and Porter, along with Bill Withers, the Sherman Brothers, Steve Cropper, and John Fogerty were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame. MP3 / 320KBPS. 01 (1967) 02 (1969) 03 …To Be Continued (1970) 04 (1970) 05 Shaft (1971) 06 Black Moses (1971) 07 Isaac Hayes At Wattstax (1972) 08 Joy (1973) 09 Live At The Sahara Tahoe (1973) 10 Tough Guys (1974) 11 (1974) 12 Chocolate Chip (1975) 13 Connection (1975) 14 Groove-A-Thon (1976) 15 Juicy Fruit (Disco Freak) (1976) 16 A Man And A Woman (1977) 17 New Horizon (1977) 18 (1978) 19 Hotbed (1978) 20 Don’t Let Go (1979) 21 Royal Rappin’s (1979) 22 And Once Again (1980) 23 (1981) 24 The Best Of Isaac Hayes (1986) 25 U-Turn (1986) 26 Love Attack (1988) 27 Greatest Hit Singles (1991) 28 Wonderful (1994) 29 Branded (1995) 30 Raw & Refined (1995) 31 The Best Of The Polydor Years (1996) 32 Ultimate Collection (2000) 33 Instrumentals (2003) 34 Ultimate Isaac Hayes. Can You Dig It (2005) 35 The Very Best Of Isaac Hayes (2007) 36 The Collection (2007) GOOD NEWS for FREE & PREMIUM Rarefile Users! YOU CAN NOW DOWNLOAD FILES UP TO 3GB PER FILE! Please read the announcement on the front page. The Isaac Hayes Movement. Although this is Isaac Hayes' third long-player, he had long been a staple of the Memphis R&B scene -- primarily within the Stax coterie -- where his multiple talents included instrumentalist, arranger, and composer of some of the most beloved soul music of the '60s. Along with his primary collaborator, David Porter, Hayes was responsible for well over 200 sides -- including the genre-defining "When Something Is Wrong With My Baby," "Soul Man," "B-A-B-Y," "Hold On, I'm Comin'," and "I Had a Dream." As a solo artist however, Hayes redefined the role of the long- player with his inimitably smooth narrative style of covering classic pop and R&B tracks, many of which would spiral well over ten minutes. The Isaac Hayes Movement (1970) includes four extended cuts from several seemingly disparate sources, stylistically ranging from 's "Something" to Jerry Butler's "I Stand Accused" and even and Hal David's "I Just Don't Know What to Do With Myself." These early Hayes recordings brilliantly showcase his indomitable skills as an arranger -- as he places familiar themes into fresh contexts and perspectives. For example, his lengthy one-sided dialogue that prefaces "I Stand Accused" is halting in its candor as Hayes depicts an aching soul who longs for his best friend's fiancée. Even the most hard-hearted can't help but have sympathy pains as he unravels his sordid emotional agony and anguish. Hayes' lyrical orchestration totally reinvents the structure of "Something" -- which includes several extended instrumental sections -- incorporating equally expressive contributions from John Blair (violin). Both "I Just Don't Know What to Do With Myself" and the comparatively short (at under six minutes) "One Big Unhappy Family" are more traditionally arranged ballads. Hayes again tastefully incorporates both string and horn sections to augment the languid rhythm, providing contrasting textures rather than gaudy adornment. These sides offer a difference between the proverbial "Black Moses of Soul" persona that would be responsible for the aggressive no-nonsense funk of Shaft (1971) and Truck Turner (1974). . To Be Continued. Released in late 1970 on the heels of two chart-topping albums, Hot Buttered Soul (1969) and The Isaac Hayes Movement (also 1970), Isaac Hayes and the Bar-Kays retain their successful approach on those landmark albums for To Be Continued, another number one . Again, the album features four songs that span far beyond traditional radio-friendly length, featuring important mood-establishing instrumental segments just as emotive and striking as Hayes' crooning. Nothing here is quite as perfect as "Walk on By," and the album feels a bit churned out, but To Be Continued no doubt has its share of highlights, the most notable being "You've Lost That Lovin' Feelin'." The album's most epic moment opens with light strings and horns, vamping poetically for several minutes before Hayes even utters a breath; then, once the singer delivers the song's orchestral chorus, the album hits its sentimental peak -- Hayes elevating a common standard to heavenly heights once again. Elsewhere, "Our Day Will Come" features a nice concluding instrumental segment driven by a proto-hip-hop beat that proves just how ahead of his time Hayes was during his early-'70s cycle of Enterprise albums. It's tempting to slight this album when holding it up against Hayes' best albums from this same era, but a comparison such as this is unfair. Even if Ike isn't doing anything here that he didn't do on his two preceding albums -- Hot Buttered Soul, The Isaac Hayes Movement -- and isn't quite as daring as he is on his two successive albums -- Black Moses, Shaft -- To Be Continued still topples any Hayes album that came after 1971. It didn't top the R&B album chart for 11 weeks on accident -- this is quintessential early-'70s Isaac Hayes, and that alone makes it a classic soul album.