Herculaneum Archaeology
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Progetto "UN TUTOR PER AMICO"
ITALIA SCHEDA ELEMENTI ESSENZIALI DEL PROGETTO ASSOCIATO AL PROGRAMMA TITOLO DEL PROGETTO: UN TUTOR PER AMICO SETTORE e AREA DI INTERVENTO: “Educazione e Promozione culturale, paesaggistica, ambientale, del turismo sostenibile e sociale e dello sport” - “07: Attività di tutoraggio scolastico DURATA DEL PROGETTO: 12 MESI OBIETTIVI DEL PROGETTO Il progetto ha come principale obiettivo quello di ridurre e prevenire il fenomeno della dispersione e dell’abbandono scolastico precoce, erogando servizi di tutoraggio scolastico ATTIVITA’ D’IMPIEGO DEGLI OPERATORI VOLONTARI Il progetto prevede azioni che consistono in un supporto del volontario alle attività rivolte ai singoli utenti o ai gruppi, condotte dalle diverse figure professionali, alle quali è affidata la gestione degli interventi e la relativa responsabilità di tutte le azioni. Nello specifico, le loro attività saranno: • Sostegno e recupero di discipline scolastiche; • Partecipazione agli incontri con il corpo docente • Partecipazione agli interventi di sostegno psicologico, finalizzati a sostenere i nuovi impegni scolastici. • Partecipazione alla realizzazione dei laboratori didattici, volti a stimolare e potenziare le capacità dell’alunno, oltrechè sviluppare hobby e passioni (laboratorio multimediale, di lingua inglese, di attività espressive, ecc.); • Ausilio nell’organizzazione e realizzazione di incontri con le strutture sociali e territoriali (Parrocchia, agenzie ricreative, sportive, educative, volontariato, ecc.) • Ausilio nell’organizzazione e realizzazione di incontri con i gruppi giovanili locali. • Accompagnamento degli studenti alle gite, visite a musei, picnic, escursioni, cineforum, parchi- acquatici, ecc. • Ausilio nell’organizzazione e realizzazione di manifestazioni ricreative e spettacoli. • Ausilio nell’organizzazione e realizzazione di campus estivi. • Partecipazione agli incontri di mediazione familiare • Ausilio nell’attivazione di nuove collaborazioni con le agenzie socio-educative locali. -
Creating the Past: Roman Villa Sculptures
��������������������������������� Creating the Past: Roman Villa Sculptures Hadrian’s pool reflects his wide travels, from Egypt to Greece and Rome. Roman architects recreated old scenes, but they blended various elements and styles to create new worlds with complex links to ideal worlds. Romans didn’t want to live in the past, but they wanted to live with it. Why “creating” rather than “recreating” the past? Most Roman sculpture was based on Greek originals 100 years or more in the past, but these Roman copies, in their use & setting, created a view of the past as the Romans saw it. In towns, such as Pompeii, houses were small, with little room for large gardens (the normal place for statues), so sculpture was under life-size and highlighted. The wall frescoes at Pompeii or Boscoreale (as in the reconstructed room at the Met) show us what the buildings and the associated sculptures looked like. Villas, on the other hand, were more expansive, generally sited by the water and had statues, life-size or larger, scattered around the gardens. Pliny’s villas, as he describes them in his letters, show multiple buildings, seemingly haphazardly distributed, connected by porticoes. Three specific villas give an idea of the types the Villa of the Papyri near Herculaneum (1st c. AD), Tiberius’ villa at Sperlonga from early 1st century (described also in CHSSJ April 1988 lecture by Henry Bender), and Hadrian’s villa at Tivoli (2nd cent AD). The Villa of Papyri, small and self-contained, is still underground, its main finds having been reached by tunneling; the not very scientific excavation left much dispute about find-spots and the villa had seen upheaval from the earthquake of 69 as well as the Vesuvius eruption of 79. -
Step Into Strode to Get You Goin G…… .. Naples – Caught in a Volcanic
Step into Strode Course Title: A Level Geography Welcome to Step into Strode at Strode College. In the table below, you will find questions to consider, tasks to complete and some background research to undertake. This is a 4-week programme that will enable you to engage with your future study programme and teaching team. Please read the instructions below and have a go at the activities, remember you are capable. If you struggle at any point, please refer to the Frequently Asked Questions (FAQs) section at the bottom for guidance and help. To Our focus for these sessions is going to be volcanic hazards of the Bay of Naples. get you WEEK 1 Watch Napoli SSC fans recreate an eruption of their local volcano, whose outline is goin the symbol of the city: g…… https://www.youtube.com/watch?v=o129p8lgj58 .. I will give an introductory talk after which you will be able to complete this quiz: Naples – Caught in a Volcanic Sandwich Somma-Vesuvius and the Campi Flegrei Find the right answer (answers next session): 1. Vesuvius last erupted in 1631, 1944, AD79. 2. The biggest killer eruption was 3780 BP, 1631, 1944. 3. The red zone population is 60,000, 600,000, 6m. 4. The most recent volcanic fatalities were in: Naples, Vesuvius, Campi Flegrei. 5. The prevailing wind is from the west, east, south. 6. Naples Airport is called Capodichino, Galileo, Leonardo da Vinci. 7. The local motorway is called Autostrada del Pizza, Autostrada del Sud, Autostrada del Sole. 8. The most vulnerable town is Sorrento, Sarno, Acerro, Torre del Greco. -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Human Responses to the 1906 Eruption of Vesuvius, Southern Italy
ÔØ ÅÒÙ×Ö ÔØ Human responses to the 1906 eruption of Vesuvius, southern Italy David Chester, Angus Duncan, Christopher Kilburn, Heather Sangster, Carmen Solana PII: S0377-0273(15)00061-X DOI: doi: 10.1016/j.jvolgeores.2015.03.004 Reference: VOLGEO 5503 To appear in: Journal of Volcanology and Geothermal Research Received date: 19 December 2014 Accepted date: 4 March 2015 Please cite this article as: Chester, David, Duncan, Angus, Kilburn, Christopher, Sangster, Heather, Solana, Carmen, Human responses to the 1906 eruption of Vesu- vius, southern Italy, Journal of Volcanology and Geothermal Research (2015), doi: 10.1016/j.jvolgeores.2015.03.004 This is a PDF file of an unedited manuscript that has been accepted for publication. As a service to our customers we are providing this early version of the manuscript. The manuscript will undergo copyediting, typesetting, and review of the resulting proof before it is published in its final form. Please note that during the production process errors may be discovered which could affect the content, and all legal disclaimers that apply to the journal pertain. ACCEPTED MANUSCRIPT March 3 2014 Human responses to the 1906 eruption of Vesuvius, southern Italy David Chestera,b, Angus Duncanb, Christopher Kilburnc, Heather Sangsterb and Carmen Solanad,e a Department of Geography and Environmental Science, Liverpool Hope University, Hope Park Liverpool L16 9JD, UK; bDepartment of Geography and Planning, University of Liverpool, Liverpool L69 3BX, UK; cAon Benfield UCL Hazard Research Centre, University College London, Gower Street, London WC1E 6BT, UK; dSchool of Earth and Environmental Sciences, University of Portsmouth, Portsmouth PO1 2UP; eInstituto Volcanológico de Canarias (INVOLCAN), Puerto de la Cruz, Canary Islands, Spain. -
Problem Statement
Peer review exercise in San Giuseppe Vesuviano (IT) 29th July 2015 Sustainable Urban Mobility Planning and resilience: problem statement Cosimo Chiffi, TRT/CIVITAS WIKI The Volcano: Vesuvio The most famous eruption of AD 79 Recent severe eruptions occurred in 1660, 1682, 1694, 1698, 1707, 1737, 1760, 1767, 1779, 1794, 1822, 1834, 1839, 1850, 1855, 1861, 1868, 1872, 1906, 1926, 1929, and 1944 2 PRE in San Giuseppe Vesuviano (IT) - 29th July 2015 Cities, towns and road links in the Vesuvian Area 3 PRE in San Giuseppe Vesuviano (IT) - 29th July 2015 The Vesuvian Area: a densely populated area 2.140.000 inhabitants in the Greater Neapolitan Area (without city of Naples) 2.670 inh/km2 4 PRE in San Giuseppe Vesuviano (IT) - 29th July 2015 National Emergency Plan for the Vesuvian Area • The Red Zone directly involved in case of eruption and the Yellow Zone under the potential influence of Vesuvio eruption 5 PRE in San Giuseppe Vesuviano (IT) - 29th July 2015 Hydrogeological risk for the Vesuvian Area • Other Risks maps of the Vesuvian Area: 1. Landslide 2. Hydraulic 6 PRE in San Giuseppe Vesuviano (IT) - 29th July 2015 2013 Regional Mobility Plan For this area there are no provisions made to reorganise the mobility 7 PRE in San Giuseppe Vesuviano (IT) - 29th July 2015 Who is working on the idea of resilient SUMP? San Giuseppe Vesuviano, Striano e Terzigno • 53.000 inhabitants •High quality agricolture products •Tertiary industry productions •Vesuvio National Park 2020 Objectives •CO2 emissions reduction beyond 20% (between 26% and 29%) •Increased -
Herculaneum Archaeology
Defining Beauty - Alistair Thorley A First Hand Experience of the Apolline Project - Iona Hampson The Ancient Graffiti Project - Rebecca Benefiel & Jacqueline DiBiasie 2014 Southeastern College Art Conference - Lisa Gastrell The First Herculaneum Summer School - Sarah Hendriks Bronze sculpture from the Villa of the Papyri , Museo Archeologico Nazionale Napoli herculaneum archaeology herculaneum Society - Issue 19 Summer 2015 of the Friends Herculaneum the newsletter Defining beauty - the body in Ancient Greek art A Review of the recent exhibition at the British Museum by Alistair Thorley Head of Classics, Stockport Grammar School Defining beauty is about as easy as raising children or trusting politicians and so the latest superstar British Museum exhibition is ambitious in its scope. The first darkened room showcases five of Classical Greece’s best attempts to define the indefinable, all dramatically spotlit. Ilissos, the river god whose turbulent course has flowed from Athens to London and then, most recently, to St. Petersburg and back, has a beauty where flesh, drapery and water coalesce across his body. Apoxyomenos radiates a self-confidence in his muscular body. Doryphoros (via Georg Römer’s stunning bronze copy) finds beauty in mathematical perfection. The beauty of the Townley Diskobolos lies in the grace he achieves despite his clenched crouch. However, newspaper coverage of the exhibition has focused on the one female statue amidst the buff young males. The opening of the exhibition is Aphrodite’s bottom. The statue is turned 180 degrees from the angle at which she is normally first encountered on the way to the Duveen Gallery. It is easy to see why we start this way. -
Herculaneum Archaeology
The Fifth Herculaneum Congress - Robert Fowler Talks at the Villa Maiuri as part of the Fifth Herculaneum Congress - Richard Janko Other News Suburban Baths - tetrastyle atrium - herm of Apollo the newsletter of the Friends of Herculaneum Society - Issue 18 Summer 2014 of the Friends Herculaneum the newsletter herculaneum archaeology herculaneum The Fifth Herculaneum Congress1 Robert Fowler Henry Overton Wills Professor of Greek Bristol University One first-timer commented that you can tell this meeting is a success by the number of return attendees. Several veterans thought the Fifth was the best yet, and so it was said about all the previous ones. We like to think it’s because we are learning to do things better, rather than that an Olympic- style ritual declaration of the ‘best ever Games’ is taking hold. Yet that would be no bad thing, either; the pronouncement, however much expected, always meets with gleeful and often justified assent. Things nearly got off to a very bad start. Something not far short of an official hurricane (‘poco ci mancava’, said my taxi driver, ‘there wasn’t much in it’) struck the Monday before arrival and, though it miraculously harmed no one in Ercolano and damaged no archaeology, it did uproot trees, mangle safety barriers and create other hazards such that the site had been closed all week, only opening again on the morning we intended to visit. The Superintendency, which this year has been particularly disorganised in the matter of issuing permits, had not yet issued ours, and there was much anxiety Thursday night as to what would happen the next day. -
Issue 24 Autumn 2019
News from Herculaneum and the 8th Herculaneum Congress - Bob Fowler p.2 Bronze statue of Hyperspectral Imaging -Kilian Fleischer p.3 dancer found in 1756 between the A New Theological Work by Philodemus - Marzia D’Angelo p.5 portico and the A New Updated Version of Usener’s Glossarium Epicureum - Claudio Vegara p.7 pond of the Villa Retrospective Styles in Roman Artistic Culture - Daniel Healey p.8 of Papyri. MANN News from Professor Brent Seales and his Research Team - Christy Chapman p.10 The Friends Visit to the Getty Exhibition - Roger Macfarlane p.11 Officina Director lectures at Brigham Young University - Roger Macfarlane p.12 herculaneum archaeology herculaneum Review: Buried by Vesuvius - Bob Fowler p.13 Preview: Herculaneum & the House of the Bicentenary - Bob Fowler p.14 the newsletter of the Herculaneum Society - Issue 24 Autumn 2019 Society of the Herculaneum the newsletter Report from Silchester - Professor Mike Fulford p.14 News from Herculaneum The 8th Herculaneum Congress Hyperspectral imaging – a new technique for reading unrolled Herculanean papyri Dr. Kilian Fleischer, head of the DFG-project Philodemus’ History of the Academy, University of Würzburg. Bob Fowler, Chairman of Trustees 11–14 June 2020 In early July I was able to meet with Director Fran- The next Congress—the eighth in the vener- It rarely happens that a classicist’s or papyrologist’s work attracts attention beyond the scholarly commu- cesco Sirano at Herculaneum while I was conduct- able series—offers the usual mix of familiar and nity. For the most part, the media are not interested in new readings or reconstructions of a papyrus. -
Sorrento, Capri, the Amalfi Coast and Naples
Sorrento, Capri, the Amalfi Coast and Naples 24 - 31 March 2019 from £1795.00 A tempting Spring break to Italy, relaxing in the mild climate of the Amalfi coast and the Bay of Naples. We will be based in Sorrento on the Amalfi coast for the first three nights, where we will visit the Villa Rufolo and Villa Cimbrone. These are the classic Amalfi gardens laid out in terraces where umbrella pines and cypresses shade classical geometric beds edged with box and filled with modern flowers. The site of Villa Cimbrone on a cliff top promontory overlooking the sea is beyond compare. We will also take the ferry to the enchanting island of Capri and explore some of its captivating sights. We travel round the Bay of Naples, breaking our journey with visits to the unique archaeological wonders of Pompeii and Herculaneum, to the pulsating port of Naples itself. We travel out to the north of the city to spend a day at the impressive palace and gardens of La Caserta. This huge palace, with equally grand and impressive gardens, was constructed for the Bourbon Kings of Naples and on completion in the 18th century it was the largest royal residence in the world. Finally a day of art and archaeological treasures as we tour the hot-blooded city of Naples, rich with the aroma of Neapolitan cuisine. Itinerary Day 1 We depart by coach from York for Manchester Airport in time for our scheduled flight to Naples (provisional times 08.00/12.00). Upon arrival we will transfer to our hotel in Sorrento, where we will stay for the next three nights. -
Citta' Di SOMMA VESUVIANA Provincia Di NAPOLI Numero Pag
Citta' di SOMMA VESUVIANA Provincia di NAPOLI Numero Pag. 1 d'ordine GENERALITA' 103 ALLOCCA ANNA MARIA Sez. 23 nata il 14/09/1975 a POMIGLIANO D'ARCO (NA) VIA ALLOCCA N. 18 148 ALLOCCA MARIA Sez. 15 nata il 27/02/1987 a POLLENA TROCCHIA (NA) VIA ALLOCCA N. 49 183 AMATO ANNUNZIATA Sez. 24 nata il 18/03/1969 a PORTICI (NA) VIA MERCATO VECCHIO N. 14 P. 1 205 ANGARELLI LAURA Sez. 29 nata il 01/05/1974 a CERCOLA (NA) VIA MICCO N. 12 303 AURIEMMA GIUSEPPINA Sez. 2 nata il 03/01/1970 a NAPOLI (NA) VIA S.MARIA DEL POZZO N. 155 402 BIANCO GIUSEPPINA Sez. 21 nata il 10/06/1982 a NAPOLI (NA) VIA CIRCUMVALLAZIONE N. 11 571 CAPUANO MARIAROSARIA Sez. 24 nata il 30/06/1974 a NAPOLI (NA) VIA COSTANTINOPOLI N. 32 648 CAU NADIA Sez. 4 nata il 07/10/1983 a NAPOLI (NA) VIA COL. GAETANO ALIPERTA N. 9 676 CERCIELLO ESTER Sez. 11 nata il 31/10/1983 a NAPOLI (NA) VIA MARIGLIANO N. 17/A 686 CERCIELLO IMMACOLATA Sez. 6 nata il 30/04/1973 a NAPOLI (NA) VIA MERCATO VECCHIO N. 85 687 CERCIELLO LAURA Sez. 27 nata il 05/03/1983 a OTTAVIANO (NA) VIA MALATESTA N. 11 P. T 693 CERCIELLO MARIA GRAZIA Sez. 20 nata il 24/01/1952 a SOMMA VESUVIANA (NA) VIA PIZZONE CASSANTE N. 12 694 CERCIELLO MICHELA Sez. 18 nata il 16/02/1974 a TORRE DEL GRECO (NA) CORSO ITALIA N. 3 Citta' di SOMMA VESUVIANA Provincia di NAPOLI Numero Pag. -
Italy Travel and Driving Guide
Travel & Driving Guide Italy www.autoeurope. com 1-800-223-5555 Index Contents Page Tips and Road Signs in Italy 3 Driving Laws and Insurance for Italy 4 Road Signs, Tolls, driving 5 Requirements for Italy Car Rental FAQ’s 6-7 Italy Regions at a Glance 7 Touring Guides Rome Guide 8-9 Northwest Italy Guide 10-11 Northeast Italy Guide 12-13 Central Italy 14-16 Southern Italy 17-18 Sicily and Sardinia 19-20 Getting Into Italy 21 Accommodation 22 Climate, Language and Public Holidays 23 Health and Safety 24 Key Facts 25 Money and Mileage Chart 26 www.autoeurope.www.autoeurope.com com 1-800 -223-5555 Touring Italy By Car Italy is a dream holiday destination and an iconic country of Europe. The boot shape of Italy dips its toe into the Mediterranean Sea at the southern tip, has snow capped Alps at its northern end, and rolling hills, pristine beaches and bustling cities in between. Discover the ancient ruins, fine museums, magnificent artworks and incredible architecture around Italy, along with century old traditions, intriguing festivals and wonderful culture. Indulge in the fantastic cuisine in Italy in beautiful locations. With so much to see and do, a self drive holiday is the perfect way to see as much of Italy as you wish at your own pace. Italy has an excellent road and highway network that will allow you to enjoy all the famous sites, and give you the freedom to uncover some undiscovered treasures as well. This guide is aimed at the traveler that enjoys the independence and comfort of their own vehicle.