“Non-Determinist Vocabularies of Coping with Complex Conditions for Managing Projects, Development and Change in Organizations”

Total Page:16

File Type:pdf, Size:1020Kb

“Non-Determinist Vocabularies of Coping with Complex Conditions for Managing Projects, Development and Change in Organizations” “Non-determinist vocabularies of coping with complex conditions for managing projects, development and change in organizations” Proefschrift ter verkrijging van de graad van doctor aan de Universiteit van Tilburg, op gezag van de rector magnificus, prof.dr. F.A. van der Duyn Schouten, in het openbaar te verdedigen ten overstaan van een door het college voor promoties aangewezen commissie in de Ruth First zaal van de Universiteit op vrijdag 23 september 2005 om 9.30 uur door ARNE VESTERGAARD geboren op 7 januari 1958 te Oddense, Denemarken. i Promotor: Prof.dr. J.B. Rijsman Copyright © 2005 Arne Vestergaard Printed in Denmark 2005 Production Underskoven - www.underskoven.dk ISBN 87-91496-77-2 All rights reserved. No part of this book may be reprinted, reproduced, or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or any information storage or retrieval system, except in case of brief quotations embodied in critical articles and reviews, without permission from the author. ii Table of contents Chapter 1: Introduction to the question 1 1.1 This Chapter 1 1.2. Author’s Background 1 1.3. Determinism and non-determinism in literature: vocabularies of coping 4 1.4. Non-determinism in organizations – observations from practice 13 1.5. Reflections from practice 17 1.6. What is the issue? 19 1.7. The aim 21 1.8. Why this issue? 21 1.9. How will I deal with the issue? 23 1.10. Summary: introduction to the question 24 Chapter 2: Research methodology 26 2.1. This Chapter: linking the question and methodology 26 2.2. Social constructionist perspective on methodology 27 2.3. The reflective practitioner and practical knowledge 30 2.4. Action research: from a scribe to a poet 32 2.5. Critical reflection on discourses of organizational theory on project management 34 2.6. Summary and conclusions 41 Chapter 3: Organizational psychological theory with case examples 43 3.1. This Chapter 43 3.2. Collective action as non-determinist approach 45 3.3. Non-determinism by collective meaning making 58 3.4 Appreciative organizing as a non-determinist strategy for coping 77 3.5. Self-organizing complex adaptive systems as a metaphor for non-determinism 87 3.6. Improvisation as a mindset for non-determinist approaches 105 3.7. Overview and conclusions 115 Chapter 4: Implementing non-determinism in an organization 117 4.1. This Chapter 117 4.2. Why this case, what is the focus? 117 4.3. The case with reflections 119 4.4. Summary and conclusions 138 iii Chapter 5: Radical non-determinism: Biotech case 143 5.1. This Chapter 143 5.2. Why this case? 143 5.3. The Case Story of Biotech B. 143 5.3. Summary and conclusions 146 Chapter 6: Trust and partnering 147 6.1. This Chapter 147 6.2. Why this case, and what is the focus? 147 6.3. Case story: Organizing for complexity in the building sector 148 6.4. Summary and conclusions 158 Chapter 7: Reframing the vocabulary of Project Management 160 7.1. This Chapter 160 7.2. Reflections on vocabularies of coping 161 7.3. Goal setting 162 7.4. Stakeholder management 163 7.5. Planning 163 7.6. Implementation 164 7.7. Team building 165 7.8. Control 166 7.9. Decision making 167 7.10. Conflict resolution 168 7.11. Review and evaluation 169 7.12. Summary and conclusions 170 Chapter 8: Conclusions for practitioners like myself 172 8.1. This Chapter 172 8.2. Mindsets prepared for non-determinist logic of coping 172 8.3. Continual research and inquiry 176 8.4. Re-pairing prediction and expectation 179 8.5. Concluding remarks on bridging determinist and non-determinist logics of coping 181 Final remarks and summary 183 Samenvatting 187 Literature 189 iv Preface comments About the book This book is a dissertation about my work as an organisational psychologist consultant, which has been my occupation for more than 15 years. It is also a book about organisational development and change in general, and project management in particular, which has been my speciality for more than 15 years. The target group of the book is the professors in the Committee and for members of my community of practice organisational psychologists and consultants with social constructionist tendencies. About reading the book Case stories from my practice, which form the data for this dissertation, are printed in italics with full margin. Reflections follow case stories under a bullet header: Reflections Quotations are “printed in italics with reduced margins” (Arne Vestergaard, 2004) v Chapter 1: Introduction to the question Chapter 1: Introduction to the question 1.1 This chapter 1.2. Author’s Background 1.3. Determinism and non-determinism in literature: vocabularies of coping 1.4. Non-determinism in organizations – observations from practice 1.5. Reflections from practice 1.6. What is the issue? 1.7. The aim 1.8. Why this issue? 1.9. How will I deal with the issue? 1.10. Summary: introduction to the question 1.1 This Chapter In this Chapter, the subject of the thesis is related to my prior work and to my present interests and values as an independent consultant and organizational psychologist. My relation to the thesis and the Taos-Tilburg programme can be and will be explored on several levels: Why am I a consultant in organizational psychology? Why am I interested in the subject of non- determinism? Why join a PhD programme and write a thesis? Why project organizations? These questions, and the reflections and answers to them, are relevant to the extent that it is considered impossible to work scientifically in the world of organizing, relating and collective sensemaking and function as an objective, rational and detached observer and collector of data. These are relevant questions to the extent that in the role as researcher I am caught, and not able to escape, the role of being someone in the world, and am left to experience the world in and through my participation in it, as well as in my conversations with others or with my internalised others. The position taken in this work is also introduced in this Chapter. 1.2. Author’s Background In 1988, I wrote my Master’s thesis on cognition: Formal and informal aspects of cognition in the light of different metaphors for cognition. I discussed to what degree cognition can be viewed as a formal, rule-governed process – as computation of symbols - in contrast to an understanding of cognition as an informal, more emergent property also related to phenomena outside the individual brain, for example culture, body and life history. The leading motive for me personally was to explore the question of Artificial Intelligence (AI). In the 80s, the dominant metaphor within Cognitive Science was the personal computer as the “artificial brain”. Cognition was, in the light of this metaphor, seen as an information processing device, physically sited in the brain. Cognitive science explored human cognition by testing hypotheses about the rules of the “device” on computers. Through these tests, researchers were able to experience what cognition was not. When the models did not show the characteristics of the human cognition, 1 further refinement of the rules of the model was developed. This kind of research in cognition was characterised by what was called “the computational paradox” (Gardner, 1985). The paradox was, or is, that this approach of computer modelling and testing was capable of finding out what cognition was not – but not able to describe and create useful understandings of what it “really is”. This view of cognition has not proved successful in creating useful descriptions of the rules behind cognition in human beings. Outside bounded domains in laboratories and the like, computers did not prove very intelligent in comparison with humans. Rule-governed, formal devices had serious trouble in complex contexts such as everyday situations, and in situations with unpredictability and change. (Vestergaard, 1987). Gradually, the idea of cognition as property at a rule-governed device was questioned, and other metaphors and understandings were explored. When I wrote my Master’s thesis in 1987, alternative models or metaphors were those of seeing cognition as a process not governed by fixed rules but by other principles. Metaphors for cognition Five metaphors may illustrate these alternative principles for cognitive processes: 1) as an emergent property based on a) so-called “sub cognitive” processes in the brain (Hofstadter, 1987). Pattern recognition is seen as the primary characteristic of human cognition and intelligence. Pattern recognition makes it possible for humans to deal with unpredicted or atypical situations that we have no knowledge about in advance. He demonstrates by the help of “Gödel, Escher and Bach” that this ability cannot be a property of a formal device. b) the network of adaptive, formal devices. (This was in 1987, and before the Internet!). Parallel, distributed processing (PDP) was a new approach based on several computers connected and programmed to show the ability to adapt and “behave” according to informa- tion from the connected computers. It was demonstrated that these devices were able to “act intelligently” based on rather simple rules in the single computers. 2) the hologram as a metaphor, which was an attempt to understand the processes of cognition in a holistic perspective, in contrast to models of cognitions, that tries to model the basic level rules (Pribram, 1986). This metaphor is especially interesting because it is based on a device that suggests an alternative logic of representation. In a hologram, the information that can be unfolded to a three-dimensional picture is not located in a certain place – it is embedded in the pattern of the whole.
Recommended publications
  • Quick Guide to the Eurovision Song Contest 2018
    The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV.
    [Show full text]
  • IFPI Norges Årsrapport
    Musikkåret 2017 IFPI Norges årsrapport SIGRID Foto: Petroleum Records Design: Anagramdesign . no Innhold årsrapport 2017 Innledning ................... 3 KYGO ....................... 5 Sammendrag av musikk- undersøkelsen 2017 ........... 6 Statistikk..................... 7 Fornyelse av opphavsretten i Norge og Europa – del 2 ..... 10 Cezinando ................... 11 Spellemann 2017 ............ 12 Astrid S..................... 14 United Screens – Topplista.... 15 Hkeem & Temur ............. 16 FORSIDE: Alan Walker ................. 17 Streaming topp20 2017 ...... 18 Streaming, norsk topp20 2017 19 SIGRID Album topp20 2017......... 20 Norges nye popkomet tok oss med storm Radio topp20 2017 .......... 21 Totalsalget av innspilt med låten «Don’t Kill My Vibe» i 2017. Hun fikk mye oppmerksomhet internasjo- Gabrielle .................... 22 musikk i Norge går opp nalt og var både på «The Tonight Show Seeb ....................... 23 2,1 % fra 2016 til 2017 starring Jimmy Fallon» og «The Late Late Troféoversikt 2017 ........... 24 Show with James Cordon». Etter flere kon- og streaming står nå serter både i Norge og i utlandet, har hun IFPI Insight 2017............. 26 for hele 85 % av salget. også vært opptatt med å lage sin debut Vidar Villa................... 27 album som forhåpentligvis kommer ut Dagny ...................... 28 i 2018. Hun var nominert til to priser under Spellemann 2017 og vant prisen for Årets IFPI Norge .................. 29 Nykommer & Gramostipend. 2 Innledning 2017 var et nytt godt år i norsk musikkindustri og nordmenn fortsetter å streame musikk som aldri før. Totalsalget av innspilt musikk i Norge er opp 3,7 % fra 2016 til 2017 og streaming står nå for hele 85 % av salget av innspilt musikk i Norge. Årstallene for 2017 viser at det ble solgt Det totale fysiske salget (CD, vinyl osv.) innspilt­­ musikk for hele kr.
    [Show full text]
  • Nothing but the Truth Was First Published, I Had Trouble Getting a Reaction from the People It Was Written For: Kids
    For Betty Miles Contents Title Page Dedication Preface 1 Tuesday, March 13 2 Thursday, March 15 3 Friday, March 16 4 Monday, March 19 5 Tuesday, March 20 6 Wednesday, March 21 7 Friday, March 23 8 Monday, March 26 9 Tuesday, March 27 10 Wednesday, March 28 11 Thursday, March 29 12 Friday, March 30 13 Saturday, March 31 14 Sunday, April 1 15 Monday, April 2 16 Tuesday, April 3 17 Wednesday, April 4 18 Friday, April 6 19 Monday, April 9 After Words™ About the Author Q&A with Avi “The Star-Spangled Banner” Two True, One False Three Sides of the Same Coin A Sneak Peek at Something Upstairs Also Available Copyright When Nothing But the Truth was first published, I had trouble getting a reaction from the people it was written for: kids. Teachers were taking the book and passing it around among themselves, insisting that their principals, assistant principals, and superintendents read it. Moreover, wherever I traveled, teachers would take me aside and say something like, “I know this book is about what happened in my school. Who was it who told you about what happened?” A principal once asked me if someone sent me his memos. A teacher from a school named Harrison High handed me a sheet of school stationery. The school’s logo was the lamp of learning that appears in the book. It got so that when I spoke to groups of teachers about the book, I took to asking, “Has anyone NOT heard of such an incident happening in your schools?” No one ever raised a hand.
    [Show full text]
  • Popbitch-Guide-To-Eurovision-2019
    Semi Final 1 Semi Final 2 The Big Six The Stats Hello, Tel Aviv! Another year, another 40-odd songs from every corner of the continent (and beyond...) Yes, it’s Eurovision time once again – so here is your annual Popbitch guide to all of the greatest, gaudiest and god-awful gems that this year’s contest has to offer. ////////////////////////////////// Semi-Final 1.................3-21 Wobbling opera ghosts! Fiery leather fetishists! Atonal interpretive Portuguese dance! Tuesday’s semi-final is a mad grab-bag of weirdness – so if you have an appetite for the odd stuff, this is the semi for you... Semi-Final 2................23-42 Culture Club covers! Robot laser heart surgery! Norwegian grumble rapping! Thursday’s qualifier is a little more staid, but there’s going to plenty of it that makes it through to the grand final – so best to bone up on it all... The Big Six.................44-50 They’ve already paid their way into the final (so they’re not really that interesting until Saturday rolls around) but if you want to get ahead of the game, these are the final six... The Stats...................52-58 Diagrams, facts, information, theory. You want to impress your mates with absolutely useless knowledge about which sorts of things win? We’ve got everything you need... Semi Final 1 Semi Final 2 The Big Six The Stats SF1: At A Glance This year’s contest is frontloaded with the mad stuff, so if BDSM electro, gruff Georgian rock and high-flying operatics from a group of women on massive wobbly sticks are what you watch Eurovision for, you’ll want to make some time for Tuesday’s semi..
    [Show full text]
  • Syttende Mai
    the Inside this issue: NORWEGIAN Preserving summer, one pint at a time american story on page 13 Volume 128, #12 • June 16, 2017 Est. May 17, 1889 • Formerly Norwegian American Weekly, Western Viking & Nordisk Tidende $3 USD America goes berserk for Syttende Mai « Når vi synger ‹Ja vi elsker dette Photos from landet›, skal vi huske på at vi også synger om hverandre. For across the det er vi som utgjør landet. » country... – Harald V & the world! WHAT’S INSIDE? Nyheter / News 2-3 Business 4 Sports 5 Opinion 6-7 Norway near you 8-9 Arts & Entertainment 10-11 Taste of Norway 12-13 Syttende Mai 14-21 Norwegian Heritage 22-23 Norsk Språk 24-25 Travel 26-27 $1 = NOK 8.472 updated 06/12/2017 In comparison 05/12/2017 8.5728 12/12/2016 8.4530 06/12/2016 8.2742 Patti Blegen, crazed Viking at Seattle’s 17th of May parade. Photo: Eric Stavney 2 • June 16, 2017 Nyheter fra Norge theNORWEGIANamerican Nyheter Endringer på de nye 200-lappene Kun én av partitoppene er over 60 NRK har sjekket alderen på de 21 lederne Innvendinger fra og nestlederne i partiene, pluss MDGs to forskere ved Hav- nasjonale talspersoner og partisekretær. Fasiten er at 16 av de 24 er i 30- eller forskningsinstituttet 40-årene. Leder av Statens seniorråd, Wenche Frogn Sellæg liker dårlig det førte til endringer på hun hører, selv om hun mener stortings- representanter og regjeringsmedlemmer de nye 200-lappene er viktigere. — Det gir en veldig dårlig signaleffekt, ikke minst ut i arbeidslivet, JAN GUNNAR FURULY sier den tidligere statsråden og Høyre- Aftenposten toppen.
    [Show full text]
  • Statistikken Visste Du At…
    2019 TOPPÅR FOR NORSKE KVINNELIGE ARTISTER. STATISTIKKEN VISSTE DU AT… Norske kvinnelige artister setter sterkt preg på spillelistene i 2019? o Astrid S er nr. 2 på topp 100 mest spilte hovedartist? o Astrid S og Sigrid har hele 6 låter hver på topp 100 mest spilte norske låt, mens Julie Bergan, Dagny og Ina Wroldsen har 4 låter hver. Gabrielle, Sophie Natalee og Emma Steinbakken er noen av de andre kvinnelige utøverne som også er inne på topplista. o 1/3 av topp 100 mest spilte norske hovedartister er kvinnelige soloartister Så langt for 2019 har artister, musikere og plateprodusenter fått utbetalt 90,2 millioner kroner fra Gramo? 2016 var første år kvinnelige utøvere mottok mer enn 20% av vederlaget? De fire siste årene har kvinneandelen vært på mellom 21- og 24%. Den låta som er aller mest spilt på norsk radio i 2019 er «Kind of love» med Isak Heim og Rat City. Låta er spilt I 444 timer, 33 minutter og 22 sekunder eller 9320 ganger? Norskandelen totalt i 2019 er på 35%? NRK P3 er den stasjonen med høyest norskandel i 2019. De spiller 49,2% norsk musikk, mens Radio Norges norskandel er 6,6%. MGP-låta «Spirit In The Sky” med Keiino er 26. mest spilte låta? «Fontena på Youngstorget» med Sondre Justad topper lista over mest spilte låt med norsk tekst? Nesten halvparten av låtene på topp 100 mest spilte låt er med norske hovedartister? 11 av de 25 mest spilte låtene på P4 i 2019 er med norsk hovedartist? Musikk fra Bergen o Kygo er mest spilte hovedartist i 2019 og Alan Walker følger tre plasser bak o Bergen Filharmoniske Orkester er 21.
    [Show full text]
  • Pronunciation Portfolio
    Pronunciation Portfolio EDUC 647, University of Delaware Madhav Kafle Jinyu Xia Fran Durbin 1 Table of Content I. Introduction ………………………………………………………………….2 II. Pedagogical Framework ……………………………………………………..3 III. Activities ……………………………………………………………………..7 Segmental Activities …………………………………………………………..7 Vowels & Consonants …………………………………………………7 Suprasegmental Activities ……………………………………………………18 Intonation …………………………………………………………….18 Linking and Reduction ……………………………………………….22 Word Stress …………………………………………………………...24 Sentence Stress ………………………………………………………..28 Rhythm ………………………………………………………………...33 Activities for both Segmental and Superasegmental Features…………………38 IV. Resources ……………………………………………………………………….40 V. Handout …………………………………………………………………………44 2 Introduction In this globalized world, a number of people are using English for various purposes. The number of non-native speakers has been growing large and large. There are more and more non- English speakers studying or working in the United States, for example. They try their best to practice or perfect their English pronunciation in order to better adjust to their new lives. As English language teaching professionals, we can provide English language learners with the opportunity to speak in more comprehensible ways, and correct their fossilized errors with focused instruction. The activities designed in this portfolio can assist ESL or EFL teachers to achieve these objectives. The targeted audience is the English language learners whose English pronunciation levels vary from beginning level to the advanced level. All the EFL and ESL English teachers and tutors can employ the following activities in their classrooms. We assume that ESL and EFL teachers and tutors should have the training in how to help students pronounce English properly before they actually do so. The subsequent activities are grouped into two categories: segmental and suprasegmental features. Vowels and consonants will be the focus in the activities for the segmental features.
    [Show full text]
  • The Hamilton Haggadah
    The Hamilton Haggadah By rabbis-to-be E mily (Cohen) and Jake (Best Adler) Reconstructionist Rabbinical College Class of 2018 [email protected] INTRODUCTION A year ago, when we-- two crazy-busy rabbinical students-- started working on Hamilversions of the Passover story, we had no idea that our work would reach so many folks. We were humbled by the opportunity to add a little value to an inherently valuable Jewish experience, and of course we had a lot of fun seeing how y’all took our work and ran with it, just like we did Lin-Manuel Miranda’s original masterpiece. It’s hardly a surprise that, a year later, H amilton continues to be a central work in the American art scene. Even when (in a decade or two) the initial fervor around Hamilton dies, it will live on as a classic in the same vein as L es Miserables and H arry Potter. I t’s for this reason that we’ve decided to expand last year’s work into a stand-alone haggadah, a book you can use to complete a seder from start to finish without anything else on the side (although, really, what’s a seder without at least 3 competing haggadot)? You’ll find a lot of songs in this work. Some are from last year’s google doc, and we wrote and recorded others over the last couple of months. Technically, if you really want to, you could go through the entire seder using just the songs. But we’re rabbinical students, and more specifically we’re Reconstructionist rabbinical students.
    [Show full text]
  • Pesach Reader
    were oppressed and downtrodden. “Hide for a minute until Author’s Introduction the anger passes…” (Yeshayahu 26:20) was not said on creations of the spirit! We never hid for a second. And we As I am writing this, I cannot help but draw a parallel between our never ceased to produce even for a small amount of time and this situation today and the very first night of Pesach in our history. is all of our joy, our glory, that we “adorn the Torah with buds and Like the Jews back then who had to stay confined within their flowers”, even at the time where there were terrible spiritual homes to avoid the “mashchis” unleashed on Egypt, protected by slumps upon us. The living fountain never stopped to flow. the Mitzvah of the blood of the Korban Pesach on the two Every generation and generation and their scribes, every scribe doorposts and on top of the doorway, so also in our situation with and his talents never desisted from revealing the fruits of his spirits the Coronavirus running amok, we are confined to our homes with to make his contribution in the huge edifice…..” our families. But we can draw additional confidence in the fact we There is nothing to add to these words of great spirit and self- have advanced from the two mitzvos that were given in Egypt. We evident truth. have since received all the Mitzvos of the Torah and more importantly, the learning of Torah which both protect and save (see I have endeavored to divide up all the ideas in this book into Sotah 21a).
    [Show full text]
  • UBABALO Whole Life Coaching Manual Session 1 – 20
    UBABALO Whole Life Coaching Manual Session 1 – 20 From Basketball Coach to Whole Life Coach - 1 - Ubabalo Basketball INDEX Session Topic Basketball Skill(s) Value Page no Session 1 Stay connected Receiving-giving the ball Connectedness 3 Session 2 Guard the treasure Shielding / Defence Respect 6 Session 3 Reaching objectives Fast break Urgency 9 Session 4 Protect from infiltration Man-to-man defence Watchfulness 11 Session 5 Watch out! Shielding Respect 14 Session 6 Self-control Ball handling Self-control 17 Session 7 Serving others into greatness Bounce / overhead pass Service 20 Session 8 It’s mine Shooting Responsibility 22 Session 9 Reach for your goal Jumping Courage 24 Session 10 Live with courage – Yes, Go! Block shot & rebound Courage 26 Session 11 Grab the moment Dribbling Confidence 29 Session 12 Timing is everything Speed & control dribble Confidence 32 Session 13 Preparedness Zone defence Loyalty 34 Session 14 Appreciating one another Zone defence Loyalty 37 Session 15 Cohesion Zone defence Loyalty 39 Session 16 Creating space for each other Screening Service 42 Session 17 Strategizing for success Attacking as a team Creativity 44 Session 18 Be sensitive to others Chest pass Service 46 Session 19 Looking outwards Out-ball Service 48 Session 20 Grasp the opportunity Stealing Focus 50 UBABALO The Whole Life Coaching Manual Unless otherwise noted, Scripture taken from THE MESSAGE. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission on NavPress Publishing Group. Ubabalo is a global strategy developed initially in Africa, and has now spread across the world through a collaborative partnership with many sports ministries and sports leaders.
    [Show full text]
  • A THEATRE for DREAMERS for Romany by the SAME AUTHOR the Kindness Perfect Lives out of the Picture Lying in Bed Contents
    A THEATRE FOR DREAMERS For Romany BY THE SAME AUTHOR The Kindness Perfect Lives Out of the Picture Lying in Bed Contents 1. One 2. Two 3. Three 4. Four 5. Five 6. Six 7. Seven 8. Eight 9. Nine 10. Ten 11. Eleven 12. Twelve 13. Thirteen 14. Fourteen 15. Fifteen 16. Sixteen 17. Seventeen 18. Eighteen 19. Nineteen 20. Twenty 21. Twenty-One 22. Twenty-Two 23. Twenty-Three 24. Twenty-Four 25. Twenty-Five 26. Twenty-Six 27. Twenty-Seven 28. Twenty-Eight 29. Twenty-Nine 30. Thirty 31. Acknowledgements 32. A Note on the Author ‘We are all embarked on our journeys … shooting out on the current, out and away into the wide blue frightening loneliness of freedom, where every man must navigate for himself. Still – the thought is consoling – there are islands.’ – Charmian Clift ‘I’m living. Life is my art.’ – Marianne Ihlen It’s a climb from the port and I take the steps of Donkey Shit Lane at a steady pace, a heart-shaped stone in my pocket. I walk alone and, though there’s no one to witness, I resist the urge to stop and rest at the standing posts after the steepest part. I watch my step, a stumble can so easily become a fall, a thought that disgusts the gazelle still living within my stiffening body. The marble slabs shine from centuries of use; the light is pure. Even on a morning gloomy as this, with the sky low enough to blot out the mainland and clouds crowding in on the harbour, these whitewashed streets dazzle.
    [Show full text]
  • Hearing the Hurricane Coming: Storytelling, Second-Line Knowledges, and the Struggle for Democracy in New Orleans
    Hearing the Hurricane Coming: Storytelling, Second-Line Knowledges, and the Struggle for Democracy in New Orleans Author: Catherine C. Michna Persistent link: http://hdl.handle.net/2345/2753 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2011 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of English HEARING THE HURRICANE COMING: STORYTELLING, SECOND-LINE KNOWLEDGES, AND THE STRUGGLE FOR DEMOCRACY IN NEW ORLEANS a dissertation by CATHERINE MICHNA submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy August, 2011 © copyright by CATHERINE C. MICHNA 2011 Abstract Hearing the Hurricane Coming: Storytelling, Second-Line Knowledges, and the Struggle for Democracy in New Orleans Catherine Michna Dissertation Chairs: Carlo Rotella and Cynthia A. Young From the BLKARTSOUTH literary collective in the 1970s, to public-storytelling- based education and performance forms in the aftermath of Hurricane Katrina, and fiction and nonfiction collections in the years since the storm, this study traces how New Orleans authors, playwrights, educators, and digital media makers concerned with social justice have mirrored the aesthetics and epistemologies of the collaborative African diasporic expressive traditions that began in the antebellum space of Congo Square and continue in the traditions of second-line parading and Mardi Gras Indian performances today. Combining literary analysis, democratic and performance theory, and critical geography with interviews and participant observation, I show how New Orleans authors, theatre makers, and teachers have drawn on "second-line" knowledges and geographies to encourage urban residents to recognize each other as "divided subjects" whose very divisions are the key to keeping our social and political systems from stabilizing and fixing borders and ethics in a way that shuts down possibilities for dissent, flux, and movement.
    [Show full text]