DOCSLIB.ORG

Sales List #736

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sales List #736 !"#$%&!'()*+!"&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&!!!!!!!!!!!!!!!!!!!!!!!!!!!,($-&./0.1&2/21.3! 4%&5%6&3&7&,%8'%)8("!!!!!!!!!!!!!!!!!!!!!!!!!!!!!"#$%&!'!($()*+,&-%./&0123+..)3243+#! $!"+97&%$/3&:9;4!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!5$/5$&'!(%360($()*+,&-%./&43+4,6! <"*,(8&=*"#8%'!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!7)1*%2)'8884($()*+,&-%./&43+4,6!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! & 9!$(9&$*9,&>0?1&@&,A<)98!B&?)8&C!"<!)B&D./E& & C!"<!)B&)!)(&9%<$&!<+,*%"& !FGHIJK&LIKIMNOM&1P..QR&,A<)98!B&?/9,&C!"<!)B&S/2P..&#',T& 9HUVH&HNO&WOUV&JLL&XIHN&U&YUKZ[& JFV&FMFU\&MIHFUHIJK&JK&HNIM&JKO7&HNO&YOMH&QVIGO&UH&HNO&LIKIMNIKZ&HIRO& XIKM&HNO&]IMG&UK]&QUWM&HNO&JLLOVO]&QVIGOP&"J&]VJQ^]JXKM7&KJ& O_HOKMIJKM&HJ&HNO&LIKIMNIKZ&HIRO&@&IH`M&U&MIRQ\O&MIHFUHIJKP&,NUKaM& LJV&WJFV&UHHOKHIJK7&NJQO&WJF&LIK]&IH&IKHOVOMHIKZP& ! MIN. BID JANUARY RARE SOUL AUCTION & A EARL JACKSON SOUL SELF SATISFACTION ABC 11142 WD VG++ 500 After all these years, Jackson is still a mystery man, a singer called Larry Marks recorded the flipside ‘Looking Thru The Eyes Of Love’, but it’s a different version and we are fairly sure its not him. Whatever the truth, this is mighty, mighty Northern Soul from the pen, producing and arranging skills of the legendary Johnny Pate. Just one small mark on this one, other than that, a minter! B LIFE TELL ME WHY REPRISE 1185 WD M- 150 It’s a while since we had an original copy of this, one of the first modern spins on the scene and virtually unobtainable even as a new 1974, release. Quite easy to tell the original from the bootie – the original is truly stereo/mono on each side whereas the boot says such but is actually, mono both sides. You’ll get this in an original sleeve; don’t you just hate the pretentious term “birth-sleeve” as used by a certain crazed East Midlands record dealer? C MARY LOU WILLIAMS YOU KNOW BABY MARY 1976 M- 400 AND GROUP Featuring the vocals of Leon Thomas who had a few good 45s to his name on Flying Dutchman, Don King and Now Sound, this must be his first recording and its solid sixties all the way. Loads of mileage in this rarity for an enterprising deejay. D CHARLES MINTZ RUNNING BACK UPLOOK 42671 M- 1500 Now here’s a rare one, the superior version of the song also done by Delegates Of Soul. And only the second copy we’ve ever had in the 20 years we’ve known about it. Look around the internet – it just doesn’t come up for sale. E JOHNNY SAYLES I CAN’T GET ENOUGH ST LAWRENCE M- 200 1024 D Surely one of the greatest non-hit soul records ever made? Even in its native Chicago, it got nowhere. Can you imagine creating a titan such as this and no-one being interested? But then, collectors alert, this is the format to have it in – the original Chicago vinyl but the rare promo copy – and original mint condition too! F JAMES COLE REST AND DRESS SPECTRA 8032 VG++ 250 Recently covered up as Bobby Rich and proof that original vinyl discoveries from the late sixties can still crop up. Its produced by Robert Staunton, presumably the same guy that wrote for Motown as well as numerous other soul acts from the East Coast to the West. He also was a member of the Motown one-off group The Hit Pack. G THE SUPERLATIVES I STILL LOVE YOU UPTITE 250 M- 150 So many calls when we ever set-sale this dancefloor wonder but surely the yellow label separates it from the various formats, legal, semi-legal, illegal, which are all sky blue? I don’t think this is the Detroit group, rather a one-ff Paul Kyser situation. Producer Hal Wess had only a minor track record with soul, but he also produced The Shalimars ‘Stop And Take A Look At Yourself’, so he certainly knew how to do it! H JIMMY McFARLAND LONELY LOVER RPR 108 WD M- 250 Much to our surprise this copy is datelined ‘1969’ which is a few years after Marvin Gaye’s original, but unissued-at-the-time, version: Wonder how the producers, at that time, got to hear/know about the song? McFarland, in the Northern Soul tradition, is unknown, but he does a fine job that’s for sure. I LARRY LASTER THAT’S JUST WHAT YOU DUO VIRGO 100 M- 200 DID Known for his ‘Go For Yourself’ on Loma, in the 1980s Stafford era this mid-tempo gem turned up and got big spins. It remains much rarer than his excellent Loma recording; known later as the Reverend Larry Laster, the two above 45s would appear to be his only secular recordings. J THE BELL BOYS I DON’T WANT TO LOSE JAMAR 31968729 M- 200 YOU This cover of the Jackie Wilson record went huge at the Casino through ‘76/’77, it has all the qualities of a Carolinas attempt at the song but is actually an Ohio recording which won’t turn up in the pristine condition offered here very frequently at all. RICHARD SEARLING BOOK “SETTING THE RECORD STRAIGHT” FULL COLOUR SOFTBACK EDITION. Over 250 pages detailing the records that made him a Northern Soul legend. £29.99 (inc. UK post) Call / Email for international postal rates. SECOND PAGE FOCUS 1 CHUCK JACKSON & BABY TAKE ME WAND 181 M- 15 MAXINE BROWN Great duet, same backing track as Tina Britt ‘You’re Absolutely Right’. 2 JIMMY HUGHES I’M GETTING BETTER FAME 6404 M- 10 Version of the Ed Bruce tune, with superior vocals. 3 DON COVAY TRAVELIN’ IN HEAVY PHILADELPHIA M- 10 TRAFFIC INTERNATIONAL 3602 Tremendous seventies dancer, was overlooked at the time and still is to this day. 4 JOE SIMON WHEN SOUND STAGE 7- M- 15 2667 Lovely (rare?) white promos of this excellent sixties dancer played at Stafford. 5 LITTLE CARL BAD FOR EACH OTHER BACK BEAT 603 M- 15 CARLTON Another overlooked gem from Little Carl which sees another Detroit recording end up on the famed Texas label. 6 THE HOLIDAYS WATCH OUT GIRL GOLDEN WORLD 47 M- 15 Incredible piece of Detroit music, often-overlooked because it ain’t ultra-rare. 7 JACKIE WILSON I’VE LOST YOU BRUNSWICK 55321 M- 10 One of the many gems from the J. Wilson archive – and as good as any of them. 8 GENE CHANDLER and FROM THE TEACHER TO BRUNSWICK 55387 M- 15 BARBARA ACKLIN THE PREACHER Twisted Wheel-era gem has stood the test of time. 9 LITTLE WILLIE JOHN (I NEED) SOMEONE / HOME KENT SELECT 011 M- 10 AT LAST The story of Little Willie John’s unissued 1966 album is astounding – as are these two great tracks extracted from the Kent CD. 10 BEN E KING GETTIN’ TO ME KENT SELECT 046 M- 10 This is the side known to most- and its good but it’s put in the shade by the previously unissued Marvellos stormer ‘I Need You’, on the flipside. NORTHERN SOUL RARITIES 11 EDDIE HILL I CAN HEAR YOU CRYING GE GE 502 M- 100 12 HERBERT HUNTER I WAS BORN TO LOVE YOU SPAR 9009 M- 350 13 THE FABULOUS SOME GOOD IN VALTONE 3045 M- 100 APOLLOS EVERYTHING BAD 14 THE SUPERBS I WANNA DO IT WITH YOU DORE 782 M- 150 BABY 15 DELORES WILSON COME ON SHY GUY RENEE 100 M- 100 Rare Chicago soul dancer. 16 RICK SHEPPARD MISERY GET AWAY FROM DORMART 1000 WD M- 150 ME 17 JUNE EDWARDS HEAVEN HELP ME (I’M SOUTH CAMP 7001 M- 75 FALLING IN LOVE WITH WD YOU) 18 THE JADES YOU’RE SO RIGHT FOR ME MGM 13399 D M- 25 19 JIMMY CHURCH THE HURT OKEH 7186 WD M- 125 20 VERNON HARRELL ALL THAT’S GOOD DECCA 31721 M- 100 21 THE CHI-LITES I’M SO JEALOUS BLUE ROCK 4007 M- 40 WD 22 BILLIE DEARBORN YOU NEED ME TO LOVE BELL 676 D M- 100 YOU 23 THE SPINDLES AND THE BAND PLAYED ABC-PARAMOUNT M- 60 ON 10802 24 THE PROPHETS TALK DON’T BOTHER ME JUBILEE 5565 WD M- 25 25 125TH STREET SILENT HEART FANIA 001 M- 150 CANDY STORE 26 BUNNY SIGLER COMPARATIVELY DECCA 31947 D M- 75 SPEAKING Fantastic stomper from Bunny, got a few plays in the early seventies – never booted. 27 THE SWEET THREE THAT’S THE WAY IT IS DECCA 32005 D M- 300 28 THE IDEALS I GOT LUCKY (WHEN I ST. LAWRENCE M- 20 FOUND YOU) 15093 29 BOBBY MARCHAN GET DOWN WITH IT DIAL 4002 M- 25 30 BEAU DOLLAR & THE SOUL SERENADE PRIME 1157 M- 25 COINS 31 ROCKY ROBERTS JUST BECAUSE OF YOU UA INTERNATIONAL M- 30 AND THE AIREDALES 2804 WD 32 THE FASCINATIONS I’M SO LUCKY (HE LOVES MAYFIELD 7711 M- 30 ME) 33 FRED HUGHES YOU CAN’T TAKE IT AWAY VEE-JAY 703 WD M- 25 34 THE PRIME I DON’T KNOW NO MORE RCA 9470 M- 60 MINISTERS Like all the RCAs, rare on a black issue. 35 KING WILLIAMS PATIENCE BABY MGM 13259 M- 25 36 BOBBY BYRD & VICKI HERE IS MY EVERYTHING ABC 11134 WD M- 30 ANDERSON 37 THE DALTON BOYS I’VE BEEN CHEATED V.I.P 25025 WD M- 100 Genuine original with typeface matrix. 38 JOHN WILLIAMS & DO ME LIKE YOU DO ME SANSU 472 WD M- 75 THE TICK TOCKS 39 LOU COURTNEY TRYIN’ TO FIND MY BUDDAH 121 M- 75 WOMAN 40 CHUCK RAY BABY PLEASE DON’T LET BUDDAH 207 M- 35 GO 41 THE DORELLS THE BEATING OF MY ATLANTIC 2244 M- 30 HEART 42 SWEET BOBBY & WATCH THE ONE WHO’S SOUND O RIFFIC 1 M- 50 HONEY BOY TALKING 43 SHARON SOUL HOW CAN I GET TO YOU? WILD DEUCE 1001 M- 100 44 THE SPELLBINDERS WE’RE ACTING LIKE COLUMBIA 43611 M- 25 LOVERS WD 45 GENE STRIDEL WHERE DOES THAT LEAVE COLUMBIA 43115 M- 75 ME WD 46 THE 3 DEGREES GOTTA DRAW THE LINE SWAN 4224 WD M- 25 Rare white promo.
Load more

Recommended publications
  • Reproductive Technologies and Surrogacy: a Feminist Perspective
    1599 REPRODUCTIVE TECHNOLOGIES AND SURROGACY: A FEMINIST PERSPECTIVE BARBARA KATz ROTHMANt During the "Baby M" case, I found myself caught up in the me- dia circus surrounding the case and spent an amazing amount of time in green rooms with Noel King, the man who had brokered the sur- rogacy contract between Mr. and Mrs. Stern and Mr. and Mrs. White- head. I think I spent more time putting on my makeup for that particular surrogate broker than I did with my husband that year. I found that one of the interesting things that happened was the way that the media used me for something it called balance. The media would have a carefully groomed "surrogate" and her broker on one side and then on the other side, it would usually have a rabbi or a priest or minister, and then me. The little tag that appeared in white letters on the television screen under me sometimes read "author" and sometimes read "sociologist," but usually it read "feminist," and so I was there to be the feminist balance. My family and friends time and again agreed with the viewpoint of the rabbi, the priest, or the minister. Today, I find myself in the same general mode of opposi- tion to this arrangement we call surrogacy, proving the point that surrogacy does, indeed, in every possible way, make for very strange bedfellows. Although I and others who are critical of the development of surrogacy from a feminist perspective may be on the same side of this particular fence as the religious leaders, we are coming from a very different place, and we are going to a very different place.
    [Show full text]
  • Samantha Fish Homemade Jamz Jarekus Singleton
    Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs.
    [Show full text]
  • BBB-2017E.Pdf
    Big Blues Bender Official Program 2017 1 Welcome to the Bender! It’s our honor and privilege to welcome you all to the 4th installment of the Big Blues Bender! To our veterans, we hope you can see the attention we have given to the feedback from our community to make this event even better, year after year. To the virgins, welcome to the family - you’re one of us now! You’ll be hard pressed to find a more fun-loving, friendly, and all around excellent group of people than are surrounding you this week. Make new friends of your fellow guests, and be sure to come say hi to all of us. We are here to make your experience the best it can be, and we’re excited to prove it! Finally, we would like to acknowledge the hard work and support of the Plaza Hotel staff and CEO Jonathan Jossel. We could not ask for a better team to make the Bender feel at home. -Much Love, Team Bender BENDER SUPPORT PRE & POST HOURS : Wed, 9/6: 12:00p-11:00p • Mon, 9/11: 10:00a-12:00p PANELS & PARTIES Appear in yellow on the schedule Bender Party With H.A.R.T • Wed, Sept. 6 • 8:00p • Showroom $30 GA - The Official Bender Pre-party is proud to support H.A.R.T. 100% of proceeds benefit the Handy Artists Relief Trust. Veterans Welcome the Virgins Party! • Thu, Sept. 7 • 4:00p • Pool Join Bender veteran and host, Marice Maples, in welcoming this year’s crop of Bender Virgins! The F.A.C.E Of Women In Blues Panel • Fri, Sept.
    [Show full text]
  • Legendary Chicago Soul Singer Otis Clay Busier Than Ever with New Cd Truth Is and Featured Performance in Acclaimed Documentary Take Me to the River
    LEGENDARY CHICAGO SOUL SINGER OTIS CLAY BUSIER THAN EVER WITH NEW CD TRUTH IS AND FEATURED PERFORMANCE IN ACCLAIMED DOCUMENTARY TAKE ME TO THE RIVER Not many soul singers are hotter after nearly a half century of making records and headlining countless shows than in the early stages of their careers, but that’s precisely the case with Otis Clay. The Chicago soul legend retains the supercharged gospel-powered pipes that he unleashed on his 1972 hit “Trying To Live My Life Without You” and countless more R&B classics, and he’s busier than ever in the studio and on the road, bringing his fiery brand of soul to several generations of ardent fans. Otis co-stars in director Martin Shore’s new music documentary Take Me To The River, which showcases a passel of southern soul legends (including Bobby Rush, William Bell, and the late Bobby Bland) combining with a new generation of rappers to illustrate how the region’s indigenous music has changed over the decades. “It’s really a lot of fun. Educational and entertaining, the whole works,” says Clay, whose remake of “Trying To Live My Life Without You,” filmed at Royal Recording Studios (where he cut the original hit with the late producer Willie Mitchell) was done in conjunction with pint- sized rapper P-Nut. “Lo and behold, I wind up with one of the greatest kids you’re gonna find anywhere,” marvels Otis. Then there’s Clay’s new CD Truth Is, where the singer collaborates with a pair of old friends, producer/arranger Tom Tom Washington and songwriter Darryl Carter, in a veritable feast of warm, intimate old school soul.
    [Show full text]
  • Updates & Amendments to the Great R&B Files
    Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
    [Show full text]
  • At GSU, You'll Get More Than Just a Show. Immerse Yourselves in The
    Dear Friends, CPA Advisory Council Ex-Officio Members Welcome to Governors State University’s Center for Performing Arts as we celebrate our 20th Elaine Maimon, President of GSU Lisa Corrao, Chair anniversary season. Cynthia Pryor, Vice Chair Deb Bordelon, Provost of GSU Reinhold Hill, Dean, College of Arts and Science This season we present a stimulating variety of Merial Brown Lori Montalbano, Division Chair, Joyce Carmine Communication Visual and Performing Arts productions that can happen only when a public John Concepcion university works together with a vibrant community. David Curtis Emeritus Jeanne McInerney-Lubeck At GSU, you’ll get more than just a show. Immerse yourselves in the performing Inge Marra Christine Cochrane and visual arts. Stroll through the world renowned Nathan Manilow Sculpture Loleta Didrickson Leslie Sigale Park; visit the Visual Arts Gallery; enjoy literary discussions. You can sample Karen Trimuel Tom Dobrez Kathleen Field Orr Italian culinary and operatic treasures at our Viva Italia presentation, experience Priscilla Rockwell a night of Spanish culture with Ensemble Español Spanish Dance Theatre, Evonne Yonover celebrate a longstanding love of Broadway musicals with Southland Area Theatre Ensemble, and ring in the holidays with Take 6 or The Nutcracker. Our MADE IN CHICAGO series, generously supported by The Chicago Center for Performing Arts Staff Community Trust, highlights over 60 diverse artists in four signature events. You can enjoy the hottest Latin Jazz band, three generations of blues artists, Executive Director Lana Rogachevskaya passionate Bolero by Maurice Ravel, and award winning Ain’t Misbehavin’. Office Manager Mary Rothenberg Arts In Education Director Kathleen Brennan GSU’s Theatre and Performance Studies (TAPS) program presents two literary masterpieces: Ray Bradbury’s Fahrenheit 451 in the fall, and Sarah Ruhl’s Technical Director Michael Krull Technical Assistant Tracey Offett Eurydice in the spring.
    [Show full text]
  • Comunicato Psf 2012 17 Maggio.Rtf
    XXV Porretta Soul Festival 19-22 luglio 2012 Otis Clay, Syl Johnson, The Bar-Kays, The Bo-Keys, Robin McKelle & The Flytones, , John Gary Williams, David Hudson tra i protagonisti della rassegna che porta il meglio del soul internazionale in esclusiva europea. The Bar-Kays, The Bo-Keys, Otis Clay, Syl Johnson, John Gary Williams, David Hudson , la rivelazione Robin McKelle & The Flytones e tanti altri, questi i protagonisti della 25esima edizione del Porretta Soul Festival che si terrà dal 19 al 22 Luglio al Rufus Thomas Park di Porretta Terme, a metà strada tra Bologna e Pistoia. Questo primo quarto di secolo del festival non poteva che rappresentare al meglio il Memphis Sound grazie alla collaborazione con lo Stax Museum Of American Soul Music di Memphis, che considera il festival porrettano come l'unica e autentica vetrina europea della musica soul. Infatti da un quarto di secolo Porretta Terme, importante località turistica Appennino, al confine tra le provincie di Bologna e Pistoia, attraversataپdell f dalla storica linea ferroviaria Porrettana, ha consolidato la sua fama di Soulsville Europe grazie ad un festival che nel tempo è diventato la vetrina europea della musica soul. E se non bastasse, nella toponomastica della cittadina figura oggi una Via Otis Redding e il già citato Rufus Thomas Park, centro vitale della manifestazione. Nella storia del festival sono compresi grandi nomi come Solomon Burke, Percy Sledge, Booker T. & The MGs, Wilson Pickett, Rufus & Carla Thomas, Isaac Hayes, LaVern Baker. Il programma curato dal direttore artistico Graziano Uliani , vedr à la presenza del top degli artisti soul e rhythm & blues con un house band di tutte stelle.
    [Show full text]
  • Big Al's R&B, 1956-1959
    The R & B Book S7 The greatest single event affecting the integration of rhythm and blues music Alone)," the top single of 195S, with crossovers "(YouVe Got! The Magic Touch" with the pop field occurred on November 2, 1355. On that date. Billboard (No. 4), "The Great Pretender" and "My Prayer" (both No. It. and "You'll Never magazine expanded its pop singles chart from thirty to a hundred positions, Never Know" b/w "It Isn't Bight" (No. 14). Their first album "The Platters" naming it "The Top 100." In a business that operates on hype and jive, a chart reached No. 7 on Billboard's album chart. position is "proof of a record's strength. Consequently, a chart appearance, by Frankie Lymon and the Teenagers, another of the year's consistent crossover itself, can be a promotional tool With Billboard's expansion to an extra seventy artists, tasted success on their first record "Why Do Fools Fall In Love" (No. 71, positions, seventy extra records each week were documented as "bonifide" hits, then followed with "I Want You To Be My Girl" (No. 17). "I Promise To and 8 & B issues helped fill up a lot of those extra spaces. Remember" (No. 57), and "ABCs Of Love" (No. 77). (Joy & Cee-BMI) Time: 2:14 NOT FOR S»U 45—K8592 If Um.*III WIlhORtnln A» Unl» SIM meant tea M. bibUnfmcl him a> a ronng Bnc«rtal««r to ant alonic la *n«l«y •t*r p«rjform«r. HI* » T«»r. Utcfo WIIII* Araraa ()•• 2m«B alnft-ng Th« WorM** S* AtUX prafautonaiiQ/ for on manr bit p«» throoghoQC ih« ib« SaiMt fonr Tun Faaturing coont^T and he •llhan«h 6.
    [Show full text]
  • BOOK by RICHARD SEARLING Limited Number of Signed Copies Available
    ANGLO AMERICAN TEL: 01706 818604 PO BOX 4 , TODMORDEN Email : [email protected] LANCS, OL14 6DA. PayPal: [email protected] UNITED KINGDOM Website:www.raresoulvinyl.co.uk SALES LIST #785 – MONDAY 7th DECEMBER 2020 RARE SOUL AUCTION DECEMBER 2020 Auction finishes THURSDAY 10th DECEMBER at 6.00pm (18:00) Welcome to the last rare soul auction of this highly unusual year. A chance to get a Christmas present you really want! Due to the nature of the month, the auction will end on THURSDAY 10th DECEMBER at 6.00pm (18:00 GMT). This is much earlier than a normal monthly auction and we will endeavour to keep you reminded and updated on a daily basis. As usual, only winning bidders are notified and within ONE HOUR of the auction end. Good luck! A big thank you to everyone for your custom and support in this very difficult year, it is greatly appreciated. We would like (Tim, Martin, Tom and Nyarai) to wish you a very MERRY CHRISTMAS and a HAPPY NEW YEAR. Surely, 2021 must be a brighter prospect. MIN. BID DECEMBER RARE SOUL AUCTION A THE VINES HEY HEY GIRLS SUTTER 10 M- 250 Not had a copy of this highly distinctive West Coast group dancer in quite a while, from the stable of labels owned by Lee Silver in Los Angeles. B LITTLE JOHNNY OH HOW I LOVE YOU DORE 754 M- 600 HAMILTON A much rarer disc than is commonly perceived, one we have had no more than 3 or 4 times in 35 years. First played by Richard Searling but then probably popularised by Ginger Taylor.
    [Show full text]
  • Biography -- Printable Version
    Biography -- Printable Version Peter Wolf's Historical Biography Written & Researched by Bryan Wiser, and Sheila Warren with Mimi Fox. Born in New York City, Peter grew up in the Bronx during the mid-1950's in a small, three-room apartment where he lived with his parents, older sister, two cats, dog and parakeet. For some time, Peter lived with his grandmother, an actress in New York City's Yiddish Theater. She and Peter had a strong bond, and she affectionately named him "Little Wolf" for his energetic and rambunctious ways. His father was a musician, vaudevillian and singer of light opera. Like Peter did years later, his father left home at age fourteen to join the Schubert Theater Touring Company with which he traveled the country performing light operas such as The Student Prince and Merry Widow. He had his own radio show called The Boy Baritone, which featured new songs from Tin Pan Alley, and was a member of the Robert Shaw Chorale. As a result of such artistic pursuits, Peter's father underwent long periods of unemployment that created a struggle to make financial ends meet. Peter's mother was an elegant and attractive woman who taught inner-city children in the South Bronx for 27 years. A political activist, union organizer and staunch civil rights advocate, she supported racial equality by attending many of the southern "freedom rides" and marches. Peter's older sister was also a teacher as well as a photographer who now works as an advocate for persons with disabilities. She continues her mother's tradition, often marching on Washington to support the rights of the disabled.
    [Show full text]
  • The Theo Huff – Interview by Mike Stephenson
    THEO HUFF INTERVIEW By Mike Stephenson Scott and Howard Scott. All of these people really encouraged me and nurtured me. They would pull me to the side and tell me to try this and that and they would bring ideas that have enhanced my performance. From having a first CD out, called ‘Now Is The Time’ in 2014 I’ve just released my new CD this year which is called ‘The New Beginning’ on T.M.P. Records and it’s a big title for me. I had the privilege to work with a great artist, Marzette Griffith, on the CD and the producer is Paul Richmond, who wrote hits for Tyrone Davis and Willie Clayton. Theo Huff, Chicago, 2016. Photo: Mike Stephenson. It was recorded in South Holland, hicago bluesman Theo Huff has had two CDs Illinois in the South suburbs of Chicago. I have had a couple of singles out : ‘Wet Creleased since 2014 and has now become a Pannies’ from 2013 on P.M.T. Records and ‘Just Enuff Rope’ from regular on the Chicago blues scene as well as 2015 on R.G.H. Records. touring the U.S.A. and Europe. Mike Stephenson I was on Brittney Records owned by Mel Waiters before he talked to him about his career so far. passed but when he passed we still went with the project. Mel also helped me with a couple of songs as well. It motivated me so I was born on the west side of Chicago, Illinois on July 10th much to have such talented people to work with.
    [Show full text]
  • Download Long
    OTIS CLAY BIO Born February 11, 1942 in Waxhaw, Miss., Otis Clay grew up in a thoroughly sanctiFied environment. “LiKe most traditional blacK Families, Church was a big part oF my liFe not just the religious aspect but the social, it was the center oF our community. As Kids we imitated what we saw and heard in the church, that was how the singing thing started.” Gospel would remain Otis’ primary Focus after arriving in Chicago during the mid-‘50s, He joined the Golden Jubilaires, then hooKed up with Charles Bridges’ Famous Blue Jay Singers in 1960. “Here we are singing acappella, and we’re singing in elementary schools, high schools, hotels and colleges and things liKe that,” says Clay. “We were Known as variety singers, or we were billed as (perForming) ‘Old Negro Spirituals and Plantation Melodies.” “AFter the Blue Jays, it was the Holy Wonders. AFter the Holy Wonders, then it was the Pilgrim Harmonizers. AFter the Pilgrim Harmonizers was the Gospel Songbirds, which was a very important group that I was in at that time. And From the Gospel Songbirds, I went to the Sensational Nightingales.” Even as he sang spirituals, Clay cut an unissued R&B session For Columbia with producer Carl Davis. The One-derFul Records deal came about after I leFt Columbia. Cash McCall (Maurice Dollison) who I was in several Gospel groups with, was signed to One-derFul! and he introduced me to the label. It was cool because it was a hip independant label, located on South Michigan Avenue in the heart oF Record Row.
    [Show full text]