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Sales List #764 !"#$%&!'()*+!"&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&!!!!!!!!!!!!!!!!!!!!!!!!!!!,($-&./0.1&2/21.3! 4%&5%6&3&7&,%8'%)8("!!!!!!!!!!!!!!!!!!!!!!!!!!!!!"#$%&!'!($()*+,&-%./&0123+..)3243+#! $!"+97&%$/3&18!4!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!5$/5$&'!(%360($()*+,&-%./&43+4,6! :"*,(8&;*"#8%'!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!7)1*%2)'8884($()*+,&-%./&43+4,6!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! & 9!$(9&$*9,&<013&=&'%"8!>&/0?@&A(5):!)>& & )!)(&9%:$&!:+,*%"&A(5):!)>&B.B.& !CD?EFG&HEGEI@JI&,K:)98!>&B0?@&A(5):!)>&L?&1M..NO& P/2M..Q& & :ICLR&?JSOI&LGT&DFGTE?EFGI&LNNRUM&*G&F?@JS&VFSTI7&@EW@JI?&XET&L?& ?@J&JGT&P1M..NOQ&VEGI&?@J&SJDFST&LGT&NLUI&?@J&FHHJSJT&NSEDJM&"F& JY?JGIEFGI&?F&?@J&?EOJFC?7&GF&TSFNZTFVGI&?F&?@J&GJY?&XETM&,@EI& EIG[?&(5LU7&VJ&FNJSL?J&EG&?@J&?SLTE?EFGLR&VLUM&KFNJ&?@L?[I&DRJLS&=& ?@LG\&UFC&HFS&UFCS&EG?JSJI?&LGT&L??JG?EFGM&&& & MIN. BID FEBRUARY RARE SOUL AUCTION & A COOKIE JACKSON TRY LOVE CYCLONE 121 VG++ 300 Lorraine ‘Cookie’ Jackson made a handful of 45s that are all worth a soul fan’s attention. Her rarest moment came with this 1961 effort however, which has had the attention of dancefloors for nigh-on 20 years in the UK and is indeed a brassy, infectious call for foot action. B THE TIARA’S LOVES MADE A CONNECTION SETON 777 VG++ 300 With apologies for the incorrect possessive apostrophe on the groups’ name, this is the same group who backed Rita on her Dore epic… tho’ she never actually met them! They also made two records on the Valiant logo but for pure Northern Soul, refer to this one. Always has been a rarity and only our third copy in 30 years. C GENE CHANDLER FOOL FOR YOU / BUDDY UNIVERSAL VG++ 500 ACETATE A real oddity – these are the instrumental band tracks to Chandler’s Constellation release ‘(I’m Just A) Fool For You’ and ‘Buddy Ain’t It A Shame’. Both work incredibly well as instrumentals. In fact, in terms of “Northern”, ‘Buddy’ takes on a light of its own to become a dancefloor monster! Check the soundbite – a one off? D BOB & FRED I’LL BE ON MY WAY BIG MACK 6101 VG++ 1000 Such a big spin around 15 years ago and copies rarely turn up for sale. Detroit of course, with producer Ed McCoy being the label owner. Bob Thomas and Fred Brown were the singers and they ended up on the label after a $14.95 buy-your-own-demo session sponsored by the Detroit Free Press! It was McCoy who spotted their potential via the demo and he took them into the studio; although the record itself scarcely went further than the end of the street. E SOUL COMMUNICATERS THOSE LONELY NIGHTS FEE BEE 221 M- 500 The great Chuck Corby offers up one of the most convincing blue-eyed soul efforts on this gem. The label was a Pittsburgh imprint owned by long-time distributor Joe Averbach and which takes its name from the freebies Averbach was constantly given (Freebee). Interestingly, big Northern demand on this one seemed to come from an early Goldmine CD ‘This Is Northern Soul’ back in ’91. F REACHERS I JUST WANT TO DO MY MAGIC DISC M- 250 OWN THING 212 Not had this 1977 West Coast dancer in quite some time. Was sent this as a new(ish) release by a contact and it took me a dozen years to see another copy. Interestingly, the song is arranged by doo-wop group Rochelle and The Candles – a group that included N.S. legend Johnny Wyatt; lo and behold, he is on the writing credits. G LEN JEWELL ALL MY GOOD LOVIN’ (IS PZAZZ 050 M- 350 GOING TO WASTE) Arise Sir Leonard, the right honourable Knight of Northern Soul and legend of a hundred gems. He could do it for himself as well as others – this beauty on Paul Gayten’s label proves it. The label was a 1968 retirement for Gayten… not a bad effort! Styrene Monarch press is the original here (no original vinyl copies). A double-header right here, don’t miss the brilliant flip ‘The Elevator Song’ which has picked up plays over recent years. Both on soundbite. H TOWANDA BARNES YOU DON’T MEAN IT A&M 1141 WD M- 200 Gloria Barnes takes the Ohio Players song and tears it apart in wonderful fashion (she also did a slower album version). The stock copy of this is one of the rarest major label issues in N. Soul, but here we have a mint promo. Do not ignore the funkier flip ‘(You Better) Find Someone To Love’ either as it fits in well with any creative/alternate DJ set. I OLIVER JOY KEEP LOVE GROWING BIG DEAL 133 VG++ 400 ‘Keep Demand Growing’ might well be an alternate title for this New Orleans stomper which has emerged from the pack to become available only infrequently. A tiny bit of label wear perhaps described as ‘ring wear’ (ooh-erh) but nothing preventing spinning around on a turntable and filling the dancefloor. J THE NICKY WOMAN MERCURY M- 400 NEWARKERS 73812 WD The oddly named group and their 1976 release has always been a rarity and it’s difficult not to think that Jason ‘Jesus’ Alvarez, who produces the record, is the vocalist on this one. It’s a B-side to the funky/disco sound of ‘Leave Me Or Love Me’ and, as most seventies promos are one song on both sides, we are fortunate the promo has the side. Produced in association with Jerry Ross, this one quickly vanished back in the day. K THE MYSTIQUES PUT OUT THE FIRE TWINIGHT 112 VG 500 WD For sure one of the rarest discs on the Chicago label and a quite excellent crossover dancer that also came out on the hideously obscure Orr record label. Some wear on the label and, for sure, some on the vinyl, but it plays pretty well. Check the soundbite. L BESSIE BANKS DON’T YOU WORRY BABY QUALITY 603 M- 300 THE BEST IS YET TO WD COME The right label for this great singer without a doubt and this superior seventies dancer has never been easy to locate. This is surprising, as she was known and rated at the time of this release (1976) but the disc failed to show up much in the UK and wasn’t around N.Y. either. This one is a sparkling white mono/stereo promo copy. M THE MARTINEQUES IF YOU WANT TO CALL ME-O 1002 M- 500 ME This is the Detroit doo-wop group The Martiniques on their final recording from ’65 (tho’ it isn’t a Detroit label) – a beautiful piece of midtempo harmony therefore emerges from the embers of doo-wop to ignite soul music. The more uptempo flipside ‘My Baby She Can’t Dance’ may have its devotees too. ! ! N TERRI GOODNIGHT THE VICTORY SONG PHELECTRON 702 VG++ 1500 Three 1966 releases on this 1966 Los Angeles label and every one of them a rarity. However, the two Terri Goodnight releases are the rarest of the trio by some way and this particular 45 the rarest of the two by her. The catchy rhythm has that slight Latin feel which made things like ‘You Should O’ Held On’ so popular. Just waiting for the right deejay therefore. O THE EL COROLS CHICK, CHICK ROUSER 2954 M- 500 This release from the label of Tommy Rouse has soared in demand in recent times. It was a Washington label, one of comparatively few in a city with a large black population. The El Corols are largely unknown but this obscure number also saw release on the tiny… Tiny label. Flipside ‘You Gotta Be An Angel’ is also ‘soundbitten’. P LIMITATIONS I’M LONELY, I’M TROUBLED BACONE VG++ 400 Storming group soul once more, this time from Elizabeth Bacone’s Philadelphia label which had just the two releases in the late sixties and only one from this group who then had a solitary release on the famed Volt logo. Bacone herself wrote one side of the rare Joni Wilson Volt release. A career rather submerged in obscurity then – all of which deserved better. Q COURT DAVIS TRY TO THINK WHAT EAST COAST M- 1800 YOU’RE DOING 1047 One of the Casino’s longest-running cover-ups was this one covered up as Herbie Williams by Richard Searling. For the full story and further details on this record, see Richard’s book ‘Setting The Record Straight’, suffice it to say that Court Davis is even depicted in the book. Considering that the record got reasonable press at the time of its release, it has always been rare with very few copies ever cropping up for sale. ! SECOND PAGE FOCUS 1 THE DREAMS (THEY CALL ME) JESSIE JAMES D.C. SOUND 2 M- 15 Total stomper – but with plenty of soul. 2 THELMA JONES SOUVENIRS OF A BARRY! 1018 M- 20 HEARTBREAK Top rate 60s New York singer on a bargain 45. 3 RONNIE WALKER YOU’VE GOT TO TRY EVENT 220 M- 10 HARDER (TIMES ARE BAD) One of the first ‘modern’ records to hit the scene, still sounds good to this day. 4 THE MANHATTANS I WANNA BE (YOUR CARNIVAL 507 M- 20 EVERYTHING) Taken at a slightly slower tempo than the Pretenders’ version – but still eminently danceable. 5 THE SHOWMEN THE HONEY HOUSE SWAN 4241 M- 15 The lesser-known of the group’s three 45s for Swan but still has all the ingredients. 6 JOHNNY NASH STRANGE FEELING ARGO 5492 M- 25 Nash’s sixties career is well worth investigating – here’s a great example.
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  • Sweet Soul Music 1961-1965
    SWEET SOUL MUSIC 1961-1965 • A sequel to Bear Family's highly acclaimed, award-winning R&B series 'Blowin' The Fuse.' • All the greatest and most influential hits as R&B became Soul in the 1960s! • All original versions! The ultimate soul collection on ten individual CDs… the first five are ready now! • The soundtrack to the 1960s! • Massive booklets with detailed notes, incredible photos, and ephemera. It was a turbulent era. Over the course of ten years, R&B became soul music, and soul music became the soundtrack to a social revolution known throughout the world as Civil Rights. The story of those ten incredible years is told in full for the first time on Bear Family's 'Sweet Soul Music' series. Some record companies have compiled anthologies from their own vaults but Bear Family has gone to every record company… great and small… in search of the greatest music and the finest sound quality. The first five volumes cover the years 1961-1965. The first rumblings of civil rights and soul music were being heard. Black music was rediscovering its gospel roots and inalienable soul. It's an incredible story that plays out before your eyes and ears as you listen to the music and read the in-depth commentary by Colin Escott and Bill Dahl. The prelude to this series, 'Blowin' The Fuse,' covered R&B from 1945-1960. It garnered awards and general acclaim. It was hailed as definitive. Now here comes the sequel. Compiled with love by Dave 'Daddy Cool' Booth. Hits? Too many to mention.
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