DOCSLIB.ORG

The People of Oz: Australian-Ness in Filmic Representations from the 1970S to the Present“

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The People of Oz: Australian-Ness in Filmic Representations from the 1970S to the Present“ DIPLOMARBEIT Titel der Diplomarbeit „The People of Oz: Australian-ness in Filmic Representations from the 1970s to the Present“ Verfasserin Astrid Ivancsits angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, im September 2009 Studienkennzahl lt. Studienblatt: A 190 344 362 Studienrichtung lt. Studienblatt: UF Englisch Betreuerin ODER Betreuer: Univ.-Prof. Dr. Eva Müller-Zettelmann ii Acknowledgements I would like to thank my parents for their continued support throughout my studies. Thank you for encouraging me in everything I have chosen to do. Thanks to Prof. Müller-Zettelmann, whose positive attitude and expertise drove this thesis forward. And special thanks to Philipp, who supported me throughout my ups and downs. Thank you for your patience and understanding. iii iv Table of Contents 1. Introduction ............................................................................................................... 1 2. Collective Memory, Cultural Memory and the Imagined Community – From Halbwachs to Anderson ................................................................................... 3 3. Australia as an Imagined Community ....................................................................... 6 4. The Australian Identity Crises .................................................................................. 8 4.1. White Australia and Its Identity Crisis ............................................................... 9 4.2. The Origins of White Australia – Nothing to be Proud of ............................... 10 4.3. Australian National Identity or Second-Hand Britishness? .............................. 11 5. The Rise of National Pride among Australia’s White Population .......................... 13 5.1. A New National Sentiment among the Australian Intelligentsia ..................... 14 5.2. The Creation of a National Australian ‘Type’ .................................................. 15 6. Inventing Australian-ness – Dominant Elements in the Quintessential Australian Character ................................. 17 6.1. Cultural Concepts ............................................................................................. 17 6.1.1. Anti-Authoritarianism and the Anti-British Stance .................................. 17 6.1.2. Egalitarianism ........................................................................................... 20 6.1.3. Mateship .................................................................................................... 21 6.2. National Australian Figures .............................................................................. 23 6.2.1. The Bushman Legend ............................................................................... 23 6.2.2. The Pioneer Legend .................................................................................. 25 6.2.3. The Anzac Legend .................................................................................... 27 6.2.4. The Ocker .................................................................................................. 30 6.3. Dominant Cultural Elements and Their Problems............................................ 33 v 7. Australia in the 1970s and Early 1980s – Using Australian Film as a Vehicle of National Identity ............................................ 34 7.1. The Rise of the New Wave Australian Cinema ............................................... 34 7.1.1. Government Intervention .......................................................................... 35 7.1.2. Initial Success - The Australian Ocker Comedy ....................................... 36 7.1.3. The Australian Film Commission (AFC) and the Period Film ................. 37 7.2. The Films of the New Wave Cinema ............................................................... 40 7.2.1. Gallipoli (1981)............................................................................................. 40 7.2.2. Crocodile Dundee (1986).............................................................................. 48 7.2.3. The Man from Snowy River (1982) ............................................................... 55 7.3. Conclusion: Gallipoli, Crocodile Dundee and The Man from Snowy River as Vehicles of National Identity .............................................................................. 63 8. Australia and the Australian Film in the 1990s....................................................... 65 8.1. Calling for a Change – Social and Political Developments in Australia .......... 65 8.2. The Fall of the AFC – The Australian Film Industry of the 1990s .................. 67 8.3. The Australian New World Cinema and Its Characteristics ............................ 68 8.4. The Films of the New World Cinema .............................................................. 70 8.4.1. Strictly Ballroom (1992) ........................................................................... 70 8.4.2. The Adventures of Priscilla, Queen of the Desert (1994) ......................... 78 8.4.3. Muriel’s Wedding (1994) .......................................................................... 86 8.5. Conclusion: Strictly Ballroom, The Adventures of Priscilla, Queen of the Desert, Muriel’s Wedding and the New National Self-Image ......................................... 95 9. Australia (2008) – A Film by Baz Luhrmann ......................................................... 97 9.1. Content ............................................................................................................. 98 9.2. Analysis .......................................................................................................... 100 9.2.1. Dealing with the Past .............................................................................. 100 9.2.2. The Aboriginal Community .................................................................... 103 9.2.3. Sliding into Old Habits – The Depiction of Myths and Legends in Australia ................................. 104 9.3. Conclusion: Australia and Its Return to Archaic Formulas ........................... 115 10. Conclusion ......................................................................................................... 117 11. Bibliography....................................................................................................... 120 vi 1. Introduction What exactly is history at the national level? Is it merely the sum of all the diverse histories of peoples, places and communities, or do only some of these have national significance? Do all Australians – Indigenous, settler, immigrant – share the one national history? [...] And do we all have a national identity? Can we have none or more than one? (Carter 3) In his work Dispossession, Dreams and Diversity, David Carter poses some crucial key questions. Pointing to the difficulty involved in the process of defining the concept of Australian national identity, he emphasises a factor highly relevant to the present thesis: there is no ‘true’ Australian national identity. As Richard White has convincingly argued, any attempt to derive a universal definition would equate to an unreal, fictional place (viii), comparable to the Land of Oz in Frank Baum’s The Wizard Of Oz. Taking this assumption as a starting point, The People of Oz1 explores how Australian national identity has been represented over three periods of Australian film. The first chapter provides theoretical background knowledge on influential concepts in the field of identity studies, including Maurice Halbwachs’ collective memory, Jan Assmann’s cultural memory and Benedict Anderson’s imagined community. In this context, special consideration is given to the components that are involved in the process of nation formation. Drawing on the works of Halbwachs, Assmann and Anderson, the subsequent sections trace back the emergence of an Australian national ‘type’, and explore the dominant cultural elements in Australian society. Here, special attention is paid to the emergence and definition of central cultural figures, such as the Bushman or the pioneer, and the values and principles they are said to embody – the anti-authoritarian stance, egalitarianism and mateship. 1 Oz is not only the fictional land in Frank Baum’s novel The Wizard Of Oz, but also an abbreviation for Australia. 1 The main part of the thesis is devoted to the medium film and its immense importance as vehicle of ideas about the nation. On the basis of seven Australian films, this thesis investigates how Australian-ness has been depicted over three periods of Australian cinema: the New Wave Cinema of the 1970s and 1980s, the Australian cinema of the 1990s and the cinema of the 21st century. The first section discusses three of the most successful Australian New Wave Cinema films: Gallipoli, Crocodile Dundee and The Man from Snowy River. The insights gained from their analysis, are compared and contrasted to three films of the 1990s as examples of a different approach to the issue: Strictly Ballroom, The Adventures of Priscilla, Queen of the Desert and Muriel’s Wedding. The final chapter focuses on Baz Luhrmann’s Australia, as a representative of the 21st century of Australian cinema. Produced in 2008, Australia may well be regarded the most recent Australian film. In this sense, The People of Oz may well be viewed as giving a comprehensive overview of the filmic representations of Australian- ness from the 1970s to the present. 2 2. Collective Memory, Cultural Memory and the Imagined Community – From Halbwachs to
Load more

Recommended publications
  • The Scottish Background of the Sydney Publishing and Bookselling
    NOT MUCH ORIGINALITY ABOUT US: SCOTTISH INFLUENCES ON THE ANGUS & ROBERTSON BACKLIST Caroline Viera Jones he Scottish background of the Sydney publishing and bookselling firm of TAngus & Robertson influenced the choice of books sold in their bookshops, the kind of manuscripts commissioned and the way in which these texts were edited. David Angus and George Robertson brought fi'om Scotland an emphasis on recognising and fostering a quality homegrown product whilst keeping abreast of the London tradition. This prompted them to publish Australian authors as well as to appreciate a British literary canon and to supply titles from it. Indeed, whilst embracing his new homeland, George Robertson's backlist of sentimental nationalistic texts was partly grounded in the novels and verse written and compiled by Sir Walter Scott, Robert Bums and the border balladists. Although their backlist was eclectic, the strong Scottish tradition of publishing literary journals, encyclopaedias and religious titles led Angus & Robertson, 'as a Scotch firm' to produce numerous titles for the Presbyterian Church, two volumes of the Australian Encyclopaedia and to commission writers from journals such as the Bulletin. 1 As agent to the public and university libraries, bookseller, publisher and Book Club owner, the firm was influential in selecting primary sources for the colony of New South Wales, supplying reading material for its Public Library and fulfilling the public's educational and literary needs. 2 The books which the firm published for the See Rebecca Wiley, 'Reminiscences of George Robertson and Angus & Robertson Ltd., 1894-1938' ( 1945), unpublished manuscript, Mitchell Library, State Library of New South Wales, ML MSS 5238.
    [Show full text]
  • IRSS 39 2014 MASTER (2 Sep)
    INTERNATIONAL REVIEW OF SCOTTISH STUDIES ISSN 1923-5755 E-ISSN 1923-5763 EDITOR H. Parker, University of Guelph ASSISTANT EDITORS C. Holton, University of Guelph A. Glaze, University of Guelph REVIEW EDITORS M. Toledo Candelaria, University of Guelph A. Webb, University of Waterloo EDITORIAL BOARD M. Brown, University of Aberdeen G. Carruthers, University of Glasgow L. Davis, Simon Fraser University E. L. Ewan, University of Guelph D. Fischlin, University of Guelph J. Fraser, University of Edinburgh K. J. James, University of Guelph L. L. Mahood, University of Guelph A. McCarthy, University of Otago M. Penman, University of Stirling R. B. Sher, New Jersey Institute of Technology The Editors assume no responsibility for statements of fact or opinion made by contributors. All contents are © copyrighted by the International Review of Scottish Studies and/or their author, 2014 Book printing by Stewart Publishing & Printing Markham, Ontario • 905-294-4389 [email protected] • www.stewartbooks.com SUBMISSION OF ARTICLES FOR PUBLICATION This is a peer-reviewed journal. All manuscripts, including endnotes, captions, pictures and supplementary information should be submitted electronically through the journal's website (where all back issues can be accessed): www.irss.uoguelph.ca Submission guidelines and stylistic conventions are also to be found there. Manuscripts should be a maximum of 8000 words in length although shorter papers will also be considered. Contributors are requested to provide their title, institutional affiliation and current appointment. Book Reviews and Review Essays should be submitted electronically at: www.irss.uoguelph.ca To contact the editor: The Editor, International Review of Scottish Studies Centre for Scottish Studies Dept.
    [Show full text]
  • Italian Migration and Football Codes Within Australian Urban Centres
    Re-Creating Home and Exploring Away in New Cities: Italian Migration and Football Codes Within Australian Urban Centres This is the Accepted version of the following publication Klugman, Matthew and Ricatti, F (2019) Re-Creating Home and Exploring Away in New Cities: Italian Migration and Football Codes Within Australian Urban Centres. International Journal of the History of Sport, 36 (6). pp. 513- 531. ISSN 0952-3367 The publisher’s official version can be found at https://www.tandfonline.com/doi/full/10.1080/09523367.2019.1664474 Note that access to this version may require subscription. Downloaded from VU Research Repository https://vuir.vu.edu.au/39777/ Re-Creating Home and Exploring Away in New Cities: Italian Migration and Football Codes Within Australian Urban CenterCentres Abstract Migrants are often characteriseized as in search of new homes, while spectator sports are frequently spoken of as providing homes for the followers of particular teams. However the particular kinds of ‘homes’ that spectator sports can provide for migrants is understudied. This paper explores the sporting ‘homes’ found by those who migrated from Italy to Australia after the Second World War. In particular it examines the different experiences of those who found a home in the mainstream sport of Australian Rules football with the more culturally peripheral sport of Association football (soccer). Drawing on 59 oral history interviews with first and second generation migrants to the Australian cities of Melbourne and Sydney, the paper provides a window into the meanings, passions, exclusion, inclusion, intergenerational tensions, and intergenerational bonding that these migrants found in, and created through, Australian Rules football and soccer.
    [Show full text]
  • Paterson, Michael Bennis (2001) Selling Scotland: Towards an Intercultural Approach to Export Marketing Involving Differentiation on the Basis of "Scottishness"
    Paterson, Michael Bennis (2001) Selling Scotland: towards an intercultural approach to export marketing involving differentiation on the basis of "Scottishness". PhD thesis http://theses.gla.ac.uk/4495/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Selling Scotland: towards an intercultural approach to export marketing involving differentiation on the basis of "Scottishness" by MICHAEL BENNIS PATERSON School of Scottish Studies (Faculty of Arts) University of Glasgow A thesis submitted to the University of Glasgow in March 2001 for the degree of Doctor of Philosophy. ABSTRACT Selling Scotland towards an intercultural approach to export marketing involving differentiation on the basis of "Scottishness" THIS dissertation examines opportunities for Scottish exporters to differentiate in target markets overseas on the basis of their Scottishness. Findings include: 1. ultimately, identity is largely conferred by others, rather than being shaped by assertions on one's own behalf; 2. definitional experiences of "Scottishness" may frequently be derived from and mediated by determinants that lie outwith Scotland; 3. constructed identifications of key or core Scottish values, by their syncretism, present impoverished views of Scotland; 4.
    [Show full text]
  • Scots in Australia: the Gaze from Auld Scotia
    Cowan, E., and Henderson, L. (2014) Scots in Australia: the gaze from Auld Scotia. In: For Auld Lang Syne: Images of Scottish Australia from First Fleet to Federation. Art Gallery of Ballarat, Ballarat, Australia, pp. 18-27. Copyright © 2014 Art Gallery of Ballarat A copy can be downloaded for personal non-commercial research or study, without prior permission or charge Content must not be changed in any way or reproduced in any format or medium without the formal permission of the copyright holder(s) When referring to this work, full bibliographic details must be given http://eprints.gla.ac.uk/100979/ Deposited on: 28 January 2015 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Scots in Australia: The Gaze from Auld Scotia Edward J. Cowan and Lizanne Henderson There are unverifiable claims that George Johnstone from Dumfries, founder of Annandale in Sydney, was the first ashore at Botany Bay from the First Fleet in 1788.1 Since then he has been followed by over 600,000 of his compatriots,2 the vast majority of whom could be considered Scotland’s loss and Australia’s gain. Three of the first six governors of New South Wales were Scots, John Hunter (1737-1821) from Leith, Lachlan Macquarrie (1762-1824) from Ulva, Isle of Mull, and Thomas Brisbane (1773-1860) from Largs.3 They, women children and men, and others of their ilk arrived in a country offering little that reminded them of the homeland, a place where their expectations of the Antipodes were met almost literally, in the sense that everything seemed to be the opposite of the norm.
    [Show full text]
  • SB-4307-January 2020
    Scottishthethethethe www.scottishbanner.com Banner 37 Years StrongScottishScottishScottish - 1976-2013 Banner A’BannerBanner Bhratach Albannach 44 Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Years Strong - 1976-2020 www.scottishbanner.com A’ Bhratach Albannach Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 VolumeVolumeVolume 43 36 36 Number Number Number 7 11 The 11 The Theworld’s world’s world’s largest largest largest international international international Scottish Scottish Scottish newspapernewspaper newspaper May January May 2013 2013 2020 Celebrating US Barcodes Burns Night » Pg 8 7 25286 844598 0 1 7 25286 844598 0 9 7 25286 844598 0 3 7 25286 844598 1 1 2020-A Year in Piping 7 25286The 84459 Year8 1 2 of » Pg 27 Scotland in Glasgow crowned Australia 2020 the UK’s top cultural » Pg 16 and creative city USAustralia Barcodes $4.50; N.Z. $4.95 » Pg 10 In the Shadow of Icons .......... » Pg 14 Celebrating 350 years of the Royal Plan your wedding Botanic Garden Edinburgh ... » Pg 28 New attractions and only in Scotland in Scotland experiences for 2020 .................. » Pg 30 7 25286 844598 0 1 » Pg 11 7 25286 844598 0 9 7 25286 844598 0 3 7 25286 844598 1 1 7 25286 844598 1 2 THE SCOTTISH BANNER Volume 43 - Number 7 Scottishthe Banner The Banner Says… Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Publisher Offices of publication Valerie Cairney Australasian Office: PO Box 6202 Editor Marrickville South, Sean Cairney NSW, 2204 Tel:(02) 9559-6348 Robert Burns EDITORIAL STAFF Jim Stoddart [email protected] The National Piping Centre North American Office: The heaven taught ploughman David McVey Lady Fiona MacGregor [email protected] Eric Bryan David C.
    [Show full text]
  • Symon Letter 20 Private Mail Bag, Wynbring Siding S.A., 15/12/44 My
    Symon letter 20 Private Mail Bag, Wynbring Siding S.A., 15/12/44 My dear Kilmeny So glad to hear from you and to know that “America Illustrated by book and picture” was welcomed in Adelaide. I should love to have been present. We seem to have ‘kept apart’ from just those things about early America that would mean so much in the near future. Scottish Australians etc have always kept their hold on Scotland. Irish Australia is ‘venturing’ to “scoop the pool” in Australia. I should love to get intimate with the Mayflower American period and to know how much of the Mayflower is still represented in English families today. I should like to know the finest early Americans of the Washington Irving and other good types. America’s best has a British ancestry, hasn’t it? We should connect these and so bring fraternity of heritage between the two great English‐speaking peoples – the Empire and the American Empire (tho’ she jibs at the name). What could they not unite and do for the human race! I have not received the cuttings you mention nor the books and papers and am rather concerned about my mails. There is no official other than the Ganger and fettlers who are absent during working hours, and the telephone office is locked up, so whether telegrams or messages may come for me I shall have no chance of seeing or hearing of them! I have three generations of my poor natives here with me, some from the West coast (1918‐19) and Ooldea ’19 ‐’35, old and blind some of them but they are much better and so glad to have me here – I feed the women and children but cannot get tea and sugar for them.
    [Show full text]
  • Print This Article
    BUNDANOON IS BRIGADOON: IMAGINATION AND INVENTION IN A MODERN SCOTTISH FESTIVAL Carole M. Cusack University of Sydney INTRODUCTION1 The annual celebration of Scottish culture and identity, Brigadoon, which has transformed the small town of Bundanoon in the Southern Highlands of New South Wales on the first Saturday of April since 1978, marked its fortieth anniversary in 2018. In the 2016 Australian Census 9.3% of Australians self-reported as having Scottish ancestry, the third largest ethnic group after the English and Irish.2 It is thus unsurprising that there are localities and towns that reflect high levels of Scottish settlement and host Scottish festivals that recognise local heritage and contemporary population demographics. One example is Glen Innes, a country town in the Northern Tablelands of the New England region of New South Wales. Glen Innes has approximately nine thousand residents and an economy dependent on agriculture, sheep, wool, cattle, viticulture, sapphire mining, and tourism. Since 1992 Glen Innes has hosted the Australian Celtic Festival at the start of May. The Australian Celtic Festival is: the premier Celtic event in New South Wales … [and] is the only Celtic themed festival in Australia to recognise different Celtic Nations each year … Each year up to twenty different Clans and representatives from the six Celtic Nations [Scotland, Ireland, Wales, Brittany, Cornwall and the Isle of Man] turn out in force to hold their annual ceremonies and spectacles.3 The town is also the home of the Australian Standing Stones, a stone circle conceived by the President of the Australian Celtic Council, Peter Alexander, in 1988, the bicentenary year of British settlement in Australia.
    [Show full text]
  • My Thesis in Whole
    Racioethnic and migration status influence on job satisfaction: Evidence from Australia Kwasi O’Boorh Tettey B.Sc. Agric. (Hons) Master of Public Administration (MPA) A thesis presented for the degree of Doctor of Philosophy Murdoch University June 2015 DECLARATION I declare that this submission is my own work and that it has not been previously submitted for a diploma or degree in any educational institution. To the best of my knowledge, it does not contain, as its main content, material that has been previously written or published by another person. Work done by others but included in this submission has been duly referenced. The research was initiated and developed by me. All other work, including data collection, quantitative and qualitative analyses, and the write-up, was also done by me. Specific contributions were made by others, and these have been noted and acknowledged. ________________________________________ Kwasi O’Boorh Tettey ii Prejudice against a migrant because of race or origin is not a sign of pride but a sign of stupidity. Faith and values are as important to our nation and society as they are to the individuals who make up that society. It is because faith matters to the individual, that faith is important to our society. We have successfully embraced Australia as a multi-ethnic society, but we still have a distance to travel to being a multi-religious society. —Robert Menzies, former Prime Minister of Australia, 1939-41, 1949-1966 All our experience in this and other centuries indicates that racism is one of the most evil scourges. The numbers who have been killed, the terror inflicted in the name of race, is something of which we are all too well aware.
    [Show full text]
  • For Private Use and Study Purposes Only ■
    MULTICULTURALISM AMD MULTICULTURAL EDUCATION TOWARDS AN AUSTRALIAN ORIENTATION TO THE CURRICULUM ' by P.W. Matthews INTRODUCTION: ; •, (+ ;' ' ■= i : -Over the last decade, the concept of multiculturalism has gathered force as that national cultural policy to replace the discredited earlier assimilationist policy which, under a variety of names, has .prevailed since about 1915. Con­ currently, multicultural education has emerged as a new field of education and, as is to be expected in an evolving situation, there has been little clarity of orientation in developments to date. In this paper the nature of multiculturalism. is explored and the nature of multicultural education - as the educational , •: response to multiculturalism - is examined. * - . PAST NATIONAL CULTURAL POLICIES: The responses by the dominant ethnic groups throughout Australians history towards the ethnicity of the non-dominant groups have been almost always: negative. Thus, at varous times, the following policies have been, followed: a. ____Extermination . ; - -.-.^r j-.-; -j This was the major orientation towards Aboriginal-Australians throughoutL most of the colonial period. b. ____Separatism : . From the end of the nineteenth century until the present, many administrations . have pursued this policy. For Aboriginal-Australians this has meant being confined to reserves and the like, while for numbers of other ethnic minorities, e.g, Greek-Australians and Italian-Australians, it has meant that their cultures have been excluded from the public sphere. c. ____Assimilation ' ;' This policy, the internal component of the externally directed White Australia policy, has been the dominant policy at least since about the start of the First World War. Its basic tenet was that Australia was a raonocultural, Anglo- centric and Anglo-conformist country in which the cultural heritage of;all its members was or had to be drawn from England or Great Eritain.
    [Show full text]
  • Revised Overview of Research Challenge
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by espace@Curtin School of Communication and Cultural Studies Nation, Culture and Family: Identity in a Scottish/Australian Popular Song Tradition Josephine Kathleen Dougal This Thesis is presented for the Degree of Doctor of Philosophy of Curtin University of Technology April 2010 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgement has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Josephine Dougal May 2011 Contents Acknowledgements iii 1 Introduction 1 Summary 1 Research Context and Rationale 3 2 Overview of the Study’s Analytical Framework 25 Research Objectives 32 Research Methodology 33 3 A Framework for Identity 42 Identity 42 National Identity as a Cultural Construct 43 Personalising National Identity 48 Implications for the Study 51 4 Narratives of Nation: Scottishness, Rarely of Our Own Making 55 Narratives of Nation 55 Narratives of Nation and Agency 84 5 Singing the Nation: Dancing to a Tune Laid Down by Others 95 A Shared Voice - The Nation in Song 96 A Vivid Scots Graffiti - Scottish Popular Song Traditions 103 The New ‘Folk’ 126 6 The Nation in Context 139 i 7 Migration, Family and Music: An Overview 150 Migration and Family 155 Migration and Memory 161 Narrative and Culture 165 Music: Migrant Identity, Place and Home 169 Migrants’ Musical Choices
    [Show full text]
  • Sb-4003-Au-File
    the www.scottishbanner.com Scottishthethethe Australasian EditionBanner 37 Years StrongScottishScottishScottish - 1976-2013 Banner A’BannerBanner Bhratach Albannach 40 Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Years Strong - 1976-2016 www.scottishbanner.com A’ Bhratach Albannach Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 VolumeVolumeVolume 40 36 36Number Number Number 3 11 The 11 The world’sThe world’s world’s largest largest largest international international international Scottish Scottish Scottish newspaper newspaper newspaper September May May 2013 2013 2016 The 2016 World Pipe US Barcodes Band Championships » Pg 16 7 25286 844598 0 1 7 25286 844598 0 9 7 25286 844598 0 3 7 25286 844598 1 1 7 25286 844598 1 2 US Barcodes Celts Exploring Celtic culture » Pg 28 Andy Australia $3.75; North American $3.00; N.Z. $3.95; U.K. £2.00 7 25286 844598 0 1 An Orkney tragedy-100 years on » Pg 10 The first modern pilgrimage to Whithorn ................................. » Pg 14 Scott Scotland in Budapest ................ » Pg 23 Scotland’s man of steel An artist’s journey round 7 25286 844598 0 9 the Moray Coast .......................... » Pg 29 » Pg 12 7 25286 844598 0 3 7 25286 844598 1 1 7 25286 844598 1 2 The ScoTTiSh Banner Scottishthe Volume Banner 40 - Number 3 The Banner Says… By: Valerie Cairney Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Editor & Publisher Valerie Cairney A Royal love affair with Scotland Australian Editor Sean Cairney Britain’s Royal Family have long had a love affair with Scotland.
    [Show full text]