DOCSLIB.ORG

Orquestra De Cadaqués Josep Vicent, Director

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Orquestra De Cadaqués Josep Vicent, Director Orquestra de Cadaqués Josep Vicent, director La Orquesta de Cadaqués se formó en 1988 con unos objetivos claros: trabajar de cerca Graduado Cum Laude en el Conservatorio de Alicante y en el Amsterdam con los compositores contemporáneos vivos, recuperar un legado de música española Conservatory. Fue asistente de Alberto Zedda y Daniel Barenboim. Recibe el Primer olvidada e impulsar la carrera de solistas, compositores y directores emergentes. Premio de Interpretación de Juventudes Musicales, el Premio Vicente Monfort de las Júlia Gállego, solista Sir Neville Marriner, Gennady Rozhdestvensky o Philippe Entremont se convirtieron en Artes Ciudad de Valencia 2013 y el Premio Óscar Esplá Ciudad de Alicante. Es principales invitados, así como Alicia de Larrocha, Victoria de los Ángeles, Teresa Embajador Internacional de la “Fundación Cultura de Paz” presidida por D. Federico Berganza, Paco de Lucía, Ainhoa Arteta, Jonas Kaufmann, Olga Borodina y Juan Diego Mayor Zaragoza. Premio Los Mejores Diario LA VERDAD 2016. Excepcional solista Alicantina, fue miembro de la Joven Orquesta Nacional de Florez entre otros. Tras una amplia y temprana carrera como Solista-Director Artístico y su trabajo en la España y de la Gustav Mahler Jugendorchester, flauta Principal de la Oquesta En 1992 la orquesta impulsó el Concurso Internacional de Dirección. Pablo González, Orquesta del Concertgebouw (1998- 2004), inicia una imparable carrera internacional Sinfónica de Tenerife y de la Orquesta Sinfónica de Galicia. Galardonada con Gianandrea Noseda, Vasily Petrenko o Michal Nesterowicz han sido algunos de los frente a formaciones como: London Symphony, The World Orchestra, Paris Chamber el Premio de la Ciudad de París en 1994, el Primer Premio en el concurso de ganadores. Orchestra, Liverpool Philharmonic, Teatro Real, Rotterdam Philharmonic, Royal música de cámara “Montserrat Alavedra” en 1994, el Premio a la unanimidad Gianandrea Noseda es desde 1998 el director principal de la Orquesta de Cadaqués, y Philharmonic Orchestra, Orquesta Nacional de España entre otras. Director Musical de del jurado del C.N.S.M. De Paris »en 1997 y el Primer Premio y Premio Jaime Martín ocupa desde 2011 el cargo de director titular. “La Fura dels Baus” (2014-17), colabora con Guy Caron (Cirque du Soleil) y el Ballet Público en el Concurso ARD en 2001 con el Ensemble Miró.Nacida en Altea A fin de promover y difundir la música contemporánea, la orquesta creó el Ensemble de Victor Ullate. Su “Consagración de la Primavera” de Stravinsky fue “Best Classical (Alicante) en 1973. Orquesta de Cadaqués, habiendo estrenado obras de Xavier Montsalvatge, Jesús Rueda, Album 2009”. Director principal de The World Orchestra desde 2004. Con esta Hèctor Parra, Jesús Torres, Luis de Pablo o Joan Guinjoan… formación Internacional ha realizado 18 giras en cuatro continentes, llevando a cabo Estudió en el Conservatorio Nacional Superior de Música y Danza de París con La Orquesta de Cadaqués cuenta con varias grabaciones de la mano de sus directores una amplia labor diplomática y de cooperación (European Union Culture programe). Alain Marion, Raymond Guiot, Sophie Cherrier y Vincent Lucas. Colabora con principales editadas por Tritó y Philips. Josep Vicent es Director Artístico del ADDA. músicos como Gordan Nikolic, David Quiggle, Renaud Capuçon entre otros. Además de en España, en un futuro próximo tiene proyectos en Alemania, Austria, Suiza, Julia Gallego es cofundadora y flauta principal de BandArt, flauta principal del los Países Bajos, Italia, Polonia, Chequia, Francia, Luxemburgo, España, Croacia o En la temporada 17/18 debuta como director al frente de la Orquesta Nacional de Ensemble Les Dissonances (David Grimal) y miembro de la Mahler Chamber Eslovenia... Bélgica en el Palacio de las Bellas Artes de Bruselas y vuelve a ponerse al frente de la Orchestra. Desde 2006 es profesora en la E.S.M.U.C. (Escuela Superior de La Orquestra cuenta con el apoyo del Departamento de Cultura de la Generalitat de London Symphony Orchestra, Orquesta Verdi de Milan y Slovenian Philharmonic. Música de Cataluña) y en el Conservatori Superior del LICEU de Barcelona. Catalunya. Graduat cum laude en el Conservatori d’Alacant i en l’Amsterdam Conservatory. Va L’Orquestra de Cadaqués es va formar el 1988 amb uns objectius clars: treballar de prop ser assistent d’Alberto Zedda i Daniel Barenboim. Rep el Primer Premi d’Interpretació Excepcional solista alacantina, va ser membre de la Jove Orquestra Nacional amb els compositors contemporanis vius, recuperar un llegat de música espanyola de Joventuts Musicals, el Premi Vicent Monfort de les Arts Ciutat de València 2013 i d’Espanya i de la Gustav Mahler Jugendor-chester, flauta principal de oblidada i impulsar la carrera de solistes, compositors i directors emergents. el Premi Òscar Esplà Ciutat d’Alacant. És Ambaixador Internacional de la Fundació l’Oquestra Simfònica de Tenerife i de l’Orquestra Simfònica de Galícia. Sir Neville Marriner, Guennadi Nikolàievitx Rojdéstvenski o Philippe Entremont es van Cultura de Pau presidida pel senyor Federico Mayor Zaragoza. Premi Los Mejores Diario Guardonada amb el Premi de la Ciutat de París en 1994, el primer Premi en el convertir en invitats principals, així com Alicia de Larrocha, Victoria de los Ángeles, La Verdad 2016. concurs de música de cambra Montserrat Alavedra en 1994, el Premi a la Teresa Berganza, Paco de Lucía, Ainhoa Arteta, Jonas Kaufmann, Olga Borodina i Juan Després d’una àmplia i primerenca carrera com a solista-director artístic i de treballar unanimitat del jurat del C.N.S. M. de París en 1997 i el primer premi i premi Diego Florez entre d’altres. en l’orquestra del Concertgebouw (1998- 2004), inicià una imparable carrera públic en el Concurs ARD en 2001 amb l’Ensemble Miró. Nascuda a Altea El 1992 l’orquestra va impulsar el Concurs Internacional de Direcció. Pablo González, internacional en formacions com: London Symphony, The WorldOrchestra, Paris (Alacant) en 1973. Gianandrea Noseda, Vasily Petrenko o Michal Nesterowicz han estat alguns dels Chamber Orchestra, Liverpool Philharmonic, Teatre Reial, Rotterdam Philharmonic, guanyadors. Royal Philharmonic Orchestra, Orquestra Nacional d’Espanya etc. Director musical de Va estudiar al Conservatori Nacional Superior de Música i Dansa de París Gianandrea Noseda és des del 1998 el director principal de l’Orquestra de Cadaqués, i La Fura dels Baus (2014-17), col·labora amb Guy Caron (Cirque du Soleil) i el Ballet de amb Alain Marion, Raymond Guiot, Sophie Cherrier i Vincent Lucas. Jaime Martín ocupa des del 2011 el càrrec de director titular. Víctor Ullate. La seua Consagració de la Primavera de Stravinsky va ser Best Classical Col·labora amb músics com Gordan Nikolic, David Qui-ggle, Renaud Capuçon A fi de promoure i difondre la música contemporània, l’orquestra va crear l’Ensemble Album 2009. Director principal de The World Orchestra des de 2004. Amb aquesta entre d’altres. Julia Gállego és cofundadora i flauta principal de BandArt, Orquestra de Cadaqués, amb l’estrena d’obres de Xavier Montsalvatge, Jesús Roda, formació internacional ha realitzat 18 gires en quatre continents i ha exercit una àmplia flauta principal de l’Ensemble Les Dissonances (David Grimal) i membre de la Hèctor Parra, Jesús Torres, Luis de Pablo o Joan Guinjoan… labor diplomàtica i de cooperació (European Union Culture programe). Josep Vicent és Mahler Chamber Orchestra. Des de 2006 és professora en la ISMOC (Escola L’Orquestra de Cadaqués compta amb diferents enregistraments de la mà dels seus Superior de Música de Catalunya) i en el Conservatori Superior del LICEU de directors principals editades per Tritó y Philips. director artístic de l’ADDA. Barcelona. A més d’Espanya, en un futur té projectes a Alemanya, Àustria, Suïssa, els Països Baixos, En la temporada 17/18 debuta com a director al capdavant de l’Orquestra Nacional de Itàlia, Polònia, Txèquia, França, Luxemburg, Croàcia o Eslovènia... Bèlgica en el Palau de les Belles Arts de Brussel·les i torna a posar-se al capdavant de L'Orquestra compta amb el suport del Departament de Cultura de la Generalitat de la London Symphony Orchestra, Orquesta Verdi de Milan i Slovenian Philharmonic. Catalunya..
Load more

Recommended publications
  • A Comparison of the Piano and Guitar Versions of Isaac Albéniz's Spanish Suite Op
    A COMPARISON OF THE PIANO AND GUITAR VERSIONS OF ISAAC ALBÉNIZ'S SPANISH SUITE OP. 47 by YI-YIN CHIEN A LECTURE-DOCUMENT Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts November 2016 2 “A Comparison of the Piano and Guitar Versions of Isaac Albéniz’s Spanish Suite, Op. 47’’ a document prepared by Yi-Yin Chien in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This document has been approved and accepted by: Jack Boss, Chair of the Examining Committee Date: November 20th, 2016 Committee in Charge: Dr. Jack Boss, Chair Dr. Juan Eduardo Wolf Dr. Dean Kramer Accepted by: Director of Graduate Studies, School of Music and Dance © 2016 Yi-Yin Chien 3 CURRICULUM VITAE NAME OF AUTHOR: Yi-Yin Chien PLACE OF BIRTH: Taiwan DATE OF BIRTH: November 02, 1986 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon, School of Music and Dance Peabody Institute of the Johns Hopkins University Tainan National University of Arts DEGREES AWARDED: Doctor of Musical Arts, 2016, University of Oregon Master of Music, 2011, Peabody Institute of the Johns Hopkins University Bachelor of Music, 2009, Tainan National University of Arts AREAS OF SPECIAL INTEREST: Piano Pedagogy Music Theory PROFESSIONAL EXPERIENCE: College Piano Teaching, University of Oregon, School of Music and Dance, 09/2014 - 06/2015 Taught piano lessons for music major and non-major college students Graduate Teaching
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 110, 1990-1991, Subscription
    &Bmm HHH 110th Season 19 9 0-91 Boston Symphony Orchestra Seiji Ozawa, Music Director 90th Anniversary of Symphony Hall m<K Only The few will own an aldemars. Only the few will seek the exclusivity that comes with owning an Audemars Piguet. Only the few will recognize wn more than a century of technical in- f\Y novation; today, that innovation is reflected in our ultra-thin mech- Memars Piguet anical movements, the sophistica- tion of our perpetual calendars, and more recently, our dramatic new watch with dual time zones. Only the few will appreciate The CEO Collection which includes a unique selection of the finest Swiss watches man can create. Audemars Piguet makes only a limited number of watches each year. But then, that's something only the few will understand. SHREVECRUMP &LOW JEWELERS SINCE 1800 330BOYLSTON ST., BOSTON, MASS. 02116 (617) 267-9100 • 1-800-225-7088 THE MALL AT CHESTNUT HILL • SOUTH SHORE PLAZA Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A.
    [Show full text]
  • Luis Fernando Pérez Piano
    LUIS FERNANDO PÉREZ Praised for his virtuosity, his colorful playing and his extraordinary and rare capability to comunicate straight forward to his public, Luis Fernando Pérez is considered to be one of the most excepcional artists of his generation and “The Renaissance of Spanish Piano” (Le Monde). Applauded unanimously by the world critics and owner of numerous prizes as the Franz Liszt (Italy) and the Granados Prize-Alicia de Larrocha prize (Barcelona), Luis Fernando is owner too of the Albeniz Medall, given to him for his outstanding interpretation of Iberia, considered by Gramophone Magazine as “one of the four mythical” (together with those of Esteban Sanchez, Alicia de Larrocha and Rafael Orozco). Luis Fernando belongs to this rare group of outstanding musicians who have been taught by legendary artists; with Dimitri Bashkirov and Galina Egyazarova, students of the great Alexander Goldenweiser - following a straight tradition after Liszt´s considered best student Siloti- further on with Pierre-Laurent Aimard and with the great spanish pianist Alicia de Larrocha and her assistant Carlota Garriga in the Marshall Academy in Barcelona. It is precisely in the Marshall Academy beside Larrocha where he specializes in the interpretation of Spanish Music, obtaining his Masters in Spanish Music Interpretation and where he also works all piano of Federico Mompou with his widow, Carmen Bravo. He has received also continuated lessons and masterclasses from great artists as Leon Fleisher, Andras Schiff, Bruno-Leonardo Gelber, Menahen Pressler, Fou Tsong and Gyorgy Sandor. He has collaborated with numerous orchestras as the Spanish National Orchestra, Montecarlo Filharmonic, Sinfonia Varsovia, Franz Liszt Chamber Orchestra, Filharmonia Baltycka, Enemble Kanazawa (Japan), Real Filarmonía de Galicia, OBC (Barcelona), BOS (Bilbao), Ensemble National de Paris, Brasil National Orchestra…and together with great conductors as Ros Marbá, Georges Tchitchinadze, Kazuki Yamada, Jesús López Cobos, Jean-Jacques Kantorow, Dimitri Liss, Paul Daniel, Rumon Gamba, Carlo Rizzi.
    [Show full text]
  • Music in Catalonia Today
    MUSIC MUSIC IN CATALONIA TODAY CATALONIA'S MOST CHARACTERISTIC CONTRIBUTION TO UNIVERSAL MUSIC HAS BEEN ITS REPERTORY OF FOLKSONGS, ONE OF THE MOST BEAUTIFUL AND RICHEST IN EUROPE.IN CLASSICAL MUSIC, ALONGSIDE QUITE OUTSTANDING COMPOSERS, THERE IS AN EXTRAORDINARY LIST OF FIRST-RATE INTERNATIONAL PERFORMERS. SEBASTIA BENET I SANVICENS MUSICOLOGIST he music scene in Catalonia to- there is an extraordinary list of first-rate end of the nineteenth century. The mu- day has a remote ancestry which intemational performers. sic is played by a special band, the co- has fashioned its character down Pau Casals, father of the modern cello, bla, led by the tenora, an instrument to the present moment. In the course of contributed to a universal knowledge of which originated in Catalonia. The sar- this evolution we see that Catalonia's Catalan folk music by adopting the dana is a living dance, which people of most characteristic contribution to uni- beautiful tune "El cant dels ocells" as a al1 ages take part in at any celebration versal music has been its repertory of testimony of his cultural origin. Our during the year, and which has pro- folksongs, one of the most beautiful and popular music also includes a wide va- duced masterpieces composed by some richest in Europe. In classical music, riety of dances, in particular the sarda- of the best Catalan musicians, includ- alongside quite outstanding composers, na, Catalonia's national dance since the ing Pau Casals himself. Igor Stravinsky, MUSIC on a visit to Barcelona in 1924, was 1927-, which had a primarily classical recently, the conductors Salvador Mas filled with enthusiasm for a sardana repertoire and soon took their place in and Josep Pons, successful internatio- with music by Juli Garreta, a musician the European choral movement.
    [Show full text]
  • 579056 Itunes Balada
    Leonardo BALADA Works for Clarinet Caprichos Nos. 6 and 7 • Double Concerto Ivan Ivanov, Clarinet Leta Chin, Greta Mutlu, Violin Sarah Lee, Cello Annie Gordon, Kristine Rominski, Flute Rebecca Bush, Percussion Jacob Polaczyk, Erberk Eryılmaz , Piano Geoffrey Larson Leonardo Leonardo Balada (b. 1933) Caprichos Nos. 6 and 7 • Double Concerto BA(bL. 1A933D) A A native of Spain, composer Leonardo Balada (b. 1933) Balada’s creative style has been labeled ‘Dali’s graduated from Barcelona’s Conservatorio del Liceu and Surrealism in music’, yet historically the link between The Juilliard School. He has been on the faculty of the surrealist aesthetics and musical composition has been Carnegie Mellon School of Music since 1970, where he is poorly understood. When I realised the deep importance of Works for Clarinet university professor of composition. He has been Dalí to Balada, suddenly everything in his compositions commissioned by the Aspen Music Festival, the San become logical and meaningful to me, and I recorded his Caprichos No. 7 ‘Fantasies of La Tarara’ Diego Opera, the orchestras of Pittsburgh, Cincinnati and music with passion. To understand Balada as a surrealist Chamber concerto for clarinet and instrumental ensemble Lausanne, the Spanish National Orchestra, Berlin Radio composer, it is best to begin with his Caprichos , two of which Symphony Orchestra and other organisations, and has are included on this recording. The term ‘ caprichos ’ has a 1 (2009) 23:03 received several awards from the National Endowment for special place in Spanish history and culture. Far from being the Arts. Balada’s works have been performed by the the lighthearted cultural fantasy implied by other composers 2 I.
    [Show full text]
  • Programa Mano Girona
    Barcelona Girona Madrid New York 7/3 – 10/6 (2012) 21/6 – 2/9 (2012) 13/9 – 12/10 (2012) 15/11 – 16/12 (2012) Palau Robert Museu d’Història Círculo de Bellas Artes Instituto Cervantes New York Itineràncies Passeig de Gràcia, 107 de la Ciutat Calle Alcalá, 42 211 East 49th Street Itinerancias 08008 Barcelona Carrer de la Força, 27 28014, Madrid New York, NY 10017 Itinerary 17004 Girona Amb el suport de Con el apoyo de Portal de visionat Filmotech.com With the support of promogut per EGEDA Academia Marshall, Alicia Torra de Larrocha, Anacrusi, Antoni Ros Marbà, Archivo Manuel de Falla, Arxiu Fotogràfic de Barcelona, Arxiu Municipal de Girona, Arxiu Nacional de Catalunya, Arxiu Xavier Turull, Belmont Music Publishers, Biblioteca i Arxiu de l’Orfeó Amb la col·laboració de Català, Biblioteca Nacional de Catalunya, Brian Zeger, Claves, Columna Música, EMI, Fundació Manuel Blancafort, Fundació Victoria Con la colaboración de de los Ángeles, Hänssler Classic, Impala S.A., Museu d’Història de la Ciutat de Girona, Music Sales, Nimbus, Palau de la Música With the cooperation of Catalana, Sony Classical, Tibidabo Films S.A., Tritó S.L., Valois, Video Mercury Films S.A.U., Xavier Valls Aubert Comissió del Centenari Comisión del Centenario Centennial Committee Direcció i coordinació Dirección y coordinación Direction and coordination exposició exposición exhibition Xavier Montsalvatge (1912–2002) Xavier Montsalvatge, compositor i crític, és un testimoni Poc després la seva obra revela una intenció neoclàssica i excepcional de la vida musical del segle XX. Va néixer a Girona el essències catalanes, i l'òpera (Una voce in off i Babel 46) obre 1912 i la seva generació és la primera amb un horitzó obert, noves experiències.
    [Show full text]
  • OCTOBER 20, 1967 Day School to Dedicate
    Ra 1. JE',-;ISll ll 1S1'0R ICAL ASSOC, 11 20Q A'.i GELL ST• PROV, b, R', I, 0290b '< t , ADL Wins Injunction Against Use Of Name By American-Italian Body NEW YORK - The Anti-Defa­ tlon and slurs against Americans mation League of B'na1 B'rlth of Italian descent which result won an Injunction last week from the fears and smears against the use of Its name by an- created by either design or by Ig­ other organization. norance; to make certain that THE ONLY ENGLISH-JEW/SH WEEKLY fN R. I. AND SOUTHEAST MASS . The 54-year-old league sued Americans of ·Italian background an American-Italian body on the are regarded as equals In the ground that the words, "anti-def­ Amertcan communtty by virtue of VOL. LI, NO. 34 FRIDAY, OCTOBE~ 20, 1967 15/! PER COPY 16 PAGES amation league," are so closely their talents,· capabllltles and Identified with the J ewlsh group their devotion and loyalty to the In the public mind that any dupli­ principals that guide our nation." cation would cause contusion. It The confllct between the two said this would be especially groups arose last March after the Jewish Communit.y Center Building Drive damaging for an organization de­ American Italian .Anti-Defamation pendent on contributions for most League was Incorporated. of Its functions. The J ewtsh organization State Supreme Court Justice charged that because of Its 54 To -Begin Again, Run Through March 31 w llfred A. w altemade, In issuing year hlstory,the words"antl-def­ the preliminary Injunction, com­ amatlon league" had "acquired GJC Directors Approve mented: a secondary meaning· to the extent U.
    [Show full text]
  • Palau De La Musica Catalana, Spain Fox Theatre, United States Odeon of Herodes Atticus, Greece Grand Theatre, United Kingdom
    alking into a great theatre can be mesmerising, walking into one of the world’s best can only be Wdescribed as breath-taking, and you feel utterly transported. The most incredible places are ones where stories and dance come to life, human discoveries of art and new pieces created. A place where childhood dreams come true and memories are made. Theatres, old and modern are themselves works of art – from the unusual modern palaces to open-air masterpieces, we select what we believe are just five of the world’s most beautiful theatres, all of them sure to arouse. PALAU DE LA MUSICA CATALANA, SPAIN The Fox Theatre, located at 2211 Woodward Avenue capacity of 5,000. Sadly it lasted intact until it was dev- site for several years to stage a circus. Matcham’s brief in Downtown Detroit, Michigan, near the Grand Circus astated and left in ruins in 267 AD by the Heruli. was to build Sergenson a theatre, the “prettiest theatre Park Historic District, cries a time of Gatsby and incred- The audience stands and the orchestra (stage) were in the land”. No small request then! ible glamour. It is the largest surviving movie palace of restored using pentelic marble in the 1950s. Since then Blackpool’s Grand is a Grade II* Listed Building. The the 1920s and the largest of the original Fox Theatres. it has been the main venue of the Athens Festival (May theatre Matcham’s first to use an innovative ‘cantilever’ The unbelievable 5,048-seat theatre is the United to October each year), and features a variety of acclaimed design to support the balcony’s, thereby allowing clear States largest surviving movie palace of that period.
    [Show full text]
  • De Larrocha SWR T Al Ap N E I S G I
    Alicia de Larrocha SWR al Ta in p g e i s r O 1977 • • 1986 R D E E M ASTE R Radio-Sinfonieorchester Stuttgart des SWR MOZART García Navarro Klavierkonzert Nr. 22 Es-Dur KV 482 Piano Concerto No.22 E flat Major K482 SWR Sinfonieorchester Baden-Baden und BEETHOVEN Freiburg Klavierkonzert Nr. 3 c-Moll op. 37 Ernest Bour LARRPiano Concerto No.3 C Minor Op. 37 Zierlich, aber kraftvoll und Auskunft zu erhalten, eventuell auch Dinge zu erfahren, die etwas abseits vom musikmedia- stets beflügelt len Allerweltsgeschehen liegen. Ich betrat Mozart und Beethoven mit der den Raum, vorsichtig, versteht sich, denn Frau spanischen Pianistin Alicia de Larrocha Larrocha arbeitete offenbar sehr konzentriert. Als sie mich in der Tür bemerkte und ich mich Wolfgang Amadeus Mozart Ludwig van Beethoven Es war in der Mitte der 80er-Jahre – die spani- artig vorgestellt hatte, blickte sie prüfend he- sche Pianistin Alicia de Larrocha i de la Calle rüber und begrüßte mich mit den Worten: Klavierkonzert Nr. 22 Klavierkonzert Nr. 3 gastierte bei den Salzburger Festspielen und „Wissen Sie, ich hasse eigentlich Interviews!“ Es-Dur KV 482 34:41 c-Moll op. 37 37:33 bereitete sich in einem der für Vorbereitungs- Ich bedankte mich höflich und entsprach Piano Concerto No.22 Piano Concerto No.3 zwecke geeigneten Räume im Großen Fest- ihrer Überzeugung, indem ich mich leise aus E flat Major K482 C Minor Op. 37 spielhaus vor. Mit dem Mozarteum Orchester dem kleinen Saal entfernte … 1 I Allegro 13:43 4 I Allegro con brio 17:53 Salzburg stand unter der Leitung von Hans 2 5 Graf Mozarts C-Dur-Klavierkonzert KV 503 Gut zehn Jahre später trafen wir wieder II Andante 10:09 II Largo 10:10 auf dem Matinee-Programm.
    [Show full text]
  • Iberia De Isaac Albéniz: Estudio De Sus Interpretaciones a Través De “El Puerto” En Los Registros Sonoros
    Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros por María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros Autora: María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 A Adrián y Ana Victoria, mis tesoros 4 AGRADECIMIENTOS En primer lugar quiero expresar mi más sincero agradecimiento al doctor Francesc Cortès i Mir por aceptar ser el director de esta tesis, por orientarme en la investigación, y por sus observaciones y correcciones puntuales a este texto. Pero sobre todo, por sus valiosos consejos y sugerencias siempre de manera cordial y abierta que me motivaron a llevar a buen fin esta investigación. Agradezco al doctor Joaquim Rabaseda i Matas su orientación y asesoría al inicio de este trabajo, y a la doctora Montserrat Claveria su apoyo en la tramitación de mi ingreso al doctorado. La realización de mis estudios de doctorado en la Universitat Autònoma de Barcelona fue posible gracias al apoyo de una beca concedida por el Programa de Becas para Estudios en el Extranjero del Fondo Nacional para la Cultura y las Artes (FONCA) en México.
    [Show full text]
  • Orquestra Cadaquéz Biography
    Orquestra de Cadaqués (Jaime Martín) „A truly fascinating musical experience“ (Weserkurier, 06.09.2016) The Cadaqués Orchestra was founded in 1988 on the initiative of a group of young musicians from Spain and other countries in Europe, who wanted to form a classical with certain clear goals: to work closely with living contemporary composers, to recover a legacy of Spanish music that has been unjustly forgoten and to promote the careers of up-and- coming soloists, composers and conductors. With Mediterranean roots but possessing a clearly cosmopolitan orientation, the Cadaqués Orchestra received immediate recognition on the music scene for the quality and commitment of its musicians and the dynamism of its projects. Conductors such as Sir Neville Marriner, Gennady Rozhdestvensky and Philippe Entremont gave their support to the project and became principal guest musicians, as did Alicia de Larrocha, Teresa Berganza, Paco de Lucía, Victòria dels Àngels, Montserrat Caballé, Jonas Kaufmann, Olga Borodina, Juan Diego Florez, Gabriela Montero and Denis Kozhukhin among others. In 1992 one of the orchestra’s most notable initiatives was launched: Cadaqués Orchestra International Conducting Competition, an event, which with the collaboration of other Spanish orchestras opened the doors of the professional market to young conductors from all over the world. Pablo González, Gianandrea Noseda, Vasily Petrenko, Michal Nesterowicz or Lorenzo Vioti have been some of the winners of this competition, who today occupy important conducting posts in renowned orchestras. Gianandrea Noseda, winner of the 1994 Competition, was appointed principal conductor of the Cadaqués Orchestra in 1998, and Jaime Martín, one of the founding members of the orchestra and principal flutist for over twenty years, was appointed chief conductor in 2011.
    [Show full text]
  • Inside the Guide the Guide
    wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT Gripping new drama set in the world of two rival London newspapers BEGINS SUN OCT 6 9:00 PM October 2019 ALSO INSIDE Exploring Music devotes a week to Demons, Spooks, and Other Things That Go Bump in the Night; and wfmt.com shares a rundown of some of the most exciting, strange, and spooky musical events of the season. From the President & CEO The Guide The Member Magazine for WTTW and WFMT Dear Member, Renée Crown Public Media Center Independent, unbiased, and trusted news is essential to a high-functioning 5400 North Saint Louis Avenue Chicago, Illinois 60625 democracy. In that context, WTTW is excited to bring you Press, a new six-part British drama series that explores the turbulent media landscape and the ethical Main Switchboard dilemmas journalists face each day. Join us on Sundays after Durrells in Corfu (773) 583-5000 and Poldark for this story of two rival newspapers struggling to compete in a Member and Viewer Services (773) 509-1111 x 6 24-hour news cycle. Also on WTTW, Check, Please! returns for a 19th season with host Alpana Websites Singh and our citizen reviewers who will take you on a journey of tastes and wttw.com wfmt.com neighborhoods. NOVA explores Why Bridges Collapse; and the new magazine series Retro Report on PBS connects our present with our past. On wttw.com, Publisher move beyond the myths and discover the true story of the infamous Black Sox Anne Gleason scandal on its centennial.
    [Show full text]