DOCSLIB.ORG

Inside the Guide the Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Inside the Guide the Guide wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT Gripping new drama set in the world of two rival London newspapers BEGINS SUN OCT 6 9:00 PM October 2019 ALSO INSIDE Exploring Music devotes a week to Demons, Spooks, and Other Things That Go Bump in the Night; and wfmt.com shares a rundown of some of the most exciting, strange, and spooky musical events of the season. From the President & CEO The Guide The Member Magazine for WTTW and WFMT Dear Member, Renée Crown Public Media Center Independent, unbiased, and trusted news is essential to a high-functioning 5400 North Saint Louis Avenue Chicago, Illinois 60625 democracy. In that context, WTTW is excited to bring you Press, a new six-part British drama series that explores the turbulent media landscape and the ethical Main Switchboard dilemmas journalists face each day. Join us on Sundays after Durrells in Corfu (773) 583-5000 and Poldark for this story of two rival newspapers struggling to compete in a Member and Viewer Services (773) 509-1111 x 6 24-hour news cycle. Also on WTTW, Check, Please! returns for a 19th season with host Alpana Websites Singh and our citizen reviewers who will take you on a journey of tastes and wttw.com wfmt.com neighborhoods. NOVA explores Why Bridges Collapse; and the new magazine series Retro Report on PBS connects our present with our past. On wttw.com, Publisher move beyond the myths and discover the true story of the infamous Black Sox Anne Gleason scandal on its centennial. Also, learn more about government surveillance of Art Director Tom Peth Muslim Americans in Bridgeview from the filmmaker behind POV: The Feeling WTTW Contributors of Being Watched. Julia Maish Lisa Tipton WFMT’s concert series Live from WFMT, hosted by Kerry Frumkin, returns to WFMT Contributors Monday evenings with guests that include Chicago Symphony concertmaster Andrea Lamoreaux David Polk Robert Chen and pianist Matthew Hagle. For Halloween, Chicago Tribune film Distribution Manager critic Michael Phillips samples music composed for scary movies; Exploring Pat Sheppard Music devotes a week to Demons, Spooks, and Other Things That Go Bump in the Night; and wfmt.com shares a rundown of some of the most exciting, strange, Advertising Sales and spooky musical events of the season, along with interviews, previews, WTTW Douglas Carleton and Facebook Lives with performers from some of the finest music and arts (773) 279-2128 organizations across the city. WFMT Alexander Stonor Saunders As the temperatures cool and fall settles in, WTTW and WFMT are grateful for (773) 509-5357 your support. Sincerely, The Guide: The Member Magazine for WTTW and WFMT (ISSN 2329-1338) Sandra Cordova Micek October 2019 Volume 34, Number 257 President & CEO The Guide: The Member Magazine for WTTW and WFMT is published monthly (for contributors of $40 or more annually) by Window To The World Communications, Inc., 5400 North Saint Louis Ave., Chicago, IL Inside the Guide 60625-4698. Periodical postage paid at Chicago, IL and additional mailing offices. 3 Member Connections 14 Multi-Channel Primetime Grid 4 Member Perks 17 Do it Yourself Saturdays POSTMASTER: Send address 5 WTTW11 Listings 19 At-a-Glance changes to The Guide: The Member 6 WTTW Multicast Channel Highlights 20 WFMT Listings Magazine for WTTW and WFMT, 5400 North Saint Louis Ave., 8 WTTW Kid Grid 31 Sponsors Chicago, IL 60625-4698. Copyright 2018, Window To The World ON THE COVER: Ben Chaplin (Apple Tree Yard, The Thin Red Line) in Press. Photo: Courtesy of Robert Communications, Inc., Chicago, IL. Viglasky/BBC Studios 2017 for MASTERPIECE and BBC One 2 OCTOBER 2019 MEMBER CONNECTIONS Dame Myra Hess Memorial Concerts Stage Players – Screening Join WFMT each Wednesday for the Dame Myra Hess WHAT and Discussion Memorial Concerts, live from Preston Bradley Hall in the Dame Myra Hess Chicago Cultural Center. Featured artists this month are pia- Memorial Concerts nists Hélène Tysman and Lucas Krupinski, Merz Trio, soprano WHERE Kristina Bachrach Chicago Cultural Center, with pianist Daniel Preston Bradley Hall Anastasio, and 78 E. Washington Street Photo: Michael Brosilow clarinetist Sam in Chicago Boutris with pia- nist Hilda Huang. WHEN Wednesdays, 12:15 pm Performances take Photo: Courtesy of artist’s website Photo: Courtesy of artist’s place beneath the world’s largest Tiffany-domed ceiling, part of a landmark build- ing that originally housed the Chicago Public Library. The series Sam Boutris is named for British pianist Myra Hess, who organized free lunchtime concerts for Londoners during World War II, in the years of nightly air raids. These are free events; for information, please visit wfmt.com. Timothy Edward Kane in An Iliad, Court Theatre POV: Brimstone & Glory – Screening In observance of Hispanic Heritage Month, The Chicago WHAT Stage Players – Screening and Discussion Public Library, in association with POV and WTTW, presents a free screening of POV: Brimstone & Glory. The annual WHERE National Pyrotechnic Festival in Tultepec, Mexico celebrates Chicago Cultural Center San Juan de Dios, Claudia Cassidy Theatre patron saint of 78 E. Washington Street WHAT in Chicago POV: Brimstone & Glory – firework makers, Screening and the local resi- WHEN dents who work in Saturday, October 12, 2:00 pm WHERE pyrotechnics. This Chicago Public Library film honors the Beverly Branch spirit of Tultepec’s 1962 W. 95th Street WTTW and the Department of Cultural Affairs community, and Photo: Anastasia Coyto; Courtesy of Department Motion Pictures in Chicago and Special Events present a free screening and showcases their Children at the festival discussion of WTTW’s new digital series Stage WHEN virtuosity as they Players. Thursday, October 10, 1:30 pm create their own combustibles and larger-than-life papi- Chicago’s powerful, diverse, and ever-expand- er-mâché bulls for the parade. ing theatre scene is justly famous, and an integral This is a free event; RSVP is required. For more information, please visit wttw.com/events. part of the city’s cultural life. From Steppenwolf to Lookingglass, from the Goodman to the Den, from Albany Park Theater Project to the Black Ensemble Daniel Tiger’s Neighborhood: Be My Neighbor Day Theater, the Windy City’s close-knit theatrical Join WTTW, Fred Rogers Productions, PNC Grow Up Great, and the Garfield Park Conservatory in community is inextricably linked to the city’s arts welcoming Daniel Tiger and his friend Katerina Kittycat from the WTTW Kids series Daniel Tiger’s identity. The new series from WTTW Digital, Stage Neighborhood for Be My Neighbor Day! At this fun-filled Players, shines a well-deserved spotlight on some GRRR-ific event for of our town’s actors, architects, playwrights, cho- kids and families, WHAT reographers, ushers, stage managers, patrons, and Daniel Tiger’s Neighborhood: meet Daniel and others who have various roles to play on, behind, Be My Neighbor Day Katerina in person and around our city’s stages. and participate in WHERE A panel discussion will follow a screening of activities designed Garfield Park Conservatory excerpts from the series, with WTTW producer to bring out the 300 North Central Park Avenue Daniel Andries; Coya Paz, Artistic Director of Free caring neighbor in in Chicago Street Theater; Collette Pollard, scenic designer all of us. This spe- and company member of The House Theatre Photo: © 2019 The Fred Rogers Company Photo: © 2019 The Fred WHEN cial day focuses on Saturday, October 12, 10:30 am Company of Chicago; Henry Godinez, actor and Daniel Tiger the importance of professor at Northwestern University’s Department neighborhoods, of Theatre; and Derrick Sanders, director and what children can learn from their community, and how basic values such as kindness and forgiveness can co-founder of Congo Square Theatre Company. make a difference in life. This is a free event; please RSVP. For more infor- This is a free event; please RSVP. For more information, please visit wttw.com/events. mation, please visit wttw.com/events. 2019 OCTOBER 3 MEMBER PERKS 2-for-1 Tickets to The Saint Sebastian Players’ Our Town The Saint Sebastian Players open their 39th season with the Pulitzer Prize-winning 1938 classic play Our Town by Thornton Wilder, directed by SSP com- pany member Jim Masini. This touching minimalist drama, performed without a set on a mostly bare stage, is a microcosm of the life cycle – focusing on the everyday lives of the citizens of the fictional Photo: Cornelia Babbitt Photography American small town of Grover’s Corners in the years between 1901 and 1913. Performances are October 25 through November 17, Fridays and Saturdays at 7:30 pm and Sundays at The Orion Ensemble 2:00 pm at St. Bonaventure, 1625 W. Diversey Avenue, just west of Ashland at Marshfield, in Chicago. Free parking is available in two lots. WTTW members may purchase two full-price tickets for the price of 2-for-1 Tickets to one, subject to availability, by emailing [email protected] and mentioning WTTW. The Orion Ensemble’s For information, visit saintsebastianplayers.org. Beethoven Birthday Tribute The Orion Ensemble’s first concert program of the season celebrates Ludwig van Beethoven’s $10 Off Tickets to 250th birthday with his Serenade in D Major for Porchlight Music Theatre’s string trio, Op. 8. Also on the program are three piano-focused works by Lili Boulanger – Cortège Photo: Joe Mazza Sunset Boulevard (1914) for solo piano, D’un soir triste (1918) for Porchlight Music Theatre presents Andrew piano trio, and D’un matin de printemps (1918) for Lloyd Webber’s Sunset Boulevard. When impover- violin and piano; Louise Talma’s Alleluia in Form ished screenwriter Joe Gillis, pursued by debt of Toccata (1947) for piano; and Josef Labor’s collectors, stumbles into the reclusive domain of Quintet in D Major for clarinet, strings, and piano, faded silent film star Norma Desmond, it leads to Op.
Load more

Recommended publications
  • A Comparison of the Piano and Guitar Versions of Isaac Albéniz's Spanish Suite Op
    A COMPARISON OF THE PIANO AND GUITAR VERSIONS OF ISAAC ALBÉNIZ'S SPANISH SUITE OP. 47 by YI-YIN CHIEN A LECTURE-DOCUMENT Presented to the School of Music and Dance of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Musical Arts November 2016 2 “A Comparison of the Piano and Guitar Versions of Isaac Albéniz’s Spanish Suite, Op. 47’’ a document prepared by Yi-Yin Chien in partial fulfillment of the requirements for the Doctor of Musical Arts degree in the School of Music and Dance. This document has been approved and accepted by: Jack Boss, Chair of the Examining Committee Date: November 20th, 2016 Committee in Charge: Dr. Jack Boss, Chair Dr. Juan Eduardo Wolf Dr. Dean Kramer Accepted by: Director of Graduate Studies, School of Music and Dance © 2016 Yi-Yin Chien 3 CURRICULUM VITAE NAME OF AUTHOR: Yi-Yin Chien PLACE OF BIRTH: Taiwan DATE OF BIRTH: November 02, 1986 GRADUATE AND UNDERGRADUATE SCHOOLS ATTENDED: University of Oregon, School of Music and Dance Peabody Institute of the Johns Hopkins University Tainan National University of Arts DEGREES AWARDED: Doctor of Musical Arts, 2016, University of Oregon Master of Music, 2011, Peabody Institute of the Johns Hopkins University Bachelor of Music, 2009, Tainan National University of Arts AREAS OF SPECIAL INTEREST: Piano Pedagogy Music Theory PROFESSIONAL EXPERIENCE: College Piano Teaching, University of Oregon, School of Music and Dance, 09/2014 - 06/2015 Taught piano lessons for music major and non-major college students Graduate Teaching
    [Show full text]
  • Sir John Eliot Gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:Q L’Istesso Tempo— Con Moto Elgar in the South (Alassio), Op
    Program OnE HundrEd TwEnTIETH SEASOn Chicago Symphony orchestra riccardo muti Music director Pierre Boulez Helen regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, January 20, 2011, at 8:00 Saturday, January 22, 2011, at 8:00 Sir John Eliot gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:q L’istesso tempo— Con moto Elgar In the South (Alassio), Op. 50 IntErmISSIon Bartók Concerto for Orchestra Introduzione: Andante non troppo—Allegro vivace Giuoco delle coppie: Allegro scherzando Elegia: Andante non troppo Intermezzo interrotto: Allegretto Finale: Presto Steinway is the official piano of the Chicago Symphony Orchestra. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEntS by PHILLIP HuSCHEr Igor Stravinsky Born June 18, 1882, Oranienbaum, Russia. Died April 6, 1971, New York City. Symphony in three movements o composer has given us more Stravinsky is again playing word Nperspectives on a “symphony” games. (And, perhaps, as has than Stravinsky. He wrote a sym- been suggested, he used the term phony at the very beginning of his partly to placate his publisher, who career (it’s his op. 1), but Stravinsky reminded him, after the score was quickly became famous as the finished, that he had been com- composer of three ballet scores missioned to write a symphony.) (Petrushka, The Firebird, and The Rite Then, at last, a true symphony: in of Spring), and he spent the next few 1938, Mrs. Robert Woods Bliss, years composing for the theater and together with Mrs.
    [Show full text]
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Family-Memoirs – About Strategies of Creating Identity in Vienna of the 1940S
    Family-Memoirs – About strategies of creating identity in Vienna of the 1940s. By example of the family of Ludwig Wittgenstein. Nicole L. Immler, University of Graz My talk will be about one of the most quoted sources concerning the biography of the well known austrian philosopher Ludwig Wittgenstein, who studied philosophy in Cambridge and later became professor of philosophy at Trinity- College: The family memoirs written by Hermine Wittgenstein, the sister of the philosopher, in the years 1944–49 in Vienna.1 The Typescript is so far unpublished, with the exception of the section concerning Ludwig Wittgenstein 2, and was never contextualised as a whole. To use the Familienerinnerungen as a historical source it‘s f i r s t l y necessary to picture the relevance of family memoirs from the perspective of recent theories about memory culture. S e c o n d l y it is to ask about the general historical background of the literary genre family memoirs as such, about the intentions and functions of this genre as well as its origin. Specifically related to the Wittgenstein memoirs I want to follow the thesis, if they can be read as an example of a strategy to create identity for a bourgeois family in Vienna in the nineteenforties. Finally and f o u r t h y, I want to ‚proof- read‘ one argument made by Hermine Wittgenstein by comparing it to arguments of Ludwig Wittgenstein in his writings. Owing to their differences in living conditions, character and experiences, they have different approaches towards a geographical and emotional concept of home.
    [Show full text]
  • Shostakovich (1906-1975)
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No.
    [Show full text]
  • Symphonies. Fa Majeur. No 6. Op. 68
    1/22 Data Symphonies. Fa majeur. No 6. Op. 68 Ludwig van Beethoven (1770-1827) Genre ou forme de l’œuvre : Œuvres musicales Date 1808 Fin de création : Note : Dédicace au prince Franz Joseph von Lobkowitz et au comte Andreas von Rasumowsky. - Date de composition : été 1807 - juin 1808. - 1re exécution : Vienne, Theater an der Wien, 22 décembre 1808. - 1re éd. : Leipzig : Breitkopf & Härtel, 1809 Domaines : Musique Autres formes du titre : Symphonie pastorale (français) Sinfonia pastorale (italien) Pastorale : Symphonie (français) Détails du contenu (2 ressources dans data.bnf.fr) Contenu dans (1) Symphonies , Ludwig van Beethoven (1801) (1770-1827) Voir l'œuvre musicale (1) Transcriptions. Piano. LW , Franz Liszt (1811-1886) A37c, no 6. Symphonie no 6, op. 68. Beethoven, Ludwig van (1863) data.bnf.fr 2/22 Data Éditions de Symphonies. Fa majeur. No 6. Op. 68 (504 ressources dans data.bnf.fr) Enregistrements (413) Symphonie n ° 6 , Ludwig van Beethoven SYMPHONIE PASTORALE N , Ludwig van Beethoven "Pastorale" en fa majeur (1770-1827), S.l. : s.n. , s.d. °6 EN FA MAJEUR OP. 68 (1770-1827), S.l. : s.n. , s.d. opus 68 SYMPHONIE N °6 OP. 68 , Ludwig van Beethoven SYMPHONIE N °6 , Ludwig van Beethoven (PASTORALE) (1770-1827), S.l. : s.n. , s.d. "PASTORALE" EN LA (1770-1827), S.l. : s.n. , s.d. MAJEUR OP. 68 extrait : SYMPHONIE N °5 , Ludwig van Beethoven SYMPHONIE N °6 EN FA , Ludwig van Beethoven "LE DESTIN" EN UT MINEUR (1770-1827), S.l. : s.n. , s.d. MAJEUR OP. 68, (1770-1827), S.l. : s.n.
    [Show full text]
  • Xamsecly942339z3 CD BRIL 94233 Ç|Xamsecly923987z3 CD
    Catalogo 2015 Durata: 72:56 Durata: 46:30 Confezione: Jewel Box 1 CD BRIL 94304 Confezione: Jewel Box 1 CD BRIL 9294 Economico Economico Distribuzione Italiana 13/03/2012 Distribuzione Italiana 27/11/2012 Genere: Classica Orchestrale Genere: Classica da camera Ç|xAMSECLy943046z Ç|xAMTDGPy929424z KARL FRIEDRICH ABEL GIOVANNI ALBINI Musica per flauto e archi (integrale) Musica ciclica Corale n.4, Una teoria della prossimità, Corali n.27 e n.41, Estatica, Quartetto GEORGIA BROWNE fl per archi n.5, Quartetto per archi n.6 'Solo per grado congiunto'; Quartetto per Nordic Affect archi n.7 'Corale' Durata: 66:45 FABIO MUREDDU vc Confezione: Jewel Box 1 CD BRIL 94354 Economico Davide Alogna, violino; Giorgio Mirto, chitarra; Duo Bonfanti; Quartetto Indaco; Distribuzione Italiana 23/08/2012 Le Cameriste Ambrosiane, Dario Garegnani Genere: Classica Balletto Durata: 36:52 Confezione: Jewel Box 1 CD BRIL 95072 Economico Ç|xAMSECLy943541z Distribuzione Italiana 09/10/2014 ADOLPHE ADAM Genere: Musica Sacra Giselle (estratti) Ç|xAMSECLy950723z GIOVANNI ALBINI Registrazioni: Londra, 21-23 novembre 1994 Musica Sacra NEVILLE MARRINER Dir. Academy of St. Martin in the Fields Durata: 222:21 Pange lingua per coro (2014); Missa Prima per coro (2012); Testamento Confezione: Jewel Box 3 CD BRIL 94233 Economico Spirituale per quartetto di fiati (2013); Preghiera per trio di flauti dolci (2014) Distribuzione Italiana 01/01/2005 INGRID PUSTIJANAC Dir. Genere: Classica Orchestrale Coro della Facoltà di Musicologia di Cremona, 15.19 ensemble; Il Giardino delle Muse Ç|xAMSECLy942339z Durata: 165:23 Confezione: Jewel Box 3 CD BRIL 92791 JEHAN ALAIN Economico Integrale delle opere per organo Distribuzione Italiana 01/01/2005 Genere: Classica da camera Ç|xAMSECLy927916z JEAN-BAPTISTE ROBIN org TOMASO GIOVANNI ALBINONI Jehan Alain, organo; Choeur et Orchestre de la Synagogue rue Integrale dei Concerti per oboe Notre-Dame-de-Nazareth Durata: 219:56 Confezione: Jewel Box 3 CD BRIL 92398 Economico Registrazioni: 2005 Distribuzione Italiana 01/01/2005 NICOL MATT Dir.
    [Show full text]
  • Kurt Masur | Dirigent Helen Huang | Klavier – Er- E N
    Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 1 (Schw 2009|2010 139 . SPIELZEIT DAS ORCHESTER DER LANDESHAUPTSTADT137. SPIELZEIT Sonderkonzert SCHUMANN · SCHOSTAKOWITSCH · TSCHAIKOWSKI Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 2 (Schw BmW nlssg ds ds BmW 3 Cb f f freude hat immer SaiSon. Gönnen Sie sich dieses einzigartige Fahrerlebnis – zu jeder Jahreszeit. Das neue BMW 3er Cabrio* ist Open Air Feeling pur. Und das versenkbare Hardtop garantiert Fahrfreude pur – dasganzeJahr!Ohneaufetwaszuverzichten.DennderKoffer- raum bietet überraschend viel Raum für Ihr Urlaubsgepäck, Ihre Skiausrüstung oder Ihr Golfbag. Und durch die umlegbare Rücksitzlehne lässt sich die Ladefäche zusätzlich erweitern. Genießen Sie das Erlebnis BMW Cabrio im exklusiven Design. Jetzt in Ihrer BMW Niederlassung Dresden. freude iSt daS neue BmW 3 Cb . BmW e fc dy cs Wg e ss . m f . * Kraftstoffverbrauch kombiniert 5,1 – 8,8l/100km, CO2 135 – 205 g/km.. Dohnaer Str. 99 - 101 01219 Dresden Telefon 0351 2852-600 Telefax 0351 2852-592 BmW nlssg ds www.b w-s. Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 3 (Schw 3 f Samstag, 29. Mai 2010 19.30 Uhr Sonntag, 30. Mai 2010 19.30 Uhr Festsaal im Kulturpalast Sonderkonzert IM RAHMEN DER DRESDNER MUSIKFESTSPIELE n. Kurt Masur | Dirigent Helen Huang | Klavier – er- e n. KLAVIERPFLEGE: GERT GÄBLER, KLAVIER- UND CEMBALOBAUER Die Dresdner Philharmonie ist Mitglied im Deutschen Bühnenverein Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 4 (Schw 4 Ilustration von Gustave Doré zu Lord Byrons dramatischem Gedicht »Manfred« Progr_SKMasur_29.+30.5.2010 17.05.2010 16:56 Uhr Seite 5 (Schw 5 Programm Robert Schumann (1810 –1856) Manfred-Ouvertüre op.115 Dmitri Schostakowitsch (1906 –1975) Konzert für Klavier und Orchester Nr.
    [Show full text]
  • From King Records Month 2018
    King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 110, 1990-1991, Subscription
    &Bmm HHH 110th Season 19 9 0-91 Boston Symphony Orchestra Seiji Ozawa, Music Director 90th Anniversary of Symphony Hall m<K Only The few will own an aldemars. Only the few will seek the exclusivity that comes with owning an Audemars Piguet. Only the few will recognize wn more than a century of technical in- f\Y novation; today, that innovation is reflected in our ultra-thin mech- Memars Piguet anical movements, the sophistica- tion of our perpetual calendars, and more recently, our dramatic new watch with dual time zones. Only the few will appreciate The CEO Collection which includes a unique selection of the finest Swiss watches man can create. Audemars Piguet makes only a limited number of watches each year. But then, that's something only the few will understand. SHREVECRUMP &LOW JEWELERS SINCE 1800 330BOYLSTON ST., BOSTON, MASS. 02116 (617) 267-9100 • 1-800-225-7088 THE MALL AT CHESTNUT HILL • SOUTH SHORE PLAZA Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A.
    [Show full text]
  • Leonard Bernstein's Piano Music: a Comparative Study of Selected Works
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 Leonard Bernstein's Piano Music: A Comparative Study of Selected Works Leann Osterkamp The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2572 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEONARD BERNSTEIN’S PIANO MUSIC: A COMPARATIVE STUDY OF SELECTED WORKS by LEANN OSTERKAMP A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2018 ©2018 LEANN OSTERKAMP All Rights Reserved ii Leonard Bernstein’s Piano Music: A Comparative Study of Selected Works by Leann Osterkamp This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Musical Arts. Date Ursula Oppens Chair of Examining Committee Date Norman Carey Executive Director Supervisory Committee Dr. Jeffrey Taylor, Advisor Dr. Philip Lambert, First Reader Michael Barrett, Second Reader THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Leonard Bernstein’s Piano Music: A Comparative Study of Selected Works by Leann Osterkamp Advisor: Dr. Jeffrey Taylor Much of Leonard Bernstein’s piano music is incorporated in his orchestral and theatrical works. The comparison and understanding of how the piano works relate to the orchestral manifestations validates the independence of the piano works, provides new insights into Bernstein’s compositional process, and presents several significant issues of notation and interpretation that can influence the performance practice of both musical versions.
    [Show full text]
  • "Isabelle Faust Is Praised for Her Phenomenal Bowing Technique, Her Constant Search for Meaning And, Above All, for the Freshness She Brings to Any Repertoire
    "Isabelle Faust is praised for her phenomenal bowing technique, her constant search for meaning and, above all, for the freshness she brings to any repertoire. ,It’s as if I'd never heard the piece before‘ is a frequent comment from reviewers." Amanda Holloway, The Strad, January 2019 ISABELLE FAUST VIOLIN Biography Isabelle Faust captivates her audience with her compelling interpretations. She dives deep into every piece considering the musical historical context, historically appropriate instruments and the greatest possible authenticity according to a contemporary state of knowledge. Thus, she manages to constantly illuminate and passionately perform the repertoire of a wide variety of composers. After winning the renowned Leopold Mozart Competition and the Paganini Competition at a very young age, she soon gave regular performances with the world’s major orchestras including the Berlin Philharmonic Orchestra, the Boston Symphony Orchestra, the NHK Symphony Orchestra Tokyo, the Chamber Orchestra of Europe and the Baroque Orchestra Freiburg. This led to close and sustained cooperation with conductors like Claudio Abbado, Giovanni Antonini, Frans Brüggen, Sir John Eliot Gardiner, Bernard Haitink, Daniel Harding, Philippe Herreweghe, Andris Nelsons and Robin Ticciati. Isabelle Faust’s vast artistic curosity includes all eras and forms of instrumental cooperation. Thus she never considers music as an end in itself but rather advances the piece’s essence in a devoted, subtle and conscientious way. In addition to big symphonic violin concertos this includes for instance Schubert’s octet with historical instruments as well as György Kurtág’s "Kafka Fragments" with Anna Prohaska or Igor Stravinsky’s "L’Histoire du Soldat" with Dominique Horwitz.
    [Show full text]