The Transformation of Zoroastrian Messianism in Mughal India
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Electrum Vol 22 2 Łam.Indd 227 2015-12-22 13:47:12 228 NIKOLAUS SCHINDEL
ELECTRUM * Vol. 22 (2015): 227–248 doi: 10.4467/20800909EL.15.012.3950 www.ejournals.eu/electrum SAKASTAN IN THE FOURTH AND FIFTH CENTURY AD. SOME HISTORICAL REMARKS BASED ON THE NUMISMATIC EVIDENCE Nikolaus Schindel Österreichische Akademie der Wissenschaften, Wien* Abstract: This article discusses the Sasanian coinage from the region of Sakastan during the latter part of the 4th and the 5th century AD. Only through a comprehensive collection of material and a detailed re-evaluation of already examined coins was it possible to reconstruct a continuous se- ries of Sakastan coins stretching from Ardashir II (379–383) to Wahram V (420–438). The impli- cations of this numismatic evidence for our understanding of the history of Sakastan in this period are discussed in some detail, also taking into account further numismatic data from Eastern Iran. Key words: Sasanian history, Sasanian numismatics, Sakastan, Eastern Iran. Introduction Having already dealt with the Sasanian mints in Khurasan during the 5th century,1 a clos- er look at the neighbouring region of Sakastan not only completes the picture, but also – as I hope to be able to show – adds to the larger picture of Iranian and Eastern Iranian history in several respects. To separate the material presentation which, as it is, rests on a safe (even if small) material basis, represented by Sasanian coins, from the necessarily more hypothetical historical conclusions, I will fi rst present and discuss the numismatic material available to me, and then consider what we can learn from it for our knowledge of Eastern Iran in the 4th and 5th centuries AD. -
Maria Macuch and Iranian Studies
Maria Macuch and Iranian Studies Almut Hintze Maria Macuch is the daughter of the semitist Rudolf Macuch and Iran- dokht Shaghaghi.1 Her parents met during the years 1945−1947 when students in Paris, where Rudolf studied Arabic and Semitic languages, and Irandokht Hygiene at the Faculty of Medicine. Soon after their marriage on 31 March 1949 in Bratislava they transferred to Iran, and Maria was born in 1 January 1950 in Tehran, where she spent the first six years of her life. In 1956 Rudolf Macuch received an invitation from Lady Drower to work with her on the Mandaic Dictionary at the Oriental Institute in Oxford and the family moved there in October of the same year. Maria remembers this trip as the most exciting journey of her life, travelling by train from Tehran via Turkey across the European continent and a stormy English channel (Macuch 2008 a, p. 13). In Oxford Maria went to the SS Philip and James’ Church of England Primary School, and her mother converted to Christianity. Life in Oxford has made an abiding impression on Maria, and she never misses an opportunity to visit the city where she spent two very happy years of her childhood. After Rudolf Macuch’s fellowship had come to an end, and since life in Iran seemed undesirable for a Christian convert, the small family moved to Windsor, Canada in 1958 and Maria’s father took up the position of a vicar. His dream of a uni- versity career eventually came true when he was invited to the Chair of Semitic and Arabic Studies at the Freie Universität Berlin. -
The Last Empire of Iran by Michael R.J
The Last Empire of Iran By Michael R.J. Bonner In 330 BCE, Alexander the Great destroyed the Persian imperial capital at Persepolis. This was the end of the world’s first great international empire. The ancient imperial traditions of the Near East had culminated in the rule of the Persian king Cyrus the Great. He and his successors united nearly all the civilised people of western Eurasia into a single state stretching, at its height, from Egypt to India. This state perished in the flames of Persepolis, but the dream of world empire never died. The Macedonian conquerors were gradually overthrown and replaced by a loose assemblage of Iranian kingdoms. The so-called Parthian Empire was a decentralised and disorderly state, but it bound together much of the sedentary Near East for about 500 years. When this empire fell in its turn, Iran got a new leader and new empire with a vengeance. The third and last pre-Islamic Iranian empire was ruled by the Sasanian dynasty from the 220s to 651 CE. Map of the Sasanian Empire. Silver coin of Ardashir I, struck at the Hamadan mint. (https://commons.wikimedia.org/wiki/File:Silver_coin_of_Ardashir_I,_struck_at_the_Hamadan _mint.jpg) The Last Empire of Iran. This period was arguably the heyday of ancient Iran – a time when Iranian military power nearly conquered the eastern Roman Empire, and when Persian culture reached its apogee before the coming of Islam. The founder of the Sasamian dynasty was Ardashir I who claimed descent from a mysterious ancestor called Sasan. Ardashir was the governor of Fars, a province in southern Iran, in the twilight days of the Parthian Empire. -
Iconological Study of “Rustam in Struggle with Div-E Sepid” in Tilework of Karim Khan-E Zand Citadel Portal in Shiraz Based on Erwin Panofsky Method Ali Asadpour*1
Bagh-e Nazar, 17(86), 33-46 /Aug. 2020 DOI: 10.22034/bagh.2019.185313.4105 Persian translation of this paper entitled: مطالعۀ شمایل شناسانۀ نبرد »رستم و دیو سپید« در کاشی نگارۀ سردر ارگ کریمخان شیراز به روش »اروین پانوفسکی« is also published in this issue of journal. Iconological Study of “Rustam in Struggle with Div-e Sepid” in Tilework of Karim Khan-e Zand Citadel Portal in Shiraz Based on Erwin Panofsky Method Ali Asadpour*1 1. Assistant Professor, Interior Architecture Department, Shiraz University of Arts, Shiraz, Iran. Received: 11/05/2019 ; revised: 14/10/2019 ; accepted: 19/10/2019 ; available online: 22/07/2020 Abstract Problem Statement: The “Rustam and Div-e Sepid (White Demon)” tilework painting on the Karim Khan citadel (Arg) is one of the Qajarian’s interventions into this Zandian’s building. In addition to its artistic features, this work has a special social and governmental significance. However, it has received less attention from researchers. A new interpretation of it could provide a deeper understanding of the developments of the Zandian’s complex at Qajar era. The research is based on the hypotheses that this tilework in spite of its artistic role -in keeping with the Iranian tradition of illustrating the struggle of Rustam and Div-e Sepid in the art- also has non-artistic (political and governmental) functions. Research objective: The aim of the research is to recognize the content and conceptual aspects of this neglected tilework in its historical and social context and to identify its political and governmental functions in the Karim Khan citadel (Arg). -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
The Calendars of India
The Calendars of India By Vinod K. Mishra, Ph.D. 1 Preface. 4 1. Introduction 5 2. Basic Astronomy behind the Calendars 8 2.1 Different Kinds of Days 8 2.2 Different Kinds of Months 9 2.2.1 Synodic Month 9 2.2.2 Sidereal Month 11 2.2.3 Anomalistic Month 12 2.2.4 Draconic Month 13 2.2.5 Tropical Month 15 2.2.6 Other Lunar Periodicities 15 2.3 Different Kinds of Years 16 2.3.1 Lunar Year 17 2.3.2 Tropical Year 18 2.3.3 Siderial Year 19 2.3.4 Anomalistic Year 19 2.4 Precession of Equinoxes 19 2.5 Nutation 21 2.6 Planetary Motions 22 3. Types of Calendars 22 3.1 Lunar Calendar: Structure 23 3.2 Lunar Calendar: Example 24 3.3 Solar Calendar: Structure 26 3.4 Solar Calendar: Examples 27 3.4.1 Julian Calendar 27 3.4.2 Gregorian Calendar 28 3.4.3 Pre-Islamic Egyptian Calendar 30 3.4.4 Iranian Calendar 31 3.5 Lunisolar calendars: Structure 32 3.5.1 Method of Cycles 32 3.5.2 Improvements over Metonic Cycle 34 3.5.3 A Mathematical Model for Intercalation 34 3.5.3 Intercalation in India 35 3.6 Lunisolar Calendars: Examples 36 3.6.1 Chinese Lunisolar Year 36 3.6.2 Pre-Christian Greek Lunisolar Year 37 3.6.3 Jewish Lunisolar Year 38 3.7 Non-Astronomical Calendars 38 4. Indian Calendars 42 4.1 Traditional (Siderial Solar) 42 4.2 National Reformed (Tropical Solar) 49 4.3 The Nānakshāhī Calendar (Tropical Solar) 51 4.5 Traditional Lunisolar Year 52 4.5 Traditional Lunisolar Year (vaisnava) 58 5. -
FEZANA Journal Do Not Necessarily Reflect the Feroza Fitch of Views of FEZANA Or Members of This Publication's Editorial Board
FEZANA FEZANA JOURNAL ZEMESTAN 1379 AY 3748 ZRE VOL. 24, NO. 4 WINTER/DECEMBER 2010 G WINTER/DECEMBER 2010 JOURJO N AL Dae – Behman – Spendarmad 1379 AY (Fasli) G Amordad – Shehrever – Meher 1380 AY (Shenshai) G Shehrever – Meher – Avan 1380 AY (Kadimi) CELEBRATING 1000 YEARS Ferdowsi’s Shahnameh: The Soul of Iran HAPPY NEW YEAR 2011 Also Inside: Earliest surviving manuscripts Sorabji Pochkhanawala: India’s greatest banker Obama questioned by Zoroastrian students U.S. Presidential Executive Mission PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 24 No 4 Winter / December 2010 Zemestan 1379 AY 3748 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistant: Coomi Gazdar Dolly Dastoor Assistant to Editor: Dinyar Patel Consultant Editor: Lylah M. Alphonse, [email protected] 6 Financial Report Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info Cover design: Feroza Fitch, 8 FEZANA UPDATE-World Youth Congress [email protected] Publications Chair: Behram Pastakia Columnists: Hoshang Shroff: [email protected] Shazneen Rabadi Gandhi : [email protected] 12 SHAHNAMEH-the Soul of Iran Yezdi Godiwalla: [email protected] Behram Panthaki::[email protected] Behram Pastakia: [email protected] Mahrukh Motafram: [email protected] 50 IN THE NEWS Copy editors: R Mehta, V Canteenwalla Subscription Managers: Arnavaz Sethna: [email protected]; -
Summer/June 2014
AMORDAD – SHEHREVER- MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA TABESTAN 1383 AY 3752 Z VOL. 28, No 2 SUMMER/JUNE 2014 ● SUMMER/JUNE 2014 Tir–Amordad–ShehreverJOUR 1383 AY (Fasli) • Behman–Spendarmad 1383 AY Fravardin 1384 (Shenshai) •N Spendarmad 1383 AY Fravardin–ArdibeheshtAL 1384 AY (Kadimi) Zoroastrians of Central Asia PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Copyright ©2014 Federation of Zoroastrian Associations of North America • • With 'Best Compfiments from rrhe Incorporated fJTustees of the Zoroastrian Charity :Funds of :J{ongl(pnffi Canton & Macao • • PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 28 No 2 June / Summer 2014, Tabestan 1383 AY 3752 Z 92 Zoroastrianism and 90 The Death of Iranian Religions in Yazdegerd III at Merv Ancient Armenia 15 Was Central Asia the Ancient Home of 74 Letters from Sogdian the Aryan Nation & Zoroastrians at the Zoroastrian Religion ? Eastern Crosssroads 02 Editorials 42 Some Reflections on Furniture Of Sogdians And Zoroastrianism in Sogdiana Other Central Asians In 11 FEZANA AGM 2014 - Seattle and Bactria China 13 Zoroastrians of Central 49 Understanding Central 78 Kazakhstan Interfaith Asia Genesis of This Issue Asian Zoroastrianism Activities: Zoroastrian Through Sogdian Art Forms 22 Evidence from Archeology Participation and Art 55 Iranian Themes in the 80 Balkh: The Holy Land Afrasyab Paintings in the 31 Parthian Zoroastrians at Hall of Ambassadors 87 Is There A Zoroastrian Nisa Revival In Present Day 61 The Zoroastrain Bone Tajikistan? 34 "Zoroastrian Traces" In Boxes of Chorasmia and Two Ancient Sites In Sogdiana 98 Treasures of the Silk Road Bactria And Sogdiana: Takhti Sangin And Sarazm 66 Zoroastrian Funerary 102 Personal Profile Beliefs And Practices As Shown On The Tomb 104 Books and Arts Editor in Chief: Dolly Dastoor, editor(@)fezana.org AMORDAD SHEHREVER MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA Technical Assistant: Coomi Gazdar TABESTAN 1383 AY 3752 Z VOL. -
On Pāzand: Philological Comparison with Pahlavi Hamid Moein a Thesis
On Pāzand: Philological comparison with Pahlavi Hamid Moein A Thesis in the Special Individualized Program Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (SIP - Classics, Language, and Literature) at Concordia University Montreal, Quebec, Canada August 2012 © Hamid Moein, 2012 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Hamid Moein Entitled: On Pāzand: Philological comparison with Pahlavi. and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Historical Linguistics) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ______________________________ Chair Bradley Nelson _______________________________ Examiner Charles Reiss _______________________________ Examiner Madelyn Kissock _______________________________ Supervisor Mark Hale Approved by _______________________________________________ Chair of Department or Graduate Program Director _______ 2013 _______________________________ Dean of Faculty Table of Contents Abstract.........................................................................................................................................................i Acknowledgement………………………………………………………………………………………………………………………………….iii List of Pahlavi and Pāzand (Avestan) characters.......................................................................................... iv Introduction to Pāzand -
The Symbolism of Bahram Gor‟S Dragon-Slaying in Haft Peykar and the Story‟S Reflection in Kamāl Ud-Dīn Behzād‟S Paintings
THE SYMBOLISM OF BAHRAM GOR’S DRAGON-SLAYING IN HAFT PEYKAR AND THE STORY’S REFLECTION IN KAMĀL UD-DĪN BEHZĀD’S PAINTINGS PJAEE, 17 (5) (2020) THE SYMBOLISM OF BAHRAM GOR‟S DRAGON-SLAYING IN HAFT PEYKAR AND THE STORY‟S REFLECTION IN KAMĀL UD-DĪN BEHZĀD‟S PAINTINGS Atefeh Garoossi1*, Mina Sadri2 1*Master Student of Persian Painting, Visual Arts Faculty, Tehran University, Tehran, Iran. 2Assistant Professor, Painting & Sculpture Department, Visual Arts Faculty, Tehran, University, Tehran Iran. Corresponding Author: 1*[email protected] Atefeh Garoossi, Mina Sadri. The Symbolism of Bahram Gor’s Dragon-slaying in Haft Peykar and the Story’s Reflection in Kamāl Ud-dīn Behzād’s Paintings-- Palarch’s Journal of Archaeology of Egypt/Egyptology 17(5), 1414-1424. ISSN 1567- 214x Keywords: Bahram Gor, Dragon Slaying, Symbol, Painting, Haft Peykar. Abstract Haft Peykar is One of Nezami Ganjavi‟s most prominent works. It is a symbolic one and each of its stories and scenes can be interpreted and deciphered in different ways. One of the most important stories among them is Bahram Gor‟s dragon-slaying, which has a considerable presence in Iranian visual arts, including painting. The present research aims to study and decipher the symbols used in this mysterious story, as we believe there are still ambiguous points that can be clarified through more accurate studies. To find them, the following questions have been raised: What are the secrets and mysteries behind the story of Bahram Gor‟s dragon-slaying? What are the characteristics of the reflection of Bahram Gor's dragon- slaying story in Iranian painting? The illustration of Bahram Gor's dragon-slaying story is consistent with the poetry images in Haft Peykar, but it seems that the symbols and mysteries that lie in the hidden layers of this story are not found in the paintings drawn according to this story. -
Myth of Simorghian Mithraism (Mehrparasti) by Masato TOJO, Ph
New Religio-Cultural Movement in Iran & Japan Myth of Simorghian Mithraism (Mehrparasti) By Masato TOJO, Ph. D. Mithraeum Japan Version information: ⇐Official Site 1st 2006 Nov 17 Fri. 8th 2008 Jul 01 Tue. 9th 2009 Apr 27 Mon. First of all, I would like to express my gratitude to my friend Dr. Jamshid Jamshidi for his kind and rich suggestions. His long research and deep understanding of both Iranian and Japanese culture enables me to write this article. Myth of Simorghian Mithraism (Mehrparasti) ――Mithraic myth of the Simorghian culture―― CONTENTS Objectives 1. Preliminary Note 2. Myth 2. 1 The Mundane Egg 2. 2 Birth of Mitra 2. 3 Birth of the World 2. 4 Birth of Creatures 2. 5 Creatures were split into Three Groups 2. 6 Transmigration of souls 2. 7 History of the Humanity 2. 8 King Yima and the Long Winter 2. 9 Glorious Governance of King Yima 2. 10 Mirs 3. Glossary 3. 1 Simorgh 3. 2 The mundane egg 3. 3 The Cosmos 3. 4 Spheres, planets and fixed stars 3. 5 Vourkaša Sea 3. 6 Fravashi of the world 3. 7 Mt. Harā 3. 8 Êran-vēj 3. 9 Vara 3. 10 The rim mountains 3. 11 Cinvat bridge Appendix 1. Rig Veda A1. 1 Hymn 2.27 A1. 2 Hymn 3.27 A1. 3 Hymn 5.59 Appendix 2. Mihr Yasht A2. 1 Worship A2. 2 Mithra’s eight friends A2. 3 Mithra’s dwelling A2. 4 Keep contract, do not lie A2. 5 Do good governance A2. 6 Mithra’s rulership of the World Appendix 3 Hellenistic Sources A3. -
On the Roman Frontier1
Rome and the Worlds Beyond Its Frontiers Impact of Empire Roman Empire, c. 200 B.C.–A.D. 476 Edited by Olivier Hekster (Radboud University, Nijmegen, The Netherlands) Editorial Board Lukas de Blois Angelos Chaniotis Ségolène Demougin Olivier Hekster Gerda de Kleijn Luuk de Ligt Elio Lo Cascio Michael Peachin John Rich Christian Witschel VOLUME 21 The titles published in this series are listed at brill.com/imem Rome and the Worlds Beyond Its Frontiers Edited by Daniëlle Slootjes and Michael Peachin LEIDEN | BOSTON This is an open access title distributed under the terms of the CC-BY-NC 4.0 License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2016036673 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 1572-0500 isbn 978-90-04-32561-6 (hardback) isbn 978-90-04-32675-0 (e-book) Copyright 2016 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA.