March 14Th 1984
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
C:\Documents and Settings\Ejessen\Local Settings
IN THE SUPREME COURT OF THE STATE OF CALIFORNIA PEOPLE OF THE STATE OF CALIFORNIA, ) ) Supreme Court Plaintiff and Respondent, ) Crim. S040703 ) v. ) Los Angeles County ) Superior Court No. JAMES ROBINSON, JR., ) PA007095 ) Defendant and Appellant. ) _____________________________________________________________ APPEAL FROM THE JUDGMENT OF THE SUPERIOR COURT OF THE STATE OF CALIFORNIA FOR THE COUNTY OF LOS ANGELES _____________________________________________________________ APPELLANT’S OPENING BRIEF SUSAN K. MARR (State Bar No. 138383) 4562 Winston Drive Brentwood, Tennessee 37027 Telephone: (615) 661-8760 Attorney for Appellant James Robinson, Jr. TABLE OF CONTENTS TABLE OF AUTHORITIES ............................. (xxxii) STATEMENT OF THE CASE .................................1 STATEMENT OF THE FACTS ...............................4 I. APPELLANT, JAMES ROBINSON, JR. .............4 A. James Robinson’s Family Background ...........4 B. James Meets Tai Williams And Tommy Aldridge ...4 C. High School And The Marines ..................5 D. College ....................................5 II. THE EVENTS LEADING UP TO JUNE 1991 .........5 A. James Robinson’s Circumstances In 1990 .........5 B. January of 1991 .............................6 C. James’ Employment And His Finances In 1991 .....7 D. James Moves In With Tai Williams And Donna Morgan ....................................8 E. Purchasing The Gun ..........................9 F. Tai And Donna’s Domestic Problems ............9 III. THE EVENTS SURROUNDING THE HOMICIDES .10 A. Tai’s Plans To Rob The Subway Sandwich Shop ..10 B. Saturday, June 29, 1991 ......................12 C. James’ Discovery Of The Crime Scene ..........13 (i) D. Leaving Tai’s and Donna’s Apartment ..........15 E. Tommy Aldridge’s Visit To James’ Apartment ....16 F. James’ Arrest And Police Interview .............17 IV. THE PROSECUTION’S WITNESSES. .............17 A. Eyewitness Rebecca James’ View Of The Subway Sandwich Shop .............................17 B. -
November 2009 the Black Page the Black Page November 2009
NOVEMBER 2009 THE BLACK PAGE THE BLACK PAGE NOVEMBER 2009 4 Yael: by Sean Mitchell 18 Balancing Act: by Jayson Brinkworth A Different Way to Flow: 22 by Ryan Carver 23 Global Educators Database 25 The Final Word Solo drums, beautiful drums, warm drum tones and full-on exhilarating drums. In this double CD, master-mu- sician David Jones has allowed the drums to shine in all their acoustic glory. Not since Gene Krupa in the THE BLACK PAGE is distributed via PDF 1940s or Sandy Nelson in the 1960s to email inboxes worldwide. have drums been this far out front. To get the latest edition click below: David Jones has long been famous www.theblackpage.net for his utilisation of every conceivable Send us your feedback at: [email protected] percussive instrument – yes, even the kitchen sink – to make interesting Sean Mitchell Publisher soundscapes and rhythmic flourishes Jill Schettler Editor in Chief that leave an indelible mark on the Jayson Brinkworth Writer heart and soul of his listeners. Ryan Carver Writer Click below to visit www.davidjonesdrums.com.au EARTH FRIENDLY For international sales outside Australia please click HERE. No Paper,m No Ink, No Waste 2010 THE YEAR OF THE LEGENDS Feature Artists Scott Atkins Skip Hadden Pete Lockett Danny Seraphine Liberty DeVitto Bernard Purdie May 22 - 23, 2010 Jerry Mercer Asani, Ed Mann & Bruce Aitken Savoy Theatre Paul Wertico Glace Bay, Nova Scotia Dylan Mombourquette Canada Chris Sutherland Billy Ward Roxy Petrucci Carmine Appice Special Guest Stars Sean Mitchell, Ben Ross, Moe Hashie, Denny Seiwell Mark Marshall, Todd Mercer, and The Bill Cobham Pete Lockett Cape Breton Percussion Virgil Donati Ensemble. -
Chancellor Gains Majority
March 25, 1982 UNIVERSITY OF MISSOURI·SAINT LOUIS Issue 420 With 54% Chancellor gains majority u;eey Burnette with the statement, 'A Call for total of 356 ballots were sent Chancellor Grobman's Resigna out. tion,' dated February 17, 1982." Jacob J. Leventhal, a profes A majority of the ballots cast A total of 278 ballots were sor and chairperson of the in a recent faculty election counted. Of these, 41 were in Physics department said that the showed support for UMSL unsigned envelopes. Of the sign percentage of voters in favor of Chancellor Arnold B. Grobman, ed ballots, the vote was 128-92 asking for Grobman's resigna but almost 39 percent of the against asking for Grobman's tion shows that there is wide voters were in favor of request resignation. There were 17 abs- . spread opposition to some of the ing Grobman's resignation. The tentions. Of the unsigned bal chancellor's policies. " I think ballots were opened Monday in lots, the vote was 22-16 against this shows that opposition to the 266 University Center during an asking for Grobman's resigna chancellor's policies has a broad open session of the Faculty tion with three abstentions. A Council Executive Committee. See "Grobman," page 3 "With the conclusion today of the poll in which a number of UMSL faculty members partici Olson, . modifies. pated, I hope we have brought an end to the divisive events that, for the last several weeks, have disrupted this campus com compensation plan munity," Grobman stated in a letter distributed after the ballots Lacey Burnette cent above inflation to service were counted. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
September 1984
MODERN DRUMMER VOL.8, NO. 9 Cover Photo by Rick Malkin CONTENTS FEATURES ART BLAKEY After paying his dues with such greats as Fletcher Henderson, Dizzy Gillepsie and Thelonious Monk, Art Blakey went on to lead the legendary Jazz Messengers. Here, he traces his career from its inception in Pittsburgh clubs to the present, and discusses the inspiration and training he received from Chick Webb and Sid Catlett. by Chip Stern 8 CARMINE APPICE To remain at the hub of the music industry for nearly 20 years takes talent, perseverance, and versatility. In addition to drumming for such major acts as Vanilla Fudge, Rod Stewart, Ted Nugent and Ozzy Osbourne, Carmine Appice has been active as a clinician, educator and songwriter. He openly discusses his career and offers candid insights about the industry. by Robert Santelli 14 ARTHUR PRESS Drawing from his experiences as percussionist and assistant timpanist with the Boston Symphony, Arthur Press shares his thoughts about interpreting orchestral parts, adjusting to different conductors, and maintaining professionalism. He also gives advice about concert snare drums, and discusses his MMO recording, Classical Percussion. by Rick Mattingly 18 INSIDE YAMAHA 22 by Charles M. Bernstein and William F. Miller JONATHAN MOFFETT Have Drums—Will Travel 26 by Robyn Flans COLUMNS THE JOBBING DRUMMER EDUCATION JUST DRUMS 114 Avoiding Overplaying 88 PROFILES CONCEPTS by Tim Price Drumming And Prejudice JAZZ DRUMMERS WORKSHOP PORTRAITS by Roy Burns 30 Jazz Patterns In 5/4 Bobby Daniels 94 by Robyn Flans 34 THE MUSICAL -
Steve Smith Steve Smith
• SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades. -
WORLD-CLASS RHYTHM-SECTION CHEMISTRY to Get the Best Possible Sounds, We've Compiled a Roster of Ridiculously Good A-List
JM4 WORLD-CLASS RHYTHM-SECTION CHEMISTRY To get the best possible sounds, we’ve compiled a roster of ridiculously good A-list session players and recorded them at amazing studios around the country including Steve Vai’s studio, The Mothership, as well as Sound Asylum in Canoga Park, California and Sound Emporium’s Studio B in Nashville, Tennessee. Here are a few choice cuts: JAM 108 BLUES STOMP VIBE: Gregg counts off this slammy stomp that comes complete with thumpy bass and triplet chorus. FEATURING: Tal Morris (guitar), Tony Franklin (bass), Gregg Bissonette (drums) JAM 126 DRIVING ROCK VIBE: Palmed bass and guitar start off this big, highway-inspired thump. The chorus gets huge when it opens up! FEATURING: Tal Morris (guitar), Tony Franklin (bass), Carmine Appice (drums) JAM 100 OUTLAW COUNTRY CLUB VIBE: A smooth, twangy, mid-tempo bounce inspired by the greats of outlaw county. Jam along to solid rhythms and a sweet chord progression. FEATURING: Brent Mason (lead guitar), Dave Pomeroy (bass), Steve Turner (drums), John Hobbs (keyboards), Pat Bergeson (acoustic guitar), Paul Franklin (steel guitar) JAM 101 OUTLAW COUNTRY VIBE: Solo or comp along with just bass and drums in this stripped-down country jam. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 157 SUGARFOOT RAG VIBE: Perpetually ready for liftoff, Dave and Steve hold down this rodeo rag perfect for strummin’ or chicken pickin’. FEATURING: Dave Pomeroy (bass), Steve Turner (drums) JAM 112 HALF-TEMPO ROCKER VIBE: Starting off with an explosive drum fill, this jam’s got a wide, roomy drum sound, stiletto guitars and dirty bass. -
JROCK Houston - [email protected]
Magazine Staf Credits Interviews JROCK Houston - [email protected] KATZ – [email protected] Graphics: Leith Taylor - [email protected] Text Editor: Leith Taylor Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 2 Warrant’s Jani Lane Tribute …….6 Phil Soussan……8 WARRANT DRUMMER James Kottak……10 Counterfeit Molly……19 The Influence……20 Be The Ant……22 Live Wire – David Grant……24 Head Cat……28 Wings In Motion CD Review……33 Don Jamieson……34 Jaison In LA……40 Copyright 2011. Chaotic Rifs Magazine September 2011 - Issue 19 3 Talkback By JRock Houston Jani Lane is just the latest of many Rockers to leave the world way too young. I thought in light of this that this month's TALKBACK SECTON would take a look back at some other Rockers who checked out way too young. Let's take a trip down memory lane: 12/1/93 - Singer: Ray Gillian dies from Aids related complications. While he never appeared on record with Black Sabbath he was briefly a member of Black Sabbath's touring band when he briefly replaced legendary Singer: Glenn Hughes in the band. Following his gig with Sabbath Gillen briefly worked w/Ex Thin Lizzy/Whitesnake Guitarist: John Sykes in Blue Murder but eventually Gillen left Blue Murder and formed BadLands w/Ex Ozzy Osbourne/Ratt Guitarist: Jake E. Lee. Badlands released two albums before Gillen decided to leave because of friction that developed between Lee and Gillen. After Ray Gillen's death BADLANDS released a 3rd and final album called DUSK which was an album's worth of material of unreleased studio outakes. -
2Nd X-It Is a Must See, Must Hear, Incredibly Talented 5-Piece Classic Hard Rock Cover Band from the Chippewa Valley
2nd X-it is a must see, must hear, incredibly talented 5-piece Classic Hard Rock Cover Band from the Chippewa Valley. 2nd X-it delivers a no non-sense, rock and roll journey through the 70’s and 80’s era of Hard and Heavy Classic Rock. If you’re looking for a real rock band that plays real rock from such great artists as Iron Maiden, Judas Priest, Black Sabbath and Guns and Roses to name a few, then 2nd X-it is definitely your band! You will NOT hear the same top 40 tunes that every variety band around plays. Just Kick Ass Rock! Enclosed: - Band History - Band Member Biographies - Artist Song List - Venues and Events - Band Logos - Posters - Contact Information Videos of 2nd X-it can be found on 2ndxit.com - the official website of 2nd X-it, Facebook and YouTube (ensure you are viewing the most current videos with the current line-up) Thank you for considering 2nd X-it for your next event. We hope this EPK will answer any questions you may have. We are looking forward to Rocking your next party! 2ND X-it History The original X-it band was formed in 1983 by some high school friends around the Eleva / Strum, WI area. Early on, X-it enjoyed tremendous success in the local and regional music scene playing an average of 3-4 shows per month. Venues included county fairs, street dances, bars and large festivals. The band broke up in 2002 and pursued other successful area band projects. In 2007, some of the original members of X-it decided to reunite. -
Black Sabbath the Complete Guide
Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N. -
Delve Deeper Into Patti Smith: Dream of Life a Film by Steven Sebring
Delve Deeper into Patti Smith: Dream of Life A film by Steven Sebring Shot over 11 years by renowned Steven Sebring Smith, Patti. Patti Smith fashion photographer Steven Complete 1975-2006: Lyrics, Sebring, Patti Smith: Dream of Sebring, Steven. Claude and Reflections & Notes for the Life is an intimate portrait of the Francois-Xavier Lalanne. New Future. New York: Harper legendary rocker, poet and artist. York, NY: Reed Krakoff/Paul Perennial, 2006. Along with her Following Smith's personal Kasmin/Ben Brown, 2006. A lyrics, this compilation provides an reflections over a decade, the film book detailing the famed French understanding of the context for her explores her many art forms and couple’s artwork. albums, her thoughts and work with the friends and poets who inspired fellow musicians. her — William Burroughs, Allen Sebring, Steven and Patti Smith. Ginsberg, Bob Dylan, Robert Bygone Days: 1907-1957 Smith, Patti. Trois. London: Mapplethorpe and Michael Stipe. Photographs by John Penor and Thames & Hudson, 2008. Over a She emerges as a crucial, Family. New York: Distributed period of almost thirty years, Smith contemporary link between the Art Publishers, 2005. Born in created three books of her artistic Beats, punks and today's music. 1910 in Bison, South Dakota, John world. This special collection Shot in lush, dark tones, featuring Penor spent his life working with showcases volumes of her poetry, rare performance clips and narrated horses and cattle while photography, drawings and by the artist herself, Patti Smith: photographing his hometown life. handwriting. It is a testament to Dream of Life is an impressionistic Fifty years later his grand-nephew, Smith’s interest in all forms of journal of a multi-faceted artist that Steven Sebring, discovered his expression. -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords.