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By Saadat Hasan Manto
International Journal of Research in all Subjects in Multi Languages (National Conf. On Vol. 6, Sp. Issue: 3, March: 2018 21st Century: Changing Trends in the Role of Women-Impact on Various Fields) (IJRSML) ISSN: 2321 - 2853 Repulsions of Gendered Violence during the Partition in ‘The Return’ By Saadat Hasan Manto. Dr. Kashmira Mehta Head, Department of English, K S K V Kachchh University, Bhuj Abstract: This research paper aims to study the Partition and its correlation to gender. The target short story presents the whole generation of women who were the worst sufferers, whose bodies and ‘self’ were crushed and withered during the division. This story uncovers the victimization of women and violation of women’s space at a crucial time. This research paper emphasizes on narratives of women which were often omitted, gives the low down to the unspoken voices of women. Divided and violated mother nation– Bharatmata became the magnified image of despoiled and partitioned ‘self’ of women. Saadat Hasan Manto (1912-55), is “the undisputed master of the Indian short story” as described by Salman Rushdie. He is the grand dame of Urdu letters, his works created the ripples around. Manto’s short stories picture the repulsions of gendered violence during the Partition. His one of the eminent short stories The Return, originally written in Urdu as Khol Do, tackles the brutality head on with its denouement, leaving the reader thunderstruck. Key Words: Gender, Partition, Violence During the Partition of India, violence against women was an extensive issue. It is estimated that during the partition of India approximately 75,000 and 100,000 women were kidnapped and raped. -
Ajeeb Aadmi—An Introduction Ismat Chughtai, Sa'adat Hasan Manto
Ajeeb Aadmi—An Introduction I , Sa‘adat Hasan Manto, Krishan Chandar, Rajinder Singh Bedi, Kaifi Azmi, Jan Nisar Akhtar, Majrooh Sultanpuri, Ali Sardar Jafri, Majaz, Meeraji, and Khawaja Ahmed Abbas. These are some of the names that come to mind when we think of the Progressive Writers’ Movement and modern Urdu literature. But how many people know that every one of these writers was also involved with the Bombay film indus- try and was closely associated with film directors, actors, singers and pro- ducers? Ismat Chughtai’s husband Shahid Latif was a director and he and Ismat Chughtai worked together in his lifetime. After Shahid’s death Ismat Chughtai continued the work alone. In all, she wrote scripts for twelve films, the most notable among them ◊iddµ, Buzdil, Sån® kµ ≤µ∞y≥, and Garm Hav≥. She also acted in Shyam Benegal’s Jun∑n. Khawaja Ahmed Abbas made a name for himself as director and producer for his own films and also by writing scripts for some of Raj Kapoor’s best- known films. Manto, Krishan Chandar and Bedi also wrote scripts for the Bombay films, while all of the above-mentioned poets provided lyrics for some of the most alluring and enduring film songs ever to come out of India. In remembering Kaifi Azmi, Ranjit Hoskote says that the felicities of Urdu poetry and prose entered the consciousness of a vast, national audience through the medium of the popular Hindi cinema; for which masters of Urdu prose, such as Sadat [sic] Hasan Manto, wrote scripts, while many of the Progressives, Azmi included, provided lyrics. -
Saadat Hasan Manto
Saadat Hasan Manto -issues, from local to global are revealed in his series, Let دت :Saadat Hasan Manto (/mɑːn, -tɒ/; Urdu , pronounced [sa'ādat 'hasan 'maṅṭō]; 11 May 1912 – ters to Uncle Sam, and those to Pandit Nehru.[3] On his 18 January 1955) was a Pakistani writer, playwright and writing he often commented, “If you find my stories dirty, author considered among the greatest writers of short sto- the society you are living in is dirty. With my stories, I ries in South Asian history. He produced 22 collections only expose the truth”.[12] of short stories, 1 novel, 5 series of radio plays, 3 collec- tions of essays, 2 collections of personal sketches[1] and his best short stories are held in high esteem by writers and critics. 2 Biography Manto was tried for obscenity six times; thrice before 1947 in British India, and thrice after independence in 2.1 Early life and education 1947 in Pakistan, but never convicted.[2] Saadat Hassan Manto was born in Paproudi village of Samrala, in the Ludhiana district of the Punjab in a Mus- [13][14] 1 Writings lim family of barristers on 11 May 1912. The big turning point in his life came in 1933, at age 21,[15] when he met Abdul Bari Alig, a scholar and Manto chronicled the chaos that prevailed, during and [3][4] polemic writer, in Amritsar.Abdul Bari Alig encouraged after the Partition of India in 1947. He started his him to find his true talents and read Russian and French literary career translating work of literary giants, such authors.[16] as Victor Hugo, Oscar Wilde and Russian writers such as Chekhov and Gorky. -
1 Bio-Data Name: Dr. Md. Gayasuddin Prof. & Head, Department of Urdu
1 Bio-data Name: Dr. Md. Gayasuddin Prof. & Head, Department of Urdu Dr.Babasaheb Ambedkar Marathwada University Aurangabad- 431004, Maharashtra (India) Academic Qualifications: Ph.D. : 1991 A.M.U. (A Comparative Study of the Problems of Communalism in Urdu and Hindi Short Stories 1948-78) M.Phil. :1988 A.M.U. (A Critical Study of the Short Stories of Krishna Chandra) M.A. :1984 A.M.U. 1st Class 1st Position Gold Medal B.A.(Hons.) :1980 L.N.M.U. 1st Division (Darbhanga) Teaching Experience: : 28 Years Assistant Professor :1988-1998 (10 years)University of Pune, Maharashtra (India) Associate Professor (CAS) :1998-2006 (7 years)University of Pune, Maharashtra (India) Professor (Direct) : 2006 - till date (11 years completed) Dr. Babasaheb Ambedkar Marathwada University, Aurangabad, Maharashtra (India) Teaching Experience Classwise: U.G. 17 Years P.G. 28 Years M.Phil. 08 Years Administrative Experience: 17 years as Head of Departments Research Experience: 28 Years Field of Specialization: Fiction Publications: 2 Books Published:12 01.”Zawal-e- Adam-e- Khaki” (Novel) Pages:388 ISBN No. 978-93-5073-090-4 published from Educational Publishing House Delhi in 2013. 02. “Azab-e-Danish-e-Hazir” (Novel) Pages: 575 ISBN No. 978-93-5073-607-04 published from Educational Publishing House Delhi in 2015 03. “Sohbat-e-Peer Hindi” (Novel) Pages:150 ISBN No. published from Educational Publishing House, Delhi in 2017 04. “Qissa-e- Roz-o-Shab” (Short Stories) Pages: 250 ISBN:978-93-86285 published from Educational Publishing House, Delhi in 2016. 05.”Firqawariyat Aur Urdu Hindi Afsana” (Criticism & Research) Pages:448 ISBN No.81-6232-83-4 published from Educational Publishing House Delhi in 1999. -
A Study of Saadat Hasan Manto's Stories
ISSN 2249-4529 Lapis Lazuli An International Literary Journal WWW.PINTERSOCIETY.COM VOL.5 / NO.1/SPRING 2015 Nationalism and Madness: A Study of Saadat Hasan Manto’s stories “Toba Tek Singh”, “Thanda Gosht” and “Khol Do” SARIKA CHHETRY Jamia Millia Islamia Univesity ______________________________________________________________________________ Abstract One of the most important events in the history of India, the partition of Hindustan in 1947 witnessed a nationalistic fervour that defied comprehensibility. People were suddenly consumed by ideas of national honour, national pride and national solidarity. And all of these were based on the “othering” of India by Pakistan, and vice versa. This paper seeks to study the very thin line that demarcates the idea of nationalism from madness. It will look into the schizophrenic identity absorbed and adorned by people during partition, and how each one behaves under the effect of 300| P a g e VOL.5 / NO.1/SPRING 2015 jingoistic pleasure. The metaphor of “Madness” in conjunction with Nationalism needs to be explored. The paper, therefore, seeks to highlight not only skewed nationalism but also attempts to unfold the performativity of madness that Saadat Hasan Manto so cleverly and effectively makes use of in the three stories “Toba Tek Singh”, “Thanda Ghost” and “Khol Do”. Madness, in the end, only remains a rhetoric of Nationalism. Key words: Nationalism, Madness, Performance, martyrdom, othering, subaltern, dissent. ______________________________________________________________________________ The Partition of Hindustan in 1947 is one of the most important historical events of the twentieth century. The bloody riots and massacres that followed affected both the Hindus and Muslims on either side of the borders which was once porous and shared by the community. -
TCPDF Example
Beat: Entertainment Standing ovation for young Mantostaan by Rahat Kazmi at Cannes Film Festival Paris, Washington DC, 22.05.2016, 15:20 Time USPA NEWS - Rahat Kazmi, best known for his hard-hitting films on issues that make a difference, is back with his next, Mantostaan, the film that has begun its global journey with the Cannes World Premiere on May14. Mantostaan is based on writer Sadat Haasan Manto´s short stories inspired from Indo-Pak. Rahat Kazmi, best known for his hard-hitting films on issues that make a difference, is back with his next, Mantostaan, the film that has begun its global journey with the Cannes World Premiere on May14.---------------------------------------------------- Mantostaan is based on writer Sadat Haasan Manto´s short stories that seek their inspiration from the flames of the Indo-Pak partition. Rahat has through the camera lens, chronicled the chaos that prevailed, during and after the Partition of India in 1947, and brought to life on celluloid Manto´s most controversial works including Khol Do, Thanda Gosht, besides Aakhri Salute and Assignment in Mantostaan. Actors Raghubir Yadav, Sonal Sehgal, Shoib Nikash Shah, Tariq Khan, Virendra Saxena, Raina Bassnet and Rahat Kazmi star in the film in lead roles. The film is produced by Rahat Kazmi, Tariq Khan and Aaditya Pratap Singh and co-produced by Zeba Sajid. Associate producer Javid Banday. Creative Producer: Bhanu Pratap Singh.----------------------------------------------------------------------------------------------------------------------------------------------- At Cannes, Mantostaan was lauded by world audiences with a standing ovation at both screenings. Middle Eastern filmmaker Aya Al Blouchi is vocal in her appreciation. “Mantostaan was very daring, as compared to Bollywood films. -
Indian Cinema, Postcolonialism, and Social Justice: an Interview with Nandita Das1
Postcolonial Text, Vol 13, No 3 (2018) Indian Cinema, Postcolonialism, and Social Justice: An Interview with Nandita Das1 Manav Ratti Salisbury University, Maryland, USA Introduction Nandita Das (b. 1969) is one of India’s most eminent filmmakers and actors, renowned in particular for her work in art cinema (or parallel cinema, as it is also called in India), the genre of pioneering filmmakers Ritwik Ghatak (1925-1976), Satyajit Ray (1921-1992), Mrinal Sen (b. 1923), and Tapan Sinha (1924-2009). Das (Figure 1) has, in some respects, pursued an unconventional path into the Indian film industry, for it is not her first professional pursuit, and she does not hail from a film family (distinguished in their fields, her father, Jatin Das, is a painter; and her mother, Varsha Das, is a writer). Born in Mumbai and growing up in New Delhi, Das worked with NGOs for several years before entering the film industry, building on her Master’s degree from the Delhi School of Social Work in the University of Delhi. Fig. 1. Nandita Das at the Cannes Film Festival, 2017. Photo courtesy of Nandita Das Perhaps this unconventional, even outsider’s, path has informed Das’s use of films to question the norms of gender, religion, caste, sexuality, class, and nation, among others. Her work has gained recognition and respect for its uniqueness, urgency, awareness, and authenticity. Known for her social justice advocacy, Das’s national and international commitments span a range of issues, such as violence against women, children’s rights, HIV/AIDS, poverty, and interreligious harmony. She has supported India’s “Dark is Beautiful” campaign, which raises awareness about colourism, a form of prejudice and discrimination that devalues darker skin colours while privileging lighter ones. -
Magazine-2-3 Final.Qxd (Page 3)
SUNDAY, JANUARY 31, 2021 (PAGE 3) SACRED SPACE FORBEARANCE helps face difficulties How to be a failure? Akhtar Ul-nisa it to grow strong and pure we need to be regular in our spiritual practices and assert our Ankush Sharma stories", nobody gives a damn to the "failure stories". But it Forbearance is the ability to respond to a independence from the desire in the mind. It needs must not be ignored that the failed people have faced multi- situation of failure, disappointment, pain patience, presence, grace and focus. Failure! Yes, you have read right. This write-up will surf dimensional hurdles in their struggle and are more experi- you through the various paths leading to the failure. It may enced compared to the toppers especially those who got suc- or conflict with understanding and Significance of forbearance seem absurd but believe me, it would make sense in a few cess early. It is not to say that the toppers are not insightful minutes read. In fact, it has something crucial to offer to rather what I mean is that some people have inbuilt brilliance The quality of forbearance is of the highest importance composure. those who are aspiring to achieve success in their lives. or a good schooling background which might not be every- to every human being. Forbearance and nonviolence are It is bearing the physical, mental and emotional pain Success may have different meanings to different people but one's case. So, it's the failed people who can actually eluci- manifestation of inner strength. Reactivity and retaliation with strong and steady faith without lamenting or worry- the paths leading there have a common and a simple princi- date the worst struggle scenarios and impediments allowing make us to lose precious energy, forbearance on the other ing. -
Anthems of Resistance
A Celebration of Progressive Urdu Poetry Anthems of Resistance So what if my pen has been snatched away from me I hav dipped my fingers in the blood of my heart So what if my mouth has been sealed, I have turned Every link of my chain in to a speaking tonge Ali Husain Mir & Raza Mir 1 Anthems of Resistance A Celebration of Progressive Urdu Poetry Ali Husain Mir & Raza Mir IndiaInk 2 Brahma’s Dream ROLI BOOKS © Ali Husain Mir and Raza Mir, 2006 First published in 2006 IndiaInk An imprint of Roli Books Pvt. Ltd. M-75, G.K. II Market New Delhi 110 048 Phones: ++91 (011) 2921 2271, 2921 2782 2921 0886, Fax: ++91 (011) 2921 7185 E-mail: [email protected]; Website: rolibooks.com Also at Varanasi, Bangalore, Jaipur Cover : Arati Subramanyam Layout : Narendra Shahi ISBN: 81-86939-26-1 Rs. 295 Typeset in CentSchbook BT by Roli Books Pvt. Ltd. and printed at Syndicate Binders, New Delhi 3 CONTENTS Acknowledgements A Note on Translation and Transliteration Preface 1 Over Chinese Food: The Progressive Writers’ Association 2 Urdu Poetry and the Progressive Aesthetic 3 Saare Jahaan Se Achcha: Progressive Poets and the Problematic of Nationalism 4 From Home to the World: The Internationalist Ethos 5 Dream and Nightmare: The Flirtation with Modernity 6 Progressive Poetry and Film Lyrics 7 Voh Yaar Hai Jo Khushboo Ki Taraah, Jis Ki Zubaañ Urdu Ki Taraah 8 An Exemplary Progressive: The Aesthetic Experiment of Sahir Ludhianvi 9 Javed Akhtar’s Quiver of Progressive Arrows: A Legacy Survives 10 New Standard Bearers of Progressive Urdu Poetry: The Feminist Poets 11 A Requiem .. -
Ein Enfant Terrible Der Urdu-Literatur: Saadat Hasan Manto Zum Gedenken
Südasien-Chronik - South Asia Chronicle 3/2013, S. 271-279 © Südasien- Seminar der Humboldt-Universität zu Berlin ISBN: 978-3-86004-295-3 Ein enfant terrible der Urdu-Literatur: Saadat Hasan Manto zum Gedenken CHRISTINA OESTERHELD [email protected] 2012 jährte sich zum einhundertsten Mal der Geburtstag des 1955 viel zu jung verstorbenen Urdu-Schriftstellers Saadat Hasan Manto. Wie zu solchen Anlässen üblich, gab es eine Fülle an Gedenkveranstaltungen, Konferenzen, Zeitungsartikeln und Buchpublikationen. Manto wurde zu Recht als einer der großen Prosaautoren des Urdu gewürdigt, Dokumen- te zu seinem Leben erschienen, eine kritische Auseinandersetzung mit seinem Gesamtschaffen blieb aber weitgehend aus. Auf diese Tatsache hatte Leslie A. Flemming bereits 1979 in ihrer MonografieAnother Lone- ly Voice: The Urdu Short Stories of Saadat Hasan Manto hingewiesen. Seither sind mehrere Artikel, Monografien und Sammelbände zu Mantos Schaffen erschienen (vgl. Bhalla 1997; Jafri 2004; Jalal & Jalal 2012), darunter viele Neuübersetzungen der bekanntesten Kurzgeschichten, aber auch einiger Essays und literarischer Skizzen. Die Aufmerksamkeit richtet sich immer wieder auf zehn, zwölf meisterhafte Kurzgeschichten, die in der Tat zum Besten gehören, was die Urdu-Literatur hervorge- bracht hat, letztlich aber nur die Spitze seines fünf umfangreiche Bände 271 füllenden Gesamtwerks bilden. Gelegentlich wurde auch auf seine jour- nalistischen Arbeiten und seine Porträt-Skizzen hingewiesen, die zahl- reichen Hörspiele und die überwältigende Mehrheit der Kurzgeschichten blieben jedoch meist unerwähnt. 1. Manto: Eine Kurzbiografie Mantos Großnichte Ayesha Jalal lieferte mit The Pity of Partition (Jalal 2013) die bisher detaillierteste Studie zu Mantos Leben und zu seinem familiären Umfeld. Da sie ungehinderten Zugang zu den Familienar- chiven hatte, konnte sie zahlreiche Dokumente und Fotos zugänglich machen. -
A Stylistic Analysis of Manto's Urdu Short Stories and Their English
A Stylistic Analysis of Manto’s Urdu Short Stories and their English Translations Muhammad Salman Riaz Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures, and Societies October 2018 - ii - The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Muhammad Salman Riaz to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. © 2018 The University of Leeds and Muhammad Salman Riaz - iii - Acknowledgements I am thankful to Allah the Merciful for His countless blessings and for making this happen. I am also thankful to my parents for their support and prayers all through my life, and whatever I am today owes much to them. My heartfelt thank goes to my respected supervisor Dr Jeremy Munday for his persistent guidance, invaluable feedback, and patience. He has been a guiding star in every step of my research journey, and I would not have reached my destination without his matchless guidance and selfless help. I would also like to thank Charles Wallace Trust Pakistan whose bursary lessened the financial burden on me, and I was able to concentrate better on my research. I cannot thank my wife Tayyaba Salman enough for standing by me in every thick and thin and motivating me in hours of darkness. -
Cabinet Nod for Revised DTH Service Guidelines
CENTRAL CC PAGE 09 PAGE 11 https://www.facebook.com/centralchronicle Raipur, Thursday, December 24, 2020 I Pages 12 I Price R 3.00 I City Edition I Fastest growing English Daily of Chhattisgarh www. centralchronicle.in Money-laundering case More farm reforms in offing Cabinet nod for revised ‘Won’t bow before anyone’ ‘Hopeful farm unions will Srinagar, Dec 23 (PTI): discuss govt’s request’ National DTH service guidelines Conference New Delhi, Dec 23 (PTI): has been the case always Ready to talk if govt License to be now lines for providing DTH “Regulatory Framework for (NC) president in history and urged the services in the country. Platform Services” for DTH Farooq Agriculture Minister protesting unions to fix a scraps agri laws: Farmers Abdullah, who issued for 20 yrs Now, DTH license to be is- and multi-system operators Narendra Singh date and time for the As the farmers' protest is facing an ED sued for 20 years, the license (MSOs) services in 2014 Tomar on Wednesday next round of talks. entered its 27th day on probe in con- New Delhi, Dec 23: fee will be collected quarter- which were referred back said the government Protesting farmer Wednesday, Bhartiya Kisan nection with ly,”the Union minister said. by the broadcast ministry will continue with re- unions, who have Union (BKU) spokesperson the Jammu and Kashmir Union information and Earlier, the TRAI issued a in October 2020. MSO is de- forms in the farm stuck to their de- Rakesh Tikait on Wednesday Cricket Association (JKCA) broadcasting (I&B) minister consultation paper on fined as an authorised serv- sector as they are mand for a complete said a solution will come out money-laundering case, Prakash Javadekar on December 7 seeking views ice provider that provides still due in many repeal of all three through dialogue and his asserted on Wednesday that Wednesday said that the and comments with regard cable TVservices to its sub- areas, even as he reit- agri-laws, have not organisation is ready for it.