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Col Col CW-2 DRAFT GAZETTE of INDIA (EXTRAORDINARY)
DRAFT GAZETTE OF INDIA (EXTRAORDINARY) PART I - SECTION 4 (ARMY BRANCH) B/43432/ID19/AG/CW-2 New Delhi, the 15 August 2019 No. 10(E) dated 15 August 2019. The President is pleased to grant honorary ranks to the under mentioned Honorary Lieutenants and JCOs on the eve of Independence Day 2019 on retirement under Para 179 of the Regulation for the Army 1987, with effect from the dates shown against their names:- TO BE HONORARY CAPTAINS (ON RETIREMENT) 17 HORSE 1 JC 244898F RIS & HONY LT KAPTAN SINGH SHEKHAWAT 1/5/2019 14 HORSE 2 JC 244503P RIS MAJ & HONY LT KARMJIT SINGH 1/7/2019 CENTRAL INDIA HORSE 3 JC 243562P RIS MAJ & HONY LT RAMESH SINGH 1/7/2019 65 ARMOURED REGIMENT 4 JC 243905A RIS MAJ & HONY LT DHANPAT SINGH 1/7/2019 5 JC 243534H RIS MAJ & HONY LT KRIPAL SINGH 1/7/2019 70 ARMOURED REGIMENT 6 JC 243845W RIS MAJ & HONY LT MANGU SINGH 1/8/2019 72 ARMOURED REGIMENT 7 JC 244155Y RIS MAJ & HONY LT ANAND SINGH 1/6/2019 75 ARMOURED REGIMENT 8 JC 244306M RIS & HONY LT SANJIV KUMAR 1/2/2019 41 ARMOURED REGIMENT 9 JC 243385A RIS MAJ & HONY LT RAJBIR 1/5/2019 42 ARMOURED REGIMENT 10 JC 243715N RIS MAJ & HONY LT SURESH SINGH 1/5/2019 44 ARMOURED REGIMENT 11 JC 243872A RIS & HONY LT G JOSEPH LAWRENCE 1/7/2019 47 ARMOURED REGIMENT 12 JC 243422H RIS MAJ & HONY LT RAM KUMAR GUPTA 1/7/2019 13 JC 243801Y RIS & HONY LT NARAD MUNI PANDEY 1/4/2019 14 JC 243802F RIS & HONY LT VRAJ MOHAN 1/6/2019 54 ARMOURED REGIMENT 15 JC 243387L RIS MAJ & HONY LT CG MURUGAIYAN 1/4/2019 55 ARMOURED REGIMENT 16 JC 243881F RIS MAJ & HONY LT RAMESH KUMAR 1/3/2019 58 ARMOURED -
My God, That's My Tune'
The composer recently made it on the New York hit parade with a song titled In every city. In an interview R. D. Burman talks about his craft. Left: R. D. Burman with Latin American composer Jose Flores. Below: The 'Pantera' team, among others R.D. Burman (centre), Jose Flores and (far right) Pete Gavankar. HENEVER an Indian achieves a Wmilestone abroad, he instantly gets more recognition in his own coun- try. Perhaps it's the colonial hangover that still makes us believe that they are always right over there. In this case however, the distinction is not going to make any difference as the person gaining it is already a household name here. Rahul Dev Burman, who has given music for 225 Hindi films, has made it to the New York hit parade with a song titled In every city. He is all set to launch the album—'Pantera'—in India. Two people have been responsible for getting him there—his father Sachin Dev Burman who was the only member of the family willing to let him enter films, and Pete Gavankar, a friend of thirty years who goaded him into seek- ing new pastures and has financed the album. Intrigued, we decided to find out just how the international album had come about and while we were at it, also gauge just how much R.D. had already packed into his life of 45 years. It turned out to be much more than we had thought as we had to have several sittings before we were through. But R.D. -
Azaadi Ke Liye, Music Album
Amazon Prime Video creates a Guinness World Record with an iconic LIVE performance of The Forgotten Army – Azaadi Ke Liye, music album January 24, 2020 ~ Amazon Prime Video, in association with LIVE 1000 – a collective of artists, created a live operatic musical extravaganza with 1000 singers and instrumentalist coming together to perform the album of Amazon Original Series The Forgotten Army – Azadi Ke Liye, composed by musical maestro Pritam Chakraborty~ ~ The iconic musical event created a Guinness World Record for TheLargest Indian Cinematic Music Band ~ ~The music album for The Forgotten Army - Azadi Ke Liye, marks the digital debut of renowned music director Pritam and India’s much-loved playback singer Arijit Singh~ ~ Created and Directed by National Award winning filmmaker Kabir Khan, The Forgotten Army-Azaadi Ke Liye, will launch across 200 countries and territories on January 24, 2020 ~ ~ Prime offers incredible value with unlimited streaming of the latest and exclusive movies, TV shows, stand-up comedy, Amazon Original Series, ad free music through Amazon Prime Music, free fast delivery on India’s largest selection of products, early access to top deals, unlimited reading with Prime Reading, all available only for ₹129 a month ~ National, 24th January 2020: Marking the launch of much-awaited Amazon Original Series The Forgotten Army – Azaadi Ke Liye, Prime Video successfully created a Guinness World Record for TheLargest Indian Cinematic Music Band with an iconic live performance of the show’s album . The evening saw 1000 musicians from across the country coming together to perform songs from the series’ album, composed by Pritam. The operatic musical recital served as a prelude, as the country gears up to celebrate its 70th Republic Day. -
Ajeeb Aadmi—An Introduction Ismat Chughtai, Sa'adat Hasan Manto
Ajeeb Aadmi—An Introduction I , Sa‘adat Hasan Manto, Krishan Chandar, Rajinder Singh Bedi, Kaifi Azmi, Jan Nisar Akhtar, Majrooh Sultanpuri, Ali Sardar Jafri, Majaz, Meeraji, and Khawaja Ahmed Abbas. These are some of the names that come to mind when we think of the Progressive Writers’ Movement and modern Urdu literature. But how many people know that every one of these writers was also involved with the Bombay film indus- try and was closely associated with film directors, actors, singers and pro- ducers? Ismat Chughtai’s husband Shahid Latif was a director and he and Ismat Chughtai worked together in his lifetime. After Shahid’s death Ismat Chughtai continued the work alone. In all, she wrote scripts for twelve films, the most notable among them ◊iddµ, Buzdil, Sån® kµ ≤µ∞y≥, and Garm Hav≥. She also acted in Shyam Benegal’s Jun∑n. Khawaja Ahmed Abbas made a name for himself as director and producer for his own films and also by writing scripts for some of Raj Kapoor’s best- known films. Manto, Krishan Chandar and Bedi also wrote scripts for the Bombay films, while all of the above-mentioned poets provided lyrics for some of the most alluring and enduring film songs ever to come out of India. In remembering Kaifi Azmi, Ranjit Hoskote says that the felicities of Urdu poetry and prose entered the consciousness of a vast, national audience through the medium of the popular Hindi cinema; for which masters of Urdu prose, such as Sadat [sic] Hasan Manto, wrote scripts, while many of the Progressives, Azmi included, provided lyrics. -
Swami Vivekananda Concentrate on the Four Aspects O F M E a N I N G F U L L I F E
Monday 18 January - 24 January 2021 Mumbai TheThe Year : 2nd Editor - in - Chief Issue No. : 45 HULAHULHULAHUL TTimesimes Mr. Ravi Singh Initiative by HULAHUL Foundation ARMY DAY: REMEMBERING FIELD MARSHAL KODANDERA M. CARIAPPA “Either I will come back after hosting the tricolour or I will come wrapped in it, but I will Cariappa retired in 1953. After having served the country for over three decades, he had be back for sure.” gained a lot of experience of staff and command work. Hence, until 1956, he served as the Indian high commissioner to New Zealand and Australia. With an intention of welfare towards ex-servicemen, Cariappa in the year 1964 started the Indian Ex-Servicemen's rmy Day is observed on 15 January each year across League (IESL). He was also a major force in the setting up of the Directorate of Resettlement India, commemorating the taking over of Field which later came to be known as Directorate General Resettlement. It was an inter-service AMarshal Kodandera M. Cariappa as the first organization that ran under the Department of Ex-servicemen Welfare, Ministry of Defence, Commander-in-Chief of the Indian Army in the year 1949. The day that took responsibility of resettlement of retired soldiers. He took charge of the re- is celebrated in New Delhi, the national capital of India, in the form organization of armed forces in various countries. He was awarded with the Legion of Merit of military shows and parades. Army Day is observed to salute the in the field of Chief Commander by Harry S. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Sahir Ludhianvi
Sahir Ludhianvi March 8, 2021 Abdul Hayee (8 March 1921 – 25 October 1980), popularly known by his takhallus (pen name) Sahir Ludhianvi, was an Indian poet and film song lyricist who wrote in the Urdu and Hindi languages. His work influenced Indian cinema, in particular Bollywood films. Sahir won a Filmfare Award for Best Lyricist for Taj Mahal (1963). He won a second Filmfare Award for Best Lyricist for his work on Kabhie Kabhie (1976). He was awarded the Padma Shri in 1971. On 8 March 2013, the ninety-second anniversary of Sahir’s birth, a commemorative stamp was issued in his honour. Early life and education Sahir was born on 8 March 1921, in a red sandstone haveli in Karimpura, Ludhiana, Punjab, India, into a Gujjar Muslim landlord family. This is the reason why he added the suffix Ludhianvi after his name. His mother, Sardar Begum, left her husband thus forfeiting any claim to financial assets from the marriage. He then enrolled at the Government College, Ludhiana.The auditorium there is named after him. As a college student, Sahir was popular for his ghazals and nazms (poetry in Urdu) and impassioned speeches. Partition In 1943, Sahir settled in Lahore. There, he completed Talkhiyaan (Bitterness) (1945), his first published work in Urdu. Sahir edited Urdu magazines such as Adab-e- Lateef, Shahkaar, Prithlari, and Savera and became a member of the Progressive Writers’ Association. However, when he made controversial statements promoting communism, a warrant for his arrest was issued by the Government of Pakistan. In 1949, after partition, Sahir fled from Lahore to Delhi. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
REFERENCES Bharucha Nilufer E. ,2014. 'Global and Diaspora
REFERENCES Bharucha Nilufer E. ,2014. ‘Global and Diaspora Consciousness in Indian Cinema: Imaging and Re-Imaging India’. In Nilufer E. Bharucha, Indian Diasporic Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 43-55. Chakravarty Sumita S. 1998. National Identity in Indian Popular Cinema: 1947-1987. Texas University Press, Austin. Dwyer Rachel. 2002. Yash Chopra. British Film Institute, London. ___________. 2005. 100 Bollywood Films. British Film Institute, London. Ghelawat Ajay, 2010. Reframing Bollywood, Theories of Popular Hindi Cinema. Sage Publications, Delhi. Kabir Nasreen Munni. 1996. Guru Dutt, a Life in Cinema. Oxford University Press, Delhi. _________________. 1999/2005. Talking Films/Talking Songs with Javed Akhtar, Oxford University Press, Delhi. Kaur Raminder and Ajay J. Sinha (Eds.), 2009. Bollywood: Popular Indian Cinema through a Transnational Lens, Sage Publications, New Delhi. Miles Alice, 2009. ‘Shocked by Slumdog’s Poverty Porn’. The Times, London 14 January 2009 Mishra Vijay, 2002. Bollywood Cinema, Temples of Desire. Psychology Press, Rajyadhaksha Ashish and Willeman Paul (Eds.), 1999 (Revised 2003). The Encyclopedia of Indian Cinema. Routledge, U.K. Schaefer David J. and Kavita Karan (Eds.), 2013. The Global Power of Popular Hindi Cinema. Routledge, U.K. Sinha Nihaarika, 2014. ‘Yeh Jo Des Hain Tera, Swadesh Hain Tera: The Pull of the Homeland in the Music of Bollywood Films on the Indian Diaspora’. In Sridhar Rajeswaran and Klaus Stierstorfer (Eds.), Constructions of Home in Philosophy, Theory, Literature and Cinema, Centre for Advanced Studies in India, Bhuj, pp. 265- 272. Virdi Jyotika, 2004. The Cinematic ImagiNation: Indian Popular Films as Social History. Rutgers University Press, New Jersey. -
Unit Indian Cinema
Popular Culture .UNIT INDIAN CINEMA Structure Objectives Introduction Introducing Indian Cinema 13.2.1 Era of Silent Films 13.2.2 Pre-Independence Talkies 13.2.3 Post Independence Cinema Indian Cinema as an Industry Indian Cinema : Fantasy or Reality Indian Cinema in Political Perspective Image of Hero Image of Woman Music And Dance in Indian Cinema Achievements of Indian Cinema Let Us Sum Up Answers to Check Your Progress Exercises A 13.0 OBJECTIVES This Unit discusses about Indian cinema. Indian cinema has been a very powerful medium for the popular expression of India's cultural identity. After reading this Unit you will be able to: familiarize yourself with the achievements of about a hundred years of Indian cinema, trace the development of Indian cinema as an industry, spell out the various ways in which social reality has been portrayed in Indian cinema, place Indian cinema in a political perspective, define the specificities of the images of men and women in Indian cinema, . outline the importance of music in cinema, and get an idea of the main achievements of Indian cinema. 13.1 INTRODUCTION .p It is not possible to fully comprehend the various facets of modern Indan culture without understanding Indian cinema. Although primarily a source of entertainment, Indian cinema has nonetheless played an important role in carving out areas of unity between various groups and communities based on caste, religion and language. Indian cinema is almost as old as world cinema. On the one hand it has gdted to the world great film makers like Satyajit Ray, , it has also, on the other hand, evolved melodramatic forms of popular films which have gone beyond the Indian frontiers to create an impact in regions of South west Asia. -
1 Bio-Data Name: Dr. Md. Gayasuddin Prof. & Head, Department of Urdu
1 Bio-data Name: Dr. Md. Gayasuddin Prof. & Head, Department of Urdu Dr.Babasaheb Ambedkar Marathwada University Aurangabad- 431004, Maharashtra (India) Academic Qualifications: Ph.D. : 1991 A.M.U. (A Comparative Study of the Problems of Communalism in Urdu and Hindi Short Stories 1948-78) M.Phil. :1988 A.M.U. (A Critical Study of the Short Stories of Krishna Chandra) M.A. :1984 A.M.U. 1st Class 1st Position Gold Medal B.A.(Hons.) :1980 L.N.M.U. 1st Division (Darbhanga) Teaching Experience: : 28 Years Assistant Professor :1988-1998 (10 years)University of Pune, Maharashtra (India) Associate Professor (CAS) :1998-2006 (7 years)University of Pune, Maharashtra (India) Professor (Direct) : 2006 - till date (11 years completed) Dr. Babasaheb Ambedkar Marathwada University, Aurangabad, Maharashtra (India) Teaching Experience Classwise: U.G. 17 Years P.G. 28 Years M.Phil. 08 Years Administrative Experience: 17 years as Head of Departments Research Experience: 28 Years Field of Specialization: Fiction Publications: 2 Books Published:12 01.”Zawal-e- Adam-e- Khaki” (Novel) Pages:388 ISBN No. 978-93-5073-090-4 published from Educational Publishing House Delhi in 2013. 02. “Azab-e-Danish-e-Hazir” (Novel) Pages: 575 ISBN No. 978-93-5073-607-04 published from Educational Publishing House Delhi in 2015 03. “Sohbat-e-Peer Hindi” (Novel) Pages:150 ISBN No. published from Educational Publishing House, Delhi in 2017 04. “Qissa-e- Roz-o-Shab” (Short Stories) Pages: 250 ISBN:978-93-86285 published from Educational Publishing House, Delhi in 2016. 05.”Firqawariyat Aur Urdu Hindi Afsana” (Criticism & Research) Pages:448 ISBN No.81-6232-83-4 published from Educational Publishing House Delhi in 1999. -
SD Burman Booklet
SD BURMAN - 200 SONGS 11. Phoolon Ke Rang Se Artiste: Kishore Kumar 01. Kora Kagaz Tha Film: Prem Pujari Artistes: Lata Mangeshkar & Lyricist: Neeraj Kishore Kumar 12. Aaj Phir Jeene Ki Film: Aradhana Artiste: Lata Mangeshkar Lyricist: Anand Bakshi Film: Guide 02. Khoya Khoya Chand Lyricist: Shailendra Artiste: Mohammed Rafi 13. Tere Mere Sapne Ab Film: Kala Bazar Artiste: Mohammed Rafi Lyricist: Shailendra Film: Guide 03. Teri Bindiya Re Lyricist: Shailendra Artistes: Lata Mangeshkar & 14. Hum Aap Ki Ankhon Mein Mohammed Rafi Artistes: Geeta Dutt & Mohammed Rafi Film: Abhimaan Film: Pyaasa Lyricist: Majrooh Sultanpuri Lyricist: Sahir Ludhianvi 04. Mana Janab Ne Pukara 15. Ab To Hai Tumse Har Artiste: Kishore Kumar Artiste: Lata Mangeshkar Film: Paying Guest Film: Abhimaan Lyricist: Majrooh Sultanpuri Lyricist: Majrooh Sultanpuri 05. Mere Sapnon Ki Rani 16. Din Dhal Jaye Haye Artiste: Kishore Kumar Artiste: Mohammed Rafi Film: Aradhana Film: Guide Lyricist: Anand Bakshi Lyricist: Shailendra 06. Ek Ladki Bheegi Bhagi Si 17. Aasman Ke Neeche Artiste: Kishore Kumar Artistes: Lata Mangeshkar & Film: Chalti Ka Nam Gaadi Kishore Kumar Lyricist: Majrooh Sultanpuri Film: Jewel Thief 07. Tere Mere Milan Ki Lyricist: Majrooh Sultanpuri Artistes: Lata Mangeshkar & 18. Aaye Tum Yaad Mujhe Kishore Kumar Artiste: Kishore Kumar Film: Abhimaan Film: Mili Lyricist: Majrooh Sultanpuri Lyricist: Yogesh 08. Gaata Rahe Mera Dil 19. Yeh Dil Na Hota Bechara Artistes: Lata Mangeshkar & Artiste: Kishore Kumar Kishore Kumar Film: Jewel Thief Film: Guide Lyricist: Majrooh Sultanpuri Lyricist: Shailendra 20. Hum Bekhudi Mein Tum Ko 09. Dil Ka Bhanwar Artiste: Mohammed Rafi Artiste: Mohammed Rafi Film: Kala Pani Film: Tere Ghar Ke Samne Lyricist: Majrooh Sultanpuri Lyricist: Hasrat Jaipuri 21.